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Homer

Edité par In aedibus Aldi et Andreae Asulani Soceri, (1524)

Ancien(s) ou d'occasion Couverture rigide

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Expéditeur : Liber Antiquus, Early Imprinted Books (Chevy Chase, MD, U.S.A.)

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Description du livre : In aedibus Aldi et Andreae Asulani Soceri, 1524. Hardcover. État : Fine. Octavo: I. 16.2 x 10 cm. II. 15.9 x 10 cm. [1-7]8, A-Z8, AA-LL8, MM6 II. A-z8, A-H8, I4 THIRD ALDINE EDITION. The first volume, the Iliad, also includes Herodotus' life of Homer. The second volume comprises the Odyssey and Homeric Hymns. This edition reprints Aldus' letters to Girolamo Aleandro from the first Aldine edition. This set was once the property of the Greek diplomat, scholar, and book collector Johannes Gennadius (1844-1932), whose 26,000 volume personal library forms the core of the Gennadeion, the library of the American School for Classical Studies in Athens. Volume II once belonged to the Scottish antiquary and librarian David Laing and sold as lot 1529 in his sale at Sotheby, Wilkinson & Hodge, 12 May 1879, to Gennadius, who had it rebound to match his copy of Volume I. The set was sold as lot 1525 in the Gennadius sale at the same house, 28 March 1895. With the bookplates of Giorgio di Veroli (sale, Parke-Bernet, 28 February 1956, lot 433). Adams H-745; Ahmanson-Murphy 226; Renouard 98:1; Brunet III, p. 269; Graesse III, 326; Hoffmann ii 460 The first volume is bound in contemporary Italian black morocco, rebacked, the boards blind-ruled in compartments, with the central compartment framed by a scrolling floral roll and decorated with additional gold tools at the center and corners. The single word ILIAS in Greek is tooled in gold at the head of the upper board. The second volume is bound to match in 19th c. black morocco. The edges of both volumes have been gilded. These are both tall copies; the Iliad volume being a few millimeters taller. The first volume is particularly fresh, and both volumes have only minor blemishes. The title and final few leaves of the second volume are lightly soiled and there are minor paper repairs to the tips of the upper blank corners of the first few leaves. With the Aldine anchor and dolphin device (A6) on the title page and the verso of the final leaf in each volume. The text is printed in Greek throughout, except for the two Latin letters by Aldus. N° de réf. du libraire 2106D

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DANTE, Durante ou Dante degli Alighieri, dit;

Edité par Venise Alessandro Paganini 1515 (1515)

Ancien(s) ou d'occasion Couverture rigide Signé

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Expéditeur : Thomas-Scheler (paris, France)

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Description du livre : Venise Alessandro Paganini 1515, 1515. In-24 (95 x 50 mm) de 202 ff.ch. et 1 f.n.ch. ; demi-veau brun, dos lisse orné de filets, chaînettes et rosettes dorées, plats recouverts de papier marbré, petits coins de vélin (reliure du début du XIXe siècle). Mambelli, 26 : "Rara ed." ; Brunet, II, 502 ; Sander, 2323 ; Essling, 540 ; voir aussi le catalogue de l'exposition "Alessandro Paganini tipografo a Toscolano (1517-1538)", Toscolano, Fondazione Valle delle Cartiere, 2008, p. 43, n° 36. Édition très rare de la Divine comédie, la première de très petit format. Cette petite merveille typographique sort des presses d'Alessandro Paganini, illustre imprimeur italien à qui l'on doit l'invention de la notion de collection éditoriale, c'est-à-dire d'ouvrages conçus dans le même format et avec la même présentation typographique. L'ouvrage a été imprimé en caractères minuscules, italiques et semi-gothiques, dessinés et fondus par Paganini lui-même. Il en existe deux tirages, l'un paginé en chiffres arabes – c'est le cas de notre exemplaire –, l'autre en chiffres romains. La courte dédicace latine de l'imprimeur au cardinal Giulio de' Medici, futur Clément VII, nous apprend que le De remediis de Pétrarque dédié par Paganini à Léon X le 30 novembre 1515 – imprimé dans le même format et avec les mêmes types – avait paru peu de temps avant ce "dantino", qui a sans doute été publié au début de l'année 1516. L'ouvrage est illustré de quatre jolis bois gravés occupant les trois derniers feuillets : un plan de l'enfer sur double page, et trois schémas des péchés et des punitions correspondantes dont on attribue l'invention à l'humaniste Pietro Bembo (1470-1547). Le plan de l'enfer est signé des initiales I.A., sans doute Iohannes Andrea, ce qui permet d'attribuer ce bois à Giovanni Andrea Vavassore, célèbre graveur et imprimeur vénitien qui, au début du XVIe siècle, passa de la réalisation de cartes géographiques à l'imprimerie, domaine dans lequel il s'illustra jusqu'en 1573. "The remarkable distinguishing characteristic of Paganini's first collection was their small format. In fact, the 1515 edition of Dante in the very compact 24mo is unique among editions of Dante in the Renaissance. It was part of a series begun in the same year which included Petrarch's Rime, Jacopo Sannazaro's Arcadia and Pietro Bembo's Neoplatonic love dialogue, Gli Asolani. This editorial program can be considered an elaboration on Aldus' innovations at the beginning of the century, both for the small format and for the elegant characters which are midway between italic and roman. The choice of works also follows Aldus. Their intended courtly audience is clearly indicated by the persons to whom the individual titles are dedicated, embracing some of the most prominent figures of the Italian High Renaissance courtly society, including Isabella d'Este, Giovanni Aurelio Augurello, and Pietro Bembo" (cf. "Renaissance Dante in Print", cat. d'exposition en ligne). Alessandro Paganini et son père se transférèrent ensuite de Venise à Toscolano – la Benacum des Romains, sur les rives du lac de Garde –, où ils exercèrent l'art typographique entre 1519 et 1538. Ils y imprimèrent notamment une autre édition de Dante, de format in-8. Le Dante de Paganini se rencontre généralement en état très moyen et dans des reliures tardives. Notre exemplaire, sobrement relié au début du XIXe siècle, présente quelques taches et rousseurs sans gravité. Suite à une erreur d'imposition, le couteau du relieur a effleuré les premières lettres du texte imprimé au verso du feuillet 201, et la marge intérieure du premier feuillet a été renforcée. Le plan de l'enfer est un peu court de marges, comme toujours. Quelques annotations et soulignures anciennes à la plume. N° de réf. du libraire 13832

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Caesar Caius Julius

Edité par Venezia Agostino Zani 1511 (1511)

Ancien(s) ou d'occasion Couverture rigide

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Expéditeur : Buddenbrooks, Inc. ABAA (Newburyport, MA, U.S.A.)

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Description du livre : Venezia Agostino Zani 1511, 1511. A Very Early Folio Illustrated Edition incorporating incunabular plates, of Caesar's Commentaries, a core classical text of the Roman period. Illustrated with incunabular woodcuts from plates used for the 1493 edition of Livy. The title page is printed in red and there is a very fine, large woodcut to the title leaf (92 x 120 mm) within an elaborate border printed in red and repeated on the first leaf of text, within an altogether different woodcut border printed in black. There is a woodcut of approximately the same size at f. 51; twelve smaller woodcuts (each approx. 56 x 74 mm) are placed at the beginning of each chapter. Folio (mm 314x210), contemporary Italian half goatskin over wooden boards, goatskin on the sides with blind-ruled geometric designs, a pair of scallop-shaped brass fore-edge catches on front cover, vellum half pastedowns cut from a 14th-century theological manuscript, without the claps. A very handsome copy of this rare illustrated work. RARE. ONE OF THE EARLIEST AND MOST BEAUTIFUL ILLUSTRATED EDITIONS AND THE IMPORTANT FIRST ITALIAN ILLUSTRATED EDITION OF THIS GREAT CLASSICAL WORK. The title woodcut depicts a battle scene; the second large woodcut shows Lentulus seated addressing the Senate. The woodblocks depicted, were first used in Giunta’s 1493 edition of Livy and were immensely successful and consequently passed on from printer to printer. Considered very rare. A superbly illustrated edition of Cæsar, apparently the first illustrated Cæsar published in Italy. The title woodcut is strongly reminiscent of Uscello's great tryptich, "The Battle of San Romano," and the spare line of the woodcuts at the head of each chapter is perhaps inspired by Aldus' HYPNEROTOMACHIA POLIPHILI (1499). The text was edited by L. Panaetius. The Duc de Rivoli (Livres a figures Venitiens, p. 160) records a similar edition printed at the same press in 1517 but does not mention this one. A highly important book and a very desirable copy. N° de réf. du libraire 25712

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HOMER

Edité par Venice Aldus Manutius (1504)

Ancien(s) ou d'occasion Couverture rigide

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Expéditeur : Heritage Book Shop, ABAA (Beverly Hills, CA, U.S.A.)

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Description du livre : Venice Aldus Manutius, 1504. First Aldine Edition of Homer’s "Iliad" HOMER. Homeri Ilias[in Greek. Edited by Aldus Manutius]. [Venice: Aldus Manutius, not before 31 October 1504]. First Aldine edition and second edition in Greek of the Iliad, forming the first half of the great two-volume Aldine Homer. Small octavo (6 1/4 x 3 13/16 inches; 158 x 97 mm.). [56, lives of Homer by Herodotus, Plutarch, and Dion], 277 leaves. Bound without the final blank leaf. (Collation: 1-78 A-Z8 AA-LL8 MM6(-1)). Title in Greek and Latin, text in Greek. Greek and italic types. Thirty lines plus headline. Capital spaces with guide letters. Woodcut Aldine anchor and dolphin device (Fletcher no. 3) on A1 recto. Nineteenth-century vellum over boards. Covers bordered with ink rules, smooth spine decoratively tooled in gilt with dark green morocco gilt lettering label, turn-ins ruled in gilt, all edges gilt, marbled endpapers. Lower blank corner of first leaf of Herodotus’s life of Homer renewed, not affecting text. Small intermittent dampstain in the lower margin. Armorial bookplate of George Becher Blomfield on front pastedown. Penciled annotations on verso of front free endpaper. Early ink line numbers in the outer margin of leaves A3 (fol. 3) to C2 (18). Reprinted from Demetrius Chalcondylas’s 1488 Florentine editio princeps with few corrections. Adams H741. Kallendorf and Wells 77. Murphy 86. Renouard, Alde, pp. 46-47. HBS 66538. $20,000. N° de réf. du libraire 66538

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Pontanus, Joannes Jovianus.

Ancien(s) ou d'occasion Couverture rigide

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Expéditeur : Hünersdorff Rare Books ABA ILAB (Cheltenham, GLO, United Kingdom)

Evaluation du vendeur : Evaluation 2 étoiles

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Description du livre : Hardcover. État : Fine. 2nd Edition. Urania, sive de stellis libri quinque. Meteorum liber unus. De Hortis hesperidum libri duo. Lepidina sive postorales pompeae septem. Item Meliseum Maeon Acon. Hendecasyllaborum libri duo. Tumulorum Liber unus. Neniae duodecim. Epigrammata duodecim. Venice, Aldus & Asulanus, 1513. 8vo (160 x 103mm) 255 + [1]f. Last leaf with Aldine device. Bound in contemporary brown Italian morocco over wooden boards with blind and gilt fillets around a central star and the lettering PONTANI URANIA on sides. Edges gilt and gauffered with a knotwork pattern; two clasps and catches intact; edges gauffered; gilding slightly faded; top of spine skilfully restored. The augmented second Aldine edition of the moral poems, with the text corrected from the first 1505 edition and with an additional 27 pages of text at the end. Pontanus (1426-1503), humanist and politician, a friend of Aldus Manutius, was tutor at the court of Alfonso and Ferdinand of Naples. One of the most typical Latin poets of the Renaissance, he exerted a powerful influence, especially on the poets of the Pléiade. In Urania the author pronounced his immortality as a poet. An exceptionally fine copy preserved in an unusual Italian morocco binding of the period. Provenance: With early ink ownership signature “Cesare Serai” on title. References: Adams P-1858; Censimento 16; Isaac 12831; Renouard 63/7; Texas 104; UCLA 91. N° de réf. du libraire ABE-6332388924

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GREEK ANTHOLOGY.)

Edité par Venice: Aldus Manutius, November 1503 (1503)

Ancien(s) ou d'occasion Edition originale

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Expéditeur : Peter Harrington. ABA member (London, United Kingdom)

Evaluation du vendeur : Evaluation 5 étoiles

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Description du livre : Venice: Aldus Manutius, November 1503, 1503. Aldine octavo (149 × 93 mm). 19th-century French red straight-grained morocco by Thouvenin, covers panelled with gilt fillets and blind foliate tooling, gilt spine, gilt edges, green silk marker. Extremities lightly rubbed, occasional very light browning at head, an excellent copy. Collation as Ahmanson-Murphy. Woodcut device on title, repeated on final verso. Greek type 4:79 (text), roman 10:82 (title, register and colophon only). First Aldine edition, a handsome copy. Based on the 1494 editio princeps edited by Janus Lascaris, this was the second edition of the anthology assembled by the early 14th century Constantinopolitan monk Planudes, with additions including the editio princeps of the 6th-century Byzantine poem "In Thermas Pythias et aquarum miracula" by Paulos Silentiarius. Planudes' recension of the Anthology was the only collection of ancient Greek epigrams known to the west until the discovery of the Palatine codex in 1606. The Anthology is based on the lost compilation of Meleager of Gadara (1st century BCE), whose title, The Garland, reflected the common comparison of small beautiful poems to flowers; hence the Greek anthologia ("flower-gathering"; Latin florilegium), which metaphoric use led to the modern sense of the English "anthology". Aldus Adams A-1181; Ahmanson-Murphy 62; Renouard Alde 42.9. N° de réf. du libraire 59684

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Plutarch (c. 50- c. 120 AD)

Edité par In aedibus Aldi et Andreae Soceri, mense Augusto, (1519)

Ancien(s) ou d'occasion Couverture rigide

Quantité : 1

Expéditeur : Liber Antiquus, Early Imprinted Books (Chevy Chase, MD, U.S.A.)

Evaluation du vendeur : Evaluation 4 étoiles

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Description du livre : In aedibus Aldi et Andreae Soceri, mense Augusto, 1519. Hardcover. État : Fine. Folio: 30 x 20.5 cm. [4], 345, [1] leaves. Collation: *4, (lacking blank *4), a[alpha]-z[zeta]8, aa[2alpha]-tt[2tau]8, uu[2upsilon]10 FIRST ALDINE EDITION. This is the second edition in Greek, following the editio princeps printed by Giunta in 1517. The text was edited by Francesco Asulano, Andrea Torresani's son and Aldus' brother-in-law. Renouard, citing Johann Jacob Reiske, reports that there are apparently two editions of this date that differ in a number of textual points. The first Aldine edition appears to have been formed on the preceding of Giunta; the second differs greatly from it, exhibits a purer text, and was the basis for the Basel and Stephanus editions.' It is unclear which of the two variants our copy represents. Plutarch's Parallel Lives, a series of paired biographies in which the lives of famous Greeks and Romans are compared, is one of the signal achievements of classical literature. Renouard, p. 87, no. 9; New UCLA 182; Hoffmann III, 175; Schweiger p. 259, col. 2 Bound in eighteenth-century mottled sheepskin with a citron morocco label, gilt. A fine copy of the Aldine Plutarch with minor faults. The text is printed throughout in Greek, with capital spaces and printed guide letters at the beginning of each life. With the Aldine anchor and dolphin device on the title page and the verso of the final leaf. The title is a little soiled and there are discreetly backed tears in the margins of the first three leaves. A short worm trail has been expertly repaired in the final three signatures, very slightly affecting the text. There are also discreet repairs to the blank, upper corners of the final leaves. The margins of many of the lives have been heavily annotated in Greek and Latin by an unidentified 16th c. reader. N° de réf. du libraire 2105D

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Pollux, Julius

Edité par Aldus Manutius, Venice (1502)

Ancien(s) ou d'occasion Couverture souple Edition originale

Quantité : 1

Expéditeur : Jeremy Norman's historyofscience (Novato, CA, U.S.A.)

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Description du livre : Aldus Manutius, Venice, 1502. First edition. Pollux, Julius [Poludeukes, Ioulios] (fl. 2nd cent. A.D.). [Onomasticon] Pollucis vocabularii index in latinum tralatus, ut vel graece nescientibus nota sint . . . Folio. [104]ff. Venice: apud Aldum, April 1502. 296 x 201 mm. 18th or early 19th cent. gilt-ruled calf, a little rubbed, rebacked preserving original gilt spine. Fine copy.Editio princeps. Pollux, a Greek grammarian and sophist from Alexandria, was appointed professor of rhetoric at the Academy in Athens by the Roman Emperor Commodus (son of Marcus Aurelius). According to Philostratus's Lives of the Sophists, Pollux was given this post on account of his melodious voice. Pollux was the author of numerous rhetorical works, of which only a few titles survive, and the Onomasticon, a thesaurus of Attic Greek synonyms and phrases arranged thematically in ten books. "It supplies in passing much rare and valuable information on many points of classical antiquity- objects in daily life, the theater, politics- and quotes numerous fragments of lost works. Pollux was probably the person satirized by Lucian as a worthless and ignorant person who gains a reputation as an orator by sheer effrontery, and pilloried in his Lexiphanes, a satire upon the affectation of obscure and obsolete words" (Encyclopaedia Britannica [1999]). The editio princeps of Pollux's Onomasticon, issued by Aldus Manutius in 1502, made the work widely available to Renaissance scholars and antiquaries, and anatomists of the period drew on the Onomasticon for obscure Greek words to describe parts of the body. The Onomasticon was a valuable source of information for several important nineteenth century works of classical scholarship, and has continued to attract the interest of researchers in a variety of fields-in 2004, John H. Dierkx published an article on "Dermatologic terms in the Onomasticon of Julius Pollux" in The American Journal of Dermatopathology. Adams P-1787. Ahmanson-Murphy 54. Renouard, pp. 32-33. N° de réf. du libraire 40354

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HOMER

Edité par Heirs of Aldus the Elder, Venice (1524)

Ancien(s) ou d'occasion Couverture rigide

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Expéditeur : Milestones of Science Books (Ritterhude, D, Germany)

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Prix: EUR 14 000
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Description du livre : Heirs of Aldus the Elder, Venice, 1524. Hardcover. État : Near Fine. 3rd Edition. 8vo - over 7¾ - 9¾" tall. [Works in Greek] Ilias and Ulyssea. Batrachomyomachia. Hymni XXXII, 2 volumes. Venice: Heirs of Aldus the Elder, April 1524. 8vo (162x100 mm), [1-8] 9, 20-26, [1-40], [1-2] 3-277 [1]; [1], 2-251 [1] leaves; signatures (1-7)8 (A-Z)8 (AA-LL)8 MM6; (a-z)8 (A-H)8 I4; titles in Greek and Latin, Aldine device on titles and verso of the final leaf in each volume. Late 18th century red morocco gilt, spines with 5 raised bands (spines slightly faded), cut edges gilt, internally very fresh with only a little very light foxing / browning to first and final few leaves and few mm of light brown staining to fore-margin of a few leaves, old faded inscription to first title page. An exceptionally fine copy with ample margins, free of stamps or markings. ---- Ahmanson-Murphy, Aldine Coll. 197/1; Renouard, Annales de l'imprimerie des Alde, 98:1; Fock, Bibliotheca Aldina, 44; Adams H745; Brunet III, p. 269-70; Graesse III, 326; Fletcher, H.G. New Aldine studies, p. 47-49. - Third Aldine edition, printed in Greek throughout except for the two letters in Latin from Aldus Manucius to Girolamo Aleandro, which were reprinted from the first Aldine edition. The text is based on the 1517 edition, with additional typographic errors. The first volume contains the Iliad and Herodotus' Life of Homer, and the second comprises the Odyssey and Homeric Hymns. N° de réf. du libraire 001958

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STROZZI (, Ercole & Tito "Vespasiano")

Edité par Venice, Aldus & Asolanus 1513 (following the Venecian calendar; according to the usual European calendar 1514). (1514)

Ancien(s) ou d'occasion Couverture rigide Edition originale

Quantité : 1

Expéditeur : Antiquariat Buechel-Baur (Winnenden, Germany)

Evaluation du vendeur : Evaluation 5 étoiles

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Prix: EUR 14 000
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Description du livre : Venice, Aldus & Asolanus 1513 (following the Venecian calendar; according to the usual European calendar 1514)., 1514. Hardcover. État : Fine. 1st Edition. 8vo. (8), 99 lvs., (1) leaf, 152 lvs. With Aldus’ device (Fletcher Nr. 5) on title and last leaf verso. 16th century gilt-stamped vellum (darkened, soiled, rubbed); new end-papers and fly leaves, lacking ties. First Aldus edition of Strozzis’ poems, first edition of most of the complete works; scarce. PROVENENCE: The reverse of the title page has an autograph in the form of a six-line dedication to the two Strozzis from Daniel Finus; leaf A8 verso also has a longer laudation to Aldus Manutius by him written in manuscript. Both were published only in the 20th century (A. della Guardia: Tito Vespasiano Strozzi. 1916, p. LVIII, and S. Pasquazi, Poeti estensi. 1966). Daniele Fini, born in Ferrara 1470, son of an Fini „Hadrianus" Fino. Like his father before him, he took on political functions in his home city (Chamberlain and University Chancellor) but his main interest was literature. His principle writing activities were chiefly in composing poems in Latin and Italian (see Michaud XIV, 138 and Barotti / Barotti / Baruffaldi: Memorie istoriche de letterati Ferraresi. Vol. I. p. 133 ff). He was a member of Ferrara's humanistic circle and was one of Strozzi's closer friends. The copy of the work here is very likely to be a VOLUME OF DANIELE FINI'S POSSESSION, in which he wrote his poems. FOR FULL DESCRIPTION PLEASE VISIT ON OUR WEBSITE "THE SPECIAL OFFER". The decoration of the binding presents an outer frame with a closely set, slightly spirally winding pattern, copied from Greek art. Centrally there is a floral design, and also floral decoration in the corners of the frame. Light browning throughout (a few leaves somewhat more so) and finger marks mainly concerning the bottom outside page edges; occasional mould or water stains (but mostly to outside edges), two pages with small amount of damage to paper at the lower bottom white margin. On the whole, an unusual document with reference to Humanism in Ferrara and in an extremely rare contemporary binding. Censimento 16 CNCE 37457; Renouard / Ald. I, 98; Fletcher p. 111; Cat. Laur. 111; Ald. Slg. SBB 203; Adams S 1956; BMSTC (Italian Books) 650; Ebert 21848. N° de réf. du libraire 851

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Prix: EUR 14 000
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Description du livre : Aldus Manutius, Venice, 1504. Hardcover. État : Near Fine. 1st Edition. Folio - over 12 - 15" tall. Folio (308x212 mm). 12, [16], 273 [1] ff. Signature: [12], a-b8, a-p8, o-p6, r-u8, x8, v8, z8, &8, A-M8, N6. Woodcut Aldine device on [1]. Separate title to "Problematum Aristotelis" with Aldine device on E1r. Leaf p6r with colophon "Venetiis in Domo Aldi mense Maio M.DIII", last leaf N6r with colophon "Venetiis. mense Martio. M. D. IIII." 18th century plain vellum, spine with two red morocco labels titled in gilt (little edge chipping to one label). Title- and final leaf soiled, spotted and brown stained, otherwise bright with only light age-toning, few mainly marginal wormholes, occasional spotting. Extensive early ink marginalia in Latin (a few cropped at fore edge). A fine copy printed on strong paper. An outstanding, wide-margined copy. ---- BM STC Italian, 1465-1600, S. 43; Adams A 1761; Fock, p.18; Renouard 1504/2; USTC 810862; Dibner 18 and Norman 2066 (for 1st ed. of Theophrastus) - The rare first Aldus edition of Theodorus Gaza's Latin translation from Greek of Aristotle's works on animals and Theophrastus' works on plants. The original Greek manuscripts were brought from Constantinople to Italy by Giovanni Aurispa in the early 15th century and translated into Latin by Theodore Gaza around 1450. The editio princeps of the Greek came out only in 1497, but Gaza's translation, edited by Giorgio Merula, was first published in 1483. Gaza, scholar, scribe and teacher from Thessaloniki, translated many works of Greek science, literature and theology into Latin. He was renowned for the style and accuracy of his translations. Contains the 3rd Latin (1st Aldine) edition of Theophrastus' work on systematic botany which was first published in Latin translation in 1483. "An observer and collector of botanical data rather than a profound theorizer, Theophrastus was handicapped by lack of scientific language. Yet his description of the formation of the plant in the seed, the earliest account known, was the best made for 2000 years; it demonstrated excellent observation" (Dibner). This edition additionally contains Latin-Greek and Greek-Latin glossaries of technical terms found in Aristotle. The first edition is quite rare on the market. OCLC lists only 4 copies in US public libraries. N° de réf. du libraire 002037

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Dante Alighieri (1265-1321)

Edité par nelle Case d' Aldo et d' Andrea de Asola, (1515)

Ancien(s) ou d'occasion Couverture rigide

Quantité : 1

Expéditeur : Liber Antiquus, Early Imprinted Books (Chevy Chase, MD, U.S.A.)

Evaluation du vendeur : Evaluation 4 étoiles

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Prix: EUR 13 475,74
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Description du livre : nelle Case d' Aldo et d' Andrea de Asola, 1515. Hardcover. État : Fine. Octavo: 15.6 x 9.6 cm. [2], 244, [4] leaves. Collation: 2, a-z8, A-H8. Complete with blank leaves i2 and H7. SECOND ALDINE EDITION (first 1502), the first illustrated Aldine edition. The first Aldine Dante appeared in 1502, edited by Pietro Bembo. Aldus himself is believed to have prepared this second edition of Dante, which appeared shortly after his death in 1515. The title page announces the inclusion of the new map (the location, shape, and size) of the Inferno. The map -a cross-section of the Inferno- was inspired by the illustrations in Girolamo Benivieni's (1453-1542) Giunta edition of 1506. Aldus also incorporated variant readings included by Benivieni in the Giuntina. The volume opens with a dedicatory epistle by Andrea Torresani, Aldus' partner and father-in-law, to the celebrated Vittoria Colonna (1490-1547). Renouard, p. 73, no. 8; Ahmanson-Murphy 136; Adams D-88 Bound in 19th c. green morocco, paneled and tooled in gold, with a large central stamp of the Aldine device in gold on both boards. The contents are in fine condition. The top margin is cut a bit close in the final signature, just shaving the woodcut rule of the diagrams and illustration. With the bookplate of the Reverend Edward Francis Witts (1813-86). With woodcut schematic diagrams of the sins punished in the Inferno and the moral scheme of Purgatory, as well as a double-paged woodcut illustration of the Inferno, based on the researches of Antonio Manetti (1423-1497). The Aldine anchor and dolphin device appears on the title page and the verso of the final leaf. N° de réf. du libraire 2107D

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PLATO.

Edité par Paris: Josse Bade for himself and Jean Petit, 27 May 1518 (1518)

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Description du livre : Paris: Josse Bade for himself and Jean Petit, 27 May 1518, 1518. Folio (336 × 237 mm), complete with final blank. Contemporary blind-stamped calf over wooden boards with partially bevelled edges sewn on four double cords, metal clasps and catches. Skilfully rebacked with original spine laid down and corners repaired, front free endpaper renewed, occasional later pencil or ink marginalia, small worm trace (diminishing in size) to outer margin of first 4 leaves, a few small stains, occasional minor spotting, but generally crisp and clean internally, a handsome copy in a contemporary blind-stamped binding, probably of Parisian execution. Title and woodcut printer's device within elaborate woodcut architectural border, handsome criblé initials. Provenance: (1) from the library of Johann Rudolph von Erlach (1577–1628), with ink presentation inscription to lower outer corner of title recording its gift in 1609 by Michael Augspurger of Bern and with letterpress book label "Bibliotheque de Spietz" (Schloss Spietz, seat of the von Erlach family) to front pastedown; (2) ownership inscription of Fritz Baur of Basel, dated 1878 to front pastedown, above (3) ink inscription recording posthumous gift from W. Baur to (4) Dr. S. V. Rasmussen of Basel, dated 2 April 1925. The first Plato published by Josse Bade (Jodocus Badius Ascensius) and Jean Petit (Parvus). One of the four important librairies-jurés to the University of Paris, Petit helped Bade, an associate of Erasmus, establish his own press in 1503 and the partnership flourished, producing a stream of finely printed translations of the classics and editions of contemporary writers in the first three decades of the century. Bade's printing shop and bookshop on the rue Saint-Jacques became an important meeting place for French humanists and for foreign scholars like Thomas Grey and Thomas Lupset, who had been Erasmus's students. The text is the famous Latin translation of Marsilio Ficino which, on its first publication at Florence in 1484, was the first printed edition of Plato's works, long preceding the Greek editio princeps published by Aldus in 1513. The volume also includes the pseudo-Platonic dialogue Axiochus by Rodolphus Agricola, and Agostino Dati's version of the pseudo-Platonic Halcyon. "Marsilio Ficino (1433–1499) [was] the great Renaissance champion of Plato from a Christian point of view and the leader of those who wished to effect an accommodation between Platonism (or more accurately Neoplatonism) and Christianity, as the most distinguished of Plato's several Medicean apologists His enthusiasm for Plato and the Platonic tradition did not blind him to the various differences with Christianity, even to their irreconcilability on certain fundamental issues. Indeed, his willingness openly to confront these differences made him all the more credible and persuasive as an apologist for Plato and for the value of the Platonic tradition as a philosophical propaedeutic to the study of Christian theology" (Michael J. B. Allen, "Marsilio Ficino on Plato, the Neoplatonists and the Christian Doctrine of the Trinity", Renaissance Quarterly, vol. 37, no. 4 (winter 1984), pp. 555–584). Adams P1443; Gaselee, Early printed books in Corpus Christi College Cambridge, 217; Renouard, Badius Ascensius, III, 168. N° de réf. du libraire 76745

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EURIPIDES

Edité par Venice, Aldus (1503)

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Description du livre : Venice, Aldus, 1503. Hardcover. État : Very Good. EDITIO PRINCEPS. 2 volumes 8vo. (242) (216) unnumbered ff. Vol.1: Α-Γ⁸, Δ⁴, Ε-Η⁸, Θ⁶, Ι-Λ⁸, Μ⁶, ΝΞ⁸, Ο¹⁰, Π-Ρ⁸, Σ¹⁰, Τ-Υ⁸, Φ⁶, Χ-Ω⁸, ΑΑ-ΒΒ⁸, ΓΓ⁶, ΔΔ-ΖΖ⁸, ΗΗ⁶ Vol.2: ΘΘ-ΙΙ⁸, ΚΚ¹⁰, moved from vol. I [Lacking (chi)⁴ the register and Aldine device] ΛΛ⁸, ΜΜ¹⁰, ΝΝ-ΟΟ⁸, ΠΠ-ΡΡ⁸, ΣΣ¹⁰, ΤΤ⁸, ΥΥ⁶, ΦΦ-ΧΧ⁸, ΨΨ⁴, ΩΩ⁸, ΑΑΑ-ΒΒΒ⁸, ΓΓΓ⁶, ΔΔΔ-ΖΖΖ⁸, ΗΗΗ⁶, ΘΘΘ-ΚΚΚ⁸, ΛΛΛ⁴ (Δ4, Φ6, ΗΗ6, ΣΣ10 and ΥΥ6 are blanks, all present.) Greek letter. Capital spaces, with guide letters, Aldine dolphin device to verso of last. A fine, clean copy in lovely dark blue straight grained morocco gilt, c.1800 in the style of Bozerian, covers with border of leafy scroll within gilt rules, inner dentelles gilt with Greek key roll, spines richly gilt, yellow silk endpapers, all edges gilt, a little rubbed at extremities. **** EDITIO PRINCEPS of eighteen Euripidean plays (though the t-p mentions only 17), including 'Rhesus,' sometimes attributed to Sophocles, but often considered a later addition to the corpus. All the tragedies with the exception of 'Electra' are present, as well as the satyr play 'Cyclops.' Edited by Aldus, all but four are here published for the first time. Frequently based on myths, Euripides explores a variety of themes in his work, from xenia and the role of women in Alcestis, to the revenge and betrayal of the cuckolded wife in Medea, to hubris and misogyny in Hippolytus, to the aftermath of the Iliad in Andromache and Trojan Women, and a new take on Odysseus' dealings with the Cyclopes in 'Cyclops.' "It would seem from the preface that only 1000 copies were printed" (Dibdin), making it a set of particular rarity as well as beauty. This collection was the first to unite the disparate manuscripts of Euripides, and therefore formed the foundation for much later study of the tragedies. Much of the lasting importance of Euripides is due to his literary innovations which must have been striking to his contemporaries. He created deus ex machina as a literary device, prominently featured strong women and slaves for the first time, and focussed on real people and raw human emotions. His influence can be detected in the works of Joyce, Racine and Corneille. This copy is deliberately, for aesthetic reasons, incomplete of the register and the Aldine device of the first vol. The binder, most probably at the behest of the owner, wanting to create a uniform size for the two volumes, moved the last play of Vol. I to Vol. II, and then discarded the register and Aldine printer’s device as this now appeared in the middle of the text, rather than the end of the vol. The binding is very fine and, though unsigned, is undoubtedly the work of Bozerian, perhaps the most fashionable of the late C18th French binders. A beautiful copy of one of the most important of the Aldine Editio Princeps. **** BM STC It. C16th p. 239. Dibdin I 524 "frequently found in an imperfect or indifferent condition". Adams E 1030. Renouard 43:10 "première et rare édition d'Euripide". Brunet II 1095 "Cette édition est recherchée et les beaux exemplaires se trouvent difficilement.". N° de réf. du libraire 1444

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Theocritus.

Edité par Rome: Zacharias Callierges (1516)

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Description du livre : Rome: Zacharias Callierges, 1516. a little light toning and spotting, ff. [88], [116], 8vo, early nineteenth-century mid-brown polished calf, spine gilt in compartments, red morocco lettering piece, edges red, marbled endpapers, corners slightly worn, joints near-invisibly strengthened and front flyleaf re-attached, bookplate of Thomas Gaisford and letter from Earl Spencer to Gaisford glued to front endpapers, Gaisford’s ownership inscription and manuscript table of contents to blank endpapers, good The first edition of Theocritus to include the scholia (the fourth edition overall), and also the second book ever printed in Greek at Rome. Callierges, a Cretan native, printed initially at Venice but in the early 1510s moved to Rome, probably at the invitation of Pope Leo X, and had a fount of Greek type cast. With it he printed Pindar in 1515, and then this edition of Theocritus in January 1516. ‘As a printer of Greek, the achievements of Callierges are second only to those of Aldus. As an engraver of Greek type, he is in a class by himself. Only the potent commercial force of the Aldine press and the magic homogeneity of Griffo’s types have obscured its fame’ (Barker, Aldus Manutius and the Development of Greek Script and Type, p. 75).This copy belonged to Thomas Gaisford (1779-1855), Regius Professor of Greek and later Dean of Christ Church, Oxford. It was given to Gaisford in January 1815 by the collector George John Spencer, 2nd Earl Spencer - the prime mover in the creation of the Roxburghe Club - and his letter presenting the volume is tipped in. He writes: ‘Having understood from Mr Grenville that you are desirous of referring to the edition of Theocritus printeed by Callierges & having fortunately a duplicate copy of that book by me; I have desired Mr Bliss who is returning from here to Oxford to take charge of the volume, & beg you would do me the favour to accept it. The copy was in my original library here & formerly belonged to Dr George the headmaster of Eton. It is not in very firm preservation, but will I hope be looked upon by you as a mute testimony of the respect with which I remain, sir, your very obedient humble servent, Spencer’. Gaisford was then in the process of editing Theocritus for his collection of Poetae Minores Graeci (1816), in which he also printed the scholia and added a useful critical apparatus. He presumably arranged for the current binding to fix the ‘not very firm preservation’ that Spencer describes. (Adams T460; Dibdin II 485; CNCE 32693). N° de réf. du libraire 51683

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Pindar.

Edité par Rome: per Zachariam Calergi Cretensem (1515)

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Description du livre : Rome: per Zachariam Calergi Cretensem, 1515. second edition of the text but the EDITIO PRINCEPS of the scholia, first leaf of text printed in red and black, that leaf with two small abrasions and one vertical hole, the hole also reaching (though less so) the next leaf, with one or two letters lost from about 2 dozen words in total, intermittent dampmark in lower margin, some soiling and spotting, foliated in a later hand, early annotations and manicules to last three leaves, ff. [240, incl. blanks iota6 & Theta9], 4to, eighteenth-century calf, spine and corners skilfully repaired, new labels in impeccable period style, leather a little darkened and marked in places, sound The second edition of Pindar (following the 1513 Aldine editio princeps) and the first book printed in Greek in Rome. Callierges, a Cretan native, printed initially at Venice but in the early 1510s moved to Rome, probably at the invitation of Pope Leo X, and had a fount of Greek type cast, producing this book as the first use of it. ‘As a printer of Greek, the achievements of Callierges are second only to those of Aldus. As an engraver of Greek type, he is in a class by himself. Only the potent commercial force of the Aldine press and the magic homogeneity of Griffo’s types have obscured its fame’ (Barker, Aldus Manutius and the Development of Greek Script and Type, p. 75).Dibdin calls the Callierges Pindar ‘scarcer and dearer’ than the Aldine, and records that three of the parts are more accurate. ‘Due to its great merits, the Roman edition became the textus receptus for three hundred years’ (Fogelmark, The 1515 Kallierges Pindar, in Syncharmata, p. 38). This is Adams’ first listed variant, with gathering [beta] in the earlier state and no red printing on [Alpha]3. (Adams P1219; CNCE 23572; Dibdin II 286). N° de réf. du libraire 52028

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BECH, Philipp, ed.].

Edité par Joannes Oporinus (colophon: Bern, Samuel Apiarius,, Basel, (1556)

Ancien(s) ou d'occasion Couverture rigide Edition originale

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Description du livre : Joannes Oporinus (colophon: Bern, Samuel Apiarius,, Basel, 1556. 2 works in 1 volume. 8vo (15 x 10 x 4.5 cm). Richly gold-tooled tanned sheepskin (ca. 1700), sewn on 5 supports, each board with a border made from double fillets and a floral roll, diapered with fleurs-de-lis, the spine with a double-fillet border in each of the 6 compartments (plus a flower roll at the foot), the title "Graecor Veterum" in the 2nd and the others diapered with smaller fleurs-de-lis, comb-marbled paste-downs, headbands worked in yellow and green, gilt edges. The first work (De disciplina puerorum, bound 2nd) with several woodcut decorated initials (2 series). With the main text set in an Aldine-style italic type. The second work (Greek Epistolae, bound 1st) with a remarkable woodcut device on the title-page (a Greek theta with 2 winged serpents coiled around its curved elements and a putto with a torch sitting on its crossbar), 2 woodcut decorated initial letters (1 Greek and 1 roman) and a cast vine leaf ornament. With the Greek text set in Claude Garamont's famous Grec du Roi and the Latin translation set in his Aldine-style italic. 31, [21]; [16], "840" [= 804] pp. (2) [MOREL, Guillaume, ed.]. Graecorum veterum selectae brevesque epistolae.Paris, Guillaume Morel, King's printer for Greek, 1562. Two rare works, both the first editions of these collections, in an elegant French binding from ca. 1700.Ad 1: Rare first and only collective edition of 27 Latin pedagogical works originally published separately in the first half of the 16th century. It includes texts by Louis Vives (De ratione studii., De instutione puella ., Ad sapientiam introductio .), Erasmus (De instituendis pueris ., De civilitate morum peurilium ., Concio de puero .), Rudolph Agricola (De formando studio .), Melanchthon (De corrigendis studio sermo .), Christophe Hegendorf (De instituenda vita et corrigendis moribus iuventutis Paraenesis .), Otho Brundels (De disciplina et puerorum institutione Paraenesis .), Sebald Heyden (Paedonomia scholastica .) and others. Even the separately published works are very rare and hard to bring together. This collection presents the essential pedagogical concepts and opinions of the Renaissance. It was assembled and edited by Philipp Bech (ca. 1521-1560) professor of Greek (and later of medicine) at the University of Basel.Ad 2: Rare first edition of a selection of excerpts from Greek epistles by more than a dozen classical authors, printed by Guillaume Morel. The authors include Diogenes of Sinope, Apollonius of Tyana, Philostratus, Theophilact and many more. It is followed by a Latin translation. Morel (1505-1564) had a classical education and was appointed King's printer for Greek in 1555. He probably collected and edited these epistles himself. The Greek text is set in the second largest size (Gros Romain: 118 mm/20 lines or 17 point) of Claude Garamont's famous Grec du Roi, introduced by Robert Estienne in 1543 and used by Morel since 1554. The Cicéro (81 mm/20 lines or 12 point) italic used for the Latin translation is also by Garamont, introduced in 1545 and still with upright and rather small capitals in the Aldine manner. The USTC gives an erroneous collation (it should end C8 D2 rather than C10) and records it as Matthias rather than Samuel Apiarius. Morel himself published further editions of this collection in 1557 and 1562 and at least one more appeared after his death. Aldus's Greek edition of collected Epistolae, Venice, 1499, covered at least many of these authors and may have served as Morel's principal source.The endpapers are watermarked: crowned arms of Simon Arnauld (1618-1699), Marquis of Pomponne (since 1682), supported by 2 griffins, above "I [heart] C" [= J Cusson], similar to Heawood 715 (Paris 1728): see also Gaudriault, p. 93. With extensive interlinear (and some marginal) contemporary annotations in the Greek text of the Epistolae, an 18th-century(?) owner's inscription on an endleaf and an early 20th-century bookplate of Michel Tsoulidès. With some running heads and page numbers. N° de réf. du libraire 15097

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Roy McMullen, Izis Bidermanas (Photographer)

Edité par Aldus

ISBN 10 : 0490001009 ISBN 13 : 9780490001008

Neuf(s) Couverture rigide

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Description du livre : Aldus. Hardcover. État : New. N° de réf. du libraire DADAX0490001009

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ALDINE IMPRINT). JUVENALIS, DECIMUS JUNIUS. [and] PERSIUS FLACCUS

Edité par Aldus, 1501; Paris: Simon Colines, Venice (1501)

Ancien(s) ou d'occasion Couverture rigide

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Description du livre : Aldus, 1501; Paris: Simon Colines, Venice, 1501. Hardcover. The First Octavo Juvenal, and one of the Earliest Books in Aldus' New Italic Typeface. 165 x 102 mm (6 1/2 x 4"). Juvenal: [78] leaves; Catullus: 167, [1] pp. Two separately published works in one volume. First Aldine Edition of Juvenal; reprint of Aldine 1502 Edition of Catullus. Pleasing early--and very probably contemporary--calf, covers with a blind-ruled mitered frame, lower cover with 19th century blindstamped coat of arms (probably German) at center, raised bands, top compartment and a thin strip at bottom of spine expertly renewed, ties missing, PASTEDOWNS FROM A MID-13TH CENTURY MANUSCRIPT with extensive contemporary marginalia (see below). Front free endpaper with early ink inscription "Antonius Dulworth(?) ex dono fratris . . . " and with modern bookplate of Gerald Mander of Tettenhall Wood in Staffordshire; front flyleaf with inscription of Henry Bracegirdle (who bought this volume in Oxford on 6 December 1660); title page with 17th century inscription of Edward Palmer, King's College Oxford; marginalia throughout in Bracegirdle's hand, including an index at the end. Juvenal: Renouard, pp. 29-30; Ahmanson-Murphy 36. Catullus: Renouard, "Simon de Colines," p. 132; Schreiber 52. A handful of small abrasions to front cover, joints and extremities a little rubbed, but the binding sound and rather appealing as a lucky survival without much wear. Two leaves with short closed marginal tears, half-inch wormtrail at tail of gutter on last four leaves, other trivial imperfections, but A REMARKABLY FINE COPY INTERNALLY, the leaves clean and fresh, the Juvenal notably bright. This is a fine copy of the first octavo edition of Juvenal and one of the first books in the new italic typeface, instituted in imitation of the cursive hand in fashion at the time and perfectly suited for the small format editions popularized by Aldus. The collection of 16 satires by the great Roman poet Juvenal (ca. 60 - ca. 130) and six satires by the short lived Stoic Persius (34-62) has provided inspiration for a number of poets intent upon denouncing the vices of society. Among many other examples, Johnson's "London" clearly borrows from Juvenal's third satire, which shows Megalopolis (i.e., Rome) as the seat of vice and corruption. Reflecting Aldus' sustaining commercial goal of providing modestly priced portable editions of the classics to a wide audience, our volume apparently represents the first octavo edition of these satires, and Schweiger points out that the volume comprises a new recension of the text, taken from manuscripts and earlier editions. The work is typographically important as one of the earliest books to appear in italic type. Updike says that "the first books printed in the new font were the Virgil and Juvenal of 1501," and he reproduces the opening page of our text as an example of the new typeface, instituted in imitation of the cursive hand in fashion at the time and perfectly suited for the small format popular editions mentioned above. (In addition to the Virgil, issued in April, and our Juvenal, published in August, Renouard lists a Horace, issued in May of 1501 as the earliest italic printings.) Renouard indicates that there were two Aldine editions dated 1501: our printing (without the printer's famous anchor on the title) and one with the anchor present; the latter edition actually appeared several years later (STC Italian suggests 1515). Like the 1995 auction copy (in 19th century boards, sold at Christie's for £3,910) our copy has two stocks of paper; one bears an "A" watermark very close to, and perhaps identical with, Briquet 7919, while the other matches Briquet 9547. The Juvenal is preceded by a reprint of the 1502 Aldus edition of the Latin elegiac poets Catullus, Tibullus, and Propertius (all first century B.C.) from Parisian printer Simon de Colines (1480-1546). Colines married the widow of the remowned printer Henri Estienne and operated the Estienne press until 1526, when Henri's son Robert took over the busi. N° de réf. du libraire ST12442

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Castiglione Conte Baldassarre

Edité par Vinegia Figlioli di Aldo (Aldus) 1545 (1545)

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Description du livre : Vinegia Figlioli di Aldo (Aldus) 1545, 1545. A very early and rare printing of Castiglione by Aldus in the original folio format mirroring the 1528 printing. Elaborate Aldine device impressed on the title and at the end on the verso of the colophon leaf. Dedication to Michel de Selva, vescovo di Viseo. Folio, handsomely bound in fine Italian vellum. 122 ff. pp. A beautifully preserved copy, handsome and clean. RARE ALDINE EDITION OF THE CLASSIC LANDMARK IL CORTEGIANO. Castiglione’s great work is one of the most famous books of the Italian Renaissance and represents the highest level of committment to the prince and the new political and social order. The Courtier is the prototype of the courtesy book, written as conversation between members of the court. At the time of its composition Castiglione was at the court of Guidobaldo de Montefeltre and Elizabetta Gonzaga at Urbino, together with Bembo, Giuliano de' Medici, Federico Fregoso and other Renaissance luminaries; members of that court feature as speakers in the conversation. Castiglione, after serving the Sforzas at Milan and the Gonzagas at Mantua, came to the Court of Urbino in 1504 where de Montefeltre and his consort Elizabetta Gonzaga were the center of the most brilliant court in Italy, which counted among its members Bembo, Bibbiena, G. de’Medici and many other eminent men. This brilliant book is based on Castiglione’s experience of life among these dazzling figures. ‘The Courtier’ depicts the ideal aistocrat, and it has remained the perfect definition of a gentleman ever since. It is an epitome of the highest moral and social ideas of the Italian Renaissance and is written in the form of a discussion between members of the court. The fundamental idea that a man should perfect himself by developing all his faculties goes back to Aristotle’s ETHICS and many of the Aristotelian virtues reappear---honesty, magnanimity and good manners. The ideal man should also be proficient in arms and games, be a scholar and connoisseur of art; he should develop graceful speech and cherish a sense of honour. Relations between the prince and the courtier, forms of government, and rules for the conduct of a lady are also discussed and the book ends with the celebrated pronouncement on platonic love by Bembo. This Renaissance ideal of the free development of individual faculties and its rules of civilized behaviour formed a new conception of personal rights and obligations in Europe. The book was translated into most European languages and between 1528 and 1616 no less than one hundred and eight editions were published. It had great influence in Spain where traces of it can be found in DON QUIXOTE and in France in Corneille’s writings. But its most potent influence was probably in England. Its influence can be seen in Shakepeare, Spenser, Ben Jonson, Sir Philip Sidney, Robert Burton and Shelley. It had a great impact on the development of English drama and comedy. The beautiful and highly important printings of the house of Aldus are exceptional and revered in their own right. This, one of the most exceptional of Italian Renaissance works published by the great Renaissance printer of Italy. N° de réf. du libraire 25180

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CREVENNA, Pietro Antonio).

Ancien(s) ou d'occasion Couverture rigide Edition originale

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Expéditeur : Jonathan A. Hill, Bookseller Inc. (New York, NY, U.S.A.)

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Description du livre : Hard cover. Engraved vignettes on titles & numerous engraved head- & tail-pieces throughout. Six vols. Large 4to, cont. half-calf & boards (boards with some wear or rubbing, Vol. III with some dampstaining and mildew — now dormant — towards end), spines gilt, red & green morocco lettering pieces on spines. [Amsterdam]: 1776. A nice set of this rare and famous catalogue, privately printed in three hundred copies; it is one of the most highly appreciated 18th-century catalogues of a private library. Crevenna (d. 1792), a passionate and scholarly Italian bibliophile from Milan, spent most of his life in Amsterdam where he assembled his collections, rich in rare and excellent editions of the Greek and Latin classics and other important books and MS. including over 1000 incunabula, books printed by the Aldine and other presses, and important groups of Italian and French literature. By trade, he was a tobacco merchant who married Antoinetta Maria Bolongaro, the daughter of a very wealthy Italian merchant also living in Amsterdam. Assisted by his librarian, the Milanese author Carl’Andrea Oltolina, he himself compiled this richly annotated catalogue, well-known for its many learned bibliographical notes. The catalogue also serves as an early catalogue of autograph MSS. The last volume comprises extensive indices, including incunabula arranged according to date, a list of the Greek and Latin authors, chronological lists of books printed by Aldus, the Giunti, Gryphius and others. Very good and large set with all the errata leaves. Two spine labels partly flaked away and one head-cap a little chipped. From the library of Duke Albrecht of Saxe-Teschen with his characteristic binding style and endpapers. ? Gustave Brunet, Dictionnaire de Bibliologie Catholique, col. 593–"Ouvrage recherché, assez rare; les descriptions des premières éditions y sont faites avec grand soin." Peignot, p. 92–"Excellent ouvrage, assez rare, les descriptions des premières éditions y sont faites avec exactitude. On y relève quelquefois Debure." Pollard & Ehrman, Table XXXII. Taylor, Book Catalogues, p. 8–"Crevenna assembled a gentleman’s library of expensive standard works and, as the preface relates, took much pleasure in the task. The catalogue lists more than a thousand incunabula and was important for that reason in a time before the appearance of larger and better bibliographies" (& see pp. 100, 129, 135, & 238). N° de réf. du libraire JHABES2074

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Plato; Henricus Stephanus; Johannes Serranus

Edité par Geneva: Henri Estienne (1578)

Ancien(s) ou d'occasion Couverture rigide

Quantité : 1

Expéditeur : Sequitur Books (Boonsboro, MD, U.S.A.)

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Description du livre : Geneva: Henri Estienne, 1578. Hardcover. État : Used: Very Good. 3 Volumes. Folio. [36], 542, [2]; [8], 992; [8], 416, 139p. Bound in mid-17th century leather. AEG. 6 raised bands. Gilt inlay to spine. Gilt ruled. Marbled page ends. All three dedicatory epistles present. Good bindings and covers. Wear to extremities. Bindings restored and rebacked. Contemporary Cadoin Capuchin ownership to frontis of Volume I. Pages 721-732 in Vol. II (from De Legibus), present in facsimile. Internally good. Printers devices. Watermark present to first and last blanks to each volume, depicting a crown over the initials CAR contemporary with binding. THE FIRST COMPLETE EDITION OF PLATO. Large Paper Issue. ?Henri Estienne?s monumental edition of Plato, the first complete edition, which for two centuries remained the indispensable instrument of Platonic studies; to this day its pagination is universally accepted as the standard system of reference to the text of Plato? (Schreiber). It is also one of the two books which nearly bankrupted Estienne. He could only manage to print one book in 1579 and none in 1580. Refs: Adams P-1439; Schreiber 201; Hoffmann III, pp.119-21; Renouard (Estienne) I, 145-46(1), Dibdin II, 297-8; Brunet IV, 695. Famous edition of the Stephanus pagination, the system of reference and organization used in modern editions and translations of Plato based on an edition of Plato by Henricus Stephanus (Henri Estienne). Plato's works are divided into numbers, and each number is divided into equal sections: a, b, c, d, and e. The 9 facsimile leaves are from the end of Book IV and beginning of Book V in the De Leges(Laws). This section deals with law of marriage and the relation of man?s soul to God and the pursuit of virtue. Estienne?s edition of Plato, complete with all of the works attributed to Plato, attempted to move away from the Latin translation of Marsilio Ficino, the first translator of Plato's complete extant works into Latin. In the preface of Serranus translation, he ?criticized those commentators who distort the meaning of Plato?s dialogues with allegorical readings that serve no practical function in grasping the meaning of the dialogues themselves.?(Snyder 14, Matter and Method in Marsilio Facino?s Platonic Theology) The different sources used for assistance in this publication were ?from Ficinus, Aldus, Arlenius, Hopperus, and Cornarius, although their names are studiously suppressed? (Dibdin II, 297). Aside from the pardonable vanity of Serranus to previous translators and commentators, the text of this edition is very accurate and Serranus? commentary is well executed. This landmark work, well known in classical literature, ?has been long considered as a very valuable acquisition to the libraries of the learned and for its magnificence and variety of critical materials must be always held in estimation? (Dibdin II, 298) See our pictures. This is an oversized and heavy set that requires additional postage for international delivery outside of Canada and the US. N° de réf. du libraire 1412020001

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Description du livre : Venice: Aldus July, 1503. Aldine device on title, minor stains and soiling on title, 2 small patches of worming affecting a few letters on verso and the succeeding leaf, one patch on title filled in, insignificant marginal dampstaining at beginning and end, ff. [viii], 112, folio (324x215 mm), contemporary limp vellum with external lacing on spine, thong ties lacking, a bit soiled, occasional early underscoring and marginalia, modern bookplate of Kenneth Rapoport, preserved in a blue cloth folding box, very good An attractive copy of the first Aldine edition of the chief work by the Greek émigré scholar and religious leader (1403-72), originally published in 1469, defending Platonism and its compatibility with Christianity in response to an attack by the Aristotelian George of Trebizond. (Renouard pp. 40-41, ‘fort rare’; Adams B831;CNCE 5644). N° de réf. du libraire 55296

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Description du livre : Colophon: Venice: In aedib. Aldi, 1503. some light foxing, thin dampmark to top margin of first few leaves, six gatherings with copious marginalia in an early hand (see below), final leaf with the partly-erased inscription of ‘Antonii Larisi’, ff. [vi], 182,[bound with:]Origen. Explanatio. in Epistola Pauli ad Romanos Divo Hieronymo interprete. [Colophon:] Venice: Per Simonem de Luere, 1506, final blank discarded, ff. 73, folio, later vellum, spine and fore-edge lettered in ink, a little bit darkened and rumpled, very good The first Aldine edition of Origen, containing homilies on the Old Testament in a Latin translation by Jerome. A couple of incunable printings of various short works preceded this edition, but Origen was a dangerous author to be associated with, since Jerome himself had alleged him to be a heretic. When Pico della Mirandola attempted a revival in 1486 it resulted in his own arrest for heresy, and only in 1493 was Pico pardoned, freeing other humanists to investigate Origen’s works. This Aldine edition marked the beginning of the new understanding and was immediately followed by a number of other printings of works by Origen, including the first collected works in 1512 and Erasmus’s edition, published shortly after his death. For Aldus the edition is significant in containing the first appearance of the large-format dolphin device, and also a preface acknowledging the partnership of Aldus’s father-in-law for the first time.Bound with it is a rare printing from this significant period of another exegetical work by Origen, also printed in Jerome’s Latin translation, by Simon de Luere of Venice. This text, on Romans, does not survive in the original Greek (the homilies in the Aldine edition saw their Greek editio princeps in the seventeenth century). An early owner has taken advantage of the new freedom around Origen’s works and read substantial sections of this copy carefully. A number of leaves have frequent annotation in a careful hand in the margins on both sides of the text. Many appear to be keywords but the quantity is greater than usual and others add details or summarise passages. If nothing else, the interests of the reader are made relatively clear: in the table of contents of the first work, every reference to the Pope in the contents of the homily on Leviticus is called out. (First work: Adams O291; Ahmanson-Murphy 72; CNCE 55859; Second: CNCE 31790; not in COPAC or Worldcat). N° de réf. du libraire 51957

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Píndaro. (c. 518 - c.438 aC.)

Edité par Zacharias Callierges (para Cornelio Benigno), 1515, 13 de agosto, Roma: (1515)

Ancien(s) ou d'occasion Edition originale

Quantité : 1

Expéditeur : Els Llibres del Tirant (Barcelona, Spain)

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Description du livre : Zacharias Callierges (para Cornelio Benigno), 1515, 13 de agosto, Roma:, 1515. 4º. (21,9 x 15,6 cm.). 244 hojas, incluyendo las dos blancas. Las primeras hojas de la Olympia y Pythia, impresas en negro y rojo. El comentario están impresos rodeando al texto. Encuadernación del siglo xix en piel con gran supra-libros dorado en ambos planos. Adams 1219. Censimento 16. El primer libro impreso en tipos griegos en la ciudad de Roma.Los textos de Píndaro que han llegado a nuestros días son en su mayor parte estos epinicia, odas corales en honor a los ganadores en los juegos. Están agrupadas por juego: Olympia, Pythia, Nemea e Isthmia. Aldo publicó la editio princeps en 1513, pero con un texto reducido y sin las scholia aquí presentes.Zacarias Callierges habia trabajado como impresor previamente en Venecia, donde realizó cuatro obras en griego entre 1499 y 1500 y cuatro más en 1509; entre 1500 y 1509 trabajó como escribiente en Venecia y Padua. A requerimiento del Papa Leo X se trasladó a Roma en 1514 para que enseñara en el Gymnasio Griego. La imprenta de Callierges fue financiada por el Cardenal Chigi a través de su canciller, Cornelio Benigno y se estableció en Villa Chigi, donde imprimió obras literarias y litúrgicas hasta 1523.Los tipos utilizados para este libro fueron utilizados posteriormente por la imprenta de Giunta en Florencia."The first Greek book printed at Rome and the EDITIO PRINCEPS of the Greek Scholia, it remains the most splendid edition of the Olympia, Pythia, Nemea and Isthia of Pindar, greatest of the lyric poets of Ancient Greece. The works comprise the 'Victory Odes' celebrating the four great festivals and games of the Hellenic calendar. This is the second edition of the text proper, first printed by Aldus two years earlier but the readings for three of the works (which may be partly based on different ms. sources) are preferable to the Aldine. It is also the first production of Kallierges' Roman press, then just established by the wealthy financier Cornelo Benigno, chancellor to Cardinal Agostino Chigi in the Villa Chigi itself. It was probably the prize in the great race with Lascaris and Angelo Coloni to establish the first Greek press in Rome and it is a magnificent example of early Greek printing. Kallierges' fonts were based on those he first used at Venice in the Etymologium Graecum of 1499 "one of the most beautiful Greek books ever produced", Mortimer, Harvard It. C16 II p688 and which demonstrates Kallierges' ingenious solution to the problem of Greek accents which had bedevilled all earlier Greek types. His early scribal training must have helped considerably. Pindar was the star of the Alexanidria Pleiade and an inspiration not just to his Greek successors, but to many moderns, among them Ronsard, Pope, Goethe, Holderlein and Foscolo." [Socal]. N° de réf. du libraire 12577

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Cicero, Marcus Tullius

Edité par The Aldine Press;, Venice (1540)

Ancien(s) ou d'occasion Couverture rigide Edition originale

Quantité : 1

Expéditeur : FelixRareBooks (cahir, N/A, Ireland)

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Description du livre : The Aldine Press;, Venice, 1540. Hardback. État : fine. 1st. Edition. M. TULLII CICERONIS EPISTOLAE FAMILIARES BY MARCUS TULLIUS CICERO; PAOLO MANUZIO by M. Tullii Ciceronis Epistolae familiares by Marcus Tullius Cicero; Paolo Manuzio VG.Printed inVenetiis, Aldus, The Aldine Press;-1540, small8vo,reboundby Grolier, in full leather, Very Rare This Edition. Small 8vo. Book istight, With Printer's device on title & throughout, profuse cont. m/ss notes in parts, lacks rubricated initials, Raised Bands to spine, a very Scarce Book, a good example of early printing. N° de réf. du libraire 291

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Description du livre : Toussaint Denis, Paris, 1517. First Edition. Probably the first book on the history and curriculum of any university (cf. E. P. Goldschmidt). The Compendium was written by Robert Goulet, a professor at the University of Paris, and is an encomium of that university, narrating its foundation and history, its administrative organization, and its curriculum. It also offers advice to others who would like to imitate in their own colleges that "mother of all universities." And indeed, the University of Paris was a mother to many schools and colleges throughout Europe, inspiring their organization and curriculum in countless ways. The work is prefaced by a prayer for students written by St. Thomas Aquinas and a letter by Aldus Manutius on the education of youth. Small 4to (20.5 x 15cm), [iv] + 24ll. A bit of scattered marginalia, last leaf with slight edge wear and small marginal damp-stain, verso of last leaf with antique ownership inscription. Bound in modern limp vellum with gilt title on spine. N° de réf. du libraire 001843

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CREVENNA, Pietro Antonio).

Ancien(s) ou d'occasion Couverture rigide Edition originale

Quantité : 1

Expéditeur : Jonathan A. Hill, Bookseller Inc. (New York, NY, U.S.A.)

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Description du livre : Hard cover. Engraved vignettes on titles & numerous engraved head- & tail-pieces throughout. Six vols. bound in one thick vol. Large 4to, cont. red pigskin-backed blue boards (some rubbing), vellum corners, spine lettered in gilt, entirely uncut. [Amsterdam]: 1776. A fine uncut set, remarkably bound in one thick volume, of this rare and famous catalogue, privately printed in three hundred copies; it is one of the most highly appreciated 18th-century catalogues of a private library. Crevenna (d. 1792), a passionate and scholarly Italian bibliophile from Milan, spent most of his life in Amsterdam where he assembled his collections, rich in rare and excellent editions of the Greek and Latin classics and other important books and MS. including over 1000 incunabula, books printed by the Aldine and other presses, and important groups of Italian and French literature. By trade, he was a tobacco merchant who married Antoinetta Maria Bolongaro, the daughter of a very wealthy Italian merchant also living in Amsterdam. Assisted by his librarian, the Milanese author Carl’Andrea Oltolina, he himself compiled this richly annotated catalogue, well-known for its many learned bibliographical notes. The catalogue also serves as an early catalogue of autograph MSS. The last volume comprises extensive indices, including incunabula arranged according to date, a list of the Greek and Latin authors, chronological lists of books printed by Aldus, the Giunti, Gryphius and others. Very nice and large set with all the required errata leaves. ? Gustave Brunet, Dictionnaire de Bibliologie Catholique, col. 593–"Ouvrage recherché, assez rare; les descriptions des premières éditions y sont faites avec grand soin." Peignot, p. 92–"Excellent ouvrage, assez rare, les descriptions des premières éditions y sont faites avec exactitude. On y relève quelquefois Debure." Pollard & Ehrman, Table XXXII. Taylor, Book Catalogues, p. 8–"Crevenna assembled a gentleman’s library of expensive standard works and, as the preface relates, took much pleasure in the task. The catalogue lists more than a thousand incunabula and was important for that reason in a time before the appearance of larger and better bibliographies" (& see pp. 100, 129, 135, & 238). N° de réf. du libraire JHABES2599

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Commander
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Description du livre : Gijón (aunque Carmen se imprime en Aldus, Santander, y Lola en Tip. de Rodrigo, Sigüenza), 1927. 18x25 y 16x22.2. 7 números en 5 vols.: Carmen 16pp. cada núm.; Lola 8pp. c.n. Camisas originales; cada número en su sobre editorial, dirigido al torrelaveguense Gabino Teira, fundador de la Biblioteca Popular, y amigo de Diego. Fe de erratas encartada en el nº 5. Colaboraciones de Lorca, Alberti, Cernuda, Guillén, Larrea, Diego, Salinas, Villalón, Altolaguirre, Aleixandre, Quiroga Plá, Adriano del Valle, Max Aub, Emilio Prados, etc. (A la luz de la reciente redescubrimiento triunfal de la obra de Luis Alvarez Piñer, secretario de la revista, esperemos que su otro colaborador principal, el cineasta y escritor Manuel de la Escalera, consiga su merecida revindicación tras largos años de carcel y olvido.) Rarísima colección completa de esta, con Litoral, la mejor de las legendarias revistas del 27, y encima buenos ejemplares, con sus sobres editoriales. Envíos para España: el pago contra reembolso conlleva un recargo de 2 Euros. N° de réf. du libraire 50.15

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Peter Way

Edité par Aldus Books

ISBN 10 : 0490003729 ISBN 13 : 9780490003729

Neuf(s) Couverture rigide

Quantité : 1

Expéditeur : ExtremelyReliable (Richmond, TX, U.S.A.)

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Prix: EUR 7 902,26
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Description du livre : Aldus Books. Hardcover. État : New. First. N° de réf. du libraire DADAX0490003729

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