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LONGLISTED FOR THE 2015 NATIONAL BOOK AWARD

NAMED ONE OF THE BEST BOOKS OF 2015 BY THE WASHINGTON POSTTIMEMEN’S JOURNALCHICAGO TRIBUNE, KANSAS CITY STAR, BROOKLYN MAGAZINE, NPR, HUFFINGTON POST, THE DAILY BEAST, AND BUZZFEED

WINNER OF THE 2015 ERNEST J. GAINES AWARD FOR LITERARY EXCELLENCE

LONGLISTED FOR THE 2016 ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN FICTION

NATIONAL BESTSELLER

From the PEN/Faulkner finalist and critically acclaimed author of Hold It ’Til It Hurts comes a dark and socially provocative Southern-fried comedy about four UC Berkeley students who stage a dramatic protest during a Civil War reenactment—a fierce, funny, tragic work from a bold new writer.

Welcome to Braggsville. The City that Love Built in the Heart of Georgia. Population 712

Born and raised in the heart of old Dixie, D’aron Davenport finds himself in unfamiliar territory his freshman year at UC Berkeley. Two thousand miles and a world away from his childhood, he is a small-town fish floundering in the depths of a large, hyper-liberal pond. Caught between the prosaic values of his rural hometown and the intellectualized multicultural cosmopolitanism of Berzerkeley, the nineteen-year-old white kid is uncertain about his place until one disastrous party brings him three idiosyncratic best friends: Louis, a “kung-fu comedian" from California; Candice, an earnest do-gooder claiming Native roots from Iowa; and Charlie, an introspective inner-city black teen from Chicago. They dub themselves the “4 Little Indians.”

But everything changes in the group’s alternative history class, when D’aron lets slip that his hometown hosts an annual Civil War reenactment, recently rebranded “Patriot Days.” His announcement is met with righteous indignation, and inspires Candice to suggest a “performative intervention” to protest the reenactment. Armed with youthful self-importance, makeshift slave costumes, righteous zeal, and their own misguided ideas about the South, the 4 Little Indians descend on Braggsville. Their journey through backwoods churches, backroom politics, Waffle Houses, and drunken family barbecues is uproarious to start, but will have devastating consequences.

With the keen wit of Billy Lynn’s Long Halftime Walk and the deft argot of The Brief Wondrous Life of Oscar Wao, T. Geronimo Johnson has written an astonishing, razor-sharp satire. Using a panoply of styles and tones, from tragicomic to Southern Gothic, he skewers issues of class, race, intellectual and political chauvinism, Obamaism, social media, and much more.

A literary coming-of-age novel for a new generation, written with tremendous social insight and a unique, generous heart, Welcome to Braggsville reminds us of the promise and perils of youthful exuberance, while painting an indelible portrait of contemporary America.

Revue de presse :
“Great American writers whose names came to mind as I was reading Welcome to Braggsville: Tom Wolfe, Mark Twain, Toni Morrison, H.L. Mencken, Don DeLillo, David Foster Wallace, Norman Mailer and Ralph Ellison. Johnson’s timely novel is a tipsy social satire . . . a tour de force.” (NPR's Fresh Air)

“A rollicking satire . . . Radical, hilarious, tragic, and all too relevant.” (O Magazine)

“Johnson’s writing is often brilliantly comic, and Braggsville is a welcome new kind of southern novel.” (Time, Top 10 Books of 2015)

“A stunning achievement with no clear literary precedent. Welcome to Braggsville . . . is one of the most searing, shocking looks at racial issues and campus activism in a long time.” (Men’s Journal, Best Books of 2015)

“The most dazzling, most unsettling, most oh-my-God-listen-up novel you’ll read this year. T. Geronimo Johnson plays cultural criticism like it’s acid jazz. His shockingly funny story pricks every nerve of the American body politic. Welcome to Braggsville. It’s about time.” (The Washington Post)

“Reading this novel is not unlike listening to an erudite satirist play the dozens in a marathon performance . . . Organic, plucky, smart, Welcome to Braggsville is the funniest sendup of identity politics, the academy and white racial anxiety to hit the scene in years.” (New York Times Book Review)

“Audacious, unpredictable, exuberant and even tragic, in the most classic meaning of the word . . . A heady mix of satire and hyperbole. At times, Welcome to Braggsville reads like a literary hybrid of David Foster Wallace and Colson Whitehead.” (Los Angeles Times Book Review)

“The unsettling racial satire America needs right now . . . Welcome to Braggsville doesn’t offer easy polemic or easier sentimentality, but a deep dive into the American race problem as muddled, terrifying, and absurd as the reality.” (Huffington Post)

“You must read T. Geronimo Johnson. He is awesome.” (Sherman Alexie via Twitter)

“Ghastly and funny and gloriously provocative . . . Johnson’s prose is by turns scathing dark humor, soaring lyricism, and a quietly devastating analysis of every species of injustice. The result is a kind of mind-melting poetry―a linguistic electroconvulsive therapy for the reader. This book will wake you up!” (Karen Russell, bestselling author of Swamplandia!, finalist for the Pulitzer Prize)

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

  • ÉditeurWilliam Morrow
  • Date d'édition2015
  • ISBN 10 0062302124
  • ISBN 13 9780062302120
  • ReliureRelié
  • Nombre de pages384
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