Sylvia Plath: Drawings - Couverture rigide

Plath, Sylvia; Hughes, Frieda

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Couverture rigide

ISBN 10 : 0062315706 ISBN 13 : 9780062315700

Editeur : Harper, 2013

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Physical description; 63 pages: illustrations; 23 cm. Includes bibliographical references. Summary; In 1956 Sylvia Plath wrote to her mother, Aurelia Plath: 'I feel I'm developing a kind of primitive style of my own which I am very fond of. Wait til you see. The Cambridge sketch was nothing compared to these.' Sylvia Plath cited art as her deepest source of inspiration but, while her poetry is celebrated around the world, her drawings are little known. This volume brings together drawings from 1955 to 1957, the period she spent on a Fulbright scholarship from the US at Newnham College, Cambridge. During this time she married Ted Hughes and travelled with him to Paris and Spain. First published as a catalogue for an exhibition at the Mayor Gallery, the tiny drawings in pen and ink are exquisitely observed. They include Parisian rooftops, trees and churches. Subjects; Plath, Sylvia - Exhibitions. Plath, Sylvia 1932-1963. Plath, Sylvia 1932-1963 - Correspondence. Women artists - United States - Exhibitions. Women poets, American - 20th century - Correspondence. Women authors, American - 20th century - Correspondence. Drawing & drawings. ART / General.

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Biographie de l'auteur :

Sylvia Plath was born in 1932 in Massachusetts. Her books include the poetry collections The Colossus, Crossing the Water, Winter Trees, Ariel, and Collected Poems, which won the Pulitzer Prize. A complete and uncut facsimile edition of Ariel was published in 2004 with her original selection and arrangement of poems. She was married to the poet Ted Hughes, with whom she had a daughter, Frieda, and a son, Nicholas. She died in London in 1963.

Born in London in 1960, Frieda Hughes is a painter and poet. She has also written children’s books, and was The Times (London) poetry columnist from 2006 to 2008. Frieda’s first collection of poetry, Wooroloo, was named after the hamlet in western Australia where she lived during the 1990s. Other collections followed: Stonepicker; Waxworks; Forty-five, a collection of autobiographical poems based on her life to the age of forty-five; The Book of Mirrors; and Alternative Values. In this last book, Frieda used the subject of her poems to inform the accompanying abstract images—painted in oils on canvas—combining the two driving forces in her life. Her poems have also appeared in The New Yorker, The Paris Review, The London Magazine, The Times (London), and The Spectator (London). Frieda resides in Wales with owls and motorbikes.

Quatri�me de couverture :

In 1956 Sylvia Plath wrote to her mother, Aurelia, 'I feel I'm developing a kind of primitive style of my own which I am very fond of. Wait 'til you see . . . '

Throughout her life Plath cited art as her deepest source of inspiration; yet while her writing is celebrated around the world, her drawings are little known. This publication brings together drawings from 1955 to 1957, the period she spent on a Fulbright fellowship at Newnham College, Cambridge. During this time she met and married in secret the poet Ted Hughes, travelling with him on honeymoon to Paris and Spain before their return to the US in June 1957.

Plath's drawings in pen and ink are exquisitely observed moments from this period in her life, and include among their subjects Parisian rooftops, trees, churches and a portrait of Ted Hughes. The collection sheds light on these key years in Plath's life and includes letters and a diary entry about her art, as well as an illuminating introduction by her daughter, Frieda Hughes.

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