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Book by Henderson Lauren
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1
"Kick the shit out of him! Nah, not like that! For fuck's sake, Chaz, put some sodding effort into it, why don't you?"
"Like this, Gav?"
Chaz redoubled his efforts. Gav gave a long, slow sigh and took another pull on his cigar.
"Jesus, Chaz, you--are--fucking--crap--at this," he said wearily. "Look."
With a single leisurely movement, he swung himself up from the battered old kitchen chair on which he had been sprawling. Slowly he strolled across the room to Chaz and the huddled body at his feet. It whimpered at his approach.
"You're just going at it with no science," Gav continued. "Couldn't you hear him still bloody whining when you were giving it to him? He shouldn't be making a fucking sound, Chaz. Not a sound. He should be too fucking scared to open his tiny mouth. Right?" He aimed one precision kick at the foetally curled-up body. "Watch that. Did'ja see? Get it in the right place, he'll open up like a flower. Just for that moment. It's a work of art if you do it right."
Chaz nodded eagerly. A few beads of sweat ran down his forehead, gleaming like glycerine against the darkness of his skin. He took a step forward.
"Wait a minute," Gav said impatiently. "We got all day. Might as well take this window of opportunity to give you a training session. Here, hold this."
He passed Chaz his cigar. Chaz took it as solemnly as if it were a communion wafer.
"Now, watch where I'm putting them. Check it out."
Circling his victim's body, he placed three kicks, spacing them out with deliberate sadism. In contrast to Chaz and the man on the ground, Gav was white, very light-skinned, with fair hair and a long, thin, haughty nose. He was tall and would have been handsome if not for the twist of his mouth and the coldness in his grey eyes. Pounding his foot into the unresisting flesh beneath him, he breathed evenly with the effort, as if he were working out, and when he came to a halt he stretched his arms back behind him and smiled at Chaz, a peculiarly unpleasant smile, his lips hardly moving.
"Your turn," he said. "And Chaz?" He left a little pause. "Get it right this time."
There was a pause. Then:
"Cut!" came the director's voice. "Good. Print and check."
The slump of relief from cast and crew was felt rather than heard.
"Printing and checking," the first AD responded.
"If the gate's clear we've done that one," said the director, leaning back in his chair. "Nice work, everyone."
Movement whirred around the actors as people who had been standing still, watching the scene, or moving slowly with the camera, came to life. Gav promptly turned to squint around the wall o'lights.
"Is there a glass of water anywhere around?" he said plaintively.
A girl in layers of fleecy jackets bustled towards him with a brimming paper cup. He swigged down its contents.
"Thank God for that," he said, relaxing. "Those cigars are foul. Hard to believe the BBC budget couldn't run to something slightly better. They taste like they were rolled on the withered old thighs of Panamanian mule-herders. Excuse me while I spit."
"Don't worry about me, you cunt," said the kickee, slowly unwinding himself and standing up. "Don't bloody ask me how I am."
"You're always fine, Tony," Gav said dismissively. "You have padding. Whereas I have already stubbed my toe twice in these over-tight, ridiculous boots."
"I'll stub you, you cunt." Tony faked a punch at Gav's face.
"Such paucity of vocabulary," the latter lamented. He dropped the banter for a moment.
"You're all right, aren't you? I got you square where the X marks the spot."
"Yeah, fine, mate. Your aim's getting better with practice."
"Tell me we've made perfect," Gav pleaded, looking out beyond the lights. "Tell me that's it."
"Yeah, the gate's clear," said the camera operator. "At ease, men."
"OK, setting up for the next scene," said the first AD in the over-loud, officious voice which seemed to be the main requirement for assistant directors. "Let's not waste any time, please."
"Thank fuck for that," the actor playing Chaz said fervently. "I'm sweating like a pig. Time for a shower." He flashed a smile at Gav. "Hey, Hugo, fancy coming to rub my back?"
"Not even if you drop the soap, Keith."
"Can't blame a boy for trying."
One of the costume assistants appeared, camera in hand, and took photographs of each actor in turn for the files. This procedure was so automatic that they just stood still for a split second as the Polaroid flashed and whirred then kept on with whatever they had been doing before, like a freeze-frame.
"I need some more revolting tea," Hugo announced. "And a good cleanse."
Another girl wandered up, bearing two polystyrene cups. In her battered leather trousers and baggy sweater she looked at first glance like any of the other crew members busy around the set. Until you noticed her face, matt with foundation and powder, highlighted so that its planes caught and held the attention even more than they did naturally. She was the only woman present wearing make-up and its careful detailing gave her a half-mask, half-human appearance, striking but alien.
"Hugo? Tea, darling," she said with the slightly exaggerated enunciation that immediately marked her out as an actress.
"A ministering angel thou," Hugo said gratefully, accepting the cup. "Thank you, my little junkie lovebird. I need it desperately. Being Gav is so exhausting. All that thrusting the jaw forward menacingly--very hard on the mandibles," he complained, in his normal Brideshead intonation.
This was just as fake as Gav's East End accent--Hugo had been brought up in relative poverty in Surbiton--but he had been drawling in Oxbridge for so long that it was second nature to him now. Still, he knew perfectly well that second nature wasn't first. Hugo was acutely aware of the difference between pose and reality. It made him a very good actor, if a bloody annoying boyfriend.
"Well, I'll be off," Keith announced with what seemed like unnecessary emphasis. "See you guys tomorrow, I'm done for the day."
"Lucky you," Hugo sighed. The little junkie lovebird ignored Keith's exit a shade too pointedly.
"Long day," she commented to Hugo, sipping at her own cup. She fiddled absently with the scrunchie holding back her dark ponytail. "At least they've kept you busy."
"I'm always busy," Hugo retorted. "I am the Anti-Hero. What have you been up to?"
"Oh, messing around with power tools as usual. Practising. It really kills the time."
"Have you got any better?"
"I don't think so. But at least I look as if I know what I'm doing. Lurch was quite impressed for about ten minutes this morning."
I nudged Lurch. He was sitting next to me on a folding chair tilted precariously back against the wall.
"Were you impressed, you bastard?" I muttered.
"Nah," he said loyally. "But she kept rabbiting on so I just said somefing to shut her up."
I grunted. It was bad enough training up someone to be me without my sidekick going over to the enemy camp.
"What does Sam think?" Hugo was asking the enemy camp. "Is she around? Sam?" he called round the corner of the set. "Where are you?"
"You gonna answer him or what?" Lurch said to me, rocking back and forth on his chair as if he were imitating the dead mother in Psycho. His skin was at the apex of its regular breakout cycle at the moment; that, together with his general state of extreme emaciation, would have made him an ideal stand-in for a rotting corpse of either sex.
"Yeah. I'm just not going to jump up when he calls my name straight away, OK? I have my dignity."
"Got a chip on your shoulder, more like," Lurch muttered. I stuck my nose in the air and pretended not to hear.
"Sam!" Hugo sounded petulant. It was time. I stood up and strolled over to him and Sarah.
"Darling!" he said with gratifying enthusiasm. "How was I?"
Lurch and I always got the giggles when we watched Hugo doing Gav.
"It was really good," I said, suppressing a grin. "Um, very convincing."
Hugo looked at me narrowly.
"What?" he said, his tone suspicious.
"No, nothing . . ." I was choking back the laughter. "You were great . . . especially when you were kicking him . . ."
I would have managed to keep my cool if Hugo hadn't chosen precisely that moment to flick a pastel Sobranie out of his cigarette case. It was so not Gav. I started sniggering.
"Always so supportive, my sweet," Hugo said coldly. "I feel so lucky to have you."
"It must be funny for Sam, though," Sarah said sympathetically. "It's hard for non-actors."
I resented this. "I met Hugo when he was playing Oberon," I pointed out.
"Yes, but that wasn't so much of a stretch, was it?" Sarah observed. "I mean, the king of the fairies . . ."
"Probably my career high point," Hugo said, taking a long drag on his cigarette. "Never will I be that perfectly type-cast again. I was pretty good," he added complacently, the memory of his reviews having restored his mood.
Just then Joanne, the make-up girl responsible for Sarah, came towards our little group. She and h...
Revue de presse :
"Kick the shit out of him! Nah, not like that! For fuck's sake, Chaz, put some sodding effort into it, why don't you?"
"Like this, Gav?"
Chaz redoubled his efforts. Gav gave a long, slow sigh and took another pull on his cigar.
"Jesus, Chaz, you--are--fucking--crap--at this," he said wearily. "Look."
With a single leisurely movement, he swung himself up from the battered old kitchen chair on which he had been sprawling. Slowly he strolled across the room to Chaz and the huddled body at his feet. It whimpered at his approach.
"You're just going at it with no science," Gav continued. "Couldn't you hear him still bloody whining when you were giving it to him? He shouldn't be making a fucking sound, Chaz. Not a sound. He should be too fucking scared to open his tiny mouth. Right?" He aimed one precision kick at the foetally curled-up body. "Watch that. Did'ja see? Get it in the right place, he'll open up like a flower. Just for that moment. It's a work of art if you do it right."
Chaz nodded eagerly. A few beads of sweat ran down his forehead, gleaming like glycerine against the darkness of his skin. He took a step forward.
"Wait a minute," Gav said impatiently. "We got all day. Might as well take this window of opportunity to give you a training session. Here, hold this."
He passed Chaz his cigar. Chaz took it as solemnly as if it were a communion wafer.
"Now, watch where I'm putting them. Check it out."
Circling his victim's body, he placed three kicks, spacing them out with deliberate sadism. In contrast to Chaz and the man on the ground, Gav was white, very light-skinned, with fair hair and a long, thin, haughty nose. He was tall and would have been handsome if not for the twist of his mouth and the coldness in his grey eyes. Pounding his foot into the unresisting flesh beneath him, he breathed evenly with the effort, as if he were working out, and when he came to a halt he stretched his arms back behind him and smiled at Chaz, a peculiarly unpleasant smile, his lips hardly moving.
"Your turn," he said. "And Chaz?" He left a little pause. "Get it right this time."
There was a pause. Then:
"Cut!" came the director's voice. "Good. Print and check."
The slump of relief from cast and crew was felt rather than heard.
"Printing and checking," the first AD responded.
"If the gate's clear we've done that one," said the director, leaning back in his chair. "Nice work, everyone."
Movement whirred around the actors as people who had been standing still, watching the scene, or moving slowly with the camera, came to life. Gav promptly turned to squint around the wall o'lights.
"Is there a glass of water anywhere around?" he said plaintively.
A girl in layers of fleecy jackets bustled towards him with a brimming paper cup. He swigged down its contents.
"Thank God for that," he said, relaxing. "Those cigars are foul. Hard to believe the BBC budget couldn't run to something slightly better. They taste like they were rolled on the withered old thighs of Panamanian mule-herders. Excuse me while I spit."
"Don't worry about me, you cunt," said the kickee, slowly unwinding himself and standing up. "Don't bloody ask me how I am."
"You're always fine, Tony," Gav said dismissively. "You have padding. Whereas I have already stubbed my toe twice in these over-tight, ridiculous boots."
"I'll stub you, you cunt." Tony faked a punch at Gav's face.
"Such paucity of vocabulary," the latter lamented. He dropped the banter for a moment.
"You're all right, aren't you? I got you square where the X marks the spot."
"Yeah, fine, mate. Your aim's getting better with practice."
"Tell me we've made perfect," Gav pleaded, looking out beyond the lights. "Tell me that's it."
"Yeah, the gate's clear," said the camera operator. "At ease, men."
"OK, setting up for the next scene," said the first AD in the over-loud, officious voice which seemed to be the main requirement for assistant directors. "Let's not waste any time, please."
"Thank fuck for that," the actor playing Chaz said fervently. "I'm sweating like a pig. Time for a shower." He flashed a smile at Gav. "Hey, Hugo, fancy coming to rub my back?"
"Not even if you drop the soap, Keith."
"Can't blame a boy for trying."
One of the costume assistants appeared, camera in hand, and took photographs of each actor in turn for the files. This procedure was so automatic that they just stood still for a split second as the Polaroid flashed and whirred then kept on with whatever they had been doing before, like a freeze-frame.
"I need some more revolting tea," Hugo announced. "And a good cleanse."
Another girl wandered up, bearing two polystyrene cups. In her battered leather trousers and baggy sweater she looked at first glance like any of the other crew members busy around the set. Until you noticed her face, matt with foundation and powder, highlighted so that its planes caught and held the attention even more than they did naturally. She was the only woman present wearing make-up and its careful detailing gave her a half-mask, half-human appearance, striking but alien.
"Hugo? Tea, darling," she said with the slightly exaggerated enunciation that immediately marked her out as an actress.
"A ministering angel thou," Hugo said gratefully, accepting the cup. "Thank you, my little junkie lovebird. I need it desperately. Being Gav is so exhausting. All that thrusting the jaw forward menacingly--very hard on the mandibles," he complained, in his normal Brideshead intonation.
This was just as fake as Gav's East End accent--Hugo had been brought up in relative poverty in Surbiton--but he had been drawling in Oxbridge for so long that it was second nature to him now. Still, he knew perfectly well that second nature wasn't first. Hugo was acutely aware of the difference between pose and reality. It made him a very good actor, if a bloody annoying boyfriend.
"Well, I'll be off," Keith announced with what seemed like unnecessary emphasis. "See you guys tomorrow, I'm done for the day."
"Lucky you," Hugo sighed. The little junkie lovebird ignored Keith's exit a shade too pointedly.
"Long day," she commented to Hugo, sipping at her own cup. She fiddled absently with the scrunchie holding back her dark ponytail. "At least they've kept you busy."
"I'm always busy," Hugo retorted. "I am the Anti-Hero. What have you been up to?"
"Oh, messing around with power tools as usual. Practising. It really kills the time."
"Have you got any better?"
"I don't think so. But at least I look as if I know what I'm doing. Lurch was quite impressed for about ten minutes this morning."
I nudged Lurch. He was sitting next to me on a folding chair tilted precariously back against the wall.
"Were you impressed, you bastard?" I muttered.
"Nah," he said loyally. "But she kept rabbiting on so I just said somefing to shut her up."
I grunted. It was bad enough training up someone to be me without my sidekick going over to the enemy camp.
"What does Sam think?" Hugo was asking the enemy camp. "Is she around? Sam?" he called round the corner of the set. "Where are you?"
"You gonna answer him or what?" Lurch said to me, rocking back and forth on his chair as if he were imitating the dead mother in Psycho. His skin was at the apex of its regular breakout cycle at the moment; that, together with his general state of extreme emaciation, would have made him an ideal stand-in for a rotting corpse of either sex.
"Yeah. I'm just not going to jump up when he calls my name straight away, OK? I have my dignity."
"Got a chip on your shoulder, more like," Lurch muttered. I stuck my nose in the air and pretended not to hear.
"Sam!" Hugo sounded petulant. It was time. I stood up and strolled over to him and Sarah.
"Darling!" he said with gratifying enthusiasm. "How was I?"
Lurch and I always got the giggles when we watched Hugo doing Gav.
"It was really good," I said, suppressing a grin. "Um, very convincing."
Hugo looked at me narrowly.
"What?" he said, his tone suspicious.
"No, nothing . . ." I was choking back the laughter. "You were great . . . especially when you were kicking him . . ."
I would have managed to keep my cool if Hugo hadn't chosen precisely that moment to flick a pastel Sobranie out of his cigarette case. It was so not Gav. I started sniggering.
"Always so supportive, my sweet," Hugo said coldly. "I feel so lucky to have you."
"It must be funny for Sam, though," Sarah said sympathetically. "It's hard for non-actors."
I resented this. "I met Hugo when he was playing Oberon," I pointed out.
"Yes, but that wasn't so much of a stretch, was it?" Sarah observed. "I mean, the king of the fairies . . ."
"Probably my career high point," Hugo said, taking a long drag on his cigarette. "Never will I be that perfectly type-cast again. I was pretty good," he added complacently, the memory of his reviews having restored his mood.
Just then Joanne, the make-up girl responsible for Sarah, came towards our little group. She and h...
“Tart Noir meets Ms Marple...hilarious... an ultra hip heroine.” — The Times
“Not read Lauren Henderson yet? High time you started! There is a freshness and verve and astringency about her.” — Colin Dexter
“Not read Lauren Henderson yet? High time you started! There is a freshness and verve and astringency about her.” — Colin Dexter
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
- ÉditeurHutchinson
- Date d'édition2000
- ISBN 10 0091800501
- ISBN 13 9780091800505
- ReliurePaperback
- Nombre de pages249
- Evaluation vendeur
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Chained
Edité par
Three Rivers Press, New York
(2000)
ISBN 10 : 0091800501
ISBN 13 : 9780091800505
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Description du livre Soft cover. Etat : As New. 1st Edition. Trade Sized Paperback. First Edition. "UNCORRECTED PROOF" of the hardbound edition. Color illustrated wrappers. 327 pages. AS NEW. Not read. All corners pointed. Binding tight, without stress creasing and square. No tears, chips, creases or bumps. Not marked in any way and very clean and bright. All books carefully wrapped and sent boxed. N° de réf. du vendeur 3112403
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Chained!
Edité par
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(2000)
ISBN 10 : 0091800501
ISBN 13 : 9780091800505
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Description du livre Paperback. Etat : Very Good. Chained! This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. N° de réf. du vendeur 7719-9780091800505
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Chained!
Edité par
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(2000)
ISBN 10 : 0091800501
ISBN 13 : 9780091800505
Ancien ou d'occasion
Paperback
Quantité disponible : 2
Vendeur :
Evaluation vendeur
Description du livre Paperback. Etat : Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. N° de réf. du vendeur 6545-9780091800505
Acheter D'occasion
EUR 31,60
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Image d'archives
Chained!
Edité par
Hutchinson
(2000)
ISBN 10 : 0091800501
ISBN 13 : 9780091800505
Ancien ou d'occasion
Paperback
Quantité disponible : 7
Vendeur :
Evaluation vendeur
Description du livre Paperback. Etat : Fair. Chained! This book is in good or better condition. It has no tears to the pages and no pages will be missing from the book. The spine of the book is still in great condition and the front cover is generally unmarked. It has signs of previous use but overall is in really nice, tight condition. Shipping is normally same day from our UK warehouse. We offer a money back guarantee if you are not satisfied. N° de réf. du vendeur TFTP-9780091800505
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