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“That’s a new one on me,” she said. “Do you have a special restaurant you’re working on at the moment?”
“Yes,” I said, remembering the fragrant aroma of the soup I had eaten on my last visit to Lespinasse. When I dipped my spoon into the broth shimeji mushrooms went sliding sensuously across my tongue with the lush texture of custard. I tasted lemongrass, kaffir lime, mushroom and something else, something that hovered at the edge of my mind, familiar but elusive. I took another taste and it was there again, that sweetness, hiding just behind the citrus. It came whirling into my consciousness and then slid maddeningly away before I could identify it.
“The food was wonderful,” I told her, “but I think they made me. Everything’s been just a little too perfect. So I want a foolproof disguise.”
“Try this,” she said, opening a drawer and pulling out a cascade of hair the color of Dom Perignon. As the wig caught the light the color changed from pearl to buttercup.
The hair fell across my face as gently as silk. I squeezed my eyes tight, not wanting to look until it was seated right. I could feel it settle into place, feel the soft strands graze my shoulders just below my ears.
“Wait!” she cried as my eyes started to open, and she leaned forward and tugged at the wig, adjusting it. “Okay,” she said at last, “you can open your eyes now.”
The champagne blonde in the mirror did not seem to be wearing a wig. The hair looked real, as if it were growing out of the scalp. Even the dark eyebrows looked right, as if this woman had so much confidence she didn’t care who knew that she dyed her hair. My mouth dropped open. “Oh!” I said stupidly, “oh my.”
I don’t think I would have recognized myself if we had met walking down the street, and I had yet to put on any makeup. Somehow this cut, this color, made my cheeks pink, my eyes almost violet, my lips seem redder than they had ever been. I felt new, glamorous, bursting with curiosity. What would life be like for the woman in the mirror?
“You were meant to be blonde!” cried the saleswoman, packing the wig into an old-fashioned hatbox. She looked wistfully at the hair and said, “You’ll come back and tell me what happens, won’t you?”
“You mean whether I’m recognized at Lespinasse?”
“Well,” she said, “that too. But what I mostly want to know is—do blondes really have more fun?”
Garlic and Sapphires is Ruth Reichl's riotous account of the many disguises she employs to dine undetected when she takes on the much coveted and highly prestigious job of New York Times restaurant critic.
Reichl knows that to be a good critic she has to be anonymous - but her picture is posted in every four-star, low-star kitchen in town and so she embarks on an extraordinary - and hilarious - undercover game of disguise - keeping even her husband and son in the dark. There is her stint as Molly, a frumpy blonde in an off-beige Armani suit that Ruth takes on when reviewing Le Cirque resulting in a double review of the restaurant: first she ate there as Molly; and then as she was coddled and pampered on her visit there as Ruth, New York Times food critic. Then there is the eccentric, mysterious red head on whom her husband - both disconcertingly and reassuringly - develops a terrible crush. She becomes Brenda the earth mother, Chloe the seductress and even Miriam her own (deceased) mother.
What is even more remarkable about Reichl's spy games is that as she takes on these various guises, she finds herself changed not just physically, but also in character revealing how one's outer appearance can very much influence one's inner character, expectations, and appetites.
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Description du livre Paperback. Etat : new. Paperback. "Genuinely touching, wonderfully revealing" NEW YORKERGarlic and Sapphires is Ruth Reichl's riotous account of the many disguises she employs to dine undetected when she takes on the much coveted and highly prestigious job of New York Times restaurant critic.____________________________________________________Reichl knows that to be a good critic she has to be anonymous - but her picture is posted in every four-star, low-star kitchen in town and so she embarks on an extraordinary - and hilarious - undercover game of disguise - keeping even her husband and son in the dark. There is her stint as Molly, a frumpy blonde in an off-beige Armani suit that Ruth takes on when reviewing Le Cirque resulting in a double review of the restaurant: first she ate there as Molly; and then as she was coddled and pampered on her visit there as Ruth, New York Times food critic. Then there is the eccentric, mysterious red head on whom her husband - both disconcertingly and reassuringly - develops a terrible crush. She becomes Brenda the earth mother, Chloe the seductress and even Miriam her own (deceased) mother.What is even more remarkable about Reichl's spy games is that as she takes on these various guises, she finds herself changed not just physically, but also in character revealing how one's outer appearance can very much influence one's inner character, expectations, and appetites. Reichl knows that to be a good critic she has to be anonymous - but her picture is posted in every four-star, low-star kitchen in town and so she embarks on an extraordinary - and hilarious - undercover game of disguise - keeping even her husband and son in the dark. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780099489979
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Description du livre Etat : New. 2007. Paperback. Presents an author's account of the many disguises she employs to dine undetected when she takes on the much coveted and highly prestigious job of "New York Times" restaurant critic. Through these spy games, she finds herself changed not just physically, but also in character. Num Pages: 352 pages. BIC Classification: BG; WTHR. Category: (G) General (US: Trade). Dimension: 197 x 130 x 22. Weight in Grams: 254. . . . . . N° de réf. du vendeur V9780099489979