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Alison Weir, our pre-eminent popular historian, has now fulfilled a life's ambition to write historical fiction. She has chosen as her subject the bravest, most sympathetic and wronged heroine of Tudor England, Lady Jane Grey. Lady Jane Grey was born into times of extreme danger. Child of a scheming father and a ruthless mother, for whom she was merely a pawn in a dynastic power game with the highest stakes, she lived a life in thrall to political machinations and lethal religious fervour. Jane's astonishing and essentially tragic story was played out during one of the most momentous periods of English history. As a great-niece of Henry VIII, and the cousin of Edward VI, Mary I and Elizabeth I, she grew up to realize that she could never throw off the chains of her destiny. Her honesty, intelligence and strength of character carry the reader through all the vicious twists of Tudor power politics, to her nine-day reign and its unbearably poignant conclusion.
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Extrait :
Frances Brandon, Marchioness of Dorset
Bradgate Hall, Leicestershire, October 1537
My travail begins as I am enjoying a walk in the garden. There is a sudden flood of liquid from my womb, and then, as my maid runs for cloths and assistance, a dull pain that shifts from the small of my back to the pit of my stomach. Soon, they are all clustering around me, the midwives and the women, helping me through the great doorway of the manor house and up the oaken stairs, stripping me of my fine clothing and replacing it with a voluminous birthing smock of bleached linen, finely embroidered at the neck and wrists. Now I am made to lie upon my bed, and they are pressing a goblet of sweet wine to my lips. I don’t really want it, but I take a few sips to please them. My two chief ladies sit beside me, my gossips, whose job it is to while away the tedious hours of labor with distracting chatter. Their task is to keep me cheerful and to offer encouragement when the pains grow stronger.
And they do grow stronger. Less than an hour passes before the dull ache that accompanies each pang becomes a knifelike thrust, vicious and relentless. Yet I can bear it. I have the blood of kings in my veins, and that emboldens me to lie mute, resisting the mounting screams. Soon, God willing, I will hold my son in my arms. My son, who must not die early like the others, those tiny infants who lie beneath the flagstones of the parish church. Neither lived long enough even to sit or crawl. I do not account myself a sentimental person; indeed, I know that many think me too strong and hard-willed for a woman—a virago, my husband once said, during one of our many quarrels. But hidden within my heart there is a raw place reserved for those two lost babies.
Yet it is natural that this third pregnancy has often led me to revisit this secret place, to disturb and probe it gently, testing to see if past trage- dies still have the power to hurt. I know I should forbid myself such weakness. I am King Henry’s niece. My mother was a princess of England and Queen of France. I must face the pain of my loss as I do my labor—with royal dignity, refusing to indulge any further in morbid fancies, which, I am assured by the midwives, could well be harmful to the child I carry. One must try to be positive, and I am nothing if not an optimist. This time, I feel it in my bones, God will give us the son and heir we so desperately desire.
Another hour passes. There is little respite between each contraction, but the pain is still bearable.
“Cry out if you need to, my lady,” says the midwife comfortingly, as the women fuss round me with candles and basins of water. I wish they would all go away and leave me in peace. I wish they would let some fresh air into this fetid, stuffy chamber. Even though it is day, the room is dark, for the windows have been covered with tapestries and painted cloths.
“We must not risk the babe catching any chills from drafts, my lady,” the midwife warned me when she ordered this to be done. Then she personally inspected the tapestries to ensure that there was nothing depicted in them that could frighten the child.
“Make up the fire!” she instructs her acolytes, as I lie here grappling with my pains. I groan; it’s hot enough in here already, and I am sweating like a pig. But, of course, she is aware of that. At her nod, a damp cloth is laid on my brow. It does little to relieve my discomfort, though, for the sheets are wet with perspiration.
I stifle another groan.
“You can cry out, madam,” the midwife says again. But I don’t. I would not make such an exhibition of myself. Truly, it’s the indignity of it all that bothers me the most, conscious as I am of my birth and my rank. Lying here like an animal straining to drop its cub, I’m no different from any common jade who gives birth. There’s nothing exalted about it. I know it’s blasphemy to say this, but God was more than unfair when He created woman. Men get all the pleasure, while we poor ladies are left to bear the pain. And if Henry thinks that, after this, I’m going to . . .
Something’s happening. Dear God, what’s going on? Sweet Jesus, when is this going to end?
The midwife draws back the covers, then pulls up my shift to expose my swollen, straining body, as I lie on the bed, knees flexed, thighs parted, and thrusts expert fingers inside me. She nods her head in a satisfied way.
“If I’m not mistaken, this young lad is now in something of a hurry,” she tells my anxiously hovering ladies.
“Ready now!” she crows triumphantly. “Now push, my lady, push!”
I gather all my strength, breathe deeply, and exhale with a great effort, knowing that an end is in sight. I can feel the child coming! I ram my chin into my chest again and push as I am instructed, hard. And the miracle happens. In a rush of blood and mucus, I feel a small, wet form slithering from me. Another push, and it is delivered into the midwife’s waiting hands, to be quickly wrapped in a rich cloth of damask. I glimpse its face, which resembles a wrinkled peach. I hear the mewling cry that tells me it lives.
“A beautiful daughter, my lady,” announces the midwife uncertainly. “Healthy and vigorous.”
I should be joyful, thanking God for the safe arrival of a lusty child. Instead, my spirits plummet. All this—for nothing.
Queen Jane Seymour
Hampton Court Palace, Surrey, October 1537
It has begun, this labor that I, the King my husband, and all England have so eagerly awaited. It began with a show of blood, then the anxious midwives hurried me into bed, fearful in case anything should go wrong. Indeed, every precaution has been taken to guard against mishap. Since early summer, when the babe first fluttered in my womb and I appeared in public with my gown unlaced, prayers have been offered up throughout the land for my safe delivery. My husband engaged the best physicians and midwives and paid handsomely to have the soothsayers predict the infant’s sex: all promised confidently that it would be a boy, an heir to the throne of England. Henry insisted that I be spared all state appearances, and I have spent these past months resting in opulent idleness, my every whim and craving gratified. He even sent to Calais for the quails I so strongly fancied. I ate so many I sickened of them.
Most pregnant women, I am told, sink into a pleasant state of euphoria as their precious burden grows heavier, as if Nature is deliberately affording them a short respite before the ordeal that lies ahead and the responsibilities of motherhood that follow it. But I have enjoyed no such comforting sense of well-being or elation at the glorious prospect fac- ing me, God willing. My constant companion is fear. Fear of the pain of labor. Fear of what will happen to me if I bear a girl or a dead child, as my two unfortunate predecessors did. Fear of my husband, who, for all his devotion and care for me, is still a man before whom even strong men tremble. How he could ever have settled his affections on such a poor, plain thing as I is beyond my limited comprehension. My women, when they dare mention the subject, whisper that he loves me because I am the very antithesis of Anne Boleyn, that black-eyed witch who kept him at bay for seven years with promises of undreamed-of carnal adventures and lusty sons, yet failed him in both respects once he had moved Heaven and earth to put the crown on her head. I cannot think about what he did to Anne Boleyn. For even though she was found guilty of betraying him with five men, one her own brother, it is horrifying to know that a man is capable of cutting off the head of a woman he has held in his arms and once loved to distraction. And it is even more horrifying when that man is my husband.
So I live in fear. Just now I am terrified of the plague, which rages in London so virulently that the King has given orders that no one from the city may approach the court. Confined to my chamber for the past six weeks, as is the custom for English queens, with only women to wait on me and the imminent birthing to brood on, I am prey to all kinds of terrors, so in a way it is a relief now to have something real upon which to focus my anxieties.
Henry is not here. He has gone hunting, as is his wont and passion, although he has given me his word that he will not ride more than sixty miles from here. I would be touched by his concern had I not learned that it was his council that advised him not to stray farther from me at this time. But I am glad, all the same, that he has gone. He would be just one more thing to worry about. His obsessive and pathetic need for this child to be a boy is more than I can cope with.
It is now afternoon, and my pains are recurring with daunting intensity, even though the midwife tells me that it will be some hours yet before the child can be born. I pray God that this ordeal may soon be over, and that He will send me a happy hour, for I do not think I can stand much more of this.
Quatrième de couverture :
Bradgate Hall, Leicestershire, October 1537
My travail begins as I am enjoying a walk in the garden. There is a sudden flood of liquid from my womb, and then, as my maid runs for cloths and assistance, a dull pain that shifts from the small of my back to the pit of my stomach. Soon, they are all clustering around me, the midwives and the women, helping me through the great doorway of the manor house and up the oaken stairs, stripping me of my fine clothing and replacing it with a voluminous birthing smock of bleached linen, finely embroidered at the neck and wrists. Now I am made to lie upon my bed, and they are pressing a goblet of sweet wine to my lips. I don’t really want it, but I take a few sips to please them. My two chief ladies sit beside me, my gossips, whose job it is to while away the tedious hours of labor with distracting chatter. Their task is to keep me cheerful and to offer encouragement when the pains grow stronger.
And they do grow stronger. Less than an hour passes before the dull ache that accompanies each pang becomes a knifelike thrust, vicious and relentless. Yet I can bear it. I have the blood of kings in my veins, and that emboldens me to lie mute, resisting the mounting screams. Soon, God willing, I will hold my son in my arms. My son, who must not die early like the others, those tiny infants who lie beneath the flagstones of the parish church. Neither lived long enough even to sit or crawl. I do not account myself a sentimental person; indeed, I know that many think me too strong and hard-willed for a woman—a virago, my husband once said, during one of our many quarrels. But hidden within my heart there is a raw place reserved for those two lost babies.
Yet it is natural that this third pregnancy has often led me to revisit this secret place, to disturb and probe it gently, testing to see if past trage- dies still have the power to hurt. I know I should forbid myself such weakness. I am King Henry’s niece. My mother was a princess of England and Queen of France. I must face the pain of my loss as I do my labor—with royal dignity, refusing to indulge any further in morbid fancies, which, I am assured by the midwives, could well be harmful to the child I carry. One must try to be positive, and I am nothing if not an optimist. This time, I feel it in my bones, God will give us the son and heir we so desperately desire.
Another hour passes. There is little respite between each contraction, but the pain is still bearable.
“Cry out if you need to, my lady,” says the midwife comfortingly, as the women fuss round me with candles and basins of water. I wish they would all go away and leave me in peace. I wish they would let some fresh air into this fetid, stuffy chamber. Even though it is day, the room is dark, for the windows have been covered with tapestries and painted cloths.
“We must not risk the babe catching any chills from drafts, my lady,” the midwife warned me when she ordered this to be done. Then she personally inspected the tapestries to ensure that there was nothing depicted in them that could frighten the child.
“Make up the fire!” she instructs her acolytes, as I lie here grappling with my pains. I groan; it’s hot enough in here already, and I am sweating like a pig. But, of course, she is aware of that. At her nod, a damp cloth is laid on my brow. It does little to relieve my discomfort, though, for the sheets are wet with perspiration.
I stifle another groan.
“You can cry out, madam,” the midwife says again. But I don’t. I would not make such an exhibition of myself. Truly, it’s the indignity of it all that bothers me the most, conscious as I am of my birth and my rank. Lying here like an animal straining to drop its cub, I’m no different from any common jade who gives birth. There’s nothing exalted about it. I know it’s blasphemy to say this, but God was more than unfair when He created woman. Men get all the pleasure, while we poor ladies are left to bear the pain. And if Henry thinks that, after this, I’m going to . . .
Something’s happening. Dear God, what’s going on? Sweet Jesus, when is this going to end?
The midwife draws back the covers, then pulls up my shift to expose my swollen, straining body, as I lie on the bed, knees flexed, thighs parted, and thrusts expert fingers inside me. She nods her head in a satisfied way.
“If I’m not mistaken, this young lad is now in something of a hurry,” she tells my anxiously hovering ladies.
“Ready now!” she crows triumphantly. “Now push, my lady, push!”
I gather all my strength, breathe deeply, and exhale with a great effort, knowing that an end is in sight. I can feel the child coming! I ram my chin into my chest again and push as I am instructed, hard. And the miracle happens. In a rush of blood and mucus, I feel a small, wet form slithering from me. Another push, and it is delivered into the midwife’s waiting hands, to be quickly wrapped in a rich cloth of damask. I glimpse its face, which resembles a wrinkled peach. I hear the mewling cry that tells me it lives.
“A beautiful daughter, my lady,” announces the midwife uncertainly. “Healthy and vigorous.”
I should be joyful, thanking God for the safe arrival of a lusty child. Instead, my spirits plummet. All this—for nothing.
Queen Jane Seymour
Hampton Court Palace, Surrey, October 1537
It has begun, this labor that I, the King my husband, and all England have so eagerly awaited. It began with a show of blood, then the anxious midwives hurried me into bed, fearful in case anything should go wrong. Indeed, every precaution has been taken to guard against mishap. Since early summer, when the babe first fluttered in my womb and I appeared in public with my gown unlaced, prayers have been offered up throughout the land for my safe delivery. My husband engaged the best physicians and midwives and paid handsomely to have the soothsayers predict the infant’s sex: all promised confidently that it would be a boy, an heir to the throne of England. Henry insisted that I be spared all state appearances, and I have spent these past months resting in opulent idleness, my every whim and craving gratified. He even sent to Calais for the quails I so strongly fancied. I ate so many I sickened of them.
Most pregnant women, I am told, sink into a pleasant state of euphoria as their precious burden grows heavier, as if Nature is deliberately affording them a short respite before the ordeal that lies ahead and the responsibilities of motherhood that follow it. But I have enjoyed no such comforting sense of well-being or elation at the glorious prospect fac- ing me, God willing. My constant companion is fear. Fear of the pain of labor. Fear of what will happen to me if I bear a girl or a dead child, as my two unfortunate predecessors did. Fear of my husband, who, for all his devotion and care for me, is still a man before whom even strong men tremble. How he could ever have settled his affections on such a poor, plain thing as I is beyond my limited comprehension. My women, when they dare mention the subject, whisper that he loves me because I am the very antithesis of Anne Boleyn, that black-eyed witch who kept him at bay for seven years with promises of undreamed-of carnal adventures and lusty sons, yet failed him in both respects once he had moved Heaven and earth to put the crown on her head. I cannot think about what he did to Anne Boleyn. For even though she was found guilty of betraying him with five men, one her own brother, it is horrifying to know that a man is capable of cutting off the head of a woman he has held in his arms and once loved to distraction. And it is even more horrifying when that man is my husband.
So I live in fear. Just now I am terrified of the plague, which rages in London so virulently that the King has given orders that no one from the city may approach the court. Confined to my chamber for the past six weeks, as is the custom for English queens, with only women to wait on me and the imminent birthing to brood on, I am prey to all kinds of terrors, so in a way it is a relief now to have something real upon which to focus my anxieties.
Henry is not here. He has gone hunting, as is his wont and passion, although he has given me his word that he will not ride more than sixty miles from here. I would be touched by his concern had I not learned that it was his council that advised him not to stray farther from me at this time. But I am glad, all the same, that he has gone. He would be just one more thing to worry about. His obsessive and pathetic need for this child to be a boy is more than I can cope with.
It is now afternoon, and my pains are recurring with daunting intensity, even though the midwife tells me that it will be some hours yet before the child can be born. I pray God that this ordeal may soon be over, and that He will send me a happy hour, for I do not think I can stand much more of this.
Lady Jane Grey was born into times of extreme danger. Child of a scheming father and a ruthless mother, for whom she was merely a pawn in a dynastic power game with the highest stakes, she lived a life in thrall to political machinations and lethal religious fervour.
Jane's astonishing and essentially tragic story was played out during one of the most momentous periods of English history. As a great-niece of Henry VIII, and the cousin of Edward VI, Mary I and Elizabeth I, she grew up to realise that she could never throw off the chains of her destiny. Her honesty, intelligence and strength of character carry the reader through all the vicious twists of Tudor power politics, to her nine-day reign and its unbearably poignant conclusion.
'Alison Weir is one of our greatest popular historians. In her first work of fiction, she sets out to trace the brief life of one of history's most tragic heroines... Weir manages her heroine's voice brilliantly, respecting the past's distance while conjuring a dignified and fiercely modern spirit.' Daily Mail
'[Weir] gives us a meaty flavour of the times, one of the bloodiest and most dangerous periods in history, full of betrayals and beheadings... An impressive debut.' Lesley McDowell, Independent on Sunday
'This is a novel that will grip readers and give great pleasure.' Allan Massie, Scotsman
Jane's astonishing and essentially tragic story was played out during one of the most momentous periods of English history. As a great-niece of Henry VIII, and the cousin of Edward VI, Mary I and Elizabeth I, she grew up to realise that she could never throw off the chains of her destiny. Her honesty, intelligence and strength of character carry the reader through all the vicious twists of Tudor power politics, to her nine-day reign and its unbearably poignant conclusion.
'Alison Weir is one of our greatest popular historians. In her first work of fiction, she sets out to trace the brief life of one of history's most tragic heroines... Weir manages her heroine's voice brilliantly, respecting the past's distance while conjuring a dignified and fiercely modern spirit.' Daily Mail
'[Weir] gives us a meaty flavour of the times, one of the bloodiest and most dangerous periods in history, full of betrayals and beheadings... An impressive debut.' Lesley McDowell, Independent on Sunday
'This is a novel that will grip readers and give great pleasure.' Allan Massie, Scotsman
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- ÉditeurArrow
- Date d'édition2007
- ISBN 10 0099493799
- ISBN 13 9780099493792
- ReliureBroché
- Numéro d'édition1
- Nombre de pages432
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Description du livre Paperback. Etat : new. Paperback. The Sunday Times Top Ten bestselling debut novel from one of Britain's most successful popular historians_____________________________________A wrenching novel about the life and death of Lady Jane Grey, one of the most complex and sympathetic figures in Tudor England, by popular historian Alison Weir- ideal for fans of Wolf HallLady Jane Grey was born into times of extreme danger. Child of a scheming father and a ruthless mother, for whom she was merely a pawn in a dynastic power game with the highest stakes, she lived a life in thrall to political machinations and lethal religious fervour.Jane's astonishing and essentially tragic story was played out during one of the most momentous periods of English history. As a great-niece of Henry VIII, and the cousin of Edward VI, Mary I and Elizabeth I, she grew up to realize that she could never throw off the chains of her destiny. Her honesty, intelligence and strength of character carry the reader through all the vicious twists of Tudor power politics, to her nine-day reign and its unbearably poignant conclusion. _____________________________________A wrenching novel about the life and death of Lady Jane Grey, one of the most complex and sympathetic figures in Tudor England, by popular historian Alison Weir: ideal for fans of Wolf HallLady Jane Grey was born into times of extreme danger. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780099493792
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