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I had to walk up the back way, through a wall of dark winter nettles, to see the ferocious old house from this vantage point. A black night and snow falling, the four turrets rising into the fleeing clouds above me. A house already ninety years old and with more history than most in town.

His name was Will Jameson.

His family was in lumber, or was Lumber, and because of his father’s death he left school when just a boy and took over the reins of the industry when he was not yet sixteen. He would wake at dawn, and deal with men, sitting in offices in his rustic suit or out on a cruise walking twenty miles on snowshoes, be in camp for supper and direct men twice as old as he.

By the time he was seventeen he was known as the great Will Jameson of the great Bartibog – an appendage as whimsical as it was grandiose, and some say self-imposed.

As a child I saw the map of the large region he owned – dots for his camps, and Xs for his saws. I saw his picture at the end of the hallway – under the cold moon that played on the chairs and tables covered in white sheets, the shadow of his young, ever youthful face; an idea that he had not quite escaped the games of childhood before he needed gamesmanship.

If we Canadians are called hewers of wood and drawers of water, and balk, young Will Jameson did not mind this assumption, did not mind the crass biblical analogy, or perhaps did not know or care it was one, and leapt toward it in youthful pride, as through a burning ring. The strength of all moneyed families is their ignorance of or indifference to chaff. And it was this indifference to jealousy and spite that created the destiny Jameson believed in (never minding the Jamesian insult toward it), which made him prosperous, at a place near the end of the world.

When he was about to be born his mother went on the bay and stayed with the Micmac man Paul Francis and his wife. She lived there five months while her husband, Byron Jameson, was working as an ordinary axman in the camps, through a winter and spring.

In local legend the wife of Paul Francis was said to have the gift of prophecy when inspired by drink, and when Mary Jameson insisted her fortune be read with a pack of playing cards, she was told that her first-born would be a powerful man and have much respect – but his brother would be even greater, yet destroy the legacy by rashness, and the Jameson dynasty not go beyond that second boy.

Mrs. Francis warned that the prophecy would not be heeded, and therefore happen. It would happen in a senseless way, but of such a route as to look ordinary. Therefore the reading became instead of fun or games a very solemn reading that dark spring night, long ago, as the Francis woman sat in her chair rocking from one side to the other, and looking at the cards through half-closed eyelids.

“Then there is a choice,” Mary Jameson said, still trying to make light of its weight.

“If wrong action is avoided – but be careful to know what wrong action is.”

“In work?”

“In life,” said Mrs. Francis, picking the cards up and placing them away in a motion that attested to her qualifications.

Mary Jameson had the boy christened Will, and had Paul and Joanna Francis as his godparents. During the baptism, the sun which had not shone all day began to do so, through the stained glass. Mary decided she would keep this prophecy to herself. But she told her husband, who as the youngster grew became more affluent, and spoiled solemnity by speaking of the prophecy as a joke.

Soon the prophecy was known by others, and over time translated in a variety of ways.

It was true Mary forgot about it until the second boy, Owen, was born, so sickly he almost died.

She forgot about it again, until her husband was killed in a simple, almost absurd accident on the Gum Creek Road, coming out to inspect his mill on a rain-soaked day in April.

Mary thinking that it was a strange way for her husband to be taken from her. She almost a grandmother’s age with two small boys. Worse, she had asked her husband to come out on that spring day–frightened that he would take to the drive and be injured, and he was killed by a fall on a road.

Mary and her brother Buckler took over the mill until Will came into his own, which was soon enough, and seemingly too soon for his competition.
***
It is a common misconception that people are as bright as their knowledge. Will Jameson was a boy far brighter than what he knew, which is an ordinary problem in a country like ours, partly in bondage to winter, where snow is a great blessing on the land. His father had started with nothing but a crippled roan horse – and Will now had camps and horses and men, and a sawmill he had to take care of.

He left school because of his father’s death, and said leaving school was the least thing he ever regretted.

“Holding him is like holding a current itself,” Old Estabrook said of the young man.

Yet his mother, Mary, warned him, he had his faults, could be cruel or uncaring, and laughed at his mother’s sentiment and superstition. These traits came gradually. That is, he believed, because it was what society believed, what his father had believed, that a stiff presence at church service was what constituted good behavior, and jokes were meant to be manly and told in private. He thought, even at seventeen, of children as a woman’s responsibility and a man’s ignorance of the offspring showed a healthy character
From the Hardcover edition.
Présentation de l'éditeur :

Will Jameson has a temperament of iron, standing up to men twice his age when he takes over the Jameson lumber company after his father's death. His younger brother Owen is sensitive, literary and fanciful. But when Will dies suddenly and Owen's beloved Lula rejects him, Owen's deeper character comes to light: joining the army in the hope of getting himself killed, instead Owen returns home a decorated war hero.

Then he falls in love with the beautiful, childlike Camellia - the wife of Will's old friend Reggie Glidden - and soon Owen and Camellia find themselves watched on all sides, caught in the teeth of an entire town's gossip and hypocrisy. Inexorably, they are pulled into a chain of events that will end with death, disappearance and a sensational trial.

The Friends of Meager Fortune is a transfixing love story and a devastating portrait of a society - but it is also a brilliant commemoration of the passing of a world, that of the lumberjacks who felled the trees by hand and dragged them down mountainsides with horses. Owen Jameson begins what will become the greatest cut in New Brunswick history, his men setting up camp on the notoriously dangerous Good Friday Mountain. The teamsters spend months in pitiless ice and snow, daily pitting themselves against nature and risking their lives for scant reward, in the last moments before the coming of mechanization that will make them obsolete. This heroic, brutal life is all Meager Fortune, the camp keeper, knows. A good and innocent man, he shows unexpected resolution in the face of the betrayals of the more worldly men around him.

Rich with all the passion, ambition and almost mythic vision that defines David Adams Richards' work, The Friends of Meager Fortune is a profound and important book about the hands and the heart; about true greatness and true weakness; about the relentlessness of fate and the evil that men and women do. Wise, stark, and without a false word in it, it cements David Adams Richards' claim to be the finest novelist at work in Canada today.

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  • ÉditeurVintage
  • Date d'édition2008
  • ISBN 10 0099499185
  • ISBN 13 9780099499183
  • ReliureBroché
  • Nombre de pages384
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Description du livre Paperback. Etat : Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. N° de réf. du vendeur 6545-9780099499183

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