Yesterday's Weather: Includes Taking Pictures and Other Stories - Couverture souple

Enright, Anne

Couverture souple

ISBN 10 : 0099520990 ISBN 13 : 9780099520993

Editeur : Vintage, 2009

Synopsis

First publication of a new collection of the Booker Prize-winner's stories including those from her most recent hardback 'Taking Pictures'. In Yesterday's Weather, Booker Prize-winning author Anne Enright presents a series of deeply moving stories about women stirred, bothered, or fascinated by men they cannot understand, or understand too well. Enright's characters are haunted by the ghosts of the lives they might have led - lit by new flames, old flames, and flames that are guttering out. A woman's one night stand is illuminated by dreams of a young boy on a cliff road, another's is thwarted by an swarm of somnolent bees. A pregnant woman is stuck in a slow lift with a tactile American stranger, a naked mother changes a nappy in a hotel bedroom, and waits for her husband to come back from the bar. This collection includes some of Enright's best loved stories as well as her latest works. These are sharp, vivid tales of loss and yearning, of surrender to responsibilities or to unexpected delight; all share the unsettling, dislocated reality, the subversive wit and awkward tenderness that have marked Anne Enright as one of our most thrillingly gifted writers.

A propos du livre

Extrait :

PALE HANDS I LOVED, BESIDE THE SHALAMAR

I had sex with this guy one Saturday night before Christmas and gave him my number and, something about him, I should have known he would be the type to call. For once, I was almost grateful that Fintan answered the phone. I could hear him through the sliding door.

‘Yes, she’s here. She’s in the kitchen, eating dead things.’

Then, ‘No, I’m not a vegetarian.’

Then, ‘I mean dead as in dead. I mean people like you.’

I said, ‘Just give me the phone, Fintan.’

After the call was finished, I threw out the rest of my dinner, came into the living room and sat down. Fintan was watching a documentary about airports, which turned out to be quite funny. When it was over, I got up to go to bed and he looked up at me and said, ‘Do not go gentle.’

And I said, ‘Goodnight, Fintan. Goodnight, darling. Goodnight.’
I nearly went out with Fintan, before he was diagnosed. Now, we live together and people say to me, Isn’t that a bit dangerous? But he is the gentlest man I know. The ashtrays were the biggest problem; the filth of them. I finally said it to him one day over the washing-up, and he dis - appeared for a week. Then one evening he was back, sitting on the sofa with a brass box in his hand. It had the most vicious spring lid. I said, ‘Where did you get that from, India?’ and he looked at me. You can hear him clacking and snapping all over the house now. It’s like someone smoking into a mousetrap, but it still makes me smile.

Otherwise I have no complaints. I would get him to wash his clothes more, but I think he is happier with the smell, and so am I. It reminds me of the time when I nearly loved him, back in college when it rained all the time, and no one had any heating, and the first thing you did with a man was stick your schnozz into his jumper and inhale.

These days, he is thinner and his hands tremble. He leaves his coat on around the house, and spends a lot of time looking at the air in the middle of the room — not at the ceiling or the walls, but at the air itself.

You can’t trust that sort of thing. I would be the last to trust it. Personally, I don’t think he would hurt a fly, but I still check his medication when he is not around. And yet, it was true what he said — when the phone rang that night, I was eating dead things. I was sitting in the kitchen with the condensation running down the black windowpane, forking through the carbonara as though it was all the men I had missed or messed up. All the men I had missed or messed up. If it was a song you could sing it. If it was a song you could Play it, Sam.

I went out and took the receiver and said, ‘Hello?’ and glared at Fintan until he left the hall. ‘Sorry about that.’

‘Is that you?’ said the guy at the other end. ‘Is that you?’

So, he introduced himself — which is odd if you have slept with someone already. Then, he asked me out for ‘a date’. I didn’t know what to say. There was none of that when I started out. You just bumped into people. You just stayed for one more drink and then by accident until closing time, and then by a miracle, by a fumble, by something slippery and inadvertent, for the night. (But it was a serious business, this accident, I’m telling you. It was as serious as an accident with a car.) This was partly what I had been thinking in the kitchen, as the pasta slithered through the egg and the cream — How do I do this now? How do I crash the goddamn car?

‘So, what about Friday night?’ he said.

‘Sorry?’

‘Or Wednesday?’

I checked an imaginary diary in the darkness of the hall, and listened for a while to the dialling tone, after he had put down the phone.

I wasn’t sure that I liked him. That was all.

The dinner was hilarious. I should stop whining about my life, but I sat in a restaurant with red velvet curtains and white linen tablecloths and expensive, smirking waiters, and wondered, as I played with the fish knife, what all this was for. We went back to his place and I could feel the migraine coming through the sex. It should have been nice — I have no objection to sex — but with the migraine starting I felt as though he was a long way away from me, and every thrust set my brain flaring until I was very small and curled up, somehow, at the bottom of my own personal well.

Of course he was very solicitous and insisted on driving me home. Men say they want casual sex but, when you say thanks-very-much-goodnight they get quite insulted, I find. So he touched the side of my face and asked could he see me again, and when I said yes he undid the central locking system with a hiss and a clunk, and let me go.

In the kitchen I drank four cups of kick-ass black coffee, and went to bed. And waited.

Some time the next day, Fintan came in and closed the curtains where there was a little burn of light coming through. I was so happy the light was gone, I started to cry. There is something unbelievable about a migraine. You lie there and can’t believe it. You lie there, rigid with unbelief, like an atheist in hell.

Fintan settled himself on a chair beside the bed and started to read to me. I didn’t mind. I could hear everything and understand everything, but the words slid by. He was holding my childhood copy of Alice in Wonderland and I wondered were the colours that intense when I was young; Alice’s hair a shouting yellow, the flamingo scalded pink in her arms.

He got to the bit about the three sisters who lived in the treacle well — Elsie, Lacie and Tillie. And what did they live on? Treacle.

‘They couldn’t have done that, you know,’ Alice said, ‘they’d have been ill.’

‘So they were,’ said the Dormouse. ‘VERY ill.’

I smiled, swamped by self-pity. And suddenly I got it — clear as clear — the smell of treacle, like a joke. The room was full of it. Sweet and burnt. It was a dilation of the air: it was a pebble dropped into the pool of my mind, so that, by the time the last ripple had faded, the pain was gone or thinking of going. The pain was possible once again.

‘Oh,’ I said.

‘What?’ said Fintan.

He looked at me in the half-dark. Downstairs, the phone began to ring. I went to get out of bed but Fintan stopped me, just by the way he sat there, in a chair by my side.
A couple of weeks later I was arguing with him, banging his dirty dishes in the kitchen. It is possible Fintan has a problem with water. It is possible all men have a problem with water. Some day they will find the gene for it, but in the meantime, I want a better life.

But of course Fintan never answers back, so the argument is always about something else — something you can’t quite put your finger on. The argument is about everything.

Yes, I wanted to say, he is married. But he is separated — well and legally separated — from a wife who is always sick; a daughter who is bright but will not eat; another daughter who is his pride and joy. I liked him; he made the effort. Every time we met, there was some present; usually not to my taste, but ‘tasteful’ all the same; small and expensive, like some moment from a fifties film. And there was an astonishing darkness in bed. That had to be said. I felt, as he reared away from me, that he was thinking about nothing, that there were no words in his head. He rolled his eyes back into it, and the widening dark was bliss to him. It was like watching a man die. It was like having sex with an animal.

None of which I said as I banged the saucepan from Fintan’s scrambled eggs on to the draining board. I didn’t mention the too-bright daughters either, or the crumbling ex-wife. What I did say was that Fintan had to find somewhere for the Christmas holidays, because I didn’t want to be worried about him in the house by himself.

‘Christmas doesn’t matter,’ he said.

‘Right.’

Of course not. Christmas, I went down home. What mattered was the New Year, because when midnight struck I would be in a hotel, drinking good champagne beside bad swagged curtains. I would be in bed with my new squeeze, my big old, hairy old, Mister Daddy-O.

And. And. And.

‘And I don’t mind your dishes, Fintan, but I really can’t take scrambled egg.’

There was a silence.

‘Fried?’

‘Fried is fine.’

He was right. Fintan didn’t care about the champagne, or even about the curtains. I suspect he wasn’t even bothered by the sex. He cared about something else. A small flame that he put his hands around, but could not touch. He is the gentlest man I know.

But it was a gentle feeling I had, too. I wanted to say that, somehow — that this man had too much money and no taste, but he wanted me very hard. I wanted to say how helpless this made him; how violent and grateful I felt him to be. I wanted to say that he had flat, self-important eyes but the back of his neck smelt like a baby’s hair.

That evening, as I opened the front gate, I heard the sound of the piano starting up in the house behind me. It was dusk. Across the road, the alcoholic teacher had put up his Christmas lights; a different shape in each of the windows. There was a square and a circle downstairs, upstairs a triangle and what we used to call a rhomboid, all in running, flashing, gold and white. Over by the postbox, an object flew out from among a cluster of boys and landed in the roadway. It was a skateboard. I stood there with my hand on the cold, low handle of the gate and listened to the first bars of Pathétique.

You only play ...

Revue de presse :

"Enright deals beautifully with the modern world ... blood, guts, and heart-stopping beauty" (Independent)

"At the top of her form, she is remarkable" (Jane Shilling The Times)

"Shockingly beautiful and painfully funny" (Observer)

"The quality of the writing should help to explain Enright's having won the 2007 Man Booker Prize ... single lines and paragraphs are so well crafted, with such salty, pleasantly brutal sensibility, that these stories function like beguiling advertisements for Enright's novels. After sampling Taking Pictures, those who, like me, have not yet read The Gathering will likely move her Man Booker winner nearer to the top of the pile beside the bed" (Lionel Shriver Daily Telegraph)

"She's a sphinx, an alchemist, a literary witch who sticks a spell on you. Angela Carter and Ali Smith can do this too.... buy it, read it, it isn't realism, it's music" (Scotsman)

À propos de cette édition

• Éditeur: Vintage
• Date d'édition: 2009
• ISBN 10: 0099520990
• ISBN 13: 9780099520993
• Reliure: Broché
• Nombre de pages: 320