This is the autobiography of the war photographer, Don McCullin, a life shaped by and committed to recording wars and revolutions. From the opening when McCullin recounts his feelings as an underprivileged child separated from his family during three wartime evacuations, through to the final irony of being fired by his editor, he has written a personal portrait of the post-war world. His reputation was established with "The Sunday Times" assignments in Vietnam, Biafra, Cambodia, Afghanistan and other places and in part this book is a tribute to colleagues sadly lost. He has continued to work as a photographer undertaking lifestyle assignments for magazines and colour supplements although his bitterness and resentment against the British authorities over his inability to gain a place with the Falklands Task Force underlines the emptiness of life away from the frontline.
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'He has known all forms of fear, he's an expert in it. He has come back from God knows how many brinks, all different. His experience in a Ugandan prison alone would be enough to unhinge another man - like myself, as a matter of fact - for good. He has been forfeit more times than he can remember, he says. But he is not bragging. Talking this way about death and risk, he seems to be implying quite consciously that by testing his luck each time, he is testing his Maker's indulgence' - John le Carre
'McCullin is required reading if you want to know what real journalism is all about' - The Times
'From the opening...there is hardly a dull sentence: his prose is so lively and uninhibited... An excellent book' - Sunday Telegraph
'Unsparing reminiscences that effectively combine the bittersweet life of a world-class photojournalist with a generous selection of his haunting lifework... A genuinely affecting memoir that reckons the cost and loss involved in making one's way on the cutting edge of conflict' - Kirkus Reviews
'If this was just a book of McCullin's war photographs it would be valuable enough. But it is much more' - Sunday Correspondent
The updated autobiography published for McCullin's 80th birthday.
From the construction of the Berlin Wall through every conflict up to the Falklands War, photographer Don McCullin has left a trail of iconic images.
At the Sunday Times Magazine in the 1960s, McCullin’s photography made him a new kind of hero. The flow of stories every Sunday took a generation of readers beyond the insularity of post-war Britain and into the recesses of domestic deprivation: when in 1968, a year of political turmoil, the Beatles wanted new pictures, they insisted on using McCullin; when Francis Bacon, whose own career had emerged with depiction of the ravages of the flesh, wanted a portrait, he turned to McCullin.
McCullin now spends his days quietly in a Somerset village, where he photographs the landscape and arranges still-lifes – a far cry from the world’s conflict zones and the war-scarred north London of Holloway Road where his career began.
In October 2015, it will be twenty-five years since the first publication of his autobiography, Unreasonable Behaviour – a harrowing memoir combining his photojournalism with his lifework.
The time is right to complete McCullin’s story.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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