Revue de presse :
Have to come in terms with the fact that Only those with childhood still in them, would enjoy this book. How can such a beautiful language even exist?- That was my initial reaction to this. Ms. Roy demands such strong emotion from her readers that it makes you really wonder if you were an invisible being lingering around when the lives of the characters unfold in front of you. It literally serenades you, making you believe that these characters, really, yes, do exist. However, it your imagination that tells you that they are real. i wish she wrote more fiction. touching more lives with each of her words. This book has made me imagine, cry, ponder, chuckle, frown brought in goosebumps and contemplate in many ways like no book has ever done before. Vividly. Unashamed. The best part being that you imagine the characters living in front of you. To get hold of that small part is another thing. True, childhood lives only if you water it through your life. --Gayatri Nair on Jun 17, 2013
This book is the best pick for a broad and open minded person.. Tells you how "Love" is always associated with sadness, how women are made scape goats for everything that happens, how a person's childhood experiences affect his/her perspectives and whole life.. The book has less to tell and lot to infer. So unleash ur minds open and then start reading the book... --Krithika Jayaraaman on Feb 17, 2012
Arundhati is a poetess, an artist who spins munificence with the ordinary. Her story - a part biography is like fine music to even an untrained ear. She's one writer that I admire mostly because her words tell us a story in visuals. You feel the pain, the struggle, the sly humor and the God she cherishes in small things... --Aakarsh Yardi on Jun 10, 2012
Présentation de l'éditeur :
The Asian literary phenomenon of the 90s. More magical than Mistry, more of a rollicking good read than Rushdie, more nerve-tinglingly imagined than Naipaul, here, perhaps, is the greatest Indian novel by a woman. Arundhati Roy has written an astonishingly rich, fertile novel, teeming with life, colour, heart-stopping language, wry comedy and a hint of magical realism. Set against a background of political turbulence in Kerala, Southern India, The God of Small Things tells the story of twins Esthappen and Rahel. Amongst the vats of banana jam and heaps of peppercorns in their grandmother's factory, they try to craft a childhood for themselves amidst what constitutes their family -- their lonely, lovely mother, their beloved Uncle Chacko (pickle baron, radical Marxist and bottom-pincher) and their avowed enemy Baby Kochamma (ex-nun and incumbent grand-aunt).
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