Smashed: Story of a Drunken Girlhood

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9780143036470: Smashed: Story of a Drunken Girlhood

Book by Zailckas Koren

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

Extrait :

Henceforth, my mother will refer to it as the time I almost died. We'll be sitting in the kitchen, both four and seven years from now. My dad will extend the leaves of the kitchen table to accommodate whatever college boyfriend I've brought home for the weekend. And my mom, while spooning out three-bean salad, will turn and ask him, "Has Koren told you about the time she almost died?"

I'll never know how much of that assertion accounts for melodrama.

Sure enough, it feels like death. On November 9, 1996, I wake up between the Tide-stiff sheets of my childhood Banister Bed and one thought occurs to me: I'm not wearing any underwear.

This is all the information I need to know that something horrendous has happened. At sixteen, I am never naked, save for ten minutes a day under the stream of a morning shower, and even then, I turn away from the bathroom mirror before I drop my towel to step in. Even alone, I am ashamed of the arcs of my own pale skin, particularly in the whitest part that spans between my hips. Given my tendency to thrash in my sleep and kick down sheets, I would never sleep without underwear.

My bed looks like it's been made with me in it. There's not a wrinkle in the comforter; its patched pastel pattern is pulled smooth and tight, clear up to my neck. When I start to unroll my arms and legs from the folds of the sheets, I feel a sharp pain in my elbow, like I've been sleeping on it, and I stop for a moment, trying to decide if that position is physically possible.

I decide to fold back the comforter from one corner, the way someone might diagonally halve a dinner napkin. I do it slowly. It's like opening a hand-addressed letter with no return address; I have a feeling I could find just about anything inside.

What I find under the covers looks like someone else's nightgown. It is a thin, white, cotton smock, stippled with green, and it cuts off at my knees. I can't imagine who I borrowed it from, since my friends and I all sleep in nylon shorts and our dads' XL T-shirts. When I feel around to the breach of cloth above my own pink ass, it dawns on me: I'm wearing a hospital gown.

I'm immobile in the face of my panic. I'm stunned to the point that I don't dare breathe or kick my feet in a way that would make even the faintest sliding sound on the starched sheets. I don't know how many minutes I lay like this, motionless in the small sag that my body makes in the mattress, barely breathing. I can't get out of bed until I've figured out what emergency landed me in this green and white gown. My room is directly above the dining room, and the littlest thump on the carpet can shake the chandelier; I don't want anyone downstairs to see it swinging and know I'm awake.

I feel like I'm arriving at the scene of an accident, like my physical self has been creamed in a hit-and-run and my mental self is the first one to find it. All I can do is run through the basic first-aid checkpoints, the first of which is: Can you move?

I pull my knees into my chest and wrap both arms around them with no problem, aside from the throbbing deep in my elbow. The back of my head is tender against the pillow, and my neck moves in a succession of arthritic-like cracks. But my joints move. I'm not paralyzed.

There are no clues in the form of a cast or a bandage or stitches. Lying down, I can't even make out any discernible bruises. Later, I'll be able to make out the purple impressions of fingers around my biceps, plus a golf ball-sized bruise on one ass cheek, a sort of yellowed half-moon around a raised, blue bump. But for now, the only visible signs that I'm injured are the hospital gown and a pink, plastic wristband that reads zailckas, koren.

The house is filled with the sounds of Saturday morning in motion. Bear is barking to be let in through the side door. There is the sound of coffee mugs clinking on countertops, and I detect the faint smell of bagels burning in the oven. I might even hear the far-off sound of my mother's whirring laughter.

My room appears equal in its sameness. There are dirty socks on the floor and stacks of Seventeen on my desk. On my bureau, there are notebooks on top of snapshots, necklaces on top of notebooks, and dust over just about everything, ever since I barred my mom from my room. Fall light filters through the window blinds and casts sunny stripes across the carpet. I can see my back-to-school sweaters brushing elbows in the closet; the price tags are still stapled to some of them, and I can make out the orange half-off stickers from Filene's juniors' department.

Mentally, I retrace my steps from last night to try to find this dropped memory.

As far as Friday nights go, it was typical. I spent it with my new friend, Kat Caldwell. She is a girl I made friends with a few months ago for no real reason other than we both drink and we're both sensitive. The first night I'd slept over at Kat's house, I saw that her sheets were streaked with mascara, and her Laura Ashley pillowcases retained the outline of her whole face: half-moon of foundation, faint ring of lip stain, black strokes from the flurried beating of her dripping eyelashes. She'd opened the drawers of her bureau to show me the old liquor bottles she hid under her childhood ballet costumes, and I'd laughed at dozens of tiny Lycra bodices, net tutus, and loose sequins that smelled of Tanqueray.

Kat came with a silver cord to more friends, like Abby and Allen, and I'd gone with all of them, plus my childhood friend Claire, to a Friday-night get-together near the lake in the next town over.

A girl whose parents were away in Vermont for a wine-tasting weekend threw the party. Her parents must have warned her not to have friends over while they were gone because she wouldn't let any of us inside her house to mix drinks properly, in cups. Instead, about a dozen of us -- friends, and friends of friends, and neighborhood kids who'd heard that someone's parents were out -- were in the backyard, slugging rum, tequila, and Kahlúa straight from their bottles. At one point, when I asked the girl if I could go inside to use her bathroom, she suggested that I drop my pants behind the hedges across the street.

The whole ordeal hadn't been the least bit thrilling. I'd sat beside Kat on a splintering dock. Our bare feet dangled over the edge of the black, rippling water, where we could occasionally hear fish jump, making plopping sounds like tossed coins. The wind propelled dead leaves across the lake's surface. The clouds swirled themselves around the moon.

I started by taking small sips from the communal bottles. I knocked back a few sips of generic rum, which tasted strong and acidic, and bit my throat. I soothed it with candied gulps of Kahlúa.

I also drank from a thermos filled with vodka that Claire had filched from a bottle in her parents' liquor cabinet. It was the same gallon-wide jug of Absolut that we always stole from, and then added water to, in an effort to recover the stolen inches. After months of adding and subtracting, the vodka had reached a diluted state that rendered it tasteless. It was as cold and wet as springwater, and we drank it fast.

The last thing I remember is telling Claire about the poet Frank O'Hara, the way he'd said that after the first glass of vodka you can accept anything about life, even your own mysteriousness. After that, my own mystery opens up.

There are only so many calamities that could have warranted this hospital gown. My first thought is that I lost my footing on the path leading up from the dock and cracked my knee in the place where it still wasn't fully healed from the surgery. One would think I'd remember that kind of fall, but perhaps the pain of it blacked me out.

For one horrible moment, it also occurs to me that Allen, who had driven, might have had too many sips of straight rum and veered the car off the road on the way home. It was only a month ago that a boy in our class got drunk and drove his car into a lake, where it sunk like an old tire, and he had to unroll the window to swim out. For a moment, I think whiplash could be responsible for my lumped head and stiff neck, not to mention the amnesia. But then I decide I'd surely remember something from the moments before we crashed: gasping, blackness spreading across the windshield, the sound of pine branches scraping the flanks of the car.

I should call one of the girls who'd been with me, to see if they can fill in the gaps. But when I look for the portable phone, someone has removed it from its cradle on my bureau, as if to prevent that from happening.

I step softly to my full-length mirror, using the ballet-walk where you stand only on the balls of your feet.

The image reflected back at me makes me cup my mouth with both hands: I look like a woman in a zombie film from the 1950s. My hair looks like it's been replaced with a Halloween wig; it is teased into a high pile of knots and dusted with dirt and leaves, and something sticky has lacquered the ends together. From this position, I can make out a whole range of fingerprints that wrap around my forearms in shades of brownish-blue and yellow. A cat-scratch is carved into the corner of my eye; aside from that, my face looks slack and pasty, but unmarked.

I can see now that I'm wearing hospital booties with my gown. They are blue ankle-socks with plastic beads on the soles, presumably so you won't slip on the linoleum floors while you're fleeing the ward.

I add another item to the list of possible accidents: psychiatric emergency.

My alarm clock says it's 10:30. That tells me that whatever happened must be serious because no one has bothered to wake me for my poetry workshop. I was scheduled to spend the weekend at a conference for Worcester County's most promising young writers, and it started more than two hours ago. The workshop is one of those college résumé padders that my mother would send me to in any state short of death. (Just two months ago, she forced me to spend a week at diplomacy camp at Washington, D.C., and just to spite her, I'd skipped the lectures on youth leadership to buy forties of beer and drink them with local delinquents on the hill behind the dorm.)

I would stay in my room all day, trying to figure out what happened, if I didn't desperately need a glass of water. My throat is so parched it feels raw, and each swallow is arduous.

I keep the hospital booties on because the morning has the cold nip of fall, but I trade the gown for a sweatshirt and a pair of flannel pants. I try to brush my hair, and realize with one painful stroke that the task could take all afternoon, so instead I wind the whole snarled mess into a lopsided bun. I look at myself in the mirror and wince before heading downstairs to meet my parents with the premonition that I am fucked.

It is my first blackout.

I will never again experience one so comprehensive. I get the details first from Claire, who I find pretending to sleep on the couch in the living room. My parents will rehash them with me again later, as will Kat and Allen and Abby when I see them Monday morning at school. The remaining gaps I'll fill in years later, when I get the courage to ask my father more questions, and when I see my emergency file.

I passed out on the dock in a puddle of my own vomit. I imagine it was mostly liquor because my dad told the doctor I didn't eat dinner that night. Before that, I pulled my shirt up over my shoulders to show my bra to someone's brother because, knowing I was slipping into oblivion, he'd asked me what color it was. I'd also professed a soul-shattering love for an older boy who had taken me for a drunken walk in the woods a few months earlier -- a boy who had pushed my back into the cragged banks of a stream and called me a baby when I wouldn't let him pull off my underwear.

After I tottered and fell sideways onto the planks of the dock, nobody could wake me. Allen, Abby, Claire, and Kat carried me up the hill to the road by my arms and legs, which is why my body bears what look like forty finger-shaped bruises. They dropped me a few times, too, which explains the raised bumps on my butt and the back of my head.

When they tell me this, I envision a dead body -- not my body, but the body of someone in a thriller movie who has just been clubbed with a paperweight and dragged in a bloody streak across the floor by her feet. When I ask them why they didn't roll me up in a rug, no one finds it funny.

The girl whose house we were at brought out a pair of pilled sweatpants because I'd retched all over my jeans. I can't imagine that she would have let me inside, given that I was liable to puke over all manner of Venetian rugs and calico curtains, so I'll come to imagine that they pulled off my jeans outside on the porch, leaving my underwear fully exposed while they struggled to stick my feet through the sweatpants' elasticized legs. Then they draped me across the backseat of Allen's car and drove me to Abby's house.

From what I can tell from the medical records, this whole ordeal took at least an hour. It was around 12:30. Abby's parents were asleep when my friends lugged me in through the front door.

They tried to give me a shower, to clean off the combination of liquor, vomit, dirt, and leaves that was adhered to me. I'll never know if I was fully naked or if they left my under-things on because I am too embarrassed to ask. Nor will I know if Allen was there while they did it, though I don't know how they could have held me under the showerhead without his strength. Afterward, they must have put me back into the sweatpants because they are there in the plastic bag that my dad carried home from the hospital, and they are all but crusted with vomit. My mom will wash them and insist that I return them, in a most undignified moment, to the girl at school on Monday morning.

By the time I was showered, I had already missed my curfew, so Abby called my father to tell him not to worry. She said I'd fallen asleep while we were watching a movie and asked if I could stay the night.

My father hadn't believed her. He asked to speak to her parents, and when she said they were sleeping, he asked to talk to me. I was dangling over the edge of her brother's bunk bed, getting sick again. In a second-long flash of memory, I recall someone shaking my shoulders and telling me to pull it together for two minutes, probably so I could ask my dad if I could stay the night. When they held the receiver to my ear, I slurred, "I'll be home in fifteen minutes, Daddy."

Years later, he will say it was one of those pivotal moments -- he sensed that the whole world swung on whether he went back to sleep or drove to me.

Claire went to the hospital with my father. She was an emergency medical trainee and knew how to calculate heart rates and breaths per minute, which she did throughout the thirty-minute drive.

After everything, it is the thought of Claire answering my dad's questions that makes me feel most guilty. He is intimidating when he's not trying to be, and bloodcurdling when he is. If he puts the full boom into his voice, he can make boyfriends tremble and customer-ser...

Présentation de l'éditeur :

Garnering a vast amount of attention from young people and parents, and from book buyers across the country, Smashed became a media sensation and a New York Times bestseller. Eye-opening and utterly gripping, Koren Zailckas’s story is that of thousands of girls like her who are not alcoholics—yet—but who routinely use booze as a shortcut to courage and a stand-in for good judgment.

With one stiff sip of Southern Comfort at the age of fourteen, Zailckas is initiated into the world of drinking. From then on, she will drink faithfully, fanatically. In high school, her experimentation will lead to a stomach pumping. In college, her excess will give way to a pattern of self-poisoning that will grow more destructive each year. At age twenty-two, Zailckas will wake up in an unfamiliar apartment in New York City, elbow her friend who is passed out next to her, and ask, "Where are we?" Smashed is a sober look at how she got there and, after years of blackouts and smashups, what it took for her to realize she had to stop drinking. Smashed is an astonishing literary debut destined to become a classic.

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Zailckas, Koren
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Description du livre Penguin Putnam Inc, United States, 2006. Paperback. État : New. Reprint. 196 x 130 mm. Language: English . Brand New Book. This is a valuable, cautionary, and powerfully-written tale about the dangers of drink. At 24 Zailckas gave up drinking after a decade of getting drunk, having blackouts, and experiencing brushes with comas, date rape, and suicide. This is the mortifyingly credible story ( The New York Times ) of her drunken girlhood. Garnering a vast amount of attention from young people, parents, and bookbuyers across the US, Smashed soon became a media sensation and a New York Times bestseller. Eye-opening and utterly gripping, Koren Zailckas story is that of thousands of girls like her who are not alcoholics - yet - but who routinely use alcohol as a shortcut to courage and a stand-in for good judgement. With one stiff sip of Southern Comfort at the age of 14, Zailckas is initiated into the world of drinking. From then on she drank faithfully and fanatically to such an extent she suffered stomach pumping on a number of occasions. In college her excess gave way to a pattern of self-poisoning that grew more and more destructive. At the age of 22 Zailckas woke up in an unfamiliar apartment with no clue of where she was or what had happened to her. Smashed is a sobering look at how Zailckas fell into this trap and what it took for her to realise she had to stop drinking. A must read for all parents and children who want to avoid the dangers of drink. N° de réf. du libraire AAS9780143036470

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Description du livre Penguin Putnam Inc, United States, 2006. Paperback. État : New. Reprint. 196 x 130 mm. Language: English . Brand New Book. This is a valuable, cautionary, and powerfully-written tale about the dangers of drink. At 24 Zailckas gave up drinking after a decade of getting drunk, having blackouts, and experiencing brushes with comas, date rape, and suicide. This is the mortifyingly credible story ( The New York Times ) of her drunken girlhood. Garnering a vast amount of attention from young people, parents, and bookbuyers across the US, Smashed soon became a media sensation and a New York Times bestseller. Eye-opening and utterly gripping, Koren Zailckas story is that of thousands of girls like her who are not alcoholics - yet - but who routinely use alcohol as a shortcut to courage and a stand-in for good judgement. With one stiff sip of Southern Comfort at the age of 14, Zailckas is initiated into the world of drinking. From then on she drank faithfully and fanatically to such an extent she suffered stomach pumping on a number of occasions. In college her excess gave way to a pattern of self-poisoning that grew more and more destructive. At the age of 22 Zailckas woke up in an unfamiliar apartment with no clue of where she was or what had happened to her. Smashed is a sobering look at how Zailckas fell into this trap and what it took for her to realise she had to stop drinking. A must read for all parents and children who want to avoid the dangers of drink. N° de réf. du libraire AAS9780143036470

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