Charlotte Brontë Jane Eyre

ISBN 13 : 9780143123149

Jane Eyre

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9780143123149: Jane Eyre

Jane Eyre When "Jane Eyre" was first published in 1847, it became an instant bestseller, so popular that the publisher commissioned a second printing in just three months. The story of a young girl--plain, poor, and alone--who endures abuse, abandonment, and ridicule only to become a loving, compassionate young woman of great moral character remains Charlotte Bronte's greatest achievement. Now available as Full description

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Extrait :

Chapter One

There was no possibility of taking a walk that day. We had been wandering, indeed, in the leafless shrubbery an hour in the morning; but since dinner (Mrs. Reed, when there was no company, dined early) the cold winter wind had brought with it clouds so sombre, and a rain so penetrating, that further outdoor exercise was now out of the question.

I was glad of it; I never liked long walks, especially on chilly afternoons: dreadful to me was the coming home in the raw twilight, with nipped fingers and toes, and a heart saddened by the chidings of Bessie, the nurse, and humbled by the consciousness of my physical inferiority to Eliza, John, and Georgiana Reed.

The said Eliza, John, and Georgiana were now clustered round their mamma in the drawing-room: she lay reclined on a sofa by the fireside, and with her darlings about her (for the time neither quarrelling nor crying) looked perfectly happy. Me, she had dispensed from joining the group, saying, "She regretted to be under the necessity of keeping me at a distance; but that until she heard from Bessie, and could discover by her own observation that I was endeavouring in good earnest to acquire a more sociable and childlike disposition, a more attractive and sprightly manner--something lighter, franker, more natural, as it were--she really must exclude me from privileges intended only for contented, happy little children."

"What does Bessie say I have done?" I asked.

"Jane, I don't like cavillers or questioners; besides, there is something truly forbidding in a child taking up her elders in that manner. Be seated somewhere; and until you can speak pleasantly, remain silent."

A small breakfast-room adjoined the drawing-room, I slipped in there. It contained a bookcase; I soon possessed myself of a volume, taking care that it should be one stored with pictures. I mounted into the window-seat: gathering up my feet, I sat crosslegged, like a Turk; and, having drawn the red moreen curtain nearly close, I was shrined in double retirement.

Folds of scarlet drapery shut in my view to the right hand; to the left were the clear panes of glass, protecting, but not separating me from the drear November day. At intervals, while turning over the leaves in my book, I studied the aspect of that winter afternoon. Afar, it offered a pale blank of mist and cloud; near, a scene of wet lawn and storm-beat shrub, with ceaseless rain sweeping away wildly before a long and lamentable blast.

I returned to my book--Bewick's History of British Birds: the letterpress thereof I cared little for, generally speaking; and yet there were certain introductory pages that, child as I was, I could not pass quite as a blank. They were those which treat of the haunts of sea-fowl; of "the solitary rocks and promontories" by them only inhabited; of the coast of Norway, studded with isles from its southern extremity, the Lindeness, or Naze, to the North Cape--

Where the Northern Ocean, in vast whirls,

Boils round the naked, melancholy isles

Of farthest Thule; and the Atlantic surge

Pours in among the stormy Hebrides.

Nor could I pass unnoticed the suggestion of the bleak shores of Lapland, Siberia, Spitzbergen, Nova Zembla, Iceland, Greenland, with "the vast sweep of the Arctic Zone, and those forlorn regions of dreary space--that reservoir of frost and snow, where firm fields of ice, the accumulation of centuries of winters, glazed in Alpine heights above heights, surround the pole, and concentre the multiplied rigours of extreme cold." Of these death-white realms I formed an idea of my own: shadowy, like all the half-comprehended notions that float dim through children's brains, but strangely impressive. The words in these introductory pages connected themselves with the succeeding vignettes, and gave significance to the rock standing up alone in a sea of billow and spray; to the broken boat stranded on a desolate coast; to the cold and ghastly moon glancing through bars of cloud at a wreck just sinking.

I cannot tell what sentiment haunted the quite solitary churchyard, with its inscribed headstone; its gate, its two trees, its low horizon, girdled by a broken wall, and its newly risen crescent, attesting the hour of eventide.

The two ships becalmed on a torpid sea, I believed to be marine phantoms.

The fiend pinning down the thief's pack behind him, I passed over quickly: it was an object of terror.

So was the black, horned thing seated aloof on a rock, surveying a distant crowd surrounding a gallows.

Each picture told a story; mysterious often to my undeveloped understanding and imperfect feelings, yet ever profoundly interesting: as interesting as the tales Bessie sometimes narrated on winter evenings, when she chanced to be in good humour; and when, having brought her ironing-table to the nursery-hearth, she allowed us to sit about it, and while she got up Mrs. Reed's lace frills, and crimped her nightcap borders, fed our eager attention with passages of love and adventure taken from old fairy tales and older ballads; or (as at a later period I discovered) from the pages of Pamela, and Henry, Earl of Moreland.

With Bewick on my knee, I was then happy: happy at least in my way. I feared nothing but interruption, and that came too soon. The breakfast-room door was opened.

"Boh! Madam Mope!" cried the voice of John Reed; then he paused: he found the room apparently empty.

"Where the dickens is she?" he continued. "Lizzy! Georgy! (calling to his sisters) Jane is not here: tell mamma she is run out into the rain--bad animal!"

"It is well I drew the curtain," thought I, and I wished fervently he might not discover my hiding-place: nor would John Reed have found it out himself; he was not quick either of vision or conception; but Eliza just put her head in at the door, and said at once: "She is in the window-seat, to be sure, Jack."

And I came out immediately, for I trembled at the idea of being dragged forth by the said Jack.

"What do you want?" I asked with awkward diffidence.

"Say, 'what do you want, Master Reed,' " was the answer. "I want you to come here"; and seating himself in an arm-chair, he intimated by a gesture that I was to approach and stand before him.

John Reed was a schoolboy of fourteen years old; four years older than I, for I was but ten; large and stout for his age, with a dingy and unwholesome skin; thick lineaments in a spacious visage, heavy limbs and large extremities. He gorged himself habitually at table, which made him bilious, and gave him a dim and bleared eye with flabby cheeks. He ought now to have been at school; but his mamma had taken him home for a month or two, "on account of his delicate health." Mr. Miles, the master, affirmed that he would do very well if he had fewer cakes and sweetmeats sent him from home; but the mother's heart turned from an opinion so harsh, and inclined rather to the more refined idea that John's sallowness was owing to over-application, and, perhaps, to pining after home.

John had not much affection for his mother and sisters, and an antipathy to me. He bullied and punished me; not two or three times in the week, nor once or twice in a day, but continually: every nerve I had feared him, and every morsel of flesh on my bones shrank when he came near. There were moments when I was bewildered by the terror he inspired, because I had no appeal whatever against either his menaces or his inflictions; the servants did not like to offend their young master by taking my part against him, and Mrs. Reed was blind and deaf on the subject: she never saw him strike or heard him abuse me, though he did both now and then in her very presence; more frequently, however, behind her back.

Habitually obedient to John, I came up to his chair: he spent some three minutes in thrusting out his tongue at me as far as he could without damaging the roots: I knew he would soon strike, and while dreading the blow, I mused on the disgusting and ugly appearance of him who would presently deal it. I wonder if he read that notion in my face; for, all at once, without speaking, he struck suddenly and strongly. I tottered, and on regaining my equilibrium retired back a step or two from his chair.

"That is for your impudence in answering mamma a while since," said he, "and for your sneaking way of getting behind curtains, and for the look you had in your eyes two minutes since, you rat!"

Accustomed to John Reed's abuse, I never had an idea of replying to it: my care was how to endure the blow which would certainly follow the insult.

"What were you doing behind the curtain?" he asked.

"I was reading."

"Show the book."

I returned to the window and fetched it thence.

"You have no business to take our books; you are a dependant, mamma says; you have no money; your father left you none; you ought to beg, and not to live here with gentlemen's children like us, and eat the same meals we do, and wear clothes at our mamma's expense. Now, I'll teach you to rummage my bookshelves: for they are mine; all the house belongs to me, or will do in a few years. Go and stand by the door, out of the way of the mirror and the windows."

I did so, not at first aware what was his intention; but when I saw him lift and poise the book and stand in act to hurl it, I instinctively started aside with a cry of alarm: not soon enough, however; the volume was flung, it hit me, and I fell, striking my head against the door and cutting it. The cut bled, the pain was sharp: my terror had passed its climax; other feelings succeeded.

"Wicked and cruel boy!" I said. "You are like a murderer--you are like a slave-driver--you are like the Roman emperors!"

I had read Goldsmith's History of Rome, and had formed my opinion of Nero, Caligula, &c. Also I had drawn parallels in silence, which I never thought thus to have declared aloud.

"What! what!" he cried. "Did she say that to me? Did you hear her, Eliza and Georgiana? Won't I tell mamma? but first--"

He ran headlong at me: I felt him grasp my hair and my shoulder: he had closed with a desperate thing. I really saw in him a tyrant: a murderer. I felt a drop or two of blood from my head trickle down my neck, and was sensible of somewhat pungent suffering: these sensations for the time predominated over fear, and I received him in frantic sort. I don't very well know what I did with my hands, but he called me "Rat! rat!" and bellowed out aloud. Aid was near him: Eliza and Georgiana had run for Mrs. Reed, who was gone upstairs; she now came upon the scene, followed by Bessie and her maid Abbot. We were parted: I heard the words--

"Dear! dear! What a fury to fly at Master John!"

"Did ever anybody see such a picture of passion!"

Then Mrs. Reed subjoined: "Take her away to the red-room, and lock her in there." Four hands were immediately laid upon me, and I was borne upstairs.

Chapter Two


I resisted all the way: a new thing for me, and a circumstance which greatly strengthened the bad opinion Bessie and Miss Abbot were disposed to entertain of me. The fact is, I was a trifle beside myself; or rather out of myself, as the French would say. I was conscious that a moment's mutiny had already rendered me liable to strange penalties, and, like any other rebel slave, I felt resolved, in my desperation, to go all lengths.

"Hold her arms, Miss Abbot: she's like a mad cat."

"For shame, for shame!" cried the lady's-maid. "What shocking conduct, Miss Eyre, to strike a young gentleman, your benefactress's son! Your young master."

"Master! How is he my master? Am I a servant?"

"No; you are less than a servant, for you do nothing for your keep. There, sit down, and think over your wickedness."

They had got me by this time into the apartment indicated by Mrs. Reed, and had thrust me upon a stool: my impulse was to rise from it like a spring; their two pair of hands arrested me instantly.

"If you don't sit still, you must be tied down," said Bessie. "Miss Abbot, lend me your garters; she would break mine directly."

Miss Abbot turned to divest a stout leg of the necessary ligature. This preparation for bonds, and the additional ignominy it inferred, took a little of the excitement out of me.

"Don't take them off," I cried; "I will not stir."

In guarantee whereof, I attached myself to my seat by my hands.

"Mind you don't," said Bessie; and when she had ascertained that I was really subsiding, she loosened her hold of me; then she and Miss Abbot stood with folded arms, looking darkly and doubtfully on my face, as incredulous of my sanity.

"She never did so before," at last said Bessie, turning to the Abigail.

"But it was always in her," was the reply. "I've told missis often my opinion about the child, and missis agreed with me. She's an underhand little thing: I never saw a girl of her age with so much cover."

Bessie answered not; but ere long, addressing me, she said:

"You ought to be aware, miss, that you are under obligations to Mrs. Reed: she keeps you: if she were to turn you off you would have to go to the poorhouse."

I had nothing to say to these words: they were not new to me: my very first recollections of existence included hints of the same kind. This reproach of my dependence had become a vague singsong in my ear; very painful and crushing, but only half intelligible. Miss Abbot joined in:

"And you ought not to think yourself on an equality with the Misses Reed and Master Reed, because missis kindly allows you to be brought up with them. They will have a great deal of money and you will have none: it is your place to be humble, and to try to make yourself agreeable to them."

"What we tell you is for your good," added Bessie, in no harsh voice: "you should try to be useful and pleasant, then, perhaps, you would have a home here; but if you become passionate and rude, missis will send you away, I am sure."

"Besides," said Miss Abbot, "God will punish her: He might strike her dead in the midst of her tantrums, and then where would she go? Come, Bessie, we will leave her: I wouldn't have her heart for anything. Say your prayers, Miss Eyre, when you are by yourself; for if you don't repent, something bad might be permitted to come down the chimney and fetch you away."

Présentation de l'éditeur :

It all begins with a letter. Fall in love with Penguin Drop Caps, a new series of twenty-six collectable hardcover editions with a gorgeous type cover for each letter of the alphabet. Featuring lettering by Jessica Hische, a superstar in the world of type and illustration, whose work has appeared everywhere from Tiffany & Co. to Wes Anderson's films to Penguin's own bestsellers, Penguin Drop Caps debut with an A for Jane Austen's Pride and Prejudice, a B for Charlotte Brontë's Jane Eyre, and a C for Willa Cather's My Ántonia.B is for Brontë. A novel of intense power and intrigue, Jane Eyre dazzles and shocks readers with its passionate depiction of a woman's search for equality and freedom. Orphaned Jane Eyre grows up in the home of her heartless aunt, where she endures loneliness and cruelty, and at a charity school with a harsh regime. This troubled childhood strengthens Jane's natural independence and spirit-which proves necessary when she takes a position as governess at Thornfield Hall. But when she finds love with her sardonic employer, Rochester, the discovery of his terrible secret forces her to make a choice. Should she stay with him and live with the consequences, or follow her convictions, even if it means leaving the man she loves?CHARLOTTE BRONTE was born in Thornton, Yorkshire, in 1816, the third of six children of Patrick and Maria Bronte. In 1820 her father was appointed perpetual curate of Haworth, a small town in the rapidly industrializing Pennines, on the edge of the Yorkshire moors. Mrs. Bronte died in 1821, and her sister, Elizabeth Branwell, came to take care of the children-Maria, Elizabeth, Charlotte, Emily, Branwell and Anne. In 1824 the four oldest girls were sent to a boarding school for daughters of the clergy (later to be fictionalized as "Lowood" in Jane Eyre). Maria and Elizabeth were taken ill at school, and returned home to die in 1825; Charlotte and Emily returned home in the summer of that year. For the next six years, the young Brontes were educated at home. They developed a rich fantasy life amongst themselves, constructing together the imaginary world of Glass Town and writing of it in dozens of microscopically printed 'books'. Charlotte and her brother Branwell invented their shared kingdom of Angria in 1834. From 1831 to 1832 Charlotte went as a pupil to Miss Wooler's boarding school for young ladies at Roe Head; she returned there as a teacher from 1835-8. After working for a period as a private governess, in 1842 she went with her sister Emily to study languages at the Pensionnat Heger in Brussels, returning there as a teacher in 1843. She returned to Haworth in 1844. In 1846, at Charlotte's instigation, the Bronte sisters published Poems By Currer, Ellis, and Acton Bell. Charlotte's first novel, The Professor, was rejected by several publishers, and not published until 1857. Jane Eyre appeared, and was an instant success, in 1847. Branwell Bronte died in September of 1848, Emily in December of the same year, and Anne in May 1849. Charlotte, the only survivor, continued to live at Haworth Parsonage with her father. Shirley was published in 1849 and Villette in 1853, both pseudonymously. In 1854 Charlotte married her father's curate, Arthur Bell Nicholls; she died 31 March 1855.JESSICA HISCHE is a letterer, illustrator, typographer, and web designer. She currently serves on the Type Directors Club board of directors, has been named a Forbes Magazine "30 under 30" in art and design as well as an ADC Young Gun and one of Print Magazine's "New Visual Artists". She has designed for Wes Anderson, McSweeney's, Tiffany & Co, Penguin Books and many others. She resides primarily in San Francisco, occasionally in Brooklyn, and can otherwise be found in airplanes en route to speaking engagements.

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Description du livre Penguin Putnam Inc, United States, 2013. Hardback. État : New. Reprint. 198 x 140 mm. Language: English . Brand New Book. From A to Z, the Penguin Drop Caps series collects 26 unique hardcovers featuring cover art by type superstar Jessica Hische It all begins with a letter. Fall in love with Penguin Drop Caps, a new series of twenty-six collectible and gift-worthy hardcover editions, each with a type cover showcasing a gorgeously illustrated letter of the alphabet by superstar type designer Jessica Hische, whose work has appeared everywhere from Tiffany Co. to Wes Anderson s film Moonrise Kingdom to Penguin s own bestsellers Committed and Rules of Civility. A collaboration between Jessica Hische and Penguin Art Director Paul Buckley, the series design encompasses foil-stamped paper-over-board cases in a rainbow-hued spectrum across all twenty-six book spines and a decorative stain on all three paper edges. Penguin Drop Caps debuts with an A for Jane Austen s Pride and Prejudice, a B for Charlotte Bronte s Jane Eyre, and a C for Willa Cather s My Antonia, and continues with more classics from Penguin. B is for Bronte.A novel of intense power and intrigue, Jane Eyre dazzles and shocks readers with its passionate depiction of a woman s search for equality and freedom. Orphaned Jane Eyre grows up in the home of her heartless aunt, where she endures loneliness and cruelty, and at a charity school with a harsh regime. This troubled childhood strengthens Jane s natural independence and spirit which proves necessary when she takes a position as governess at Thornfield Hall. But when she finds love with her sardonic employer, Rochester, the discovery of his terrible secret forces her to make a choice. Should she stay with him and live with the consequences, or follow her convictions, even if it means leaving the man she loves?. N° de réf. du libraire LIB9780143123149

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Description du livre Penguin Putnam Inc, United States, 2013. Hardback. État : New. Reprint. 198 x 140 mm. Language: English . Brand New Book. From A to Z, the Penguin Drop Caps series collects 26 unique hardcovers featuring cover art by type superstar Jessica Hische It all begins with a letter. Fall in love with Penguin Drop Caps, a new series of twenty-six collectible and gift-worthy hardcover editions, each with a type cover showcasing a gorgeously illustrated letter of the alphabet by superstar type designer Jessica Hische, whose work has appeared everywhere from Tiffany Co. to Wes Anderson s film Moonrise Kingdom to Penguin s own bestsellers Committed and Rules of Civility. A collaboration between Jessica Hische and Penguin Art Director Paul Buckley, the series design encompasses foil-stamped paper-over-board cases in a rainbow-hued spectrum across all twenty-six book spines and a decorative stain on all three paper edges. Penguin Drop Caps debuts with an A for Jane Austen s Pride and Prejudice, a B for Charlotte Bronte s Jane Eyre, and a C for Willa Cather s My Antonia, and continues with more classics from Penguin. B is for Bronte.A novel of intense power and intrigue, Jane Eyre dazzles and shocks readers with its passionate depiction of a woman s search for equality and freedom. Orphaned Jane Eyre grows up in the home of her heartless aunt, where she endures loneliness and cruelty, and at a charity school with a harsh regime. This troubled childhood strengthens Jane s natural independence and spirit which proves necessary when she takes a position as governess at Thornfield Hall. But when she finds love with her sardonic employer, Rochester, the discovery of his terrible secret forces her to make a choice. Should she stay with him and live with the consequences, or follow her convictions, even if it means leaving the man she loves?. N° de réf. du libraire LIB9780143123149

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Description du livre Penguin Putnam Inc. Hardback. État : new. BRAND NEW, Jane Eyre: Drop Caps, Charlotte Bronte, It all begins with a letter. Fall in love with "Penguin Drop Caps", a new series of twenty-six collectable hardcover editions with a gorgeous type cover for each letter of the alphabet. Featuring lettering by Jessica Hische, a superstar in the world of type and illustration, whose work has appeared everywhere from Tiffany & Co. to Wes Anderson's films to Penguin's own bestsellers, "Penguin Drop Caps" debut with an A for Jane Austen's "Pride and Prejudice", a B for Charlotte Bronte's "Jane Eyre", and a C for Willa Cather's "My Antonia". B is for Bronte. A novel of intense power and intrigue, "Jane Eyre" dazzles and shocks readers with its passionate depiction of a woman's search for equality and freedom. Orphaned Jane Eyre grows up in the home of her heartless aunt, where she endures loneliness and cruelty, and at a charity school with a harsh regime. This troubled childhood strengthens Jane's natural independence and spirit-which proves necessary when she takes a position as governess at Thornfield Hall. But when she finds love with her sardonic employer, Rochester, the discovery of his terrible secret forces her to make a choice. Should she stay with him and live with the consequences, or follow her convictions, even if it means leaving the man she loves? Charlotte Bronte was born in Thornton, Yorkshire, in 1816, the third of six children of Patrick and Maria Bronte. In 1820 her father was appointed perpetual curate of Haworth, a small town in the rapidly industrializing Pennines, on the edge of the Yorkshire moors. Mrs. Bronte died in 1821, and her sister, Elizabeth Branwell, came to take care of the children-Maria, Elizabeth, Charlotte, Emily, Branwell and Anne. In 1824 the four oldest girls were sent to a boarding school for daughters of the clergy (later to be fictionalized as "Lowood" in "Jane Eyre"). Maria and Elizabeth were taken ill at school, and returned home to die in 1825; Charlotte and Emily returned home in the summer of that year. For the next six years, the young Brontes were educated at home. They developed a rich fantasy life amongst themselves, constructing together the imaginary world of Glass Town and writing of it in dozens of microscopically printed 'books'. Charlotte and her brother Branwell invented their shared kingdom of Angria in 1834. From 1831 to 1832 Charlotte went as a pupil to Miss Wooler's boarding school for young ladies at Roe Head; she returned there as a teacher from 1835-8. After working for a period as a private governess, in 1842 she went with her sister Emily to study languages at the Pensionnat Heger in Brussels, returning there as a teacher in 1843. She returned to Haworth in 1844. In 1846, at Charlotte's instigation, the Bronte sisters published Poems By Currer, Ellis, and Acton Bell. Charlotte's first novel, "The Professor", was rejected by several publishers, and not published until 1857. Jane Eyre appeared, and was an instant success, in 1847. Branwell Bronte died in September of 1848, Emily in December of the same year, and Anne in May 1849. Charlotte, the only survivor, continued to live at Haworth Parsonage with her father. Shirley was published in 1849 and Villette in 1853, both pseudonymously. In 1854 Charlotte married her father's curate, Arthur Bell Nicholls; she died 31 March 1855. Jessica Hische is a letterer, illustrator, typographer, and web designer. She currently serves on the Type Directors Club board of directors, has been named a "Forbes Magazine" "30 under 30" in art and design as well as an ADC Young Gun and one of "Print" Magazine's "New Visual Artists". She has designed for Wes Anderson, McSweeney's, Tiffany & Co, Penguin Books and many others. She resides primarily in San Francisco, occasionally in Brooklyn, and can otherwise be found in airplanes en route to speaking engagements. N° de réf. du libraire B9780143123149

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9.

Charlotte Brontë
Edité par Penguin Putnam Inc 2012-12-12, New York (2012)
ISBN 10 : 0143123149 ISBN 13 : 9780143123149
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Blackwell's
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Description du livre Penguin Putnam Inc 2012-12-12, New York, 2012. hardback. État : New. N° de réf. du libraire 9780143123149

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10.

Charlotte Brontë
Edité par Penguin Classics (2013)
ISBN 10 : 0143123149 ISBN 13 : 9780143123149
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English-Book-Service Mannheim
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Description du livre Penguin Classics, 2013. État : New. N° de réf. du libraire L9780143123149

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