Slasher Girls & Monster Boys - Couverture souple

Tucholke, April Genevieve

Couverture souple

ISBN 10 : 0147514088 ISBN 13 : 9780147514080

Editeur : Speak, 2016

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THE BIRDS OF AZALEA STREET*

When the police questioned me—same as they questioned Paisley and Katie-Marie—they didn’t want to hear about the birds. They weren’t paying attention. None of the adults around here ever did. Even when the body bag was carted out, on wheels, and the wheels got caught in a gopher hole in the lawn, and the stretcher knocked into the tree, and the sudden motion caused a whole host of birds to burst out of the branches, exploding into the blue over our subdivision, and I looked up after them, and the EMTs guiding the stretcher stopped and looked up, and all my neighbors who’d gathered to see what the commotion was about looked up, heavenward, into the sky, even then they thought it meant nothing. “So that’s where the birds have been hiding,” one of my neighbors said. Not one adult could connect it to the fact that Leonard was now dead.

I knew the birds were no longer hungry—they’d feasted and had their fill, and now they took off, every last one of them, satisfied. But the adults of Azalea Street, curious about the murder, seeing as it was the first since our subdivision was founded, gathered in knots on our landscaped sidewalk corners to talk. They were hungry for information and gory details. They should have looked out of their windows sooner. They should have been watching. We were.

Truth is, we’d been watching out for our neighbor Leonard for years. Since we hit puberty, and for some of us, that was way early. Since forever and always, it felt like. Before we saw him bring that girl home in the dead of night, all we knew was that he’d been trying to get his hands on us.

My house on Azalea Street was next door to his house, so I’d say I got the worst of it, what with my parents always feeling sorry for him and inviting him for dinner on Sundays. The three of them would sip watery pre-dinner drinks out back by the bug zapper, and somehow my parents would miss how, when he apologized for his stomach growling, the object he had his eyes hooked on wasn’t the cheese plate. It was me.

He said things to me sometimes, in the hallway while heading for the guest bathroom. Did I have a boyfriend yet? Did I ever happen to try the kind of kissing that used tongue? Then he’d shuffle away, fast, making me question what I’d heard. When I caught him looking at me later, over the pear tart he’d brought from next door, or over the sugar-dusted strudel, I saw his round black glasses go dim with sweat and fog.

Other girls had run-ins with him too. Some of our fathers and stepfathers used to work with Leonard at the plant, before he got downsized and they got to keep their jobs, so they said we had to be civil. Even kind. Our mothers and stepmothers appreciated how he’d bring something fresh-baked for potlucks and fund-raisers, like a Bundt cake or a still-warm pie. None of our parents saw what we could see, which had us decide that growing up into adulthood must mean going blind.

Teenage girls know more than we’re given credit for. We sense danger even when everyone’s telling us it’s fine, he’s a perfectly nice man, an upstanding member of our community, have you tasted his sugar-cream pie?

When Leonard’s gaudy lawn came into view, we knew it was time to cross the street. Ever since he lost his job, he liked to feed the birds, and he hung lots of birdhouses, spilled lots of seed.

It seemed innocent from the outside, maybe. But out back, from over the white picket fence that separated Leonard’s house from mine, I could swear I heard the shots. Little pops in the air. I was never sure of it, never positive. But one time there was a squawk and a feathered eruption as a bird went down.

I can’t prove he shot it, but I did see him hunching over it, kicking it with his enormous shoe. Other times I suspected he used poison in the feeders. This was slower and left them stiff, so when they fell from their perches they dropped to the ground like rocks. I found one over the fence on our side of the lawn once—red-bellied and dark-feathered, its beak open mid-bite—and I buried it in an orange shoebox, the most cheerful I could find, near where we made the cairn for Buster.

When the birds stopped coming—not just to Leonard’s house, but to my house and to the Willards’ house across the street, to Aggie’s house a few doors down, to any house I passed on the way to the bus stop and back, all our trees birdless, all our patches of sky clean—I guess he turned to other hobbies. That must have been when he bought the camera.

We’d catch him standing on his porch, fancy long-lensed camera trained outward like he was waiting for a finch or a woodpecker. But with all feathery creatures avoiding his feeders, he couldn’t have been aiming for the birds. His telephoto lens was as long as an arm and seemed suspiciously trained at the sidewalk. When Katie-Marie went past in her field hockey skirt, on the way to my house from her house so my mom could drive us to practice, she swore she could hear his camera snapping. She took off in a run.

The last time one of us was alone with him, it was Paisley. She said he cornered her in his kitchen and forced her to bake bread. Her mom had sent her on an errand, wanting one of Leonard’s recipes, and when Paisley knocked on his back door, she found him elbow-deep in flour, prepping sticky coils of corpse-pale dough.

“Why, hello there,” he said in his deep baritone. His lips were pink and plushy and we didn’t like to look at them when he shaped words.

Paisley told us she could sense the hunger coming off of him, like she was plump and roasting and he hadn’t eaten for a week.

She heard a faint titter behind her, a lone bird that had lost its way in the treetops over our subdivision and drifted to the wrong set of branches over the wrong house. Or maybe it wasn’t lost and that was a warning call. Maybe it knew what was about to be set in motion.

Paisley stepped inside his house.

“What’re you doing?” Paisley had said. I would have asked for the recipe without going in, I would have told my mom to just get Leonard to e-mail it, but Paisley pressed her whole body into his kitchen and let the door shut behind her. She leaned forward on the counter, letting her long hair fall and her split ends dance. She took a finger. With it, she traced a word in the flour dusting the counter for him to see. It said hi. She was testing him. She was testing herself.

Leonard lit up. We imagined it wasn’t often a teenage girl started a conversation with him voluntarily. He was pink in the face usually, but at that point he was bright red.

He began talking. He kind of couldn’t shut up. He was explaining his method for baking braided bread, and then it became very important, essential even, to teach Paisley how to properly knead the dough in order to do it herself. She had to put effort into it, use all her strength and not hold back. It’s just that she had such small hands.

On the windowsill, while this was going on, the bird was perched, black-eyed and unblinking. Paisley only thought it was weird later. Leonard was behind Paisley, very close, so close, she couldn’t back up and get around him. She felt the bird watching. She smelled Leonard’s yeasty breath.

We know our parents wouldn’t believe us if we told them. Leonard was only instructing her. He was only being a kind neighbor, which in these times was a dying breed. That’s what they would have said. They wanted us to have skills beyond phone-scrolling and one-finger texting, like knowing how to bake edible food in the oven and feed ourselves if they suddenly were dead.

But we believed Paisley right away. We knew he was too close. We knew how he pressed his front up against her to adjust her technique and how he breathed heavy, shaggy breaths against the nape of her neck. We knew how much he was enjoying this.

“Knead,” he told her in a low, careful voice. “Go on, yes, like that. Knead.”

He meant the slick mush in her hands, but Paisley had had enough. Out of all of us, she was the strongest, and that went far beyond her arm-wrestling skills against her brothers and the thick runner’s muscles in her legs. She told us she’d only wanted to prove he was a perv, prove it once and for all so there was no longer any question, and with this little bakery demonstration, she had won.

She elbowed him in the stomach and whipped a braid of wet dough at his rosy, stubbly face. She dodged him and was heading for the door before the dough was even on the baking sheet, before the baking sheet was even in the blazing oven, before the bread had risen, before it had browned. She was breathing fast. The bird outside the window flapped its wings in a frantic slap and took off.

Behind Paisley, there was a strange sound. A faint, high-pitched whimper. In a moment of weakness, Paisley paused and turned back.

He was talking, but his voice was different now. Smaller in his throat. Pathetic.

He only wanted to teach somebody something, he called after her. He was sorry, he said, he didn’t mean to scare her, it’s just that he led such a lonely life.

The door was open. The sky bare and blank.

Paisley held still in the entryway. She was questioning herself, having a peculiar moment of compassion. Sometimes she could be so very live-and-let-live.

“Maybe . . .” Paisley started.

Leonard pinkened—or else he was standing in direct range of the oven light.

“Maybe you should get a dog,” she said at last. “So you’re not so lonely.”

He looked down the length of his giant legs to his giant feet. No dogs, he said. Animals didn’t like him for some reason. He shrugged.

Paisley smirked. She had a dark streak. “Then you should buy a blow-up doll online and make her your wife,” she said. “I can send you a link.” At this, his mouth gaping open, his cheeks full of flames, she took off. She’d gotten what she came for: Leonard’s sugar-cream pie recipe for her mother was already secured in hand.

But so was the thought of Leonard getting himself a girl.

It was Paisley, we’ve agreed, who gave him the idea. He couldn’t have her, and he couldn’t have any of the rest of us, but his hunger was still there, eating at him.

It was days later when we heard his car pull into his driveway in the middle of the night. His house was one of the smaller designs in our subdivision and didn’t have a garage, so we could see everything from my bedroom window. There was nowhere he could hide.

Usually his car held only him and sometimes a tripod or some grocery bags. That night we noted the questionable shadow in his passenger seat. It was taller than usual. It had a distinctly human-size head.

Had he listened to Paisley and bought himself a companion? No. Our illusion was shattered when he circled the car to open the passenger-side door, and the shadow moved on its own and stepped out.

What he came home with that night couldn’t be brought to life with a tire pump. She was already alive and breathing. We would have sworn she was real.

She wore a dark hood, and around it was a haze of fur, like she’d just landed in our subdivision from the North Pole and didn’t realize that, down here, it was spring.

The problem with the hood was that it hid her face. And her puffy coat hid the rest of her, though it did stop at her hips, and her legs could be made out beneath it. Even from my bedroom window next door, with a picket fence between us and the dark having fallen and the motion sensors not responding to the motion as she walked past where we swore they were. Even with all that, I could see her legs. Her legs were in black stockings, the kind with seams. At the end of her legs were little pointed blades that took to the pavement like ice picks. When she touched grass, her heels sunk in and she stopped and the light from the car door showed us one leg bent to retrieve the shoe. I wanted a leg like that. I wanted to grow up and look like that and have two.

Paisley was sleeping over. So was Katie-Marie.

“Leonard has a new friend,” Paisley announced. “A lady friend. Did you know about this, Tasha? You knew, and didn’t tell us?”

I shook my head, unable to keep my eyes off the lady in the night. She’d retrieved her shoe, slipped it back on. She was now standing still on the lawn while he was closing the car door. The fur trim on her coat rippled in the wind like a layer of black feathers. Her legs didn’t fidget or pace or shake, showing no hint of nerves. Leonard was right there. He was right there, and she didn’t run.

“I’ve never seen her before,” I said. I would have remembered.

But there was something about the way she moved. She didn’t seem surprised by the clutter of ugly, vacant dollhouses meant to entice the nonexistent birds. She wove around the mazelike lawn as if she’d been here before.

“Is she tied up in the trunk?” Katie-Marie called out from across the room. “Is she bound and gagged?”

Katie-Marie couldn’t see the scene outside. She was lying on my bed, an arm draped over her eyes. Before we heard Leonard’s car, we’d been trying to psychically impress boys we liked into becoming our boyfriends by thinking about them with pointed intention and hoping, somehow, across the airwaves, they heard. Paisley had long given up on Georges, and I only halfheartedly tried to psychically seduce Takeshi because I was pretty sure he liked me already and I figured I didn’t have to try so hard. But Katie-Marie really wanted Mike, and her forehead was all scrunched up with effort.

The power of the mind was something we experimented with on Friday night sleepovers. Also light-as-a-feather-stiff-as-a-board, and the Ouija, before Katie-Marie’s dad burned it in her backyard. We also tried texting boys alluring emoticons and, on one brave night, posted photos of our faceless boobs to a message board, but then took them down fast when the comments got scary and promised among us that we’d never show the photos to anyone, not even Georges or Takeshi or Mike.

After Paisley’s visit to Leonard’s house, we had wished harm on him and tried out our psychic impressions to make that happen. We realized it would be easiest if he just went away, so we wished him gone, like to Florida. Then he showed up for Sunday dinner like always, my father sharing a cigar with him in the garage, where he thought we couldn’t smell the stink, and I had to admit our magical thinking wasn’t making any magic. Leonard was still here.

All that seemed so juvenile now. Leonard had real live company, and we couldn’t see who it was.

“Leonard’s friend is walking on her own two feet,” I narrated for Katie-Marie. “Leonard’s friend’s nails are painted”—I waited for it as she reached up to touch one of his gaudy hanging birdhouses, then recoiled like it stung—“ooh, black.”

“No,” Paisley corrected me. “Purple.”

She was right. His lady friend had dark, deep-purple-painted nails, and they were long and curling, almost like claws. The hand seemed to lift up and out. It seemed to face us, to be motioning our way, like it was . . . waving. Then the sleeve dropped and hid her hand from view.

I blinked.

“She has very nice legs,” Paisley said.

Katie-Marie finally opened her eyes and crawled...

Revue de presse :

Praise for Slasher Girls & Monster Boys:

"If your idea of an excellent summer night is telling ghost stories around the campfire, you'll be jumping for (horrific) joy over Slasher Girls & Monster Boys."—Bustle

“Terrifying and new . . . There’s nary a clunker in the collection—this is satisfying, disturbing horror for the modern YA audience.” —Publishers Weekly

“Murderous neighbors, creepy bathtubs, and lots of blood . . . Full of thrills and chills [and] gross, creepy fun.” —Kirkus Reviews

"This killer collection will satisfy any thriller junkie."—Booklist Online

"Satisfyingly diverse and compelling. . . . The majority of the protagonists are female [but] not one is a helpless victim. Many contributors subvert and complicate the roles of protagonist and antagonist, keeping readers on their toes . . . After encountering the horrors here, variously supernatural and disturbingly human, readers may want to leave the lights on.—The Horn Book

“Will scare, thrill, and terrify."—VOYA

“A ton of terrifying mini thrillers that take inspiration from classic stories. There’s a bit of supernatural in here, some gore-filled-horror, terrifying creatures . . . something for everybody.”—Book Riot

Praise for the authors:

April Tucholke's Between the Devil and the Deep Blue Sea:
"Deliciously creepy."—TheAtlanticWire.com
* “A stunning debut with complex characters, an atmospheric setting, and a distinct voice . . . Tucholke has real talent.”—VOYA, starred review

Stefan Bachmann's The Peculiar:
“Richly realized . . . accomplished . . . This is a story young fantasy buffs are sure to enjoy.”—New York Times Book Review

Leigh Bardugo's Shadow and Bone:
“Mesmerizing . . . Bardugo’s set up is shiver-inducing, of the delicious variety. This is what fantasy is for.”—New York Times

Kendare Blake's Anna Dressed in Blood:
* "Abundantly original, marvelously inventive and enormous fun, this can stand alongside the best horror fiction out there. We demand sequels."—Kirkus, starred review

Marie Lu's The Young Elites:
* “Lu pivots from the ‘coming of age via romance’ formula to pry apart the many emotions that pass under the rubric of love . . . there are no safe places where the pressures of betrayal, death threats, and rejection aren’t felt.”—Publishers Weekly, starred review
* “Readers should prepare to be captivated.”—Booklist, starred review
* “A must for fans of . . . totally immersive fantasies.”—Kirkus, starred review

Marie Lu's Legend trilogy:
New York Times Bestsellers
"Legend doesn’t merely survive the hype, it deserves it.”—New York Times

Megan Shepherd's The Madman's Daughter:
* “The fast-paced book is rife with excitement, romance, and intrigue.”—SLJ, starred review

Nova Ren Suma's The Walls Around Us

“[An] Intricately plotted psychological horror story.” —New York Times Book Review

“[A] supernatural page-turner . . . This stark character classification isn’t a flaw, but rather, a demonstration of Suma’s fantastic writing. Her images, even the horrible ones, linger like dust and glitter after an epic stage performance.” —The Boston Globe

Cat Winters's In the Shadow of Blackbirds:
* "A story of the breaking point between sanity and madness, delivered in a straightforward and welcoming teen voice."—Booklist, starred review

À propos de cette édition

• Éditeur: Speak
• Date d'édition: 2016
• ISBN 10: 0147514088
• ISBN 13: 9780147514080
• Reliure: Broché
• Nombre de pages: 400