Kidnapped - Couverture rigide

Stevenson, Robert Louis

Couverture rigide

ISBN 10 : 019276358X ISBN 13 : 9780192763587

Editeur : Oxford University Press, 2011

Synopsis

If you love a good story, then look no further. Oxford Children's Classics bring together the most unforgettable stories ever told. They're books to treasure and return to again and again. When orphan David Balfour is betrayed by his Uncle Ebenezer, he finds himself imprisoned on the Covenant and bound for the Carolinas. But the ship hits some rocks and is wrecked. David is thrown overboard and washed up on the shore of a Scottish island. Together with fellow survivor, the wanted rebel, Alan Breck, David sets off across the treacherous highlands on a quest for justice ...and revenge!

A propos du livre

Extrait

Introduction by Margot Livesey

I.

When I was growing up in Scotland, Robert Louis Stevenson was the first author whom I knew by name, and he remains the only one whom I can truthfully claim to have been reading all my life. From an early age, my parents read to me from A Child's Garden of Verses, and I soon learned some of the poems by heart.

I have a little shadow
that goes in and out with me,
And what can be the use of him
is more than I can see.

Perhaps I recognized, even then, Stevenson's unique gift for keeping a foot in two camps. While the poems vividly captured my childish concerns, somewhere in the margins shimmered the mystery of adult life. A few years later Kidnapped was the first chapter book I read, and I can still picture the maroon binding and the black-and-white drawings that illustrated David Balfour's adventures. At the age of seven, a book without pictures would have been out of the question, but, in fact, they turned out to be superfluous. I could imagine everything that happened just from the words on the page, although I must admit to the small advantage that the view from my bedroom window--bare hills, rocks, heather--was very much like the landscape of Kidnapped.

At first glance such early acquaintance might seem like a good omen for an author's reputation. In actuality, that Stevenson is so widely read by children has tended to make him seem like an author from who, as adults, we have little to learn. It is worth noting that his contemporaries would not have shared this prejudice. Nineteenth-century readers did not regard children's books as separate species. Stevenson's own father often reread The Parent's Assistant, a volume of children's stories, and Leslie Stephen, Virginia Woolf's father, writes of staying up late to finish Treasure Island.

Like the shadow of his poem, Stevenson's reputation has waxed and waned at an alarming rate. He died in a blaze of hagiography, which perhaps in part explains the fury of later critics. F.R. Leavis in The Great Tradition dismisses Stevenson (in a footnote, no less) as a romantic writer, guilty of fine writing, and in general Stevenson has not fared as well as his friend Henry James. People comment with amazement that Borges and Nabokov praised his novels. Still, his best work has remained in print for over a hundred years, and his is among that small group of authors to have given a phrase to the language: Jekyll and Hyde.

Besides our perception of Stevenson as a children's author, two other factors may have contributed to his ambiguous reputation. Although his list of publications is much longer than most people realize--he wrote journalism and travel pieces for money--he failed to produce a recognizable oeuvre, a group of works that stand together, each resonating with the others. In addition, the pendulum of literary taste has swung in a direction that Stevenson disliked and was determined to avoid: namely, pessimism. After reading The Portrait of a Lady he wrote to James begging him to write no more such books, and while he admired the early work of Thomas Hardy, he hated the darker Tess of the d'Urbervilles. The English writer John Galsworthy commented memorably on this aspect of Stevenson when he said that the superiority of Stevenson over Hardy was that Stevenson was all life, while Hardy was all death.

Biographie de l'auteur

Robert Louis Stevenson was born in Edinburgh in 1850. Chronically ill with bronchitis and possibly tuberculosis, Stevenson withdrew from Engineering at Edinburgh University in favour of Studying Law. Although he passed the bar and became an advocate in 1875, he knew that his true work was as a writer.

Between 1876 and his death in 1894, Stevenson wrote prolifically. His published essays, short stories, fiction, travel books, plays, letters and poetry number in dozens. The most famous of his works include Travels With A Donkey in the Cevennes (1879), New Arabian Nights (1882), Treasure Island (1883), The Strange Case of Doctor Jekyll and Mr Hyde (1887), Thrawn Janet (1887) and Kidnapped (1893).

After marrying Fanny Osbourne in 1880 Stevenson continued to travel and to write about his experiences. His poor health led him and his family to Valima in Samoa, where they settled. During his days there Stevenson was known as ‘Tusitala’ or ‘The Story Teller’. His love of telling romantic and adventure stories allowed him to connect easily with the universal child in all of us. ‘Fiction is to grown men what play is to the child,’ he said.

Robert Louis Stevenson died in Valima in 1894 of a brain haemorrhage.

Détails de l'édition

• Éditeur: Oxford University Press
• Date d'édition: 2011
• Langue: anglais
• ISBN 10: 019276358X
• ISBN 13: 9780192763587
• Reliure: Relié
• Nombre de pages: 288
• Coordonnées du fabricant: non disponible
• Personne responsable: Ufficio Anagrafiche Messaggerie; ufficio.anagrafiche@meli.it; ; Via Verdi, 8; Assago Milano; 20090; Italie