Early Medieval Art (Oxford History of Art)

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9780192842435: Early Medieval Art (Oxford History of Art)

In the first millennium, a rich and distinctive artistic tradition emerged in Europe. Early Medieval Art explores this tradition and tracks its development from c. 300 AD through c. 1000 AD, revealing forms of artistic expression ranging from brilliant illuminated manuscripts to decorative chairs, rich embroidery, and precious metalwork.

Nees explores issues of artist patronage, craftsmanship, holy men and women, monasteries, secular courts, and the expressive and educational roles of artistic creation. Instead of treating early Christian art in the late Roman tradition and the arts of the newly established kingdoms of northern Europe as opposites, he adopts a more holistic view, treating them as different aspects of a larger historical situation. This approach reveals the onset of an exciting new visual relationship between the church and the populace throughout medieval Europe. Moreover, it restores a previously marginalized subject to a central status in our artistic and cultural heritage.

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About the Author :


Lawrence Nees is Professor in the Department of Art History at the University of Delaware, where he has taught since 1978. He is the author of The Gundohinus Gospels, A Tainted Mantle: Hercules and the Classical Tradition at the Carolingian Court, and editor of Approaches to Early Medieval Art. He is currently completing a general book on Frankish manuscript illumination.

Review :


"This is an invaluable survey of the art of this fascinating and complex period. A brilliant and authoritative account."--Leslie Webster, British Museum


"A wide-ranging, informative, and up-to-date survey of the art of the first millenium. In addition to presenting the visual material he is also generous with explanation, interpretation, and informed speculation."--John Lowden, Courtauld Institute of Art


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Lawrence Nees
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ISBN 10 : 0192842439 ISBN 13 : 9780192842435
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Description du livre Oxford University Press, United Kingdom, 2002. Paperback. État : New. Language: English . Brand New Book. The first millennium saw a rich and distinctive artistic tradition form in Europe. While books had long been central to the Christian religious tradition, education, and culture, they now became an important artistic medium, sometimes decorated with brilliant colours and precious metals. Lawrence Nees explores issues of artist patronage, craftsmanship, holy men and women, monasteries, secular courts, and the expressive and educational roles of artistic creation. He discusses early Christian art within the late Roman tradition, and the arts of the newly established kingdoms of northern Europe not as opposites, but as different aspects of a larger historical situation. This approach reveals the onset of an exciting new visual relationship between the church and the populace throughout medieval Europe, restoring a previously marginalized subject to a central status in our artistic and cultural heritage. N° de réf. du libraire AOP9780192842435

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Description du livre Oxford University Press, United Kingdom, 2002. Paperback. État : New. Language: English . Brand New Book. The first millennium saw a rich and distinctive artistic tradition form in Europe. While books had long been central to the Christian religious tradition, education, and culture, they now became an important artistic medium, sometimes decorated with brilliant colours and precious metals. Lawrence Nees explores issues of artist patronage, craftsmanship, holy men and women, monasteries, secular courts, and the expressive and educational roles of artistic creation. He discusses early Christian art within the late Roman tradition, and the arts of the newly established kingdoms of northern Europe not as opposites, but as different aspects of a larger historical situation. This approach reveals the onset of an exciting new visual relationship between the church and the populace throughout medieval Europe, restoring a previously marginalized subject to a central status in our artistic and cultural heritage. N° de réf. du libraire AOP9780192842435

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Description du livre Oxford University Press, 2002. État : New. 2002. 1st Edition. Paperback. The first millennium saw a rich and distinctive artistic tradition form in Europe. In this book, Lawrence Nees explores issues of artistic patronage, craftsmanship, holy men and women, monasteries, secular courts and the expressive and educational roles of artistic creation. Series: Oxford History of Art. Num Pages: 272 pages, numerous colour and halftones. BIC Classification: 1D; ACK. Category: (G) General (US: Trade). Dimension: 238 x 168 x 18. Weight in Grams: 666. . . . . . . N° de réf. du libraire V9780192842435

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Description du livre Oxford University Press. État : New. 2002. 1st Edition. Paperback. The first millennium saw a rich and distinctive artistic tradition form in Europe. In this book, Lawrence Nees explores issues of artistic patronage, craftsmanship, holy men and women, monasteries, secular courts and the expressive and educational roles of artistic creation. Series: Oxford History of Art. Num Pages: 272 pages, numerous colour and halftones. BIC Classification: 1D; ACK. Category: (G) General (US: Trade). Dimension: 238 x 168 x 18. Weight in Grams: 666. . . . . . Books ship from the US and Ireland. N° de réf. du libraire V9780192842435

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Description du livre Oxford University Press. Paperback. État : new. BRAND NEW, Early Medieval Art, Lawrence Nees, The first millennium saw a rich and distinctive artistic tradition form in Europe. While books had long been central to the Christian religious tradition, education, and culture, they now became an important artistic medium, sometimes decorated with brilliant colours and precious metals. Lawrence Nees explores issues of artist patronage, craftsmanship, holy men and women, monasteries, secular courts, and the expressive and educational roles of artistic creation. He discusses early Christian art within the late Roman tradition, and the arts of the newly established kingdoms of northern Europe not as opposites, but as different aspects of a larger historical situation. This approach reveals the onset of an exciting new visual relationship between the church and the populace throughout medieval Europe, restoring a previously marginalized subject to a central status in our artistic and cultural heritage. N° de réf. du libraire B9780192842435

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