Articles liés à The Art of Performance
Synopsis
Book by Schenker Heinrich
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Biographie de l'auteur
About the Author Heribert Esser has had a long and distinguished career as a conductor. He was music director of the Braunschweig State Theater and has been a guest conductor on every continent, conducting a wide repertoire of symphonic music as well as opera. About the Translator Irene Schreier is a pianist who has performed widely in Europe, Israel, and the Americas. She is Artist-Lecturer at Carnegie Mellon University's School of Music.
Présentation de l'éditeur
In this previously unpublished essay Schenker, one of the most influential music theorists of the twentieth century, turned his attention to the performer's role, arguing that the cult of the virtuoso has led to an overemphasis on technical display and discussing specific ways in which performers can better serve the composer's ideas.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
- ÉditeurOUP USA
- Date d'édition2000
- ISBN 10 0195122542
- ISBN 13 9780195122541
- ReliureRelié
- Nombre de pages140
- ÉditeurEsser Heribert
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The Art of Performance
Edité par
Oxford University Press, USA, 2000
ISBN 10 : 0195122542
ISBN 13 : 9780195122541
Ancien ou d'occasion
Couverture rigide
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Hardcover. Etat : As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less 0.85. N° de réf. du vendeur G0195122542I2N00
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Image d'archives
The Art of Performance
Edité par
Oxford University Press, 2000
ISBN 10 : 0195122542
ISBN 13 : 9780195122541
Ancien ou d'occasion
Couverture rigide
Vendeur : 369 Bookstore _[~ 369 Pyramid Inc ~]_, Dover, DE, Etats-Unis
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Hardcover. Etat : Good. Heinrich Schenker\'s The Art of Performance shows this great music theorist in a new light. While his theoretical writings helped transform music theory in the twentieth century, this book draws on his experience as a musician and teacher to propose a sharp reevaluation of how musical compositions are realized in performance. Filled with concrete examples and numerous suggestions, the book will interest both music theorists and practicing performers.Schenker\'s approach is based on his argument that much of contemporary performance practice is rooted in the nineteenth-century cult of the virtuoso, which has resulted in an overemphasis on technical display. To counter this, he proposes specific ways to reconnect the composer\'s intentions and the musician\'s performance.Schenker begins by showing how performers can benefit from understanding the laws of composition. He demonstrates how a literal interpretation of the composer\'s indications can be self-defeating, and he provides a lively discussion of piano technique, including suggestions for pedal, sound color, orchestral effects, and balance. He devotes separate chapters to non-legato, legato, fingering, dynamics, tempo, and rests. In addition to the examples for pianists, Schenker covers a number of topics, such as bowing technique, that will prove invaluable for other instrumentalists and for conductors. The book concludes with an aphoristic and sometimes lyrical chapter on practicing.After Schenker\'s death, his student Oswald Jonas prepared the text for publication from Schenker\'s notes, eventually leaving the manuscript to his stepdaughter, Irene Schreier Scott, who entrusted the work of organizing and editing the disparate material to Jonas\'s friend and student Heribert Esser. She later translated it into English. This edition is the first publication in any language of this remarkable work. N° de réf. du vendeur AMPLE0195122542
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Art of Performance
Edité par
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ISBN 10 : 0195122542
ISBN 13 : 9780195122541
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The Art of Performance
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ISBN 13 : 9780195122541
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ISBN 13 : 9780195122541
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The Art of Performance
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Oxford University Press, 2000
ISBN 10 : 0195122542
ISBN 13 : 9780195122541
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Art of Performance
Edité par
Oxford University Press, 2000
ISBN 10 : 0195122542
ISBN 13 : 9780195122541
Neuf
Couverture rigide
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Art of Performance
Edité par
Oxford University Press, 2000
ISBN 10 : 0195122542
ISBN 13 : 9780195122541
Ancien ou d'occasion
Couverture rigide
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
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The Art of Performance (Hardcover)
Edité par
Oxford University Press, USA, New York, 2000
ISBN 10 : 0195122542
ISBN 13 : 9780195122541
Neuf
Couverture rigide
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Hardcover. Etat : new. Hardcover. Heinrich Schenker's The Art of Performance shows this great music theorist in a new light. While his theoretical writings helped transform music theory in the twentieth century, this book draws on his experience as a musician and teacher to propose a sharp reevaluation of how musical compositions are realized in performance. Filled with concrete examples and numerous suggestions, the book will interest both music theorists and practicing performers. Schenker's approach is based on his argument that much of contemporary performance practice is rooted in the nineteenth-century cult of the virtuoso, which has resulted in an overemphasis on technical display. To counter this, he proposes specific ways to reconnect the composer's intentions and the musician's performance. Schenker begins by showing how performers can benefit from understanding the laws of composition. He demonstrates how a literal interpretation of the composer's indications can be self-defeating, and he provides a lively discussion of piano technique, including suggestions for pedal, sound color, orchestral effects, and balance. He devotes separate chapters to non-legato, legato, fingering, dynamics, tempo, and rests. In addition to the examples for pianists, Schenker covers a number of topics, such as bowing technique, that will prove invaluable for other instrumentalists and for conductors. The book concludes with an aphoristic and sometimes lyrical chapter on practicing. After Schenker's death, his student Oswald Jonas prepared the text for publication from Schenker's notes, eventually leaving the manuscript to his stepdaughter, Irene Schreier Scott, who entrusted the work of organizing and editing the disparate material to Jonas's friend and student Heribert Esser. She later translated it into English. This edition is the first publication in any language of this remarkable work. Heinrich Schenker's The Art of Performance shows this great music theorist in a new light. While his theoretical writings helped transform music theory in the twentieth century, this book draws on his experience as a musician and teacher to propose a sharp reevaluation of how musical compositions are realized in performance. Filled with concrete examples and numerous suggestions, the book will interest both music theorists and practicing performers. Schenker's approach is based on his argument that much of contemporary performance practice is rooted in the nineteenth-century cult of the virtuoso, which has resulted in an overemphasis on technical display. To counter this, he proposes specific ways to reconnect the composer's intentions and the musician's performance. Schenker begins by showing how performers can benefit from understanding the laws of composition. He demonstrates how a literal interpretation of the composer's indications can be self-defeating, and he provides a lively discussion of piano technique, including suggestions for pedal, sound color, orchestral effects, and balance. He devotes separate chapters to non-legato, legato, fingering, dynamics, tempo, and rests. In addition to the examples for pianists, Schenker covers a number of topics, such as bowing technique, that will prove invaluable for other instrumentalists and for conductors. The book concludes with an aphoristic and sometimes lyrical chapter on practicing. After Schenker's death, his student Oswald Jonas prepared the text for publication from Schenker's notes, eventually leaving the manuscript to his stepdaughter, Irene Schreier Scott, who entrusted the work of organizing andediting the disparate material to Jonas's friend and student Heribert Esser. She later translated it into English. This edition is the first publication in any language of this remarkable work. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9780195122541
Quantité disponible : 1 disponible(s)
Image fournie par le vendeur
Art of Performance
Edité par
Oxford University Press, 2000
ISBN 10 : 0195122542
ISBN 13 : 9780195122541
Ancien ou d'occasion
Couverture rigide
Vendeur : GreatBookPricesUK, Castle Donington, DERBY, Royaume-Uni
Évaluation du vendeur 5 sur 5 étoiles
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 75144
Quantité disponible : 5 disponible(s)