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9780195338959: A New Heartland: Women, Modernity, and the Agrarian Ideal in America
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Book by Casey Janet Galligani

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Présentation de l'éditeur :
A New Heartland investigates American rurality and modernity as mutually sustaining concepts, and centres on women's special engagement with those concepts. Among its central questions are the following: How has a critical emphasis on the modern-urban imaginary obscured rurality's importance to the American cultural consciousness? In what ways did received attitudes about rurality and nostalgia enable pronounced links between women and the rural? How did actual changes in agriculture reshape interpretive connections between the farm and modernity, and between the farm and women? Finally, how did rurality - traditionally a locus for conservatism - serve as a site through which to challenge orthodox ideas about gender, class, race, commodity consumption, and women's reproductive rights? This study is distinguished by an interdisciplinary approach that considers idea(l)s of women and rurality across a broad field of discourses and representational arenas, including social theory, periodical literature, literary criticism, photography, and, most especially, women's rural fiction ("low" as well as "high"). It touches on such diverse subjects as eugenics, advertising, the economy of literary prizes, and the role of the camera in defining women as modern. It also relies on substantial archival research, and explores at length an underrecognized periodical, The Farmer's Wife, which was the single nationally distributed farm journal for women in the twentieth century. Ultimately, the book's aim is to articulate an alternative mode of American modernism that had signal meaning and appeal for women, and to show how that mode clearly responded to prevalent attitudes in the culture at large.
Biographie de l'auteur :
Casey is Visiting Associate Professor, English & American Studies, Skidmore College. Her first book, Dos Passos and the Ideology of the Feminine (Cambridge University Press, 1998) won the Modern Language Association's Prize for Independent Scholars.

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  • ÉditeurOxford University Press Inc
  • Date d'édition2009
  • ISBN 10 0195338952
  • ISBN 13 9780195338959
  • ReliureRelié
  • Nombre de pages264

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Description du livre Hardcover. Etat : new. Hardcover. Modernity and urbanity have long been considered mutually sustaining forces in early twentieth-century America. But has the dominance of the urban imaginary obscured the importance of the rural? How have women, in particular, appropriated discourses and images of rurality to interrogate the problems of modernity? And how have they imbued the rural-traditionally viewed as a locus for conservatism-with a progressive political valence?Touchingon such diverse subjects as eugenics, reproductive rights, advertising, the economy of literary prizes, and the role of the camera, A New Heartland demonstrates the importance of rurality to theimaginative construction of modernism/modernity; it also asserts that women, as objects of scrutiny as well as agents of critique, had a special stake in that relation. Casey traces the ideals informing America's conception of the rural across a wide field of representational domains, including social theory, periodical literature, cultural criticism, photography, and, most especially, women's rural fiction ("low" as well as "high"). Her argument is informed by archivalresearch, most crucially through a careful analysis of The Farmer's Wife, the single nationally distributed farm journal for women and a little known repository of rural American attitudes. Throughthis broad scope, A New Heartland articulates an alternative mode of modernism by challenging orthodox ideas about gender and geography in twentieth-century America. A New Heartland investigates American rurality and modernity as mutually sustaining concepts, and centres on women's special engagement with those concepts. Among its central questions are the following: How has a critical emphasis on the modern-urban imaginary obscured rurality's importance to the American cultural consciousness? In what ways did received attitudes about rurality and nostalgia enable pronounced links between women and the rural? How did actual changes in agriculture reshape interpretive connections between the farm and modernity, and between the farm and women? Finally, how did rurality - traditionally a locus for conservatism - serve as a site through which to challenge orthodox ideas about gender, class, race, commodity consumption, and women's reproductive rights? This study is distinguished by an interdisciplinary approach that considers idea(l)s of women and rurality across a broad field of discourses and representational arenas, including social theory, periodical literature, literary criticism, photography, and, most especially, women's rural fiction ("low" as well as "high"). It touches on such diverse subjects as eugenics, advertising, the economy of literary prizes, and the role of the camera in defining women as modern. It also relies on substantial archival research, and explores at length an underrecognized periodical, The Farmer's Wife, which was the single nationally distributed farm journal for women in the twentieth century. Ultimately, the book's aim is to articulate an alternative mode of American modernism that had signal meaning and appeal for women, and to show how that mode clearly responded to prevalent attitudes in the culture at large. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780195338959

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