Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata - Couverture souple

Hepokoski, James

Couverture souple

ISBN 10 : 0199773912 ISBN 13 : 9780199773916

Editeur : Oxford University Press Inc, 2011

Synopsis

Norms, Types, and Deformations In The Late-Eighteenth-Century Sonata Recueil pour Ouvrages de référence publié en 2011 sous la référence OUP9780199773916 par Oxford University Press.

A propos du livre

Présentation de l'éditeur :

Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.

Biographie de l'auteur :

James Hepokoski is Professor of Music at Yale University. His research interests include nineteenth- and twentieth-century music, musical form, hermeneutics, and historiography. Warren Darcy is Professor of Music Theory at Oberlin College Conservatory. His book Wagner's Das Rheingold (Oxford, 1993) won the Society for Music Theory's Wallace Berry Award in 1995.

À propos de cette édition

• Éditeur: Oxford University Press Inc
• Date d'édition: 2011
• ISBN 10: 0199773912
• ISBN 13: 9780199773916
• Reliure: Broché
• Nombre de pages: 692