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Doyle, Roddy Oh, Play That Thing ISBN 13 : 9780224074360

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I could bury myself in New York. I could see that from the boat as it went under the Statue of Liberty on a cold dawn that grew quickly behind me and shoved the fog off the slate-coloured water. That was Manhattan, already towering over me. It made tiny things of the people around me, all gawking at the manmade cliffs, and the ranks of even higher cliffs behind them, stretching forever into America and stopping their entry. I could see the terror in their eyes.

I could stare into the eyes without fear of recognition. They weren’t Irish faces and it wasn’t Irish muck on the hems of their greatcoats. Those coats had been dragged across Europe. They were families, three and four generations of them; the Irish travelled alone. There were the ancient women, their faces collapsed and vicious, clutching bags they’d carried across the continent, full of string and eggshells and stones from the walls of lost houses. And their husbands behind them, hidden by beards, their eyes still young and fighting. They guarded the cases and boxes at their feet. And their sons and daughters, grandsons and granddaughters, under embroidered scarves and black caps, and younger children still, and pregnant girls with scrawny boys standing and sitting beside them, all cowed by the approaching city cliffs. Even the youngest sensed that their excitement was unwanted and stayed silent, as the Reliance sent small waves against Bedloe’s Island and the big stone American woman – send these, the homeless, tempest-tost to me – as their parents and grandparents shivered at the new world and tried to know if they were looking at its front or back. I was the only man alone, the only man not afraid of what was growing up in front of us. This was where a man could disappear, could die if he wanted to, and come back to quick, big life.

I had arrived.

But we turned from Manhattan and sailed, almost back into the night, towards the New Jersey shore. And the silence around me fell deeper as the island crept up in front of us. The last few square feet of the old, cruel world, the same name in all the languages on board as we were pulled closer and closer, isola delle lagrime, Tränen Insel, the isle of tears. Ellis Island.

Hundreds of shuffling feet trapped under the vaulted ceiling of the great hall, the air was full of the whispers of the millions who’d passed through, the cries of the thousands who’d been stopped and sent back. I listened for the tap of a famous leg, but I heard none. Old men tried to straighten long-crooked backs and mothers rubbed rough colour into the white cheeks of their children. Wild men ran fingers through long beards and regretted that they hadn’t shaved before they’d disembarked. Jewish women caressed sons’ ringlets and tried to push them under hats. Fragments of new language were tried, and passed from mouth to mouth.

—Yes, sir.

—No, sir.

—My cousin, he have a house.

—I am a farmer.

—Qu-eeeens.

The medical inspector stared into my eyes. I knew what he was looking for. I’d been told all about it, by a lame and wheezy anarchist who was making his seventh try at landing.

—They see the limp but never the brain, he’d said. —The fools. When they confront the fact that I am too dangerous for their country, then I will happily turn my back on it. But, until then, I commute between Southampton and their Ellis Island.

—If you could afford first or second class, I told him, —you wouldn’t have to set foot on the island.

—You think I am not aware of this? he said. —I can afford it. But I won’t afford it.

The inspector was looking for signs of trachoma in my eyes, and for madness behind them. He couldn’t stare for long – no one could; he saw nothing that was going to send me back. To my left, another inspector drew a large L on a shoulder with a brand new piece of chalk. L was for lung. I knew the signs; I’d been seeing them all my life. The man with the brand new L had already given up. He collapsed and coughed out most of his remaining life. He had to be carried away. An E on the shoulder meant bad eyes, another L meant lameness. And behind those letters, other hidden letters, never chalked onto shoulders: J for too Jewish, C for Chinese, SE, too far south and east of Budapest. H was for heart, SC was for scalp, X was for mental.

And H was for handsome.

The guards stood back and I walked the few steps to the next desk. I let my heels clip the Spanish tiles. Two beautiful sisters held each other as they were pushed back. Without parents or children they were too likely to fall into bad hands waiting for them on the Manhattan or New Jersey wharfs. If they were lucky they’d be kept on the island until relatives were found to take them; less lucky, they’d be pawed, then let through; less lucky still, they’d be deported, sent back before they’d arrived.

I handed my passport and papers to the Immigration Bureau officer. He opened the passport and found the ten-dollar note I’d left in its centre. The note was gone before I saw it missing. I’d taken it from the wheezy anarchist; its loss didn’t sting. Then came the catechism, the questions I couldn’t get wrong.

—What is your name?

—Henry Drake.

—Where are you from?

—London.

—Why have you come to the United States?

—Opportunity.

So far, so easy.

But he stopped. He looked at me.

—Where are you travelling from, sir? he asked me.

It wasn’t one of the questions.

—London, I said.

He seemed to be staring at the word as I spoke it.

—You are a born Englishman, sir?

He read my latest name.

—Mister Drake?

—Yes.

—Henry Drake.

—Yes.

—And where is Missis Drake, sir?

—She’s in my dreams.

—So you’re travelling alone, sir, is that right? You are an unmarried man.

—That’s right.

—And how do you intend supporting yourself, sir?

We were back on track.

—By working very hard.

—Yes, and how, sir?

—I’m a salesman.

—And your speciality?

I shrugged.

—Everything, and anything.

—Alright. And do you have sufficient funds to sustain you until you commence selling everything?

—I do.

He handed me a sheet of paper.

—Could you read this for me, sir?

—We, the people of the United States, in order to form a more perfect union—

And as I strolled through the literacy test, I could feel Victor, my brother, beside me, his leg pressed against mine in the school desk, and Miss O’Shea at my shoulder, my teacher and wife, the mother of the daughter I suddenly missed, her wet fingers on my cheek.

—and secure the blessings of liberty to ourselves and our posterity, do ordain and establish this Constitution of—

He took the paper from my fingers. He picked up a rubber stamp and brought it down on top of a card. I read the stamp: ADMITTED.

—Welcome to America, he said.
From the Hardcover edition.
Présentation de l'éditeur :

On the last page of A Star Called Henry, the first volume of the The Last Roundup trilogy, we left Henry Smart on the run from his Republican paymasters, the men for whom he had perpetrated murder and mayhem. He flees from Dublin to Liverpool and from thence to Ellis Island, New York, America. And this is where Oh, Play That Thing begins...

It's 1924, and New York is the centre of the universe. Henry falls on his feet, as a handsome man with a sandwich board, and - this being Prohibition - behind his sandwich board a stash of hooch for the speakeasies of the Lower East Side. When he starts hiring kids to carry boards for him, he catches the attention of the mobsters who run the district and soon there are eyes on his back and men in the shadows. It is time to leave, for another America: Chicago.

In Chicago there is no past waiting to jump on Henry. The place is wild, as new as he is, and newest of all is the music. Furious, wild, happy music played by a man with a trumpet and bleeding lips called Louis Armstrong. His music is everywhere, coming from every open door, every phonograph. But Armstrong is a prisoner of his colour; there are places a black man cannot go, things he cannot do. And the mob is in Chicago too: they own every stage - and they own the man up on the stage. Armstrong needs a man, a white man, and the man he chooses is Henry Smart.

This is a novel of prodigious energy and invention. Its language and its rhythms are as breathtaking as the music it celebrates. It shows yet again that as a writer Roddy Doyle is unequalled in his vision, his ambition, his ability to surprise us with each new novel. It is nothing less than a triumph.

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  • ÉditeurJonathan Cape Ltd
  • Date d'édition2004
  • ISBN 10 0224074369
  • ISBN 13 9780224074360
  • ReliureRelié
  • Numéro d'édition1
  • Nombre de pages384
  • Evaluation vendeur
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Roddy Doyle
Edité par Jonathan Cape, London UK (2004)
ISBN 10 : 0224074369 ISBN 13 : 9780224074360
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(Congleton, Royaume-Uni)
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Description du livre Hardcover. Etat : New. Etat de la jaquette : New. First Edition. A fine unread 1st impression in a fine dustwrapper. Signed by the Author on the title page. in stock since publication. Signed by Author(s). N° de réf. du vendeur 004323

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