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McEwan, Ian On Chesil Beach ISBN 13 : 9780224081184

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On Chesil Beach

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ONE

They were young, educated, and both virgins on this, their wedding night, and they lived in a time when a conversation about sexual difficulties was plainly impossible. But it is never easy. They had just sat down to supper in a tiny sitting room on the first floor of a Georgian inn. In the next room, visible through the open door, was a four–poster bed, rather narrow, whose bedcover was pure white and stretched startlingly smooth, as though by no human hand. Edward did not mention that he had never stayed in a hotel before, whereas Florence, after many trips as a child with her father, was an old hand. Superficially, they were in fine spirits. Their wedding, at St. Mary’s, Oxford, had gone well; the service was decorous, the reception jolly, the send–off from school and college friends raucous and uplifting. Her parents had not condescended to his, as they had feared, and his mother had not significantly misbehaved, or completely forgotten the purpose of the occasion. The couple had driven away in a small car belonging to Florence’s mother and arrived in the early evening at their hotel on the Dorset coast in weather that was not perfect for mid–July or the circumstances, but entirely adequate: it was not raining, but nor was it quite warm enough, according to Florence, to eat outside on the terrace as they had hoped. Edward thought it was, but, polite to a fault, he would not think of contradicting her on such an evening.

So they were eating in their rooms before the partially open French windows that gave onto a balcony and a view of a portion of the English Channel, and Chesil Beach with its infinite shingle. Two youths in dinner jackets served them from a trolley parked outside in the corridor, and their comings and goings through what was generally known as the honeymoon suite made the waxed oak boards squeak comically against the silence. Proud and protective, the young man watched closely for any gesture or expression that might have seemed satirical. He could not have tolerated any sniggering. But these lads from a nearby village went about their business with bowed backs and closed faces, and their manner was tentative, their hands shook as they set items down on the starched linen tablecloth. They were nervous too.

This was not a good moment in the history of English cuisine, but no one much minded at the time, except visitors from abroad. The formal meal began, as so many did then, with a slice of melon decorated by a single glazed cherry. Out in the corridor, in silver dishes on candle–heated plate warmers, waited slices of long–ago roasted beef in a thickened gravy, soft boiled vegetables, and potatoes of a bluish hue. The wine was from France, though no particular region was mentioned on the label, which was embellished with a solitary darting swallow. It would not have crossed Edward’s mind to have ordered a red.

Desperate for the waiters to leave, he and Florence turned in their chairs to consider the view of a broad mossy lawn, and beyond, a tangle of flowering shrubs and trees clinging to a steep bank that descended to a lane that led to the beach. They could see the beginnings of a footpath, dropping by muddy steps, a way lined by weeds of extravagant size—giant rhubarb and cabbages they looked like, with swollen stalks more than six feet tall, bending under the weight of dark, thick–veined leaves. The garden vegetation rose up, sensuous and tropical in its profusion, an effect heightened by the gray, soft light and a delicate mist drifting in from the sea, whose steady motion of advance and withdrawal made sounds of gentle thunder, then sudden hissing against the pebbles. Their plan was to change into rough shoes after supper and walk on the shingle between the sea and the lagoon known as the fleet, and if they had not finished the wine, they would take that along, and swig from the bottle like gentlemen of the road.

And they had so many plans, giddy plans, heaped up before them in the misty future, as richly tangled as the summer flora of the Dorset coast, and as beautiful. Where and how they would live, who their close friends would be, his job with her father’s firm, her musical career and what to do with the money her father had given her, and how they would not be like other people, at least, not inwardly. This was still the era—it would end later in that famous decade—when to be young was a social encumbrance, a mark of irrelevance, a faintly embarrassing condition for which marriage was the beginning of a cure. Almost strangers, they stood, strangely together, on a new pinnacle of existence, gleeful that their new status promised to promote them out of their endless youth—Edward and Florence, free at last! One of their favorite topics was their childhoods, not so much the pleasures as the fog of comical misconceptions from which they had emerged, and the various parental errors and outdated practices they could now forgive.

From these new heights they could see clearly, but they could not describe to each other certain contradictory feelings: they separately worried about the moment, sometime soon after dinner, when their new maturity would be tested, when they would lie down together on the four–poster bed and reveal themselves fully to each other. For over a year, Edward had been mesmerized by the prospect that on the evening of a given date in July the most sensitive portion of himself would reside, however briefly, within a naturally formed cavity inside this cheerful, pretty, formidably intelligent woman. How this was to be achieved without absurdity, or disappointment, troubled him. His specific worry, based on one unfortunate experience, was of overexcitement, of what he had heard someone describe as “arriving too soon.” The matter was rarely out of his thoughts, but though his fear of failure was great, his eagerness—for rapture, for resolution—was far greater.

Florence’s anxieties were more serious, and there were moments during the journey from Oxford when she thought she was about to draw on all her courage to speak her mind. But what troubled her was unutterable, and she could barely frame it for herself. Where he merely suffered conventional first-night nerves, she experienced a visceral dread, a helpless disgust as palpable as seasickness. For much of the time, through all the months of merry wedding preparation, she managed to ignore this stain on her happiness, but whenever her thoughts turned toward a close embrace—she preferred no other term—her stomach tightened dryly, she was nauseous at the back of her throat. In a modern, forward–looking handbook that was supposed to be helpful to young brides, with its cheery tones and exclamation marks and numbered illustrations, she came across certain phrases or words that almost made her gag: mucous membrane, and the sinister and glistening glans. Other phrases offended her intelligence, particularly those concerning entrances: Not long before he enters her...or, now at last he enters her, and, happily, soon after he has entered her...Was she obliged on the night to transform herself for Edward into a kind of portal or drawing room through which he might process? Almost as frequent was a word that suggested to her nothing but pain, flesh parted before a knife: penetration.

In optimistic moments she tried to convince herself that she suffered no more than a heightened form of squeamishness, which was bound to pass. Certainly, the thought of Edward's testicles, pendulous below his engorged penis—another horrifying term—had the potency to make her upper lip curl, and the idea of herself being touched “down there” by someone else, even someone she loved, was as repulsive as, say, a surgical procedure on her eye. But her squeamishness did not extend to babies. She liked them; she had looked after her cousin’'s little boys on occasion and enjoyed herself. She thought she would love being pregnant by Edward, and in the abstract, at least, she had no fears about childbirth. If only she could, like the mother of Jesus, arrive at that swollen state by magic.

Florence suspected that there was something profoundly wrong with her, that she had always been different, and that at last she was about to be exposed. Her problem, she thought, was greater, deeper, than straightforward physical disgust; her whole being was in revolt against a prospect of entanglement and flesh; her composure and essential happiness were about to be violated. She simply did not want to be “entered” or “penetrated.” Sex with Edward could not be the summation of her joy, but was the price she must pay for it.

She knew she should have spoken up long ago, as soon as he proposed, long before the visit to the sincere and soft–voiced vicar, and dinners with their respective parents, before the wedding guests were invited, the gift list devised and lodged with a department store, and the marquee and photographer hired, and all the other irreversible arrangements. But what could she have said, what possible terms could she have used when she could not have named the matter to herself? And she loved Edward, not with the hot, moist passion she had read about, but warmly, deeply, sometimes like a daughter, sometimes almost maternally. She loved cuddling him, and having his enormous arm around her shoulders, and being kissed by him, though she disliked his tongue in her mouth and had wordlessly made this clear. She thought he was original, unlike anyone she had ever met. He always had a paperback book, usually history, in his jacket pocket in case he found himself in a queue or a waiting room. He marked what he read with a pencil stub. He was virtually the only man Florence had met who did not smoke. None of his socks matched. He had only one tie, narrow, knitted, dark blue, which he wore nearly all the time with a white shirt. She adored his curious mind, his mild country accent, the huge st...
Revue de presse :
"Wonderful...exquisite...devastating" (Independent on Sunday)

"On Chesil Beach is more than an event. It is a masterpiece" (Times Literary Supplement)

"Superb... The protagonists have everything to lose, and their faltering journey towards a point of no return is conjured into life my McEwan with irresistible subtlety, tact and force" (Financial Times)

"Exquisitely crafted" (Evening Standard)

"Written with a fierce pursuit of the truth and an utterly modern self-awareness, what a confidant tour de force this turns out to be" (Sunday Express)

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

  • ÉditeurJonathan Cape
  • Date d'édition2007
  • ISBN 10 0224081187
  • ISBN 13 9780224081184
  • ReliureRelié
  • Numéro d'édition1
  • Nombre de pages176
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