Screening Modernism - European Art Cinema 1950 - 1980

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9780226451657: Screening Modernism - European Art Cinema 1950 - 1980

Casting fresh light on the renowned productions of auteurs such as Antonioni, Fellini, and Bresson and drawing out from the shadows a range of important but lesser-known works, "Screening Modernism" is the first comprehensive study of European art cinema's postwar heyday. Spanning from the 1950s to the 1970s, Andras Balint Kovacs' encyclopedic work argues that cinematic modernism was not a unified movement with a handful of styles and themes but rather a stunning range of variations on the core principles of modern art. Illustrating how the concepts of modernism and the avant-garde variously manifest themselves in film, Kovacs begins by tracing the emergence of art cinema as a historical category. He then explains the main formal characteristics of modern styles and forms as well as their intellectual foundation. Finally, drawing on modernist theory and philosophy along the way, he provides an innovative history of the evolution of modern European art cinema. Exploring not only modernism's origins but also its stylistic, thematic, and cultural avatars, "Screening Modernism" ultimately lays out creative new ways to think about the historical periods that comprise this golden age of film.

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1.

András Bálint Kovács
Edité par The University of Chicago Press, United States (2008)
ISBN 10 : 0226451658 ISBN 13 : 9780226451657
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Description du livre The University of Chicago Press, United States, 2008. Paperback. État : New. 229 x 152 mm. Language: English . Brand New Book. Casting fresh light on the renowned productions of auteurs such as Antonioni, Fellini, and Bresson and drawing out from the shadows a range of important but lesser-known works, Screening Modernism is the first comprehensive study of European art cinema s postwar heyday. Spanning from the 1950s to the 1970s, Andras Balint Kovacs encyclopedic work argues that cinematic modernism was not a unified movement with a handful of styles and themes but rather a stunning range of variations on the core principles of modern art. Illustrating how the concepts of modernism and the avant-garde variously manifest themselves in film, Kovacs begins by tracing the emergence of art cinema as a historical category. He then explains the main formal characteristics of modern styles and forms as well as their intellectual foundation. Finally, drawing on modernist theory and philosophy along the way, he provides an innovative history of the evolution of modern European art cinema. Exploring not only modernism s origins but also its stylistic, thematic, and cultural avatars, Screening Modernism ultimately lays out creative new ways to think about the historical periods that comprise this golden age of film. N° de réf. du libraire AAH9780226451657

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András Bálint Kovács
Edité par University Of Chicago Press, U.S.A. (2008)
ISBN 10 : 0226451658 ISBN 13 : 9780226451657
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Description du livre University Of Chicago Press, U.S.A., 2008. Soft cover. État : New. N° de réf. du libraire 0049018

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András Bálint Kovács
Edité par The University of Chicago Press, United States (2008)
ISBN 10 : 0226451658 ISBN 13 : 9780226451657
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Description du livre The University of Chicago Press, United States, 2008. Paperback. État : New. 229 x 152 mm. Language: English . Brand New Book. Casting fresh light on the renowned productions of auteurs such as Antonioni, Fellini, and Bresson and drawing out from the shadows a range of important but lesser-known works, Screening Modernism is the first comprehensive study of European art cinema s postwar heyday. Spanning from the 1950s to the 1970s, Andras Balint Kovacs encyclopedic work argues that cinematic modernism was not a unified movement with a handful of styles and themes but rather a stunning range of variations on the core principles of modern art. Illustrating how the concepts of modernism and the avant-garde variously manifest themselves in film, Kovacs begins by tracing the emergence of art cinema as a historical category. He then explains the main formal characteristics of modern styles and forms as well as their intellectual foundation. Finally, drawing on modernist theory and philosophy along the way, he provides an innovative history of the evolution of modern European art cinema. Exploring not only modernism s origins but also its stylistic, thematic, and cultural avatars, Screening Modernism ultimately lays out creative new ways to think about the historical periods that comprise this golden age of film. N° de réf. du libraire AAH9780226451657

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Description du livre Univ of Chicago. État : BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. N° de réf. du libraire 2101118

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Description du livre Univ of Chicago. État : BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. N° de réf. du libraire 2341340

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Description du livre The University of Chicago Press. Paperback. État : new. BRAND NEW, Screening Modernism: European Art Cinema, 1950-1980, Andras Balint Kovacs, Casting fresh light on the renowned productions of auteurs such as Antonioni, Fellini, and Bresson and drawing out from the shadows a range of important but lesser-known works, "Screening Modernism" is the first comprehensive study of European art cinema's postwar heyday. Spanning from the 1950s to the 1970s, Andras Balint Kovacs' encyclopedic work argues that cinematic modernism was not a unified movement with a handful of styles and themes but rather a stunning range of variations on the core principles of modern art. Illustrating how the concepts of modernism and the avant-garde variously manifest themselves in film, Kovacs begins by tracing the emergence of art cinema as a historical category. He then explains the main formal characteristics of modern styles and forms as well as their intellectual foundation. Finally, drawing on modernist theory and philosophy along the way, he provides an innovative history of the evolution of modern European art cinema. Exploring not only modernism's origins but also its stylistic, thematic, and cultural avatars, "Screening Modernism" ultimately lays out creative new ways to think about the historical periods that comprise this golden age of film. N° de réf. du libraire B9780226451657

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András Bálint Kovács
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Description du livre University Of Chicago Press, 2008. État : New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Casting fresh light on the renowned productions of auteurs like Antonioni, Fellini, and Bresson and drawing out from the shadows a range of important but lesser-known works, Screening Modernism is the first comprehensive study of European art cinema's postwar heyday. Spanning from the 1950s to the 1970s, Andrs Blint Kovcs's encyclopedic work argues that cinematic modernism was not a unified movement with a handful of styles and themes but rather a stunning range of variations on the core principles of modern art. Illustrating how the concepts of modernism and the avant-garde variously manifest themselves in film, Kovcs begins by tracing the emergence of art cinema as a historical category. He then explains the main formal characteristics of modern styles and forms as well as their intellectual foundation. Finally, drawing on modernist theory and philosophy along the way, he provides an innovative history of the evolution of modern European art cinema. Exploring not only modernism's origins but also its stylistic, thematic, and cultural avatars, Screening Modernism ultimately lays out creative new ways to think about the historical periods that comprise this golden age of film. N° de réf. du libraire ABE_book_new_0226451658

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András Bálint Kovács
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Description du livre University Of Chicago Press, 2008. Paperback. État : New. N° de réf. du libraire INGM9780226451657

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Description du livre University of Chicago press. État : New. Brand New. N° de réf. du libraire 0226451658

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Description du livre University of Chicago Press, 2008. PAP. État : New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. N° de réf. du libraire WG-9780226451657

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