Screening Modernism: European Art Cinema, 1950-1980 (Cinema and Modernity)

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9780226451657: Screening Modernism: European Art Cinema, 1950-1980 (Cinema and Modernity)

Casting fresh light on the renowned productions of auteurs like Antonioni, Fellini, and Bresson and drawing out from the shadows a range of important but lesser-known works, Screening Modernism is the first comprehensive study of European art cinema’s postwar heyday.

Spanning from the 1950s to the 1970s, András Bálint Kovács’s encyclopedic work argues that cinematic modernism was not a unified movement with a handful of styles and themes but rather a stunning range of variations on the core principles of modern art. Illustrating how the concepts of modernism and the avant-garde variously manifest themselves in film, Kovács begins by tracing the emergence of art cinema as a historical category. He then explains the main formal characteristics of modern styles and forms as well as their intellectual foundation. Finally, drawing on modernist theory and philosophy along the way, he provides an innovative history of the evolution of modern European art cinema.

Exploring not only modernism’s origins but also its stylistic, thematic, and cultural avatars, Screening Modernism ultimately lays out creative new ways to think about the historical periods that comprise this golden age of film.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

About the Author :

András Bálint Kovács is associate professor in the Institute for Art Theory and Media Research at ELTE University in Budapest.

Review :

"Andras Balint Kovacs has written a monumental work. Impressive in its scope, erudition, originality, critical acumen, and philosophical sophistication, Screening Modernism is a landmark historical study of modernist cinema that makes a permanent contribution to the field." - William Rothman, University of Miami"

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Andras Balint Kovacs
Edité par The University of Chicago Press, United States (2008)
ISBN 10 : 0226451658 ISBN 13 : 9780226451657
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Description du livre The University of Chicago Press, United States, 2008. Paperback. État : New. Language: English . Brand New Book. Casting fresh light on the renowned productions of auteurs such as Antonioni, Fellini, and Bresson and drawing out from the shadows a range of important but lesser-known works, Screening Modernism is the first comprehensive study of European art cinema s postwar heyday. Spanning from the 1950s to the 1970s, Andras Balint Kovacs encyclopedic work argues that cinematic modernism was not a unified movement with a handful of styles and themes but rather a stunning range of variations on the core principles of modern art. Illustrating how the concepts of modernism and the avant-garde variously manifest themselves in film, Kovacs begins by tracing the emergence of art cinema as a historical category. He then explains the main formal characteristics of modern styles and forms as well as their intellectual foundation. Finally, drawing on modernist theory and philosophy along the way, he provides an innovative history of the evolution of modern European art cinema. Exploring not only modernism s origins but also its stylistic, thematic, and cultural avatars, Screening Modernism ultimately lays out creative new ways to think about the historical periods that comprise this golden age of film. N° de réf. du libraire AAU9780226451657

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Andras Balint Kovacs
Edité par The University of Chicago Press, United States (2008)
ISBN 10 : 0226451658 ISBN 13 : 9780226451657
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Description du livre The University of Chicago Press, United States, 2008. Paperback. État : New. Language: English . Brand New Book. Casting fresh light on the renowned productions of auteurs such as Antonioni, Fellini, and Bresson and drawing out from the shadows a range of important but lesser-known works, Screening Modernism is the first comprehensive study of European art cinema s postwar heyday. Spanning from the 1950s to the 1970s, Andras Balint Kovacs encyclopedic work argues that cinematic modernism was not a unified movement with a handful of styles and themes but rather a stunning range of variations on the core principles of modern art. Illustrating how the concepts of modernism and the avant-garde variously manifest themselves in film, Kovacs begins by tracing the emergence of art cinema as a historical category. He then explains the main formal characteristics of modern styles and forms as well as their intellectual foundation. Finally, drawing on modernist theory and philosophy along the way, he provides an innovative history of the evolution of modern European art cinema. Exploring not only modernism s origins but also its stylistic, thematic, and cultural avatars, Screening Modernism ultimately lays out creative new ways to think about the historical periods that comprise this golden age of film. N° de réf. du libraire AAU9780226451657

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Kovacs, Andras Balint
Edité par The University of Chicago Press (2008)
ISBN 10 : 0226451658 ISBN 13 : 9780226451657
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Description du livre The University of Chicago Press, 2008. État : New. A study of European art cinema's postwar heyday. This book presents an argument that cinematic modernism was not a unified movement. It traces the emergence of art cinema as a historical category. It explains the main formal characteristics of modern styles and forms as well as their intellectual foundation. Series: Cinema and Modernity. Num Pages: 432 pages, 102 halftones. BIC Classification: 1D; 3JJPG; 3JJPK; APFA. Category: (P) Professional & Vocational. Dimension: 228 x 153 x 26. Weight in Grams: 606. . 2008. Paperback. . . . . . N° de réf. du libraire V9780226451657

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Description du livre The University of Chicago Press. État : New. A study of European art cinema's postwar heyday. This book presents an argument that cinematic modernism was not a unified movement. It traces the emergence of art cinema as a historical category. It explains the main formal characteristics of modern styles and forms as well as their intellectual foundation. Series: Cinema and Modernity. Num Pages: 432 pages, 102 halftones. BIC Classification: 1D; 3JJPG; 3JJPK; APFA. Category: (P) Professional & Vocational. Dimension: 228 x 153 x 26. Weight in Grams: 606. . 2008. Paperback. . . . . Books ship from the US and Ireland. N° de réf. du libraire V9780226451657

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András Bálint Kovács
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András Bálint Kovács
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Description du livre UNIVERSITY OF CHICAGO PRESS 2008-01-25, Chicago, [Ill.] |London, 2008. paperback. État : New. N° de réf. du libraire 9780226451657

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