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In the nineteenth century, the Académie des Beaux Arts, and institution of central importance to the artistic life of France for over two hundred years, yielded much of its power to the present system of art distribution, which is dependent upon critics, dealers, and small exhibitions. In Canvases and Careers, Harrison and Cynthia White examine in scrupulous and fascinating detail how and why this shift occurred. Assimilating a wide range of historical and sociological data, the authors argue convincingly that the Academy, by neglecting to address the social and economic conditions of its time, undermined its own ability to maintain authority and control.
Originally published in 1965, this ground-breaking work is a classic piece of empirical research in the sociology of art. In this edition, Harrison C. White's new Foreword compares the marketing approaches of two contemporary painters, while Cynthia A. White's new Afterword reviews recent scholarship in the field.
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Description du livre Paperback. Etat : new. New. Fast Shipping and good customer service. N° de réf. du vendeur Holz_New_0226894878
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Description du livre Etat : new. N° de réf. du vendeur FrontCover0226894878
Description du livre paperback. Etat : New. Language: ENG. N° de réf. du vendeur 9780226894874
Description du livre PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur FW-9780226894874
Description du livre Softcover. Etat : New. 1. In the nineteenth century, the Académie des Beaux Arts, and institution of central importance to the artistic life of France for over two hundred years, yielded much of its power to the present system of art distribution, which is dependent upon critics, dealers, and small exhibitions. In Canvases and Careers, Harrison and Cynthia White examine in scrupulous and fascinating detail how and why this shift occurred. Assimilating a wide range of historical and sociological data, the authors argue convincingly that the Academy, by neglecting to address the social and economic conditions of its time, undermined its own ability to maintain authority and control.Originally published in 1965, this ground-breaking work is a classic piece of empirical research in the sociology of art. In this edition, Harrison C. White's new Foreword compares the marketing approaches of two contemporary painters, while Cynthia A. White's new Afterword reviews recent scholarship in the field. N° de réf. du vendeur DADAX0226894878
Description du livre Soft Cover. Etat : new. This item is printed on demand. N° de réf. du vendeur 9780226894874
Description du livre Etat : New. 1993. 1st Edition. Paperback. Num Pages: 200 pages, 13 halftones. BIC Classification: AC; AFC; JH. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 217 x 144 x 11. Weight in Grams: 260. . . . . . N° de réf. du vendeur V9780226894874
Description du livre Paperback. Etat : New. Brand New! This item is printed on demand. N° de réf. du vendeur 0226894878
Description du livre Paperback. Etat : Brand New. reprint edition. 198 pages. 8.75x5.75x0.50 inches. In Stock. This item is printed on demand. N° de réf. du vendeur __0226894878