Articles liés à Film, a Sound Art
L'édition de cet ISBN n'est malheureusement plus disponible.
Afficher les exemplaires de cette édition ISBN
Book by Chion Michel
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
- ÉditeurColumbia University Press
- Date d'édition2009
- ISBN 10 0231137761
- ISBN 13 9780231137768
- ReliureRelié
- Nombre de pages560
- Evaluation vendeur
Acheter neuf
En savoir plus sur cette édition
EUR 119,80
Frais de port :
Gratuit
Vers Etats-Unis
Meilleurs résultats de recherche sur AbeBooks
Image fournie par le vendeur
Film, a Sound Art (Film and Culture Series) by Chion, Michel [Hardcover ]
Edité par
Columbia University Press
(2009)
ISBN 10 : 0231137761
ISBN 13 : 9780231137768
Neuf
Couverture rigide
Quantité disponible : 10
Vendeur :
Evaluation vendeur
Description du livre Hardcover. Etat : new. This item is printed on demand. N° de réf. du vendeur 9780231137768
Acheter neuf
EUR 119,80
Autre devise
Image d'archives
Film, a Sound Art (Film and Culture Series)
Edité par
Columbia University Press
(2009)
ISBN 10 : 0231137761
ISBN 13 : 9780231137768
Neuf
Couverture rigide
Quantité disponible : > 20
Vendeur :
Evaluation vendeur
Description du livre Etat : New. N° de réf. du vendeur ABLIING23Feb2215580076058
Acheter neuf
EUR 135,78
Autre devise
Image d'archives
Film, A Sound Art
Edité par
Columbia University Press
(2009)
ISBN 10 : 0231137761
ISBN 13 : 9780231137768
Neuf
Couverture rigide
Quantité disponible : 15
Vendeur :
Evaluation vendeur
Description du livre Etat : New. Translator(s): Gorbman, Claudia; Delogu, C. Jon. Series: Film and Culture Series. Num Pages: 560 pages, 248 illus. BIC Classification: APF. Category: (G) General (US: Trade). Dimension: 244 x 166 x 31. Weight in Grams: 878. . 2009. . . . . N° de réf. du vendeur V9780231137768
Acheter neuf
EUR 168,47
Autre devise
Image fournie par le vendeur
Film, a Sound Art
Edité par
Columbia University Press
(2009)
ISBN 10 : 0231137761
ISBN 13 : 9780231137768
Neuf
Couverture rigide
Quantité disponible : 5
Vendeur :
Evaluation vendeur
Description du livre Etat : New. N° de réf. du vendeur 5993515-n
Acheter neuf
EUR 186,92
Autre devise
Image d'archives
Film, A Sound Art (Film and Culture Series)
Edité par
Columbia University Press
(2009)
ISBN 10 : 0231137761
ISBN 13 : 9780231137768
Neuf
Couverture rigide
Quantité disponible : 1
Vendeur :
Evaluation vendeur
Description du livre Hardcover. Etat : Brand New. 528 pages. 9.30x6.30x1.20 inches. This item is printed on demand. N° de réf. du vendeur zk0231137761
Acheter neuf
EUR 179,13
Autre devise
Image fournie par le vendeur
Film, a Sound Art
Edité par
Columbia University Press
(2009)
ISBN 10 : 0231137761
ISBN 13 : 9780231137768
Neuf
Couverture rigide
Quantité disponible : 5
Vendeur :
Evaluation vendeur
Description du livre Etat : New. N° de réf. du vendeur 5993515-n
Acheter neuf
EUR 174,26
Autre devise
Image fournie par le vendeur
FILM A SOUND ART
Edité par
COLUMBIA UNIV PR
(2009)
ISBN 10 : 0231137761
ISBN 13 : 9780231137768
Neuf
Couverture rigide
Quantité disponible : > 20
Vendeur :
Evaluation vendeur
Description du livre Etat : New. KlappentextMichel Chion argues that watching movies is more than just a visual exercise - it enacts a process of audio-viewing. The audiovisual makes use of a wealth of tropes, devices, techniques, and effects that convert multiple sensa. N° de réf. du vendeur 594457998
Acheter neuf
EUR 151,86
Autre devise
Image d'archives
Film, a Sound Art (Hardcover)
Edité par
Columbia University Press, New York
(2009)
ISBN 10 : 0231137761
ISBN 13 : 9780231137768
Neuf
Couverture rigide
Quantité disponible : 1
Vendeur :
Evaluation vendeur
Description du livre Hardcover. Etat : new. Hardcover. French critic and composer Michel Chion argues that watching movies is more than just a visual exercise-it enacts a process of audio-viewing. The audiovisual makes use of a wealth of tropes, devices, techniques, and effects that convert multiple sensations into image and sound, therefore rendering, instead of reproducing, the world through cinema.The first half of Film, a Sound Art considers developments in technology, aesthetic trends, and individual artistic style that recast the history of film as the evolution of a truly audiovisual language. The second half explores the intersection of auditory and visual realms. With restless inventiveness, Chion develops a rhetoric that describes the effects of audio-visual combinations, forcing us to rethink sound film. He claims, for example, that the silent era (which he terms "deaf cinema") did not end with the advent of sound technology but continues to function underneath and within later films. Expanding our appreciation of cinematic experiences ranging from Dolby multitrack in action films and the eerie tricycle of Stanley Kubrick's The Shining to the way actors from different nations use their voices and words, Film, a Sound Art showcases the vast knowledge and innovative thinking of a major theorist. French critic and composer Michel Chion argues that watching movies is more than just a visual exercise--it enacts a process of audio-viewing. The audiovisual makes use of a wealth of tropes, devices, techniques, and effects that convert multiple sensations into image and sound, therefore rendering, instead of reproducing, the world through cinema. The first half of Film, A Sound Art considers developments in technology, aesthetic trends, and individual artistic style that recast the history of film as the evolution of a truly audiovisual language. The second half explores the intersection of auditory and visual realms. With restless inventiveness, Chion develops a rhetoric that describes the effects of audio-visual combinations, forcing us to rethink sound film. He claims, for example, that the silent era (which he terms "deaf cinema") did not end with the advent of sound technology but continues to function underneath and within later films. Expanding our appreciation of cinematic experiences ranging from Dolby multitrack in action films and the eerie tricycle of Stanley Kubrick's The Shining to the way actors from different nations use their voices and words, Film, A Sound Art showcases the vast knowledge and innovative thinking of a major theorist. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9780231137768
Acheter neuf
EUR 174,27
Autre devise
Image d'archives
Film, A Sound Art
Edité par
Columbia University Press
(2009)
ISBN 10 : 0231137761
ISBN 13 : 9780231137768
Neuf
Couverture rigide
Quantité disponible : 15
Vendeur :
Evaluation vendeur
Description du livre Etat : New. Translator(s): Gorbman, Claudia; Delogu, C. Jon. Series: Film and Culture Series. Num Pages: 560 pages, 248 illus. BIC Classification: APF. Category: (G) General (US: Trade). Dimension: 244 x 166 x 31. Weight in Grams: 878. . 2009. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780231137768
Acheter neuf
EUR 218,70
Autre devise
Image d'archives
Film, a Sound Art (Hardcover)
Edité par
Columbia University Press, New York
(2009)
ISBN 10 : 0231137761
ISBN 13 : 9780231137768
Neuf
Couverture rigide
Quantité disponible : 1
Vendeur :
Evaluation vendeur
Description du livre Hardcover. Etat : new. Hardcover. French critic and composer Michel Chion argues that watching movies is more than just a visual exercise-it enacts a process of audio-viewing. The audiovisual makes use of a wealth of tropes, devices, techniques, and effects that convert multiple sensations into image and sound, therefore rendering, instead of reproducing, the world through cinema.The first half of Film, a Sound Art considers developments in technology, aesthetic trends, and individual artistic style that recast the history of film as the evolution of a truly audiovisual language. The second half explores the intersection of auditory and visual realms. With restless inventiveness, Chion develops a rhetoric that describes the effects of audio-visual combinations, forcing us to rethink sound film. He claims, for example, that the silent era (which he terms "deaf cinema") did not end with the advent of sound technology but continues to function underneath and within later films. Expanding our appreciation of cinematic experiences ranging from Dolby multitrack in action films and the eerie tricycle of Stanley Kubrick's The Shining to the way actors from different nations use their voices and words, Film, a Sound Art showcases the vast knowledge and innovative thinking of a major theorist. French critic and composer Michel Chion argues that watching movies is more than just a visual exercise--it enacts a process of audio-viewing. The audiovisual makes use of a wealth of tropes, devices, techniques, and effects that convert multiple sensations into image and sound, therefore rendering, instead of reproducing, the world through cinema. The first half of Film, A Sound Art considers developments in technology, aesthetic trends, and individual artistic style that recast the history of film as the evolution of a truly audiovisual language. The second half explores the intersection of auditory and visual realms. With restless inventiveness, Chion develops a rhetoric that describes the effects of audio-visual combinations, forcing us to rethink sound film. He claims, for example, that the silent era (which he terms "deaf cinema") did not end with the advent of sound technology but continues to function underneath and within later films. Expanding our appreciation of cinematic experiences ranging from Dolby multitrack in action films and the eerie tricycle of Stanley Kubrick's The Shining to the way actors from different nations use their voices and words, Film, A Sound Art showcases the vast knowledge and innovative thinking of a major theorist. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9780231137768
Acheter neuf
EUR 200,53
Autre devise