Hiroshima After Iraq - Three Studies in Art and War

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9780231152785: Hiroshima After Iraq - Three Studies in Art and War

Hiroshima After Iraq Many lament an apathy or amnesia toward recent acts of war. Particularly during the George W. Bush administration's invasion of Iraq, opposition to war seemed to lack the heat and potency of the 1960s and 1970s, giving the impression that passionate dissent was all but dead. Through an analysis of three politically engaged works of art, Rosalyn Deutsche argues against this melancholic attitude, co Full description

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Rosalyn Deutsche
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Description du livre Columbia University Press, New York, 2010. Soft Cover. État : New. uncorrected proof. N° de réf. du libraire G06G14

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Deutsche, Rosalyn
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Description du livre Columbia University Press, 2010. Hardcover. État : New. book. N° de réf. du libraire 0231152787

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Description du livre Columbia University Press, 2010. HRD. État : New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. N° de réf. du libraire WI-9780231152785

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Description du livre Columbia University Press, United States, 2010. Hardback. État : New. 211 x 137 mm. Language: English . Brand New Book. Many on the left lament an apathy or amnesia toward recent acts of war. Particularly during the George W. Bush administration s invasion of Iraq, opposition to war seemed to lack the heat and potency of the 1960s and 1970s, giving the impression that passionate dissent was all but dead. Through an analysis of three politically engaged works of art, Rosalyn Deutsche argues against this melancholic attitude, confirming the power of contemporary art to criticize subjectivity as well as war. Deutsche selects three videos centered on the deployment of the atomic bomb: Krzysztof Wodiczko s Hiroshima Projection (1999), made after the first Gulf War; Silvia Kolbowski s After Hiroshima mon amour (2005-2008); and Leslie Thornton s Let Me Count the Ways (2004-2008), which followed the U.S. invasion of Iraq. Each of these works confronts the ethical task of addressing historical disaster, and each explores the intersection of past and present wars. These artworks profoundly contribute to the discourse of war resistance, illuminating the complex dynamics of viewing and interpretation.Deutsche employs feminist and psychoanalytic approaches in her study, questioning both the role of totalizing images in the production of warlike subjects and the fantasies that perpetuate, especially among the left, traditional notions of political dissent. She ultimately reveals the passive collusion between leftist critique and dominant discourse in which personal dimensions of war are denied. N° de réf. du libraire AAH9780231152785

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Rosalyn Deutsche
Edité par Columbia University Press, United States (2010)
ISBN 10 : 0231152787 ISBN 13 : 9780231152785
Neuf(s) Couverture rigide Quantité : 10
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The Book Depository
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Description du livre Columbia University Press, United States, 2010. Hardback. État : New. 211 x 137 mm. Language: English . Brand New Book. Many on the left lament an apathy or amnesia toward recent acts of war. Particularly during the George W. Bush administration s invasion of Iraq, opposition to war seemed to lack the heat and potency of the 1960s and 1970s, giving the impression that passionate dissent was all but dead. Through an analysis of three politically engaged works of art, Rosalyn Deutsche argues against this melancholic attitude, confirming the power of contemporary art to criticize subjectivity as well as war. Deutsche selects three videos centered on the deployment of the atomic bomb: Krzysztof Wodiczko s Hiroshima Projection (1999), made after the first Gulf War; Silvia Kolbowski s After Hiroshima mon amour (2005-2008); and Leslie Thornton s Let Me Count the Ways (2004-2008), which followed the U.S. invasion of Iraq. Each of these works confronts the ethical task of addressing historical disaster, and each explores the intersection of past and present wars. These artworks profoundly contribute to the discourse of war resistance, illuminating the complex dynamics of viewing and interpretation. Deutsche employs feminist and psychoanalytic approaches in her study, questioning both the role of totalizing images in the production of warlike subjects and the fantasies that perpetuate, especially among the left, traditional notions of political dissent. She ultimately reveals the passive collusion between leftist critique and dominant discourse in which personal dimensions of war are denied. N° de réf. du libraire AAH9780231152785

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Rosalyn Deutsche
Edité par Columbia University Press 2010-09-03, New York |Chichester (2010)
ISBN 10 : 0231152787 ISBN 13 : 9780231152785
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Description du livre Columbia University Press 2010-09-03, New York |Chichester, 2010. hardback. État : New. N° de réf. du libraire 9780231152785

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Rosalyn Deutsche
Edité par Columbia University Press
ISBN 10 : 0231152787 ISBN 13 : 9780231152785
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Description du livre Columbia University Press. Hardback. État : new. BRAND NEW, Hiroshima After Iraq: Three Studies in Art and War, Rosalyn Deutsche, Many on the left lament an apathy or amnesia toward recent acts of war. Particularly during the George W. Bush administration's invasion of Iraq, opposition to war seemed to lack the heat and potency of the 1960s and 1970s, giving the impression that passionate dissent was all but dead. Through an analysis of three politically engaged works of art, Rosalyn Deutsche argues against this melancholic attitude, confirming the power of contemporary art to criticize subjectivity as well as war. Deutsche selects three videos centered on the deployment of the atomic bomb: Krzysztof Wodiczko's Hiroshima Projection (1999), made after the first Gulf War; Silvia Kolbowski's After Hiroshima mon amour (2005-2008); and Leslie Thornton's Let Me Count the Ways (2004-2008), which followed the U.S. invasion of Iraq. Each of these works confronts the ethical task of addressing historical disaster, and each explores the intersection of past and present wars. These artworks profoundly contribute to the discourse of war resistance, illuminating the complex dynamics of viewing and interpretation. Deutsche employs feminist and psychoanalytic approaches in her study, questioning both the role of totalizing images in the production of warlike subjects and the fantasies that perpetuate, especially among the left, traditional notions of political dissent. She ultimately reveals the passive collusion between leftist critique and dominant discourse in which personal dimensions of war are denied. N° de réf. du libraire B9780231152785

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