Compositing Visual Effects: Essentials for the Aspiring Artist

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9780240817811: Compositing Visual Effects: Essentials for the Aspiring Artist

Compositing Visual Effects Illustrated with hundreds of film shots, figures, illustrations, and diagrams to help the visual reader gain a vocabulary and understanding of the full range of visual effects, in which digital compositing plays a key role. Full description

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Présentation de l'éditeur :

Put the essential concepts and techniques of digital compositing to work for you without the need of a single mathematical equation. Compositing Visual Effects is lavishly illustrated with hundreds of film shots, figures, illustrations, and diagrams to help the visual reader gain a valuable vocabulary and understanding of the full range of visual effects, in which digital compositing plays a key role.

Beginning with an inspirational tour of the scope and magnitude of digital compositing, you get a solid overview of the kinds of digital effects routinely executed today. See how CGI is composited with live action, how set extensions are done, and what a match-move shot is. Following that you learn each of the key applications of digital compositing, which include bluescreen compositing, bullet-time shots, motion tracking, and rotoscoping. The subsequent chapters dig down into each of the major digital compositing applications, introducing the fundamental concepts, and processes behind them. Learn what is easy and hard, possible and impossible, and what to expect when working on a job that entails digital compositing. New to this edition are 4 new chapters on: * 3D compositing, with lessons on what camera tracking is, how it is used to put CGI into a live-action plate, as well as live action into a 3D scene. * Stereo compositing, with descriptions of key stereoscopic terms and concepts, lessons on compositing shots that were filmed in stereo (both bluescreen and CGI), as well as the stereo conversion process when a flat 2D movie is converted to a stereo 3D movie * RED and Digital Capture with Log Images, including log image formats. This is a very hot topic these days. Colleges hang around video because it is cheaper. Film is still big in the real world of production. * Tracking an entire project from start to finish This is in addition to robust updates on topics such as: * planar tracking, Z compositing, working with Anamorphic HD formats, mocap, and more

This edition also includes a companion website with images from the book for you to work with in your own compositing exercises.

  • An accessible introduction to a complex subject for novice and aspiring compositors, from experienced author and compositing whose compositing credits include Night at the Museum 2, Shutter Island, Solaris, Traffic, and more
  • Full color presentation illustrating the art and techniques of the practice, provides inspiration along with instruction
  • New to this edition is a companion website, new chapters on 3D compositing, stereo compositing, RED and digital capture with log images, and more will have you understanding the latest in compositing technology in no time


  • An accessible introduction to a complex subject for novice and aspiring compositors, from experienced author and compositing whose compositing credits include Night at the Museum 2, Shutter Island, Solaris, Traffic, and more
  • Full color presentation illustrating the art and techniques of the practice, provides inspiration along with instruction
  • New chapters on 3D compositing and stereo compositing will have readers understanding the latest in compositing technology in no time
  • Companion website, compositingvfx.com features sample videos and other bonus materials

Biographie de l'auteur :

Steve Wright is a visual effects compositing veteran with 70 broadcast television commercials and over 60 feature films credits. He's developed video games at Atari, done 3D animations for Robert Abel and Associates, and was senior compositor and 2D technical director at Kodak's Cinesite. Steve is now a freelance, digital-compositing guru, who teaches, trains, writes, and develops on-line training programs.

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Description du livre Taylor & Francis Ltd, 2011. État : New. 2011. 2nd Edition. Paperback. Illustrated with hundreds of film shots, figures, illustrations, and diagrams to help the visual reader gain a vocabulary and understanding of the full range of visual effects, in which digital compositing plays a key role. Num Pages: 344 pages, colour illustrations, figures. BIC Classification: AJRD; UGV. Category: (P) Professional & Vocational. Dimension: 235 x 192 x 20. Weight in Grams: 900. . . . . . . N° de réf. du libraire V9780240817811

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Description du livre Taylor Francis Ltd, United Kingdom, 2011. Paperback. État : New. 2nd Revised edition. 234 x 190 mm. Language: English . Brand New Book. Put the essential concepts and techniques of digital compositing to work for you without the need of a single mathematical equation. Compositing Visual Effects is lavishly illustrated with hundreds of film shots, figures, illustrations, and diagrams to help the visual reader gain a valuable vocabulary and understanding of the full range of visual effects, in which digital compositing plays a key role. Beginning with an inspirational tour of the scope and magnitude of digital compositing, you get a solid overview of the kinds of digital effects routinely executed today. See how CGI is composited with live action, how set extensions are done, and what a match-move shot is. Following that you learn each of the key applications of digital compositing, which include bluescreen compositing, bullet-time shots, motion tracking, and rotoscoping. The subsequent chapters dig down into each of the major digital compositing applications, introducing the fundamental concepts, and processes behind them. Learn what is easy and hard, possible and impossible, and what to expect when working on a job that entails digital compositing. New to this edition are 4 new chapters on: * 3D compositing, with lessons on what camera tracking is, how it is used to put CGI into a live-action plate, as well as live action into a 3D scene. * Stereo compositing, with descriptions of key stereoscopic terms and concepts, lessons on compositing shots that were filmed in stereo (both bluescreen and CGI), as well as the stereo conversion process when a flat 2D movie is converted to a stereo 3D movie * RED and Digital Capture with Log Images, including log image formats. This is a very hot topic these days. Colleges hang around video because it is cheaper. Film is still big in the real world of production. * Tracking an entire project from start to finish This is in addition to robust updates on topics such as: * planar tracking, Z compositing, working with Anamorphic HD formats, mocap, and more This edition also includes a companion website ( with images from the book for you to work with in your own compositing exercises. * An accessible introduction to a complex subject for novice and aspiring compositors, from experienced author and compositing whose compositing credits include Night at the Museum 2, Shutter Island, Solaris, Traffic, and more * Full color presentation illustrating the art and techniques of the practice, provides inspiration along with instruction * New to this edition is a companion website, new chapters on 3D compositing, stereo compositing, RED and digital capture with log images, and more will have you understanding the latest in compositing technology in no time. N° de réf. du libraire AAZ9780240817811

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Description du livre Taylor Francis Ltd, United Kingdom, 2011. Paperback. État : New. New edition. 234 x 190 mm. Language: English . Brand New Book. Put the essential concepts and techniques of digital compositing to work for you without the need of a single mathematical equation. Compositing Visual Effects is lavishly illustrated with hundreds of film shots, figures, illustrations, and diagrams to help the visual reader gain a valuable vocabulary and understanding of the full range of visual effects, in which digital compositing plays a key role. Beginning with an inspirational tour of the scope and magnitude of digital compositing, you get a solid overview of the kinds of digital effects routinely executed today. See how CGI is composited with live action, how set extensions are done, and what a match-move shot is. Following that you learn each of the key applications of digital compositing, which include bluescreen compositing, bullet-time shots, motion tracking, and rotoscoping. The subsequent chapters dig down into each of the major digital compositing applications, introducing the fundamental concepts, and processes behind them. Learn what is easy and hard, possible and impossible, and what to expect when working on a job that entails digital compositing. New to this edition are 4 new chapters on: * 3D compositing, with lessons on what camera tracking is, how it is used to put CGI into a live-action plate, as well as live action into a 3D scene. * Stereo compositing, with descriptions of key stereoscopic terms and concepts, lessons on compositing shots that were filmed in stereo (both bluescreen and CGI), as well as the stereo conversion process when a flat 2D movie is converted to a stereo 3D movie * RED and Digital Capture with Log Images, including log image formats. This is a very hot topic these days. Colleges hang around video because it is cheaper. Film is still big in the real world of production. * Tracking an entire project from start to finish This is in addition to robust updates on topics such as: * planar tracking, Z compositing, working with Anamorphic HD formats, mocap, and more This edition also includes a companion website ( with images from the book for you to work with in your own compositing exercises. * An accessible introduction to a complex subject for novice and aspiring compositors, from experienced author and compositing whose compositing credits include Night at the Museum 2, Shutter Island, Solaris, Traffic, and more * Full color presentation illustrating the art and techniques of the practice, provides inspiration along with instruction * New to this edition is a companion website, new chapters on 3D compositing, stereo compositing, RED and digital capture with log images, and more will have you understanding the latest in compositing technology in no time. N° de réf. du libraire AAZ9780240817811

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Description du livre Taylor & Francis Ltd. État : New. 2011. 2nd Edition. Paperback. Illustrated with hundreds of film shots, figures, illustrations, and diagrams to help the visual reader gain a vocabulary and understanding of the full range of visual effects, in which digital compositing plays a key role. Num Pages: 344 pages, colour illustrations, figures. BIC Classification: AJRD; UGV. Category: (P) Professional & Vocational. Dimension: 235 x 192 x 20. Weight in Grams: 900. . . . . . Books ship from the US and Ireland. N° de réf. du libraire V9780240817811

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Description du livre Paperback. État : New. Not Signed; Put the essential concepts and techniques of digital compositing to work for you without the need of a single mathematical equation. Compositing Visual Effects is lavishly illustrated with hundreds of film shots, figures, illustrations, and diagrams to help the visual reader gain a valuable vocabula. book. N° de réf. du libraire ria9780240817811_rkm

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