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Revue de presse :
Writing that easily equals that of the Booker-winning Richard Flanagan...[and] as readable and gripping as any thriller. Only the thrills offered by this bright new star of literature are metaphysical and unexpected and will leave you thinking on a new level about the connections between men, women and places. (The Times)
Beautifully written...this deserves to follow in the footsteps of 2014's big debut novels The Miniaturist and Elizabeth Is Missing. (Daily Express)
Intriguing... a clear and beautifully unadorned prose style... Hooper has written an interesting, nuanced and genuinely moving book. (Guardian)
Hooper has more or less nailed the 'Amelie' charm with this sweet, disarming story of lasting love...Hooper shows great restraint in balancing the quirky with the universal, blurring the lines between them. This may be the best novel to meaningfully feature windblown dust. Hooper's steady hand creates the perfect setup for the unexpected. To paraphrase Wallace Stevens: A man and a woman are one. Two men, a woman and a coyote are one. (New York Times)
Luminous debut...there's a lovely musicality to her prose - care and attention have been spent on the rhythms and melody of her words...wonderfully tender. (Sunday Express)
Her debut novel is a magical, big-hearted book about one woman's walk to the sea. If Wes Anderson's stylised dream worlds make you happy, you need a copy of Etta and Otto and Russell and James. (Elle Magazine)
A fan of Audrey Niffenegger and Alice Munro, Hooper's sense of playfulness comes across in the book's gentle magical realism' (The Observer)
charming, sweet...there is a singing simplicity that cuts through to the heart of things...fresh and touching (Sunday Times)
[A] delightful debut novel (Mail on Sunday)
Beautifully written...a powerfully moving account. (Sunday Express)
Extrait :
Beautifully written...this deserves to follow in the footsteps of 2014's big debut novels The Miniaturist and Elizabeth Is Missing. (Daily Express)
Intriguing... a clear and beautifully unadorned prose style... Hooper has written an interesting, nuanced and genuinely moving book. (Guardian)
Hooper has more or less nailed the 'Amelie' charm with this sweet, disarming story of lasting love...Hooper shows great restraint in balancing the quirky with the universal, blurring the lines between them. This may be the best novel to meaningfully feature windblown dust. Hooper's steady hand creates the perfect setup for the unexpected. To paraphrase Wallace Stevens: A man and a woman are one. Two men, a woman and a coyote are one. (New York Times)
Luminous debut...there's a lovely musicality to her prose - care and attention have been spent on the rhythms and melody of her words...wonderfully tender. (Sunday Express)
Her debut novel is a magical, big-hearted book about one woman's walk to the sea. If Wes Anderson's stylised dream worlds make you happy, you need a copy of Etta and Otto and Russell and James. (Elle Magazine)
A fan of Audrey Niffenegger and Alice Munro, Hooper's sense of playfulness comes across in the book's gentle magical realism' (The Observer)
charming, sweet...there is a singing simplicity that cuts through to the heart of things...fresh and touching (Sunday Times)
[A] delightful debut novel (Mail on Sunday)
Beautifully written...a powerfully moving account. (Sunday Express)
Etta and Otto and Russell and James
1
Otto,
The letter began, in blue ink,
I’ve gone. I’ve never seen the water, so I’ve gone there. Don’t worry, I’ve left you the truck. I can walk. I will try to remember to come back.
Yours (always),
Etta.
Underneath the letter she had left a pile of recipe cards. All the things she had always made. Also in blue ink. So he would know what and how to eat while she was away. Otto sat down at the table and arranged them so no two were overlapping. Columns and rows. He thought about putting on his coat and shoes and going out to try and find her, maybe asking neighbors if they had seen which way she went, but he didn’t. He just sat at the table with the letter and the cards. His hands trembled. He laid one on top of the other to calm them.
After a while Otto stood and went to get their globe. It had a light in the middle, on the inside, that shone through the latitude and longitude lines. He turned it on and turned off the regular kitchen lights. He put it on the far side of the table, away from the letter and cards, and traced a path with his finger. Halifax. If she went east, Etta would have three thousand, two hundred and thirty-two kilometers to cross. If west, to Vancouver, twelve hundred and one kilometers. But she would go east, Otto knew. He could feel the tightness in the skin across his chest pulling that way. He noticed his rifle was missing from the front closet. It would still be an hour or so until the sun rose.
1
Otto,
The letter began, in blue ink,
I’ve gone. I’ve never seen the water, so I’ve gone there. Don’t worry, I’ve left you the truck. I can walk. I will try to remember to come back.
Yours (always),
Etta.
Underneath the letter she had left a pile of recipe cards. All the things she had always made. Also in blue ink. So he would know what and how to eat while she was away. Otto sat down at the table and arranged them so no two were overlapping. Columns and rows. He thought about putting on his coat and shoes and going out to try and find her, maybe asking neighbors if they had seen which way she went, but he didn’t. He just sat at the table with the letter and the cards. His hands trembled. He laid one on top of the other to calm them.
After a while Otto stood and went to get their globe. It had a light in the middle, on the inside, that shone through the latitude and longitude lines. He turned it on and turned off the regular kitchen lights. He put it on the far side of the table, away from the letter and cards, and traced a path with his finger. Halifax. If she went east, Etta would have three thousand, two hundred and thirty-two kilometers to cross. If west, to Vancouver, twelve hundred and one kilometers. But she would go east, Otto knew. He could feel the tightness in the skin across his chest pulling that way. He noticed his rifle was missing from the front closet. It would still be an hour or so until the sun rose.
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- ÉditeurFig Tree
- Date d'édition2015
- ISBN 10 0241003326
- ISBN 13 9780241003329
- ReliureRelié
- Nombre de pages288
- Evaluation vendeur
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Etta and Otto and Russell and James
Edité par
Simon & Schuster
(2015)
ISBN 10 : 0241003326
ISBN 13 : 9780241003329
Neuf
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Description du livre Hardcover. Etat : new. New. Fast Shipping and good customer service. N° de réf. du vendeur Holz_New_0241003326
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