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Hamid, Mohsin The Reluctant Fundamentalist ISBN 13 : 9780241965023

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9780241965023: The Reluctant Fundamentalist
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Excuse me, sir, but may I be of assistance? Ah, I see I have alarmed you. Do not be frightened by my beard: I am a lover of America. I noticed that you were looking for something; more than looking, in fact you seemed to be on a mission, and since I am both a native of this city and a speaker of your language, I thought I might offer you my services.

How did I know you were American? No, not by the color of your skin; we have a range of complexions in this country, and yours occurs often among the people of our northwest frontier. Nor was it your dress that gave you away; a European tourist could as easily have purchased in Des Moines your suit, with its single vent, and your button­down shirt. True, your hair, short­cropped, and your expansive chest – the chest, I would say, of a man who bench­presses regularly, and maxes out well above two­twenty­five – are typical of a certain type of American; but then again, sportsmen and soldiers of all nationalities tend to look alike. Instead, it was your bearing that allowed me to identify you, and I do not mean that as an insult, for I see your face has hardened, but merely as an observation.

Come, tell me, what were you looking for? Surely, at this time of day, only one thing could have brought you to the district of Old Anarkali – named, as you may be aware, after a courtesan immured for loving a prince – and that is the quest for the perfect cup of tea. Have I guessed correctly? Then allow me, sir, to suggest my favorite among these many establishments. Yes, this is the one. Its metal chairs are no better upholstered, its wooden tables are equally rough, and it is, like the others, open to the sky. But the quality of its tea, I assure you, is unparalleled.

You prefer that seat, with your back so close to the wall? Very well, although you will benefit less from the intermittent breeze, which, when it does blow, makes these warm afternoons more pleasant. And will you not remove your jacket? So formal! Now that is not typical of Americans, at least not in my experience. And my experience is substantial: I spent four and a half years in your country. Where? I worked in New York, and before that attended college in New Jersey. Yes, you are right: it was Princeton! Quite a guess, I must say.

What did I think of Princeton? Well, the answer to that question requires a story. When I first arrived, I looked around me at the Gothic buildings – younger, I later learned, than many of the mosques of this city, but made through acid treatment and ingenious stonemasonry to look older – and thought, This is a dream come true. Princeton inspired in me the feeling that my life was a film in which I was the star and everything was possible. I have access to this beautiful campus, I thought, to professors who are titans in their fields and fellow students who are philosopher­kings in the making.

I was, I must admit, overly generous in my initial assumptions about the standard of the student body. They were almost all intelligent, and many were brilliant, but whereas I was one of only two Pakistanis in my entering class – two from a population of over a hundred million souls, mind you – the Americans faced much less daunting odds in the selection process. A thousand of your compatriots were enrolled, five hundred times as many, even though your country’s population was only twice that of mine. As a result, the non­Americans among us tended on average to do better than the Americans, and in my case I reached my senior year without having received a single B.

Looking back now, I see the power of that system, pragmatic and effective, like so much else in America. We international students were sourced from around the globe, sifted not only by well­honed standardized tests but by painstakingly customized evaluations – interviews, essays, recommendations – until the best and the brightest of us had been identified. I myself had among the top exam results in Pakistan and was besides a soccer player good enough to compete on the varsity team, which I did until I damaged my knee in my sophomore year. Students like me were given visas and scholarships, complete financial aid, mind you, and invited into the ranks of the meritocracy. In return, we were expected to contribute our talents to your society, the society we were joining. And for the most part, we were happy to do so. I certainly was, at least at first.

Every fall, Princeton raised her skirt for the corporate recruiters who came onto campus and – as you say in America – showed them some skin. The skin Princeton showed was good skin, of course – young, eloquent, and clever as can be – but even among all that skin, I knew in my senior year that I was something special. I was a perfect breast, if you will – tan, succulent, seemingly defiant of gravity – and I was confident of getting any job I wanted.

Except one: Underwood Samson & Company. You have not heard of them? They were a valuation firm. They told their clients how much businesses were worth, and they did so, it was said, with a precision that was uncanny. They were small – a boutique, really, employing a bare minimum of people – and they paid well, offering the fresh graduate a base salary of over eighty thousand dollars. But more importantly, they gave one a robust set of skills and an exalted brand name, so exalted, in fact, that after two or three years there as an analyst, one was virtually guaranteed admission to Harvard Business School. Because of this, over a hundred members of the Princeton Class of 2001 sent their grades and résumés to Underwood Samson. Eight were selected – not for jobs, I should make clear, but for interviews – and one of them was me.
Présentation de l'éditeur :
Mohsin Hamid's The Reluctant Fundamentalist - part of the limited edition PENGUIN STREET ART series: timeless writing, enduring design. 'Excuse me, sir, but may I be of assistance? Ah, I see I have alarmed you. Do not be frightened by my beard. I am a lover of America . . . 'So speaks the mysterious stranger at a Lahore cafe as dusk settles. Invited to join him for tea, you learn his name and what led this speaker of immaculate English to seek you out. For he is more worldy than you might expect; better travelled and better educated. He knows the West better than you do. And as he tells you his story, of how he embraced the Western dream -- and a Western woman -- and how both betrayed him, so the night darkens. Then the true reason for your meeting becomes abundantly clear . . .'Beautifully written . . . more exciting than any thriller I've read for a long time' Philip PullmanMohsin Hamid is the author of three novels: The Reluctant Fundamentalist, Moth Smoke and How to Get Filthy Rich in Rising Asia. His fiction has been translated into over thirty languages, received numerous awards, and been shortlisted for the Man Booker Prize. He has contributed essays and short stories to publications such as the Guardian, The New York Times, Financial Times, Granta, and Paris Review. Born and mostly raised in Lahore, he spent part of his childhood in California, studied at Princeton University and Harvard Law School, and has since lived between Lahore, London, and New York.The PENGUIN STREET ART series marries timeless writing with enduring design. Some of the world's leading street artists have designed new covers especially for ten classic contemporary books from Penguin: Hawksmoor by Peter Ackroyd / Armadillo by William Boyd / And The Ass Saw the Angel by Nick Cave / What a Carve Up by Jonathan Coe / Americana by Don DeLillo / Then We Came to the End by Joshua Ferris / The Reluctant Fundamentalistby Mohsin Hamid / The Believers by Zoe Heller / How to Be Good by Nick Hornby / Lights out for the Territory by Iain Sinclair

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  • ÉditeurPenguin Books Ltd
  • Date d'édition2013
  • ISBN 10 0241965020
  • ISBN 13 9780241965023
  • ReliureBroché
  • Nombre de pages224
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Hamid, Mohsin
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Description du livre Paperback. Etat : Very Good. Mohsin Hamid's The Reluctant Fundamentalist - part of the limited edition PENGUIN STREET ART series: timeless writing, enduring design. 'Excuse me, sir, but may I be of assistance? Ah, I see I have alarmed you. Do not be frightened by my beard. I am a lover of America . . . ' So speaks the mysterious stranger at a Lahore cafe as dusk settles. Invited to join him for tea, you learn his name and what led this speaker of immaculate English to seek you out. For he is more worldy than you might expect; better travelled and better educated. He knows the West better than you do. And as he tells you his story, of how he embraced the Western dream -- and a Western woman -- and how both betrayed him, so the night darkens. Then the true reason for your meeting becomes abundantly clear . . . 'Beautifully written . . . more exciting than any thriller I've read for a long time' Philip Pullman Mohsin Hamid is the author of three novels: The Reluctant Fundamentalist, Moth Smoke and How to Get Filthy Rich in Rising Asia. His fiction has been translated into over thirty languages, received numerous awards, and been shortlisted for the Man Booker Prize. He has contributed essays and short stories to publications such as the Guardian, The New York Times, Financial Times, Granta, and Paris Review. Born and mostly raised in Lahore, he spent part of his childhood in California, studied at Princeton University and Harvard Law School, and has since lived between Lahore, London, and New York. The PENGUIN STREET ART series marries timeless writing with enduring design. Some of the world's leading street artists have designed new covers especially for ten classic contemporary books from Penguin: Hawksmoor by Peter Ackroyd / Armadillo by William Boyd / And The Ass Saw the Angel by Nick Cave / What a Carve Up by Jonathan Coe / Americana by Don DeLillo / Then We Came to the End by Joshua Ferris / The Reluctant Fundamentalistby Mohsin Hamid / The Believers by Zoe Heller / How to Be Good by Nick Hornby / Lights out for the Territory by Iain Sinclair. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR005372886

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