Chronicle of a Death Foretold - Couverture souple

Marquez, Gabriel Garcia

Couverture souple

ISBN 10 : 0241968623 ISBN 13 : 9780241968628

Editeur : Penguin, 2014

A propos du livre

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ON THE DAY they were going to kill him, Santiago Nasar got up at five-thirty in the morning to wait for the boat the bishop was coming on. He'd dreamed he was going through a grove of timber trees where a gentle drizzle was falling, and for an instant he was happy in his dream, but when he awoke he felt completely spattered with bird shit. "He was always dreaming about trees," Plácida Linero, his mother, told me twenty-seven years later, recalling the details of that distressing Monday. "The week before, he'd dreamed that he was alone in a tinfoil airplane and flying through the almond trees without bumping into anything," she said to me. She had a well-earned reputation as an accurate interpreter of other people's dreams, provided they were told her before eating, but she hadn't noticed any ominous augury in those two dreams of her son's, or in the other dreams of trees he'd described to her on the mornings preceding his death.

Nor did Santiago Nasar recognize the omen. He had slept little and poorly, without getting undressed, and he woke up with a headache and a sediment of copper stirrup on his palate, and he interpreted them as the natural havoc of the wedding revels that had gone on until after midnight. Furthermore: all the many people he ran into after leaving his house at five minutes past six and until he was carved up like a pig an hour later remembered him as being a little sleepy but in a good mood, and he remarked to all of them in a casual way that it was a very beautiful day. No one was certain if he was referring to the state of the weather. Many people coincided in recalling that it was a radiant morning with a sea breeze coming in through the banana groves, as was to be expected in a fine February of that period. But most agreed that the weather was funereal, with a cloudy, low sky and the thick smell of still waters, and that at the moment of the misfortune a thin drizzle was falling like the one Santiago Nasar had seen in his dream grove. I was recovering from the wedding revels in the apostolic lap of Mariá Alejandrina Cervantes, and I only awakened with the clamor of the alarm bells, thinking they had turned them loose in honor of the bishop.

Santiago Nasar put on a shirt and pants of white linen, both items unstarched, just like the ones he'd put on the day before for the wedding. It was his attire for special occasions. If it hadn't been for the bishop's arrival, he would have dressed in his khaki outfit and the riding boots he wore on Mondays to go to The Divine Face, the cattle ranch he'd inherited from his father and which he administered with very good judgment but without much luck. In the country he wore a .357 Magnum on his belt, and its armored bullets, according to what he said, could cut a horse in two through the middle. During the partridge season he would also carry his falconry equipment. In the closet he kept a Mannlicher Schoenauer .30-06 rifle, a .300 Holland & Holland Magnum rifle, a .22 Hornet with a double-powered telescopic sight, and a Winchester repeater. He always slept the way his father had slept, with the weapon hidden in the pillowcase, but before leaving the house that day he took out the bullets and put them in the drawer of the night table. "He never left it loaded," his mother told me. I knew that, and I also knew that he kept the guns in one place and hid the ammunition in another far removed so that nobody, not even casually, would yield to the temptation of loading them inside the house. It was a wise custom established by his father ever since one morning when a servant girl had shaken the case to get the pillow out and the pistol went off as it hit the floor and the bullet wrecked the cupboard in the room, went through the living room wall, passed through the dining room of the house next door with the thunder of war, and turned a life-size saint on the main altar of the church on the opposite side of the square to plaster dust. Santiago Nasar, who was a young child at the time, never forgot the lesson of that accident.

The last image his mother had of him was of his fleeting passage through the bedroom. He'd wakened her while he was feeling around trying to find an aspirin in the bathroom medicine chest, and she turned on the light and saw him appear in the doorway with a glass of water in his hand. So she would remember him forever. Santiago Nasar told her then about the dream, but she didn't pay any great attention to the trees.

"Any dream about birds means good health," she said.

She had watched him from the same hammock and in the same position in which I found her prostrated by the last lights of old age when I returned to this forgotten village, trying to put the broken mirror of memory back together from so many scattered shards. She could barely make out shapes in full light and had some medicinal leaves on her temples for the eternal headache that her son had left her the last time he went through the bedroom. She was on her side, clutching the cords at the head of the hammock as she tried to get up, and there in the half shadows was the baptistry smell that had startled me on the morning of the crime.

No sooner had I appeared on the threshold than she confused me with the memory of Santiago Nasar. "There he was," she told me. "He was dressed in white linen that had been washed in plain water because his skin was so delicate that it couldn't stand the noise of starch." She sat in the hammock for a long time, chewing pepper cress seeds, until the illusion that her son had returned left her. Then she sighed: "He was the man in my life."

I saw him in her memory. He had turned twenty-one the last week in January, and he was slim and pale and had his father's Arab eyelids and curly hair. He was the only child of a marriage of convenience without a single moment of happiness, but he seemed happy with his father until the latter died suddenly, three years before, and he continued seeming to be so with his solitary mother until the Monday of his death. From her he had inherited a sixth sense. From his father he learned at a very early age the manipulation of firearms, his love for horses, and the mastery of high-flying birds of prey, but from him he also learned the good arts of valor and prudence. They spoke Arabic between themselves, but not in front of Plácida Linero, so that she wouldn't feel excluded. They were never seen armed in town, and the only time they brought in their trained birds was for a demonstration of falconry at a charity bazaar. The death of his father had forced him to abandon his studies at the end of secondary school in order to take charge of the family ranch. By his nature, Santiago Nasar was merry and peaceful, and openhearted.

On the day they were going to kill him, his mother thought he'd got his days mixed up when she saw him dressed in white. "I reminded him that it was Monday," she told me. But he explained to her that he'd got dressed up pontifical style in case he had a chance to kiss the bishop's ring. She showed no sign of interest. "He won't even get off the boat," she told him. "He'll give an obligatory blessing, as always, and go back the way he came. He hates this town."

Santiago Nasar knew it was true, but church pomp had an irresistible fascination for him. "It's like the movies," he'd told me once. The only thing that interested his mother about the bishop's arrival, on the other hand, was for her son not to get soaked in the rain, since she'd heard him sneeze while he was sleeping. She advised him to take along an umbrella, but he waved good-bye and left the room. It was the last time she saw him.

Victoria Guzmán, the cook, was sure that it hadn't rained that day, or during the whole month of February. "On the contrary," she told me when I came to see her, a short time before her death. "The sun warms things up earlier than in August." She had been quartering three rabbits for lunch, surrounded by panting dogs, when Santiago Nasar entered the kitchen. "He always got up with the face of a bad night," Victoria Guzmán recalled without affection. Divina Flor, her daughter, who was just coming into bloom, served Santiago Nasar a mug of mountain coffee with a shot of cane liquor, as on every Monday, to help him bear the burden of the night before. The enormous kitchen, with the whispers from the fire and the hens sleeping on their perches, was breathing stealthily. Santiago Nasar swallowed another aspirin and sat down to drink the mug of coffee in slow sips, thinking just as slowly, without taking his eyes off the two women who were disemboweling the rabbits on the stove. In spite of her age, Victoria Guzmán was still in good shape. The girl, as yet a bit untamed, seemed overwhelmed by the drive of her glands. Santiago Nasar grabbed her by the wrist when she came to take the empty mug from him.

"The time has come for you to be tamed," he told her.

Victoria Guzmán showed him the bloody knife.

"Let go of her, white man," she ordered him seriously. "You won't have a drink of that water as long as I'm alive."

She'd been seduced by Ibrahim Nasar in the fullness of her adolescence. She'd made love to him in secret for several years in the stables of the ranch, and he brought her to be a house servant when the affection was over. Divina Flor, who was the daughter of a more recent mate, knew that she was destined for Santiago Nasar's furtive bed, and that idea brought out a premature anxiety in her. "Another man like that hasn't ever been born again," she told me, fat and faded and surrounded by the children of other loves. "He was just like his father," Victoria Guzmán answered her. "A shit." But she couldn't avoid a wave of fright as she remembered Santiago Nasar's horror when she pulled out the insides of a rabbit by the roots and threw the steaming guts to the dogs.

"Don't be a savage," he told ...

Présentation de l'éditeur :

Chronicle of a Death Foretold is a compelling, moving story exploring injustice and mob hysteria by the Nobel Laureate Gabriel García Márquez, author of One Hundred Years of Solitude and Love in the Time of Cholera. 'On the day they were going to kill him, Santiago Nasar got up at five-thirty in the morning to wait for the boat the bishop was coming on'Santiago Nasar is brutally murdered in a small town by two brothers. All the townspeople knew it was going to happen - including the victim. But nobody did anything to prevent the killing. Twenty seven years later, a man arrives in town to try and piece together the truth from the contradictory testimonies of the townsfolk. To at last understand what happened to Santiago, and why. . . 'A masterpiece' Evening Standard'A work of high explosiveness - the proper stuff of Nobel prizes. An exceptional novel' The Times'Brilliant writer, brilliant book' GuardianAs one of the pioneers of magic realism and perhaps the most prominent voice of Latin American literature, Gabriel García Márquez has received international recognition for his novels, works of non-fiction and collections of short stories. Those published in translation by Penguin include Autumn of the Patriarch, Bon Voyage Mr. President, Collected Stories, The General in his Labyrinth, In the Evil Hour, Innocent Eréndira and Other Stories, Leaf Storm, Living to Tell the Tale, Love in the Time of Cholera, Memories of Melancholy Whores, News of a Kidnapping, No-one Writes to the Colonel, Of Love and Other Demons, The Story of a Shipwrecked Sailor and Strange Pilgrims.

Note: The book ends at page 122 however there are few pages up-to 128.This is intentional.

À propos de cette édition

• Éditeur: Penguin
• Date d'édition: 2014
• ISBN 10: 0241968623
• ISBN 13: 9780241968628
• Reliure: Broché
• Numéro d'édition: 1
• Nombre de pages: 128