Cracked Media - The Sound of Malfunction

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9780262013147: Cracked Media - The Sound of Malfunction

Book by KellyCaleb Kelly

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Caleb Kelly
Edité par The MIT Press (2009)
ISBN 10 : 0262013142 ISBN 13 : 9780262013147
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Description du livre The MIT Press, 2009. Hardcover. État : New. N° de réf. du libraire SONG0262013142

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Caleb Kelly
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ISBN 10 : 0262013142 ISBN 13 : 9780262013147
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Description du livre MIT Press. État : New. Brand New. N° de réf. du libraire 0262013142

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Caleb Kelly
Edité par The MIT Press (2009)
ISBN 10 : 0262013142 ISBN 13 : 9780262013147
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Description du livre The MIT Press, 2009. État : New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: "Caleb Kelly's Cracked Media is a welcome addition to the growing body ofcritical writing on the role of sound in the history of modern and postmodern art. It convincinglyextends Douglas Kahn's monumental Noise Water Meat by focusing on a powerful strain of contemporarysonic art: the creative misuse of audio playback technologies."--Christoph Cox, co-editor ofAudio Culture: Readings in Modern Music. N° de réf. du libraire ABE_book_new_0262013142

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Caleb Kelly
Edité par MIT Press Ltd, United States (2009)
ISBN 10 : 0262013142 ISBN 13 : 9780262013147
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Description du livre MIT Press Ltd, United States, 2009. Hardback. État : New. 183 x 175 mm. Language: English . Brand New Book. From the mid-twentieth century into the twenty-first, artists and musicians manipulated, cracked, and broke audio media technologies to produce novel sounds and performances. Artists and musicians, including John Cage, Nam June Paik, Yasunao Tone, and Oval, pulled apart both playback devices (phonographs and compact disc players) and the recorded media (vinyl records and compact discs) to create an extended sound palette. In Cracked Media, Caleb Kelly explores how the deliberate utilization of the normally undesirable (a crack, a break) has become the site of productive creation. Cracked media, Kelly writes, slides across disciplines, through music, sound, and noise. Cracked media encompasses everything from Cage s silences and indeterminacies, to Paik s often humorous tape works, to the cold and clean sounds of digital glitch in the work of Tone and Oval. Kelly offers a detailed historical account of these practices, arguing that they can be read as precursors to contemporary new media. Kelly looks at the nature of recording technology and the music industry in relation to the crack and the break, and discusses the various manifestations of noise, concluding that neither theories of recording nor theories of noise offer an adequate framework for understanding cracked media. Connecting the historical avant-garde to modern-day turntablism, and predigital destructive techniques to the digital ticks, pops, and clicks of the glitch, Kelly proposes new media theorizations of cracked media that focus on materiality and the everyday. N° de réf. du libraire AAU9780262013147

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Caleb Kelly
Edité par MIT Press Ltd, United States (2009)
ISBN 10 : 0262013142 ISBN 13 : 9780262013147
Neuf(s) Couverture rigide Quantité : 1
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The Book Depository
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Description du livre MIT Press Ltd, United States, 2009. Hardback. État : New. 183 x 175 mm. Language: English . Brand New Book. From the mid-twentieth century into the twenty-first, artists and musicians manipulated, cracked, and broke audio media technologies to produce novel sounds and performances. Artists and musicians, including John Cage, Nam June Paik, Yasunao Tone, and Oval, pulled apart both playback devices (phonographs and compact disc players) and the recorded media (vinyl records and compact discs) to create an extended sound palette. In Cracked Media, Caleb Kelly explores how the deliberate utilization of the normally undesirable (a crack, a break) has become the site of productive creation. Cracked media, Kelly writes, slides across disciplines, through music, sound, and noise. Cracked media encompasses everything from Cage s silences and indeterminacies, to Paik s often humorous tape works, to the cold and clean sounds of digital glitch in the work of Tone and Oval. Kelly offers a detailed historical account of these practices, arguing that they can be read as precursors to contemporary new media. Kelly looks at the nature of recording technology and the music industry in relation to the crack and the break, and discusses the various manifestations of noise, concluding that neither theories of recording nor theories of noise offer an adequate framework for understanding cracked media. Connecting the historical avant-garde to modern-day turntablism, and predigital destructive techniques to the digital ticks, pops, and clicks of the glitch, Kelly proposes new media theorizations of cracked media that focus on materiality and the everyday. N° de réf. du libraire AAU9780262013147

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Caleb Kelly
Edité par MIT Press Ltd (2009)
ISBN 10 : 0262013142 ISBN 13 : 9780262013147
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Description du livre MIT Press Ltd, 2009. État : New. How the deliberate cracking and breaking of playback media has produced experimental music and sound by artists and musicians ranging from Nam June Paik and Christian Marclay to Yasunao Tone and Oval. Num Pages: 400 pages, 20 b&w illus. BIC Classification: AFJ; AVRG; TTA. Category: (G) General (US: Trade). Dimension: 177 x 182 x 38. Weight in Grams: 826. . 2009. First Edition. Hardcover. . . . . . N° de réf. du libraire V9780262013147

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Caleb Kelly
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ISBN 10 : 0262013142 ISBN 13 : 9780262013147
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Description du livre MIT Press Ltd. État : New. How the deliberate cracking and breaking of playback media has produced experimental music and sound by artists and musicians ranging from Nam June Paik and Christian Marclay to Yasunao Tone and Oval. Num Pages: 400 pages, 20 b&w illus. BIC Classification: AFJ; AVRG; TTA. Category: (G) General (US: Trade). Dimension: 177 x 182 x 38. Weight in Grams: 826. . 2009. First Edition. Hardcover. . . . . Books ship from the US and Ireland. N° de réf. du libraire V9780262013147

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Caleb Kelly
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Description du livre MIT Press, 2009. HRD. État : New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. N° de réf. du libraire BB-9780262013147

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Caleb Kelly
ISBN 10 : 0262013142 ISBN 13 : 9780262013147
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Description du livre Paperback. État : New. Not Signed; From the mid-twentieth century into the twenty-first, artists and musicians manipulated, cracked, and broke audio media technologies to produce novel sounds and performances. Artists and musicians, including John Cage, Nam June Paik, Yasunao Tone, and Oval, pulled apart both playback devices (phonog. book. N° de réf. du libraire ria9780262013147_rkm

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Caleb Kelly
Edité par MIT Press Ltd
ISBN 10 : 0262013142 ISBN 13 : 9780262013147
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Description du livre MIT Press Ltd. Hardback. État : new. BRAND NEW, Cracked Media: The Sound of Malfunction, Caleb Kelly, From the mid-twentieth century into the twenty-first, artists and musicians manipulated, cracked, and broke audio media technologies to produce novel sounds and performances. Artists and musicians, including John Cage, Nam June Paik, Yasunao Tone, and Oval, pulled apart both playback devices (phonographs and compact disc players) and the recorded media (vinyl records and compact discs) to create an extended sound palette. In Cracked Media, Caleb Kelly explores how the deliberate utilization of the normally undesirable (a crack, a break) has become the site of productive creation. Cracked media, Kelly writes, slides across disciplines, through music, sound, and noise. Cracked media encompasses everything from Cage's silences and indeterminacies, to Paik's often humorous tape works, to the cold and clean sounds of digital glitch in the work of Tone and Oval. Kelly offers a detailed historical account of these practices, arguing that they can be read as precursors to contemporary new media. Kelly looks at the nature of recording technology and the music industry in relation to the crack and the break, and discusses the various manifestations of noise, concluding that neither theories of recording nor theories of noise offer an adequate framework for understanding cracked media. Connecting the historical avant-garde to modern-day turntablism, and predigital destructive techniques to the digital ticks, pops, and clicks of the glitch, Kelly proposes new media theorizations of cracked media that focus on materiality and the everyday. N° de réf. du libraire B9780262013147

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