Mixed Use, Manhattan: Photography and Related Practices, 1970s to the Present (MIT Press)

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9780262014823: Mixed Use, Manhattan: Photography and Related Practices, 1970s to the Present (MIT Press)

When the real estate bust of the 1970s hit New York City, artists found their own mixed uses for the city's run-down lofts, abandoned piers, vacant lots, and deserted streets, and photographers and filmmakers documented their work. Gordon Matta-Clark turned a sanitation pier into the celebrated work Day's End, and Betsy Sussler filmed its making; Harry Shunk made a photographic series from Willoughby Sharp's Projects: Pier 18 (which included work by Vito Acconci, Mel Bochner, Dan Graham, Gordon Matta-Clark, and William Wegman, among others); Cindy Sherman staged some of her Untitled Film Stills on the same city streets. Mixed Use, Manhattan documents and illustrates the most significant of these projects as well as more recent works by artists who continue to engage with the city's public, underground, and improvised spaces. The book (which accompanies a major exhibition) focuses on several important photographic series: Peter Hujar's 1976 nighttime photographs of Manhattan's West Side; Alvin Baltrop's Hudson River pier photographs from 1975-1985, most of which have never before been shown or published; David Wojnarowicz's Rimbaud in New York (1978-1979), the first of Wojnarowicz's works to be published; and several of Zoe Leonard's photographic projects from the late 1990s on. The book includes 70 color and 130 black-and-white images; a special section on visual documentation of performances and related activities, arranged by artist Louise Lawler; Glenn Ligon's text piece, Housing in New York: A Brief History, 1960-2007 (2007); "Losing the Form in Darkness," an autobiographical story by David Wojnarowicz; and essays by prominent art historians.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

About the Author :

Douglas Crimp is Fanny Knapp Allen Professor of Art History at the University of Rochester. He is the author of On the Museum's Ruins (1993) and Melancholia and Moralism: Essays on AIDS and Queer Politics (2002), both published by the MIT Press. Lynne Cooke is Chief Curator and Deputy Director at the Museo Nacional Centro de Arte Reina Sofía in Madrid and Curator at Large for Dia Art Foundation.



Lynne Cooke is Chief Curator and Deputy Director at the Museo Nacional Centro de Arte Reina Sofía in Madrid and Curator at Large for Dia Art Foundation.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

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Description du livre MIT Press Ltd, United States, 2010. Hardback. État : New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. When the real estate bust of the 1970s hit New York City, artists found their own mixed uses for the city s run-down lofts, abandoned piers, vacant lots, and deserted streets, and photographers and filmmakers documented their work. Gordon Matta-Clark turned a sanitation pier into the celebrated work Day s End, and Betsy Sussler filmed its making; Harry Shunk made a photographic series from Willoughby Sharp s Projects: Pier 18 (which included work by Vito Acconci, Mel Bochner, Dan Graham, Gordon Matta-Clark, and William Wegman, among others); Cindy Sherman staged some of her Untitled Film Stills on the same city streets. Mixed Use, Manhattan documents and illustrates the most significant of these projects as well as more recent works by artists who continue to engage with the city s public, underground, and improvised spaces. The book (which accompanies a major exhibition) focuses on several important photographic series: Peter Hujar s 1976 nighttime photographs of Manhattan s West Side; Alvin Baltrop s Hudson River pier photographs from 1975-1985, most of which have never before been shown or published; David Wojnarowicz s Rimbaud in New York (1978-1979), the first of Wojnarowicz s works to be published; and several of Zoe Leonard s photographic projects from the late 1990s on. The book includes 70 color and 130 black-and-white images; a special section on visual documentation of performances and related activities, arranged by artist Louise Lawler; Glenn Ligon s text piece, Housing in New York: A Brief History, 1960-2007 (2007); Losing the Form in Darkness, an autobiographical story by David Wojnarowicz; and essays by prominent art historians. N° de réf. du libraire BTE9780262014823

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Description du livre MIT Press (MA) October 2010, 2010. Hardcover. État : New. When the real estate bust of the 1970s hit New York City, artists foundtheir own mixed uses for the city's run-down lofts, abandoned piers, vacant lots, and deserted streets, and photographers and filmmakers documented their work. GordonMatta-Clark turned a sanitation pier into the celebrated work Day's End, and BetsySussler filmed its making; Harry Shunk made a photographic series from WilloughbySharp's Projects: Pier 18 (which included work by Vito Acconci, Mel Bochner, DanGraham, Gordon Matta-Clark, and William Wegman, among others); Cindy Sherman stagedsome of her Untitled Film Stills on the same city streets. Mixed Use, Manhattandocuments and illustrates the most significant of these projects as well as morerecent works by artists who continue to engage with the city's public, underground, and improvised spaces. The book (which accompanies a major exhibition) focuses onseveral important photographic series: Peter Hujar's 1976 nighttime photographs ofManhattan's West Side; Alvin Baltrop's Hudson River pier photographs from 1975-1985, most of which have never before been shown or published; David Wojnarowicz's Rimbaudin New York (1978-1979), the first of Wojnarowicz's works to be published; andseveral of Zoe Leonard's photographic projects from the late 1990s on. The bookincludes 70 color and 130 black-and-white images; a special section on visualdocumentation of performances and related activities, arranged by artist LouiseLawler; Glenn Ligon's text piece, Housing in New York: A Brief History, 1960-2007(2007); 'Losing the Form in Darkness,' an autobiographical story by DavidWojnarowicz; and essays by prominent art historians. How New York artists have made use of the city's run-down lofts, neglected piers, vacant lots, and deserted streets. N° de réf. du libraire 20101105111673

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Description du livre MIT Press Ltd, United States, 2010. Hardback. État : New. Language: English . Brand New Book. When the real estate bust of the 1970s hit New York City, artists found their own mixed uses for the city s run-down lofts, abandoned piers, vacant lots, and deserted streets, and photographers and filmmakers documented their work. Gordon Matta-Clark turned a sanitation pier into the celebrated work Day s End, and Betsy Sussler filmed its making; Harry Shunk made a photographic series from Willoughby Sharp s Projects: Pier 18 (which included work by Vito Acconci, Mel Bochner, Dan Graham, Gordon Matta-Clark, and William Wegman, among others); Cindy Sherman staged some of her Untitled Film Stills on the same city streets. Mixed Use, Manhattan documents and illustrates the most significant of these projects as well as more recent works by artists who continue to engage with the city s public, underground, and improvised spaces. The book (which accompanies a major exhibition) focuses on several important photographic series: Peter Hujar s 1976 nighttime photographs of Manhattan s West Side; Alvin Baltrop s Hudson River pier photographs from 1975-1985, most of which have never before been shown or published; David Wojnarowicz s Rimbaud in New York (1978-1979), the first of Wojnarowicz s works to be published; and several of Zoe Leonard s photographic projects from the late 1990s on. The book includes 70 color and 130 black-and-white images; a special section on visual documentation of performances and related activities, arranged by artist Louise Lawler; Glenn Ligon s text piece, Housing in New York: A Brief History, 1960-2007 (2007); Losing the Form in Darkness, an autobiographical story by David Wojnarowicz; and essays by prominent art historians. N° de réf. du libraire BZV9780262014823

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Description du livre MIT Press Ltd, United States, 2010. Hardback. État : New. Language: English . Brand New Book. When the real estate bust of the 1970s hit New York City, artists found their own mixed uses for the city s run-down lofts, abandoned piers, vacant lots, and deserted streets, and photographers and filmmakers documented their work. Gordon Matta-Clark turned a sanitation pier into the celebrated work Day s End, and Betsy Sussler filmed its making; Harry Shunk made a photographic series from Willoughby Sharp s Projects: Pier 18 (which included work by Vito Acconci, Mel Bochner, Dan Graham, Gordon Matta-Clark, and William Wegman, among others); Cindy Sherman staged some of her Untitled Film Stills on the same city streets. Mixed Use, Manhattan documents and illustrates the most significant of these projects as well as more recent works by artists who continue to engage with the city s public, underground, and improvised spaces. The book (which accompanies a major exhibition) focuses on several important photographic series: Peter Hujar s 1976 nighttime photographs of Manhattan s West Side; Alvin Baltrop s Hudson River pier photographs from 1975-1985, most of which have never before been shown or published; David Wojnarowicz s Rimbaud in New York (1978-1979), the first of Wojnarowicz s works to be published; and several of Zoe Leonard s photographic projects from the late 1990s on. The book includes 70 color and 130 black-and-white images; a special section on visual documentation of performances and related activities, arranged by artist Louise Lawler; Glenn Ligon s text piece, Housing in New York: A Brief History, 1960-2007 (2007); Losing the Form in Darkness, an autobiographical story by David Wojnarowicz; and essays by prominent art historians. N° de réf. du libraire AAH9780262014823

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Lynne Cooke (Editor), Douglas Crimp (Editor)
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