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9780292717114: Diva: Defiance and Passion in Early Italian Cinema
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As scientific discoveries and technological advances radically modernized Europe around the turn of the twentieth century, artists of all types began questioning what it means to be human in an increasingly mechanistic world. Animated by a luminous goddess at its centre, the diva film provided a forum for denouncing social evils and exploring new models of behaviour among the sexes. These melodramas of courtship, seduction, marriage, betrayal, abandonment, child custody, and public reputation, to mention only a few themes, offered women a vision of - if not always a realistic hope for - emancipation and self-discovery.In "Diva", Angela Dalle Vacche offers the first authoritative study of this important 'film' genre of the cinema that preceded the Great War of 1914-1918. She analyzes some seventy films, as well as the work of actresses such as Francesca Bertini, Lyda Borelli, and Pina Menichelli, to establish what the diva film contributed to the modernist development of the 'new woman'. Contrasting the Italian diva with the Hollywood vamp Theda Bara and the famous Danish star Asta Nielsen, Dalle Vacche shows how the diva oscillates between articulating Henri Bergson's vibrant life-force (elan vital) and representing the suffering figure of the Catholic mater dolorosa.Taking readers on a fascinating tour that includes the Ballets Russes, orientalism, art nouveau, Futurism, fashion, prostitution, stunt women in the circus, aviation, anti-Semitism, colonialism, and censorship, Diva sheds important new light on the eccentric implantation of modernity in Italy, as well as on how, before World War I, the filmic image was associated with the powers of the occult and not with the Freudian unconscious, as has been argued until now.

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  • ÉditeurUniversity of Texas Press
  • Date d'édition2008
  • ISBN 10 0292717113
  • ISBN 13 9780292717114
  • ReliureBroché
  • Nombre de pages330
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9780292716612: Diva: Defiance and Passion in Early Italian Cinema

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ISBN 10 :  0292716613 ISBN 13 :  9780292716612
Editeur : University of Texas Press, 2008
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Description du livre Etat : New. As scientific discoveries and technological advances radically modernized Europe around the turn of the twentieth century, artists of all types began questioning what it means to be human in an increasingly mechanistic world. This book offers a study of this important 'film' genre of the cinema that preceded the Great War of 1914-1918. Num Pages: 368 pages, 125 b&w illustrations. BIC Classification: 1DST; APFA. Category: (P) Professional & Vocational. Dimension: 252 x 179 x 19. Weight in Grams: 871. . 2008. Pap/DVD. Paperback. . . . . N° de réf. du vendeur V9780292717114

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Vacche, Angela Dalle/ Maddin, Guy (Foreward By)
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Description du livre Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days. As scientific discoveries and technological advances radically modernized Europe around the turn of the twentieth century, artists of all types began questioning what it means to be human in an increasingly mechanistic world. This book offers a study of this important 'film' genre of the cinema that preceded the Great War of 1914-1918. N° de réf. du vendeur B9780292717114

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Description du livre Etat : New. As scientific discoveries and technological advances radically modernized Europe around the turn of the twentieth century, artists of all types began questioning what it means to be human in an increasingly mechanistic world. This book offers a study of this important 'film' genre of the cinema that preceded the Great War of 1914-1918. Num Pages: 368 pages, 125 b&w illustrations. BIC Classification: 1DST; APFA. Category: (P) Professional & Vocational. Dimension: 252 x 179 x 19. Weight in Grams: 871. . 2008. Pap/DVD. Paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780292717114

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