Punk Slash! Musicals: Tracking Slip-Sync on Film - Couverture souple

Laderman, David

9780292728851: Punk Slash! Musicals: Tracking Slip-Sync on Film

Couverture souple

ISBN 10 : 0292728859 ISBN 13 : 9780292728851

Editeur : University of Texas Press, 2010

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Punk Slash! Musicals is the first book to deal extensively with punk narrative films, specifically British and American punk rock musicals produced from roughly 1978 to 1986. Films such as Jubilee, Breaking Glass, Times Square, Smithereens, Starstruck, and Sid and Nancy represent a convergence between independent, subversive cinema and formulaic classical Hollywood and pop musical genres.

Guiding this project is the concept of "slip-sync." Riffing on the commonplace lip-sync phenomenon, "slip-sync" refers to moments in the films when the punk performer "slips" out of sync with the performance spectacle, and sometimes the sound track itself, engendering a provocative moment of tension. This tension frequently serves to illustrate other thematic and narrative conflicts, central among these being the punk negotiation between authenticity and inauthenticity.

Laderman emphasizes the strong female lead performer at the center of most of these films, as well as each film's engagement with gender and race issues. Additionally, he situates his analyses in relation to the broader cultural and political context of the neo-conservatism and new electronic audio-visual technologies of the 1980s, showing how punk's revolution against the mainstream actually depends upon a certain ironic embrace of pop culture.

Les informations fournies dans la section � Synopsis � peuvent faire r�f�rence � une autre �dition de ce titre.

� propos de l?auteur

DAVID LADERMAN is Professor of Film at the College of San Mateo in California. He is the author of Driving Visions: Exploring the Road Movie and was featured in the IFC documentary Wanderlust.

Les informations fournies dans la section � A propos du livre � peuvent faire r�f�rence � une autre �dition de ce titre.

�diteur: University of Texas Press
Date d'�dition: 2010
Langue: anglais
ISBN 10: 0292728859
ISBN 13: 9780292728851
Reliure: Broch�
Nombre de pages: 200
Coordonn�es du fabricant: non disponible
Personne responsable: non disponible

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Editeur : University of Texas Press, 2010
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Punk Slash! Musicals

David Laderman

Edit� par MU - University of Texas Press, 2010

ISBN 10 : 0292728859 ISBN 13 : 9780292728851

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Punk Slash! Musicals: Tracking Slip-Sync on Film

Laderman, David

Edit� par University of Texas Press, 2010

ISBN 10 : 0292728859 ISBN 13 : 9780292728851

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Punk Slash! Musicals: Tracking Slip-Sync on Film

Laderman, David

Edit� par University of Texas Press, 2010

ISBN 10 : 0292728859 ISBN 13 : 9780292728851

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Punk Slash! Musicals

David Laderman

Edit� par University of Texas Press, 2010

ISBN 10 : 0292728859 ISBN 13 : 9780292728851

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Kartoniert / Broschiert. Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This lively study of key British and American punk rock musical films from the late 1970s to the mid-1980s explores how this musical cycle represents a convergence between independent, subversive cinema and the more classical Hollywood movie musical. N� de r�f. du vendeur 516943941

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Punk Slash! Musicals : Tracking Slip-Sync on Film

David Laderman

Edit� par University Of Texas Press, 2010

ISBN 10 : 0292728859 ISBN 13 : 9780292728851

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Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Punk Slash! Musicals is the first book to deal extensively with punk narrative films, specifically British and American punk rock musicals produced from roughly 1978 to 1986. Films such as Jubilee, Breaking Glass, Times Square, Smithereens, Starstruck, and Sid and Nancy represent a convergence between independent, subversive cinema and formulaic classical Hollywood and pop musical genres.Guiding this project is the concept of 'slip-sync.' Riffing on the commonplace lip-sync phenomenon, 'slip-sync' refers to moments in the films when the punk performer 'slips' out of sync with the performance spectacle, and sometimes the sound track itself, engendering a provocative moment of tension. This tension frequently serves to illustrate other thematic and narrative conflicts, central among these being the punk negotiation between authenticity and inauthenticity.Laderman emphasizes the strong female lead performer at the center of most of these films, as well as each film's engagement with gender and race issues. Additionally, he situates his analyses in relation to the broader cultural and political context of the neo-conservatism and new electronic audio-visual technologies of the 1980s, showing how punk's revolution against the mainstream actually depends upon a certain ironic embrace of pop culture. N� de r�f. du vendeur 9780292728851

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