Visualizing Guadalupe: From Black Madonna to Queen of the Americas (Joe R. and Teresa Lozano Long Series in Latin American and Latino Art and Culture)

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9780292737754: Visualizing Guadalupe: From Black Madonna to Queen of the Americas (Joe R. and Teresa Lozano Long Series in Latin American and Latino Art and Culture)

The Virgin of Guadalupe is famously migratory, traversing continents and crossing and recrossing oceans. Guadalupe’s earliest cult originated in medieval Iberia, where Our Lady of Guadalupe from Extremadura, Spain, played a significant role in the reconquista and garnered royal backing. The Spanish Guadalupe accompanied the conquistadors as part of the spiritual arsenal used to Christianize the Americas, where new images of the Virgin acted as catalysts to implant her devotion within multiethnic constituencies.

This masterful study by Jeanette Favrot Peterson traces the transmission of Guadalupe as la Virgen de ida y vuelta from Spain to the Americas and back again, analyzing how the Spanish and Mexican titular images, and a selection of the copies they inspired, operated within the overlapping spheres of religion and politics. Peterson explores two central paradoxes: that only through a material object can a divine and invisible presence be authenticated and that Guadalupe’s images were made to work for enacting revolutionary change while preserving the colonial status quo. She examines the artists who created images of Guadalupe, their patrons, and the diverse viewing audiences for whom those images were intended. This exegesis reveals that visual evidence functioned on a par with written texts (treatises, chronicles, and sermons of ecclesiastical officialdom) in measuring popular beliefs and political strategies.

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About the Author :

Jeannette Favrot Peterson is Professor of Art and Architectural History at the University of California at Santa Barbara. She is the author of The Paradise Garden Murals of Malinalco: Utopia and Empire in Sixteenth-Century Mexico, which won the College Art Association’s Charles Rufus Morey Book Award, and coeditor of Seeing across Cultures in the Early Modern World.

Review :

"Incredibly thorough in both research and analysis, this book sets a standard for scholars of Spanish and Mexican art, religion, and culture." (Library Journal 2014-05-15)

"The book expands the understanding of the connections between sacred representations and the ways they are envisioned by different communities of the faithful. . . . Future researches on Latin American sacred art and Mexican culture in general will indeed be inspired by Visualizing Guadalupe." (The Americas)

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Description du livre University of Texas Press, United States, 2014. Hardback. État : New. Language: English . Brand New Book. The Virgin of Guadalupe is famously migratory, traversing continents and crossing and recrossing oceans. Guadalupe s earliest cult originated in medieval Iberia, where Our Lady of Guadalupe from Extremadura, Spain, played a significant role in the reconquista and garnered royal backing. The Spanish Guadalupe accompanied the conquistadors as part of the spiritual arsenal used to Christianize the Americas, where new images of the Virgin acted as catalysts to implant her devotion within multiethnic constituencies. This masterful study by Jeanette Favrot Peterson traces the transmission of Guadalupe as la Virgen de ida y vuelta from Spain to the Americas and back again, analyzing how the Spanish and Mexican titular images, and a selection of the copies they inspired, operated within the overlapping spheres of religion and politics. Peterson explores two central paradoxes: that only through a material object can a divine and invisible presence be authenticated and that Guadalupe s images were made to work for enacting revolutionary change while preserving the colonial status quo.She examines the artists who created images of Guadalupe, their patrons, and the diverse viewing audiences for whom those images were intended. This exegesis reveals that visual evidence functioned on a par with written texts (treatises, chronicles, and sermons of ecclesiastical officialdom) in measuring popular beliefs and political strategies. N° de réf. du libraire AAJ9780292737754

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Jeannette Favrot Peterson
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Description du livre University of Texas Press, United States, 2014. Hardback. État : New. Language: English . Brand New Book. The Virgin of Guadalupe is famously migratory, traversing continents and crossing and recrossing oceans. Guadalupe s earliest cult originated in medieval Iberia, where Our Lady of Guadalupe from Extremadura, Spain, played a significant role in the reconquista and garnered royal backing. The Spanish Guadalupe accompanied the conquistadors as part of the spiritual arsenal used to Christianize the Americas, where new images of the Virgin acted as catalysts to implant her devotion within multiethnic constituencies. This masterful study by Jeanette Favrot Peterson traces the transmission of Guadalupe as la Virgen de ida y vuelta from Spain to the Americas and back again, analyzing how the Spanish and Mexican titular images, and a selection of the copies they inspired, operated within the overlapping spheres of religion and politics. Peterson explores two central paradoxes: that only through a material object can a divine and invisible presence be authenticated and that Guadalupe s images were made to work for enacting revolutionary change while preserving the colonial status quo.She examines the artists who created images of Guadalupe, their patrons, and the diverse viewing audiences for whom those images were intended. This exegesis reveals that visual evidence functioned on a par with written texts (treatises, chronicles, and sermons of ecclesiastical officialdom) in measuring popular beliefs and political strategies. N° de réf. du libraire AAJ9780292737754

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