The Dismemberment of Orpheus: Toward a Postmodern Literature

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9780299091248: The Dismemberment of Orpheus: Toward a Postmodern Literature

In this book, the first edition of which was published in 1971 by Oxford University Press, Ihab Hassan takes Orphic dismemberment and regeneration as his metaphor for a radical crisis in art and language, culture and consciousness, which prefigures postmodern literature. The modern Orpheus, he writes, “sings on a lyre without strings.” Thus, his sensitive critique traces a hypothetical line from Sade through four modern authors—Hemingway, Kafka, Genet, and Beckett—to a literature still to come. But the line also breaks into two Interludes, one concerning ’Pataphysics, Dada, and Surrealism, and the other concerning Existentialism and Aliterature.
    Combining literary history, brief biography, and critical analysis, Hassan surrounds these authors with a complement of avant-garde writers whose works also foreshadow the postmodern temper. These include Jarry, Apollinaire, Tzara, Breton, Sartre, Camus, Nathalie Sarraute, Robbe-Grillet, and in America, Cage, Salinger, Ginsberg, Barth, and Burroughs. Hassan takes account also of related contemporary developments in art, music, and philosophy, and of many works of literary theory and criticism.
    For this new edition, Hassan has added a new preface and postface on the developing character of postmodernism, a concept which has gained currency since the first edition of this work, and which he himself has done much to theorize.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

About the Author :

Ihab Hassan (1925–2015) was emeritus Vilas Professor of English and comparative literature at the University of Wisconsin–Milwaukee, and author of more than 300 articles and reviews and of numerous books including The Postmodern Turn: Essays in Postmodern Theory and Culture.

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Ihab Hassan
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Ihab Hassan
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Description du livre University of Wisconsin Press, United States, 1982. Paperback. État : New. 2nd Revised edition. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. In this book, the first edition of which was published in 1971 by Oxford University Press, Ihab Hassan takes Orphic dismemberment and regeneration as his metaphor for a radical crisis in art and language, culture and consciousness, which prefigures postmodern literature. The modern Orpheus, he writes, sings on a lyre without strings. Thus, his sensitive critique traces a hypothetical line from Sade through four modern authors Hemingway, Kafka, Genet, and Beckett to a literature still to come. But the line also breaks into two Interludes, one concerning Pataphysics, Dada, and Surrealism, and the other concerning Existentialism and Aliterature. Combining literary history, brief biography, and critical analysis, Hassan surrounds these authors with a complement of avant-garde writers whose works also foreshadow the postmodern temper. These include Jarry, Apollinaire, Tzara, Breton, Sartre, Camus, Nathalie Sarraute, Robbe-Grillet, and in America, Cage, Salinger, Ginsberg, Barth, and Burroughs. Hassan takes account also of related contemporary developments in art, music, and philosophy, and of many works of literary theory and criticism. For this new edition, Hassan has added a new preface and postface on the developing character of postmodernism, a concept which has gained currency since the first edition of this work, and which he himself has done much to theorize. N° de réf. du libraire TNP9780299091248

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Ihab Hassan
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Description du livre University of Wisconsin Press, United States, 1982. Paperback. État : New. 2nd Revised edition. Language: English . Brand New Book. In this book, the first edition of which was published in 1971 by Oxford University Press, Ihab Hassan takes Orphic dismemberment and regeneration as his metaphor for a radical crisis in art and language, culture and consciousness, which prefigures postmodern literature. The modern Orpheus, he writes, sings on a lyre without strings. Thus, his sensitive critique traces a hypothetical line from Sade through four modern authors Hemingway, Kafka, Genet, and Beckett to a literature still to come. But the line also breaks into two Interludes, one concerning Pataphysics, Dada, and Surrealism, and the other concerning Existentialism and Aliterature. Combining literary history, brief biography, and critical analysis, Hassan surrounds these authors with a complement of avant-garde writers whose works also foreshadow the postmodern temper. These include Jarry, Apollinaire, Tzara, Breton, Sartre, Camus, Nathalie Sarraute, Robbe-Grillet, and in America, Cage, Salinger, Ginsberg, Barth, and Burroughs. Hassan takes account also of related contemporary developments in art, music, and philosophy, and of many works of literary theory and criticism. For this new edition, Hassan has added a new preface and postface on the developing character of postmodernism, a concept which has gained currency since the first edition of this work, and which he himself has done much to theorize. N° de réf. du libraire AAC9780299091248

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7.

Ihab Hassan
Edité par University of Wisconsin Press, United States (1982)
ISBN 10 : 0299091244 ISBN 13 : 9780299091248
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Description du livre University of Wisconsin Press, United States, 1982. Paperback. État : New. 2nd Revised edition. Language: English . Brand New Book. In this book, the first edition of which was published in 1971 by Oxford University Press, Ihab Hassan takes Orphic dismemberment and regeneration as his metaphor for a radical crisis in art and language, culture and consciousness, which prefigures postmodern literature. The modern Orpheus, he writes, sings on a lyre without strings. Thus, his sensitive critique traces a hypothetical line from Sade through four modern authors Hemingway, Kafka, Genet, and Beckett to a literature still to come. But the line also breaks into two Interludes, one concerning Pataphysics, Dada, and Surrealism, and the other concerning Existentialism and Aliterature. Combining literary history, brief biography, and critical analysis, Hassan surrounds these authors with a complement of avant-garde writers whose works also foreshadow the postmodern temper. These include Jarry, Apollinaire, Tzara, Breton, Sartre, Camus, Nathalie Sarraute, Robbe-Grillet, and in America, Cage, Salinger, Ginsberg, Barth, and Burroughs. Hassan takes account also of related contemporary developments in art, music, and philosophy, and of many works of literary theory and criticism. For this new edition, Hassan has added a new preface and postface on the developing character of postmodernism, a concept which has gained currency since the first edition of this work, and which he himself has done much to theorize. N° de réf. du libraire AAC9780299091248

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Hassan, Ihab
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Ihab Hassan
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Description du livre University of Wisconsin Press. Paperback. État : New. Paperback. 338 pages. Dimensions: 8.4in. x 5.3in. x 0.9in.In this book, the first edition of which was published in 1971 by Oxford University Press, Ihab Hassan takes Orphic dismemberment and regeneration as his metaphor for a radical crisis in art and language, culture and consciousness, which prefigures postmodern literature. The modern Orpheus, he writes, sings on a lyre without strings. Thus, his sensitive critique traces a hypothetical line from Sade through four modern authorsHemingway, Kafka, Genet, and Beckettto a literature still to come. But the line also breaks into two Interludes, one concerning Pataphysics, Dada, and Surrealism, and the other concerning Existentialism and Aliterature. Combining literary history, brief biography, and critical analysis, Hassan surrounds these authors with a complement of avant-garde writers whose works also foreshadow the postmodern temper. These include Jarry, Apollinaire, Tzara, Breton, Sartre, Camus, Nathalie Sarraute, Robbe-Grillet, and in America, Cage, Salinger, Ginsberg, Barth, and Burroughs. Hassan takes account also of related contemporary developments in art, music, and philosophy, and of many works of literary theory and criticism. For this new edition, Hassan has added a new preface and postface on the developing character of postmodernism, a concept which has gained currency since the first edition of this work, and which he himself has done much to theorize. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. N° de réf. du libraire 9780299091248

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Ihab Hassan
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Description du livre University of Wisconsin Press, 1982. Paperback. État : New. 2, Revised. N° de réf. du libraire DADAX0299091244

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