Settling the Score: Music and the Classical Hollywood Film

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9780299133641: Settling the Score: Music and the Classical Hollywood Film

Book by Kalinak Kathryn

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1.

Kathryn Kalinak
Edité par University of Wisconsin Press (1992)
ISBN 10 : 0299133648 ISBN 13 : 9780299133641
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Description du livre University of Wisconsin Press, 1992. Paperback. État : New. /NEW/SAME AS PICTURED/. N° de réf. du libraire SKU0017693

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Kalinak, Kathryn
Edité par University of Wisconsin Press (1992)
ISBN 10 : 0299133648 ISBN 13 : 9780299133641
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Description du livre University of Wisconsin Press, 1992. Paperback. État : New. book. N° de réf. du libraire 0299133648

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Kathryn Kalinak
Edité par University of Wisconsin Press (1992)
ISBN 10 : 0299133648 ISBN 13 : 9780299133641
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Description du livre University of Wisconsin Press, 1992. Paperback. État : New. book. N° de réf. du libraire 299133648

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Description du livre University of Chicago press. État : New. Brand New. N° de réf. du libraire 0299133648

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Kalinak, Kathryn
Edité par Univ of Wisconsin
ISBN 10 : 0299133648 ISBN 13 : 9780299133641
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Description du livre Univ of Wisconsin. État : BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. N° de réf. du libraire 2191022

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Kathryn Kalinak
Edité par University of Wisconsin Press, United States (1992)
ISBN 10 : 0299133648 ISBN 13 : 9780299133641
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Description du livre University of Wisconsin Press, United States, 1992. Paperback. État : New. New.. 230 x 152 mm. Language: English . Brand New Book. Settling the Score situates the classical Hollywwod film score and its practice in historical, theoretical and musical context. Kathryn Kalinak examines the conventions and strategies underpinning film scoring in Hollywood, investigating what has been considered the most influential and powerful relationship to have evolved between music and film, the classical Hollywood model. Beginning with the earliest experiments in musical accompaniment carried out in the Edison laboratories. Kalinak uses archival material to outline the history of music and film in America. Focusing on the scores of several key composers of the sound era, including Erich Wolfgang Korngold s Captain Blood , Max Steiner s The Informer , Bernard Herrmann s The Magnificent Ambersons , and David Raskin s Laura , Kalinak concludes that classical scoring conventions were designed to ensure the dominance of narrative exposition. Her analyses of contemporary work such as John Williams The Empire Strikes Back and Basil Poledouris Robocop demonstrate how the traditions of the classical era continue to influence scoring practices today. Underlying the author s historical investigation is an inquiry into the nature of film music itself. Exposing the visual bias in western culture in general and in film studies in particular. Kalinak argues that music is a fundamental part of the filmic exerience. She constructs a model for the perception of film that takes into account the shared power of image and sound in shaping response. Using contemporary theoy, Settling the Score makes the case that music should be an integral part of film analysis. N° de réf. du libraire AAC9780299133641

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Kathryn Kalinak
Edité par University of Wisconsin Press, United States (1992)
ISBN 10 : 0299133648 ISBN 13 : 9780299133641
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The Book Depository US
(London, Royaume-Uni)
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Description du livre University of Wisconsin Press, United States, 1992. Paperback. État : New. New.. 230 x 152 mm. Language: English . Brand New Book. Settling the Score situates the classical Hollywwod film score and its practice in historical, theoretical and musical context. Kathryn Kalinak examines the conventions and strategies underpinning film scoring in Hollywood, investigating what has been considered the most influential and powerful relationship to have evolved between music and film, the classical Hollywood model. Beginning with the earliest experiments in musical accompaniment carried out in the Edison laboratories. Kalinak uses archival material to outline the history of music and film in America. Focusing on the scores of several key composers of the sound era, including Erich Wolfgang Korngold s Captain Blood , Max Steiner s The Informer , Bernard Herrmann s The Magnificent Ambersons , and David Raskin s Laura , Kalinak concludes that classical scoring conventions were designed to ensure the dominance of narrative exposition. Her analyses of contemporary work such as John Williams The Empire Strikes Back and Basil Poledouris Robocop demonstrate how the traditions of the classical era continue to influence scoring practices today. Underlying the author s historical investigation is an inquiry into the nature of film music itself. Exposing the visual bias in western culture in general and in film studies in particular. Kalinak argues that music is a fundamental part of the filmic exerience. She constructs a model for the perception of film that takes into account the shared power of image and sound in shaping response. Using contemporary theoy, Settling the Score makes the case that music should be an integral part of film analysis. N° de réf. du libraire AAC9780299133641

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Kathryn Kalinak
Edité par University of Wisconsin Press (1992)
ISBN 10 : 0299133648 ISBN 13 : 9780299133641
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Description du livre University of Wisconsin Press, 1992. PAP. État : New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. N° de réf. du libraire IB-9780299133641

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Kathryn Kalinak
ISBN 10 : 0299133648 ISBN 13 : 9780299133641
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Kathryn Kalinak
Edité par University of Wisconsin Press
ISBN 10 : 0299133648 ISBN 13 : 9780299133641
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Description du livre University of Wisconsin Press. Paperback. État : new. BRAND NEW, Settling the Score: Music and the Classical Hollywood Film, Kathryn Kalinak, "Settling the Score" situates the classical Hollywwod film score and its practice in historical, theoretical and musical context. Kathryn Kalinak examines the conventions and strategies underpinning film scoring in Hollywood, investigating what has been considered the most influential and powerful relationship to have evolved between music and film, the classical Hollywood model. Beginning with the earliest experiments in musical accompaniment carried out in the Edison laboratories. Kalinak uses archival material to outline the history of music and film in America. Focusing on the scores of several key composers of the sound era, including Erich Wolfgang Korngold's "Captain Blood", Max Steiner's "The Informer", Bernard Herrmann's "The Magnificent Ambersons", and David Raskin's "Laura", Kalinak concludes that classical scoring conventions were designed to ensure the dominance of narrative exposition. Her analyses of contemporary work such as John Williams "The Empire Strikes Back" and Basil Poledouris "Robocop" demonstrate how the traditions of the classical era continue to influence scoring practices today. Underlying the author's historical investigation is an inquiry into the nature of film music itself. Exposing the visual bias in western culture in general and in film studies in particular. Kalinak argues that music is a fundamental part of the filmic exerience. She constructs a model for the perception of film that takes into account the shared power of image and sound in shaping response. Using contemporary theoy, "Settling the Score" makes the case that music should be an integral part of film analysis. N° de réf. du libraire B9780299133641

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