Building-in-Time From Giotto to Alberti and Modern Oblivion

Note moyenne 4,67
( 3 avis fournis par GoodReads )
 
9780300165920: Building-in-Time From Giotto to Alberti and Modern Oblivion

Book by Trachtenberg Mr Marvin

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

Présentation de l'éditeur :

This ambitious book is about a way of building that for centuries dominated the making of monumental architecture - yet now not only is it lost as practice, but knowledge of its very existence is consigned to oblivion. In pre-modern Europe, the architect built not just with imagination, brick and mortar, but with time, using vast quantities of duration to erect monumental buildings that otherwise would have been impossible. Not mere medieval muddling-through, this entailed a sophisticated set of norms and practices. Virtually all the great cathedrals of France and the rest of Europe were built under this regime, here given the name 'Building-in-Time'. In particular, the major works of pre-modern Italy, from the Pisa cathedral group to the cathedrals of Milan, Venice and Siena, and from the monuments of fourteenth-century Florence to the new St Peter's - the apotheosis of the practice - are thus cast in an entirely new light. Even as 'Building-in-Time' was flourishing, the fifteenth-century Italian architect Leon Battista Alberti proposed a new temporal regime whereby time would ideally be excluded from the making of architecture ('Building-outside-Time'). Planning and building, which had formed one fluid, imbricated process, were to be sharply divided, and the change that always came with time excluded from architectural facture. Ironically, it was Brunelleschi, as creator of the cupola of Florence cathedral and one of the supreme practitioners of Building-in-Time, who was the lynchpin of Alberti's turn to the arts in the mid-1430s. That he arrived in Florence just at the moment Brunelleschi's dome was being completed was crucial to Alberti's subsequent career in visual culture. Yet his relationship to Brunelleschi was conflicted; first praising and attaching himself to Brunelleschi, later Alberti silently sought to banish him from history's central stage. In telling this story, Marvin Trachtenberg rewrites the history of medieval and Renaissance architecture in Italy and recasts the turn to modernity in new terms, those of temporality and its role in architectural theory and practice. Recovering this lost element of the deep architectural past allows us also to see the present in a new way: that temporality is not any neutral or secondary factor in modern architecture culture, but an epistemic condition that silently affects all production and experience of the built environment.

Biographie de l'auteur :

Marvin Trachtenberg is Edith Kitzmiller Professor of Art History, Institute of Fine Arts, New York University. His books include the prize-winning 'Dominion of the Eye: Urbanism, Art, and Power in Early Modern Florence' (1997) and 'The Campanile of Florence Cathedral, 'Giotto's Tower'' (1971). He is the co-author (with Isabelle Hyman) of 'Architecture from Prehistory to Postmodernity' (rev. edn, 2002).

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

Meilleurs résultats de recherche sur AbeBooks

1.

Marvin Trachtenberg
Edité par Yale University Press (2010)
ISBN 10 : 0300165927 ISBN 13 : 9780300165920
Neuf(s) Couverture rigide Quantité : 1
Vendeur
Book Deals
(Lewiston, NY, Etats-Unis)
Evaluation vendeur
[?]

Description du livre Yale University Press, 2010. État : New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: In the pre-modern age in Europe, the architect built not merely with imagination, bricks and mortar, but with time, using vast quantities of duration as the means to erect monumental buildings that otherwise would have been impossible to achieve. Virtually all the great cathedrals of France and the rest of Europe were built by this deliberate practice, here given the name "Building-in-Time". It places an entirely new light on the major works of pre-modern Italy, from the Pisa cathedral group to the cathedrals of Milan, Venice and Siena, and from the monuments of fourteenth-century Florence to the new St Peter's. Even as this temporal regime was flourishing, the fifteenth-century Italian architect Leon Battista Alberti proposed a new one for architecture, in which time would ideally be excluded from the making of architecture ("Building-outside-Time"). Planning and building, which had always formed one fluid, imbricated process, were to be sharply divided, and the change that always came with time was to be excluded from architectural making. N° de réf. du libraire ABE_book_new_0300165927

Plus d'informations sur ce vendeur | Poser une question au libraire

Acheter neuf
EUR 35,46
Autre devise

Ajouter au panier

Frais de port : Gratuit
Vers Etats-Unis
Destinations, frais et délais

2.

Marvin Trachtenberg
Edité par Yale University Press (2010)
ISBN 10 : 0300165927 ISBN 13 : 9780300165920
Neuf(s) Couverture rigide Quantité : 1
Vendeur
Irish Booksellers
(Rumford, ME, Etats-Unis)
Evaluation vendeur
[?]

Description du livre Yale University Press, 2010. Hardcover. État : New. book. N° de réf. du libraire 0300165927

Plus d'informations sur ce vendeur | Poser une question au libraire

Acheter neuf
EUR 35,48
Autre devise

Ajouter au panier

Frais de port : Gratuit
Vers Etats-Unis
Destinations, frais et délais

3.

Marvin Trachtenberg
ISBN 10 : 0300165927 ISBN 13 : 9780300165920
Neuf(s) Quantité : 5
Vendeur
GreatBookPrices
(Columbia, MD, Etats-Unis)
Evaluation vendeur
[?]

Description du livre État : New. N° de réf. du libraire 7591880-n

Plus d'informations sur ce vendeur | Poser une question au libraire

Acheter neuf
EUR 43,99
Autre devise

Ajouter au panier

Frais de port : EUR 2,50
Vers Etats-Unis
Destinations, frais et délais

4.

Marvin Trachtenberg
Edité par Yale University Press, United States (2010)
ISBN 10 : 0300165927 ISBN 13 : 9780300165920
Neuf(s) Couverture rigide Quantité : 10
Vendeur
The Book Depository
(London, Royaume-Uni)
Evaluation vendeur
[?]

Description du livre Yale University Press, United States, 2010. Hardback. État : New. 286 x 228 mm. Language: English Brand New Book. This ambitious book is about a way of building that for centuries dominated the making of monumental architecture - yet now not only is it lost as practice, but knowledge of its very existence is consigned to oblivion. In pre-modern Europe, the architect built not just with imagination, brick and mortar, but with time, using vast quantities of duration to erect monumental buildings that otherwise would have been impossible. Not mere medieval muddling-through, this entailed a sophisticated set of norms and practices. Virtually all the great cathedrals of France and the rest of Europe were built under this regime, here given the name Building-in-Time . In particular, the major works of pre-modern Italy, from the Pisa cathedral group to the cathedrals of Milan,Venice and Siena, and from the monuments of fourteenth-century Florence to the new St Peter s - the apotheosis of the practice - are thus cast in an entirely new light. Even as Building-in-Time was flourishing, the fifteenth-century Italian architect Leon Battista Alberti proposed a new temporal regime whereby time would ideally be excluded from the making of architecture ( Building-outside-Time ). Planning and building, which had formed one fluid, imbricated process, were to be sharply divided, and the change that always came with time excluded from architectural facture. Ironically, it was Brunelleschi, as creator of the cupola of Florence cathedral and one of the supreme practitioners of Building-in-Time, who was the lynchpin of Alberti s turn to the arts in the mid-1430s. That he arrived in Florence just at the moment Brunelleschi s dome was being completed was crucial to Alberti s subsequent career in visual culture. Yet his relationship to Brunelleschi was conflicted; first praising and attaching himself to Brunelleschi, later Alberti silently sought to banish him from history s central stage. In telling this story, Marvin Trachtenberg rewrites the history of medieval and Renaissance architecture in Italy and recasts the turn to modernity in new terms, those of temporality and its role in architectural theory and practice. Recovering this lost element of the deep architectural past allows us also to see the present in a new way: that temporality is not any neutral or secondary factor in modern architecture culture, but an epistemic condition that silently affects all production and experience of the built environment. N° de réf. du libraire AAH9780300165920

Plus d'informations sur ce vendeur | Poser une question au libraire

Acheter neuf
EUR 55,56
Autre devise

Ajouter au panier

Frais de port : Gratuit
De Royaume-Uni vers Etats-Unis
Destinations, frais et délais

5.

Marvin Trachtenberg
Edité par Yale University Press, United States (2010)
ISBN 10 : 0300165927 ISBN 13 : 9780300165920
Neuf(s) Couverture rigide Quantité : 10
Vendeur
The Book Depository US
(London, Royaume-Uni)
Evaluation vendeur
[?]

Description du livre Yale University Press, United States, 2010. Hardback. État : New. 286 x 228 mm. Language: English . Brand New Book. This ambitious book is about a way of building that for centuries dominated the making of monumental architecture - yet now not only is it lost as practice, but knowledge of its very existence is consigned to oblivion. In pre-modern Europe, the architect built not just with imagination, brick and mortar, but with time, using vast quantities of duration to erect monumental buildings that otherwise would have been impossible. Not mere medieval muddling-through, this entailed a sophisticated set of norms and practices. Virtually all the great cathedrals of France and the rest of Europe were built under this regime, here given the name Building-in-Time . In particular, the major works of pre-modern Italy, from the Pisa cathedral group to the cathedrals of Milan,Venice and Siena, and from the monuments of fourteenth-century Florence to the new St Peter s - the apotheosis of the practice - are thus cast in an entirely new light. Even as Building-in-Time was flourishing, the fifteenth-century Italian architect Leon Battista Alberti proposed a new temporal regime whereby time would ideally be excluded from the making of architecture ( Building-outside-Time ). Planning and building, which had formed one fluid, imbricated process, were to be sharply divided, and the change that always came with time excluded from architectural facture. Ironically, it was Brunelleschi, as creator of the cupola of Florence cathedral and one of the supreme practitioners of Building-in-Time, who was the lynchpin of Alberti s turn to the arts in the mid-1430s. That he arrived in Florence just at the moment Brunelleschi s dome was being completed was crucial to Alberti s subsequent career in visual culture. Yet his relationship to Brunelleschi was conflicted; first praising and attaching himself to Brunelleschi, later Alberti silently sought to banish him from history s central stage. In telling this story, Marvin Trachtenberg rewrites the history of medieval and Renaissance architecture in Italy and recasts the turn to modernity in new terms, those of temporality and its role in architectural theory and practice. Recovering this lost element of the deep architectural past allows us also to see the present in a new way: that temporality is not any neutral or secondary factor in modern architecture culture, but an epistemic condition that silently affects all production and experience of the built environment. N° de réf. du libraire AAH9780300165920

Plus d'informations sur ce vendeur | Poser une question au libraire

Acheter neuf
EUR 56,09
Autre devise

Ajouter au panier

Frais de port : Gratuit
De Royaume-Uni vers Etats-Unis
Destinations, frais et délais

6.

Marvin Trachtenberg
Edité par Yale University Press (2010)
ISBN 10 : 0300165927 ISBN 13 : 9780300165920
Neuf(s) Quantité : > 20
Vendeur
Books2Anywhere
(Fairford, GLOS, Royaume-Uni)
Evaluation vendeur
[?]

Description du livre Yale University Press, 2010. HRD. État : New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. N° de réf. du libraire WY-9780300165920

Plus d'informations sur ce vendeur | Poser une question au libraire

Acheter neuf
EUR 52,12
Autre devise

Ajouter au panier

Frais de port : EUR 10,71
De Royaume-Uni vers Etats-Unis
Destinations, frais et délais

7.

Marvin Trachtenberg
Edité par Yale University Press December 2010 (2010)
ISBN 10 : 0300165927 ISBN 13 : 9780300165920
Neuf(s) Couverture rigide Quantité : 1
Vendeur
Hennessey + Ingalls
(Los Angeles, CA, Etats-Unis)
Evaluation vendeur
[?]

Description du livre Yale University Press December 2010, 2010. Hardcover. État : New. This ambitious book is about a way of building that for centuries dominated the making of monumental architecture - yet now not only is it lost as practice, but knowledge of its very existence is consigned to oblivion. In pre-modern Europe, the architect built not just with imagination, brick and mortar, but with time, using vast quantities of duration to erect monumental buildings that otherwise would have been impossible. Not mere medieval muddling-through, this entailed a sophisticated set of norms and practices. Virtually all the great cathedrals of France and the rest of Europe were built under this regime, here given the name 'Building-in-Time'. In particular, the major works of pre-modern Italy, from the Pisa cathedral group to the cathedrals of Milan, Venice and Siena, and from the monuments of fourteenth-century Florence to the new St Peter's - the apotheosis of the practice - are thus cast in an entirely new light. Even as 'Building-in-Time' was flourishing, the fifteenth-century Italian architect Leon Battista Alberti proposed a new temporal regime whereby time would ideally be excluded from the making of architecture ('Building-outside-Time'). Planning and building, which had formed one fluid, imbricated process, were to be sharply divided, and the change that always came with time excluded from architectural facture. Ironically, it was Brunelleschi, as creator of the cupola of Florence cathedral and one of the supreme practitioners of Building-in-Time, who was the lynchpin of Alberti's turn to the arts in the mid-1430s. That he arrived in Florence just at the moment Brunelleschi's dome was being completed was crucial to Alberti's subsequent career in visual culture. Yet his relationship to Brunelleschi was conflicted; first praising and attaching himself to Brunelleschi, later Alberti silently sought to banish him from history's central stage. In telling this story, Marvin Trachtenberg rewrites the history of medieval and Renaissance architecture in Italy and recasts the turn to modernity in new terms, those of temporality and its role in architectural theory and practice. Recovering this lost element of the deep architectural past allows us also to see the present in a new way: that temporality is not any neutral or secondary factor in modern architecture culture, but an epistemic condition that silently affects all production and experience of the built environment. In the pre-modern age in Europe, the architect built not merely with imagination, bricks and mortar, but with time, using vast quantities of duration as the means to erect monumental buildings that otherwise would have been impossible to achieve. Virtually all the great cathedrals of France and the rest of Europe were built by this deliberate practice, here given the name 'Building-in-Time.' It places an entirely new light on the major works of pre-modern Italy, from the Pisa cathedral group to the cathedrals of Milan, Venice and Siena, and from the monuments of fourteenth-century Florence to the new St Peter's. Even as this temporal regime was flourishing, the fifteenth-century Italian architect Leon Battista Alberti proposed a new one for architecture, in which time would ideally be excluded from the making of architecture ('Building-outside-Time'). Planning and building, which had always formed one fluid, imbricated process, were to be sharply divided, and the change that always came with time was to be excluded from architectural making. N° de réf. du libraire 20110304137094

Plus d'informations sur ce vendeur | Poser une question au libraire

Acheter neuf
EUR 63,39
Autre devise

Ajouter au panier

Frais de port : EUR 4,72
Vers Etats-Unis
Destinations, frais et délais

8.

Marvin Trachtenberg
Edité par Yale Univ Pr (2010)
ISBN 10 : 0300165927 ISBN 13 : 9780300165920
Neuf(s) Couverture rigide Quantité : 2
Vendeur
Revaluation Books
(Exeter, Royaume-Uni)
Evaluation vendeur
[?]

Description du livre Yale Univ Pr, 2010. Hardcover. État : Brand New. 490 pages. 11.50x9.00x1.75 inches. In Stock. N° de réf. du libraire __0300165927

Plus d'informations sur ce vendeur | Poser une question au libraire

Acheter neuf
EUR 62,96
Autre devise

Ajouter au panier

Frais de port : EUR 7,14
De Royaume-Uni vers Etats-Unis
Destinations, frais et délais

9.

Marvin Trachtenberg
Edité par YALE University Press
ISBN 10 : 0300165927 ISBN 13 : 9780300165920
Neuf(s) Quantité : > 20
Vendeur
INDOO
(Avenel, NJ, Etats-Unis)
Evaluation vendeur
[?]

Description du livre YALE University Press. État : New. Brand New. N° de réf. du libraire 0300165927

Plus d'informations sur ce vendeur | Poser une question au libraire

Acheter neuf
EUR 71,09
Autre devise

Ajouter au panier

Frais de port : EUR 3,31
Vers Etats-Unis
Destinations, frais et délais

10.

Marvin Trachtenberg
ISBN 10 : 0300165927 ISBN 13 : 9780300165920
Neuf(s) Couverture rigide Quantité : 1
Vendeur
Grand Eagle Retail
(Wilmington, DE, Etats-Unis)
Evaluation vendeur
[?]

Description du livre 2010. Hardcover. État : New. 232mm x 289mm x 39mm. Hardcover. This ambitious book is about a way of building that for centuries dominated the making of monumental architecture - yet now not only is it lost as practice, but knowledge of its very exist.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 272 pages. 2.362. N° de réf. du libraire 9780300165920

Plus d'informations sur ce vendeur | Poser une question au libraire

Acheter neuf
EUR 75,53
Autre devise

Ajouter au panier

Frais de port : Gratuit
Vers Etats-Unis
Destinations, frais et délais

autres exemplaires de ce livre sont disponibles

Afficher tous les résultats pour ce livre