Matisse's Sculpture - The Pinup and the Primitive

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9780300171037: Matisse's Sculpture - The Pinup and the Primitive
Présentation de l'éditeur :

Long perceived as a side pursuit to his celebrated painting career, Henri Matisse's sculpture receives an overdue critical examination in this book. Beginning in 1906, soon after the artist acquired his first African sculpture, Matisse found inspiration in erotic and ethnographic photography, which had become inexpensively mass-produced thanks to advances in halftone technology. Working with these two radically different depictions of the body - one hand carved, the other mechanically made - was a foundational method for Matisse and crucial to the development of his pre-World War I abstraction. Far from a simple narrative of the artist 'discovering' Africa, the highly original readings of 'Matisse's Sculpture' plot new coordinates of study for early twentieth-century primitivism. The book examines the larger constructs of thought at the time, with a penetrating analysis of anthropology, popular erotica, and the visual culture of French colonialism. In addition, it repositions Matisse's sculptural practice, particularly in regard to its investigations of race and sexuality, as a cornerstone of his prolific career.

Biographie de l'auteur :

Ellen McBreen is assistant professor in the department of art and art history at Wheaton College in Norton, Massachusetts.

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Ellen Mcbreen
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Description du livre Yale University Press, United States, 2014. Hardback. État : New. 287 x 236 mm. Language: English Brand New Book. Long perceived as a side pursuit to his celebrated painting career, Henri Matisse s sculpture receives an overdue critical examination in this book. Beginning in 1906, soon after the artist acquired his first African sculpture, Matisse found inspiration in erotic and ethnographic photography, which had become inexpensively mass-produced thanks to advances in halftone technology. Working with these two radically different depictions of the body-one hand carved, the other mechanically made-was a foundational method for Matisse and crucial to the development of his pre-World War I abstraction. Far from a simple narrative of the artist discovering Africa, the highly original readings of Matisse s Sculpture plot new coordinates of study for early 20th-century primitivism. It examines the larger constructs of thought at the time, with a penetrating analysis of anthropology, popular erotica, and the visual culture of French colonialism. In addition, the book repositions Matisse s sculptural practice, particularly in regard to its investigations of race and sexuality, as a cornerstone of his prolific career. N° de réf. du libraire AAH9780300171037

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Ellen Mcbreen
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ISBN 10 : 030017103X ISBN 13 : 9780300171037
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Description du livre Yale University Press, United States, 2014. Hardback. État : New. 287 x 236 mm. Language: English . Brand New Book. Long perceived as a side pursuit to his celebrated painting career, Henri Matisse s sculpture receives an overdue critical examination in this book. Beginning in 1906, soon after the artist acquired his first African sculpture, Matisse found inspiration in erotic and ethnographic photography, which had become inexpensively mass-produced thanks to advances in halftone technology. Working with these two radically different depictions of the body-one hand carved, the other mechanically made-was a foundational method for Matisse and crucial to the development of his pre-World War I abstraction. Far from a simple narrative of the artist discovering Africa, the highly original readings of Matisse s Sculpture plot new coordinates of study for early 20th-century primitivism. It examines the larger constructs of thought at the time, with a penetrating analysis of anthropology, popular erotica, and the visual culture of French colonialism. In addition, the book repositions Matisse s sculptural practice, particularly in regard to its investigations of race and sexuality, as a cornerstone of his prolific career. N° de réf. du libraire AAH9780300171037

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McBreen, Ellen
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Description du livre Yale University Press, 2014. État : New. Working with these two radically different depictions of the body - one hand carved, the other mechanically made - was a foundational method for Henri Matisse and crucial to the development of his pre-World War I abstraction. This title repositions Matisse's sculptural practice, particularly in regard to its investigations of race and sexuality. Num Pages: 228 pages, 50 color + 100 b/w illus. BIC Classification: AFKB; AGB. Category: (G) General (US: Trade). Dimension: 237 x 286 x 27. Weight in Grams: 1602. . 2014. Hardcover. . . . . . N° de réf. du libraire V9780300171037

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Description du livre Yale University Press. État : New. Working with these two radically different depictions of the body - one hand carved, the other mechanically made - was a foundational method for Henri Matisse and crucial to the development of his pre-World War I abstraction. This title repositions Matisse's sculptural practice, particularly in regard to its investigations of race and sexuality. Num Pages: 228 pages, 50 color + 100 b/w illus. BIC Classification: AFKB; AGB. Category: (G) General (US: Trade). Dimension: 237 x 286 x 27. Weight in Grams: 1602. . 2014. Hardcover. . . . . Books ship from the US and Ireland. N° de réf. du libraire V9780300171037

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