Baroque Naples and the Industry of Painting: The World in the Workbench

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9780300174502: Baroque Naples and the Industry of Painting: The World in the Workbench
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Christopher R. Marshall
Edité par YALE University Press
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Christopher R. Marshall
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Marshall, Christopher R.
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Description du livre 2016. HRD. Etat : New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. N° de réf. du vendeur KS-9780300174502

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Christopher R. Marshall
Edité par Yale University Press, United States (2016)
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Description du livre Yale University Press, United States, 2016. Hardback. Etat : New. Language: English . Brand New Book. The second largest city in 17th-century Europe, Naples constituted a vital Mediterranean center in which the Spanish Habsburgs, the clergy, and Neapolitan aristocracy, together with the resident merchants, and other members of the growing professional classes jostled for space and prestige. Their competing programs of building and patronage created a booming art market and spurred painters such as Jusepe de Ribera, Massimo Stanzione, Salvator Rosa, and Luca Giordano as well as foreign artists such as Caravaggio, Domenichino, Artemisia Gentileschi, and Giovanni Lanfranco to extraordinary heights of achievement. This new reading of 17th-century Italian Baroque art explores the social, material, and economic history of painting, revealing how artists, agents, and the owners of artworks interacted to form a complex and mutually sustaining art world. Through such topics as artistic rivalry and anti-foreign labor agitation, art dealing and forgery, cultural diplomacy, and the rise of the independently arranged art exhibition, Christopher R. Marshall illuminates the rich interconnections between artistic practice and patronage, business considerations, and the spirit of entrepreneurialism in Baroque Italy. N° de réf. du vendeur BZV9780300174502

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Christopher R. Marshall
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Description du livre Yale University Press, United States, 2016. Hardback. Etat : New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. The second largest city in 17th-century Europe, Naples constituted a vital Mediterranean center in which the Spanish Habsburgs, the clergy, and Neapolitan aristocracy, together with the resident merchants, and other members of the growing professional classes jostled for space and prestige. Their competing programs of building and patronage created a booming art market and spurred painters such as Jusepe de Ribera, Massimo Stanzione, Salvator Rosa, and Luca Giordano as well as foreign artists such as Caravaggio, Domenichino, Artemisia Gentileschi, and Giovanni Lanfranco to extraordinary heights of achievement. This new reading of 17th-century Italian Baroque art explores the social, material, and economic history of painting, revealing how artists, agents, and the owners of artworks interacted to form a complex and mutually sustaining art world. Through such topics as artistic rivalry and anti-foreign labor agitation, art dealing and forgery, cultural diplomacy, and the rise of the independently arranged art exhibition, Christopher R. Marshall illuminates the rich interconnections between artistic practice and patronage, business considerations, and the spirit of entrepreneurialism in Baroque Italy. N° de réf. du vendeur BZV9780300174502

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Christopher R. Marshall
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ISBN 10 : 0300174500 ISBN 13 : 9780300174502
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Description du livre Yale University Press, United States, 2016. Hardback. Etat : New. Language: English . Brand New Book. The second largest city in 17th-century Europe, Naples constituted a vital Mediterranean center in which the Spanish Habsburgs, the clergy, and Neapolitan aristocracy, together with the resident merchants, and other members of the growing professional classes jostled for space and prestige. Their competing programs of building and patronage created a booming art market and spurred painters such as Jusepe de Ribera, Massimo Stanzione, Salvator Rosa, and Luca Giordano as well as foreign artists such as Caravaggio, Domenichino, Artemisia Gentileschi, and Giovanni Lanfranco to extraordinary heights of achievement. This new reading of 17th-century Italian Baroque art explores the social, material, and economic history of painting, revealing how artists, agents, and the owners of artworks interacted to form a complex and mutually sustaining art world. Through such topics as artistic rivalry and anti-foreign labor agitation, art dealing and forgery, cultural diplomacy, and the rise of the independently arranged art exhibition, Christopher R. Marshall illuminates the rich interconnections between artistic practice and patronage, business considerations, and the spirit of entrepreneurialism in Baroque Italy. N° de réf. du vendeur AAS9780300174502

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Christopher R. Marshall
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Christopher R. Marshall
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Marshall, Christopher R.
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Description du livre Yale University Press, 2016. Etat : New. Num Pages: 380 pages, 50 color + 150 b/w illus. BIC Classification: 1DST; 3JD; ACQB; AFC; HBJD; HBLH. Category: (P) Professional & Vocational. Dimension: 280 x 216. . . 2016. Hardcover. . . . . . N° de réf. du vendeur V9780300174502

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Marshall, Christopher R.
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