Making a Presence: F. Holland Day in Artistic Photography

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9780300180381: Making a Presence: F. Holland Day in Artistic Photography

Boston photographer Fred Holland Day (1864–1933) first distinguished himself in literary circles—as a critic, bibliophile, and co-founder of the progressive publishing firm Copeland and Day—before turning to photography in the 1880s. By the turn of the century, he had established an international reputation as a leader in the Pictorialist movement, striving to gain acceptance for photography as a fine art.

Day's work ranged from intimate portraits of friends and fellow artists, to elaborate, costume-driven self-portraiture, including his Jesus Christ series, photographed in rural settings near his home in Norwood, Massachusetts. Especially illuminating of Day's dual role as artist and advocate are the 50 plus images, reprised here, from a 1902 exhibition, in which Day posed for "leaders in the newer photographic methods" to demonstrate that the camera could be as expressive and sensitive an artistic tool as the brush or the etcher's needle.

Making a Presence offers a dynamic composite portrait of an iconoclastic, independent artist, and of a man exquisitely expressive of his fin-de-siècle milieu.

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About the Author :

Trevor Fairbrother is an independent scholar and curator, whose previous books include Painting Summer in New England, John Singer Sargent: The Sensualist, and Ipswich Days: Arthur Wesley Dow and His Hometown, all from Yale University Press.

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Description du livre Addison. PAPERBACK. État : New. 0300180381 We carry new, used, and remaindered books - some books may have remainder mark and/or underlining. We often have multiple copies per title - and have over 20,000 discounted titles available. Symposium Books is an Independent Bookstore with locations in Providence, RI near Brown University and RISD and in East Greenwich, RI. We are dedicated to providing our customers with the widest selection of scholarly, literary and quality art books. Expedited shipping is available. We pride ourselves on offering prompt, reliable customer service and a no hassle return policy. N° de réf. du libraire 0300180381

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Description du livre Yale University Press, United States, 2012. Paperback. État : New. New.. Language: English . Brand New Book. Boston photographer Fred Holland Day (1864-1933) first distinguished himself in literary circles-as a critic, bibliophile, and co-founder of the progressive publishing firm Copeland and Day-before turning to photography in the 1880s. By the turn of the century, he had established an international reputation as a leader in the Pictorialist movement, striving to gain acceptance for photography as a fine art. Day s work ranged from intimate portraits of friends and fellow artists, to elaborate, costume-driven self-portraiture, including his Jesus Christ series, photographed in rural settings near his home in Norwood, Massachusetts. Especially illuminating of Day s dual role as artist and advocate are the 50 plus images, reprised here, from a 1902 exhibition, in which Day posed for leaders in the newer photographic methods to demonstrate that the camera could be as expressive and sensitive an artistic tool as the brush or the etcher s needle. Making a Presence offers a dynamic composite portrait of an iconoclastic, independent artist, and of a man exquisitely expressive of his fin-de-siecle milieu. N° de réf. du libraire AAH9780300180381

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Description du livre Yale University Press, United States, 2012. Paperback. État : New. New.. Language: English . Brand New Book. Boston photographer Fred Holland Day (1864-1933) first distinguished himself in literary circles-as a critic, bibliophile, and co-founder of the progressive publishing firm Copeland and Day-before turning to photography in the 1880s. By the turn of the century, he had established an international reputation as a leader in the Pictorialist movement, striving to gain acceptance for photography as a fine art. Day s work ranged from intimate portraits of friends and fellow artists, to elaborate, costume-driven self-portraiture, including his Jesus Christ series, photographed in rural settings near his home in Norwood, Massachusetts. Especially illuminating of Day s dual role as artist and advocate are the 50 plus images, reprised here, from a 1902 exhibition, in which Day posed for leaders in the newer photographic methods to demonstrate that the camera could be as expressive and sensitive an artistic tool as the brush or the etcher s needle. Making a Presence offers a dynamic composite portrait of an iconoclastic, independent artist, and of a man exquisitely expressive of his fin-de-siecle milieu. N° de réf. du libraire AAH9780300180381

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Description du livre Yale University Press April 2012, 2012. Trade Paperback. État : New. Boston photographer Fred Holland Day (1864-1933) first distinguished himself in literary circles--as a critic, bibliophile, and co-founder of the progressive publishing firm Copeland and Day--before turning to photography in the 1880s. By the turn of the century, he had established an international reputation as a leader in the Pictorialist movement, striving to gain acceptance for photography as a fine art. Day's work ranged from intimate portraits of friends and fellow artists, to elaborate, costume-driven self-portraiture, including his Jesus Christ series, photographed in rural settings near his home in Norwood, Massachusetts. Especially illuminating of Day's dual role as artist and advocate are the 50 plus images, reprised here, from a 1902 exhibition, in which Day posed for 'leaders in the newer photographic methods' to demonstrate that the camera could be as expressive and sensitive an artistic tool as the brush or the etcher's needle. 'Making a Presence' offers a dynamic composite portrait of an iconoclastic, independent artist, and of a man exquisitely expressive of his' fin-de-siecle' milieu. Catalog of an exhibition held at the Addison Gallery of American Art, Phillips Academy, Mar 27-July 31, 2012. N° de réf. du libraire 101924

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