The American School: Artists and Status in the Late Colonial and Early National Era

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9780300214611: The American School: Artists and Status in the Late Colonial and Early National Era

An in-depth look at the changing status of American artists in the 18th and early 19th century

This fascinating book is the first comprehensive art-historical study of what it meant to be an American artist in the 18th- and early 19th-century transatlantic world. Susan Rather examines the status of artists from different geographical, professional, and material perspectives, and delves into topics such as portrait painting in Boston and London; the trade of art in Philadelphia and New York; the negotiability and usefulness of colonial American identity in Italy and London; and the shifting representation of artists in and from the former British colonies after the Revolutionary War, when London remained the most important cultural touchstone. The book interweaves nuanced analysis of well-known artists—John Singleton Copley, Benjamin West, and Gilbert Stuart, among others—with accounts of non-elite painters and ephemeral texts and images such as painted signs and advertisements. Throughout, Rather questions the validity of the term “American,” which she sees as provisional—the product of an evolving, multifaceted cultural construction. 

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Book Description :

This comprehensive, art-historical study considers the changing status of American artists in the 18th and early 19th century and features well-known paintings and texts as well as ephemera, sign paintings, and advertisements.

About the Author :

Susan Rather is a professor in the Department of Art and Art History at the University of Texas, Austin.

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Rather Susan
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Description du livre Yale University Press, New Haven, 2016. HARD BACK. État : New. Etat de la jaquette : New. First.. 308pp 169 colour & b&w illustrations. An in-depth look at the changing status of American artists in the 18th and early 19th century This fascinating book is the first comprehensive art-historical study of what it meant to be an American artist in the 18th- and early 19th-century transatlantic world. Heavy item, may attract additional postage. Size: 280x216mm. Book. N° de réf. du libraire 19698

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Description du livre Yale University Press, United States, 2016. Hardback. État : New. Language: English . Brand New Book. An in-depth look at the changing status of American artists in the 18th and early 19th century This fascinating book is the first comprehensive art-historical study of what it meant to be an American artist in the 18th- and early 19th-century transatlantic world. Susan Rather examines the status of artists from different geographical, professional, and material perspectives, and delves into topics such as portrait painting in Boston and London; the trade of art in Philadelphia and New York; the negotiability and usefulness of colonial American identity in Italy and London; and the shifting representation of artists in and from the former British colonies after the Revolutionary War, when London remained the most important cultural touchstone. The book interweaves nuanced analysis of well-known artists-John Singleton Copley, Benjamin West, and Gilbert Stuart, among others-with accounts of non-elite painters and ephemeral texts and images such as painted signs and advertisements. Throughout, Rather questions the validity of the term American, which she sees as provisional-the product of an evolving, multifaceted cultural construction. N° de réf. du libraire AAH9780300214611

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Description du livre Yale University Press, United States, 2016. Hardback. État : New. Language: English . Brand New Book. An in-depth look at the changing status of American artists in the 18th and early 19th century This fascinating book is the first comprehensive art-historical study of what it meant to be an American artist in the 18th- and early 19th-century transatlantic world. Susan Rather examines the status of artists from different geographical, professional, and material perspectives, and delves into topics such as portrait painting in Boston and London; the trade of art in Philadelphia and New York; the negotiability and usefulness of colonial American identity in Italy and London; and the shifting representation of artists in and from the former British colonies after the Revolutionary War, when London remained the most important cultural touchstone. The book interweaves nuanced analysis of well-known artists-John Singleton Copley, Benjamin West, and Gilbert Stuart, among others-with accounts of non-elite painters and ephemeral texts and images such as painted signs and advertisements. Throughout, Rather questions the validity of the term American, which she sees as provisional-the product of an evolving, multifaceted cultural construction. N° de réf. du libraire AAH9780300214611

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Description du livre Yale University Press, 2016. État : New. An in-depth look at the changing status of American artists in the 18th and early 19th century Num Pages: 316 pages, 90 color + 80 b/w illus. BIC Classification: 1KBB; 3JF; 3JH; ACQ; ACV; HBJK; HBLL. Category: (P) Professional & Vocational. Dimension: 254 x 190. . . 2016. Hardcover. . . . . . N° de réf. du libraire V9780300214611

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Description du livre Yale University Press. État : New. An in-depth look at the changing status of American artists in the 18th and early 19th century Num Pages: 316 pages, 90 color + 80 b/w illus. BIC Classification: 1KBB; 3JF; 3JH; ACQ; ACV; HBJK; HBLL. Category: (P) Professional & Vocational. Dimension: 254 x 190. . . 2016. Hardcover. . . . . Books ship from the US and Ireland. N° de réf. du libraire V9780300214611

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