Présentation de l'éditeur :
"A brilliant, magisterial verse opus . . . a masterpiece with virtually no readers."--Civil War Times
Herman Melville (1819-1891) stopped writing fiction after the publication of The Confidence Man: His Masquerade in 1857; as he entered his forties, he turned to poetry as his literary avocation. His first published book of poems was Battle-Pieces and Aspects of the War (1866), a meditation on the Civil War in short lyric and narrative verses, and a work as ambitious and rich as any that issued from his pen.
Melville was well acquainted with the war. He made many trips south to visit his cousin Henry Gansevoort, a Union officer--on one such trip, he was active in an unsuccessful pursuit of Confederate raider John Mosby. He had met Abraham Lincoln in Washington, and called upon General Ulysses S. Grant in Virginia in 1864. And his position within his family, whose members were involved in almost every aspect of the war, was close enough to allow him a rare vantage point on this country's greatest conflict.
But, Battle-Pieces is anything but epic. Rather than celebratory, the tone of Melville's poem is grievous and disconsolate. "Unmindful, without purposing to be, of consistency" (as Melville puts it in his preface), the poems do not attempt to paint a broad picture of the whole of the war, but rather represent disjoint aspects, each faithful to Melville's impulsive, modern, yet realist view of the tragedy.
This facsimile edition of Battle-Pieces includes 72 poems on almost every major campaign, battle, and event; Melville's own detailed historical notes and his supplementary essay on Reconstruction; and a new introduction by Lee Rust Brown, who teaches English at the University of Utah and is the author of The Emerson Museum. An American classic is thus available once again.
Présentation de l'éditeur :
Leopold Classic Library is delighted to publish this classic book as part of our extensive collection. As part of our on-going commitment to delivering value to the reader, we have also provided you with a link to a website, where you may download a digital version of this work for free. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. Whilst the books in this collection have not been hand curated, an aim of our publishing program is to facilitate rapid access to this vast reservoir of literature. As a result of this book being first published many decades ago, it may have occasional imperfections. These imperfections may include poor picture quality, blurred or missing text. While some of these imperfections may have appeared in the original work, others may have resulted from the scanning process that has been applied. However, our view is that this is a significant literary work, which deserves to be brought back into print after many decades. While some publishers have applied optical character recognition (OCR), this approach has its own drawbacks, which include formatting errors, misspelt words, or the presence of inappropriate characters. Our philosophy has been guided by a desire to provide the reader with an experience that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic book, and that the occasional imperfection that it might contain will not detract from the experience.
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