Articles liés à The Stone Gods
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This new world weighs a yatto-gram.
But everything is trial-size; tread-on-me tiny or blurred-out-of-focus huge. There are leaves that have grown as big as cities, and there are birds that nest in cockleshells. On the white sand there are long-toed clawprints deep as nightmares, and there are rock pools in hand-hollows finned by invisible fish.
Trees like skyscrapers, and housing as many. Grass the height of hedges, nuts the swell of pumpkins. Sardines that would take two men to land them. Eggs, pale-blue-shelled, each the weight of a breaking universe.
And, underneath, mushrooms soft and small as a mouse ear. A crack like a cut, and inside a million million microbes wondering what to do next. Spores that wait for the wind and never look back.
Moss that is concentrating on being green.
A man pushes forward with a microphone – 'And is there oxygen?' Yes, there is. 'And fresh water?' Abundant. 'And no pollution?' None. Are there minerals? Is there gold? What's the weather like? Does it rain a lot? Has anyone tried the fish? Are there any humans? No, there are not any humans. Any intelligent life at all?
Depends what you mean by intelligent. There is something there, yes, and it's very big and very good at its job.
A picture of a scaly-coated monster with metal-plated jaws appears on the overhead screen. The crowd shrieks and swoons. No! Yes! No! Yes!
The most efficient killing machine ever invented before gunpowder. Not bad for a thing with a body the size of a stadium and a brain the size of a jam-jar.
I am here today to answer questions: 'The lady in pink –'
'Are these monsters we can see vegetarian?'
'Ma'am, would you be vegetarian with teeth like that?'
It's the wrong answer. I am here to reassure. A scientist steps forward. That's better. Scientists are automatically reassuring.
This is a very exciting, and very reassuring, day.
We are here today to witness the chance of a lifetime. The chance of many lifetimes. The best chance we have had since life began. We are running out of planet and we have found a new one. Through all the bright-formed rocks that jewel the sky, we searched until we found the one we will call home. We're moving on, that's all. Everyone has to do that some time or other, sooner or later, it's only natural.
My name is Billie Crusoe.
'Excuse me, is your name Billie Crusoe?'
'That's me.'
'From Enhancement Services?'
'Yes, Every Day a New Day.' (As we say in Enhancement.)
'Can you tell viewers how the new planet will affect their lives?'
'Yes, I can. The new planet offers us the opportunity to do things differently. We've had a lot of brilliant successes here on Orbus – well, we are the success story of the universe, aren't we? I mean to say, no other planet hosts human life.'
The interviewer nods and smiles vigorously.
'But we have taken a few wrong turnings. Made a few mistakes. We have limited natural resources at our disposal, and a rising population that is by no means in agreement as to how our world as a whole should share out these remaining resources. Conflict is likely. A new planet means that we can begin to redistribute ourselves. It will mean a better quality of life for everyone – the ones who leave, and the ones who stay.'
'So a win-win situation?'
'That's right, winning numbers all the way.'
Through the golden arches that are the city gates, the President of the Central Power is arriving. The arches stand like angels, their wings folded back against the lesser lights of the skyline.
The laser-gates, which look so solid, appear and disappear, like the wall that rings the city, a visible and invisible sign of progress and power.
Look in the light – the slight shimmer is their long energy. They are the aura of the city: emblem and warning, its halo and shield.
The President's cavalcade has reached the Circle. Flags, carpets, flowers, flunkeys, hitmen, pressmen, frontmen, back-up, support, medics, techies, crew, rig, lights, sound, real-time, archive, relay, vox-pop, popcorn, polish, makeup, dust-down, ready, green – go.
The President is making a speech. The Central Power has funded the space mission for hundreds of years, and it is understood that any discoveries belong to us. He compares us to the men who found the Indies, the Americas, the Arctic Circle; he becomes emotional, he reaches for a line of poetry. For a moment, there it is, in handwriting that nobody can read, slanting under the images of Planet Blue – She is all States, all Princes I...
The President is making a speech.
Unique moment for mankind ... unrivalled opportunity ... war averted ... summit planned between the Central Power, Eastern Caliphate, and our friends in the SinoMosco Pact. Peaceful compromise promised. New planets for old. Full pictures and information across the twenty-two geo-cities of the Central Power by tomorrow morning. New colonizing mission being made ready. Monsters will be humanely destroyed, with the possible exception of scientific capture of one or two types for the Zooeum.
Into the Circle come the spacemen themselves, in shiny titanium pressure suits, oversize helmets under their arms. These are men glamorous as comets, trailing fame in fire-tails.
There's a robot with them – well, a Robo sapiens, incredibly sexy, with that look of regret they all have before they are dismantled. It's policy; all information-sensitive robots are dismantled after mission, so that their data cannot be accessed by hostile forces. She's been across the universe, and now she's going to the recycling unit. The great thing about robots, even these Robo sapiens, is that nobody feels sorry for them. They are only machines.
She stands there, while the silver-suited saviours shake the President's hand. She's going to tell us all about the chemical and mineral composition of the new planet, its atmospheric readings, its possible history and potential evolution. Then, when the public part is done, she'll go backstage, transfer all her data, and open her power cells until her last robot flicker.
The End.
It's a kind of suicide, a kind of bleeding to death, but they show no emotion because emotions are not part of their programming.
Amazing to look so convincing and be nothing but silicon and a circuit-board.
She glances over to the Support Stand and catches my eye. I can't help blushing. I think she has read my mind. They can do that.
This is a great day for science. The last hundred years have been hell. The doomsters and the environmentalists kept telling us we were as good as dead and, hey presto, not only do we find a new planet, but it is perfect for new life. This time, we'll be more careful. This time we will learn from our mistakes. The new planet will be home to the universe's first advanced civilization. It will be a democracy – because whatever we say in public, the Eastern Caliphate isn't going to be allowed within a yatto-mile of the place. We'll shoot 'em down before they land. No, we won't shoot them down, because the President of the Central Power has just announced a new world programme of No War. We will not shoot down the Eastern Caliphate, we will robustly repel them.
The way the thinking is going in private, we'll leave this run-down rotting planet to the Caliphate and the SinoMosco Pact, and they can bomb each other to paste while the peace-loving folks of the Central Power ship civilization to the new world.
The new world – El Dorado, Atlantis, the Gold Coast, Newfoundland, Plymouth Rock, Rapanaui, Utopia, Planet Blue. Chanc'd upon, spied through a glass darkly, drunken stories strapped to a barrel of rum, shipwreck, a Bible Compass, a giant fish led us there, a storm whirled us to this isle. In the wilderness of space, we found...
My name is Billie Crusoe. Here comes my boss, Manfred. He's the kind of man who was born to rise and rise: a human elevator.
'Billie, have you voiced through the downloads?'
'Yes, everything is there – sketches, diagrams, and a step-by-step explanation of how Planet Blue will change all our lives.'
'We have to present this positively.'
'It is positive, isn't it? Are you saying there are presentation problems with the chance that everyone is dying for?'
'Don't use the word 'dying'.'
'But Orbus is dying.'
'Orbus is not dying. Orbus is evolving in a way that is hostile to human life.'
'OK, so it's the planet's fault. We didn't do anything, did we? Just fucked it to death and kicked it when it wouldn't get up.'
'I know how you feel. I don't say you're entirely wrong in your analysis, but that isn't the way we can present the situation. The President has sent a memo this morning to instruct Enhancement Services and Media Services to work together on this. We don't want any stupid questions – any difficulties. The last thing the Central Power needs now is any unrest of our own. There will be trouble enough with the Caliphate and the Pact.'
'Because you're not giving a ride to either the Believers or the Collective?'
'When did they ever do anything for us?'
The Central Power is trying to live responsibly on a crowded planet, and that bunch are still scanning the skies for God, and draining the last drops of oil out of the ground. They can go to Hell.'
Manfred looked down at my notebook. He frowned his older-man-thinker-type-sexy frown. 'Billie, if you weren't so eccentric, you'd fit in better here. Why are you writing in a notebook? Nobody reads and writes any more – there's no need. Why can't you use a SpeechPad like everybody else?'
'Notebook. Pencil. They have an old-fashioned charm that I like.'
'And I like the present just as it is. You still living in that bio-bubble thing?'
'You mean the farm? Of course I am. If I'd been able to make it pay I wouldn't be working for you. But a world that clones ...
Revue de presse :
But everything is trial-size; tread-on-me tiny or blurred-out-of-focus huge. There are leaves that have grown as big as cities, and there are birds that nest in cockleshells. On the white sand there are long-toed clawprints deep as nightmares, and there are rock pools in hand-hollows finned by invisible fish.
Trees like skyscrapers, and housing as many. Grass the height of hedges, nuts the swell of pumpkins. Sardines that would take two men to land them. Eggs, pale-blue-shelled, each the weight of a breaking universe.
And, underneath, mushrooms soft and small as a mouse ear. A crack like a cut, and inside a million million microbes wondering what to do next. Spores that wait for the wind and never look back.
Moss that is concentrating on being green.
A man pushes forward with a microphone – 'And is there oxygen?' Yes, there is. 'And fresh water?' Abundant. 'And no pollution?' None. Are there minerals? Is there gold? What's the weather like? Does it rain a lot? Has anyone tried the fish? Are there any humans? No, there are not any humans. Any intelligent life at all?
Depends what you mean by intelligent. There is something there, yes, and it's very big and very good at its job.
A picture of a scaly-coated monster with metal-plated jaws appears on the overhead screen. The crowd shrieks and swoons. No! Yes! No! Yes!
The most efficient killing machine ever invented before gunpowder. Not bad for a thing with a body the size of a stadium and a brain the size of a jam-jar.
I am here today to answer questions: 'The lady in pink –'
'Are these monsters we can see vegetarian?'
'Ma'am, would you be vegetarian with teeth like that?'
It's the wrong answer. I am here to reassure. A scientist steps forward. That's better. Scientists are automatically reassuring.
This is a very exciting, and very reassuring, day.
We are here today to witness the chance of a lifetime. The chance of many lifetimes. The best chance we have had since life began. We are running out of planet and we have found a new one. Through all the bright-formed rocks that jewel the sky, we searched until we found the one we will call home. We're moving on, that's all. Everyone has to do that some time or other, sooner or later, it's only natural.
My name is Billie Crusoe.
'Excuse me, is your name Billie Crusoe?'
'That's me.'
'From Enhancement Services?'
'Yes, Every Day a New Day.' (As we say in Enhancement.)
'Can you tell viewers how the new planet will affect their lives?'
'Yes, I can. The new planet offers us the opportunity to do things differently. We've had a lot of brilliant successes here on Orbus – well, we are the success story of the universe, aren't we? I mean to say, no other planet hosts human life.'
The interviewer nods and smiles vigorously.
'But we have taken a few wrong turnings. Made a few mistakes. We have limited natural resources at our disposal, and a rising population that is by no means in agreement as to how our world as a whole should share out these remaining resources. Conflict is likely. A new planet means that we can begin to redistribute ourselves. It will mean a better quality of life for everyone – the ones who leave, and the ones who stay.'
'So a win-win situation?'
'That's right, winning numbers all the way.'
Through the golden arches that are the city gates, the President of the Central Power is arriving. The arches stand like angels, their wings folded back against the lesser lights of the skyline.
The laser-gates, which look so solid, appear and disappear, like the wall that rings the city, a visible and invisible sign of progress and power.
Look in the light – the slight shimmer is their long energy. They are the aura of the city: emblem and warning, its halo and shield.
The President's cavalcade has reached the Circle. Flags, carpets, flowers, flunkeys, hitmen, pressmen, frontmen, back-up, support, medics, techies, crew, rig, lights, sound, real-time, archive, relay, vox-pop, popcorn, polish, makeup, dust-down, ready, green – go.
The President is making a speech. The Central Power has funded the space mission for hundreds of years, and it is understood that any discoveries belong to us. He compares us to the men who found the Indies, the Americas, the Arctic Circle; he becomes emotional, he reaches for a line of poetry. For a moment, there it is, in handwriting that nobody can read, slanting under the images of Planet Blue – She is all States, all Princes I...
The President is making a speech.
Unique moment for mankind ... unrivalled opportunity ... war averted ... summit planned between the Central Power, Eastern Caliphate, and our friends in the SinoMosco Pact. Peaceful compromise promised. New planets for old. Full pictures and information across the twenty-two geo-cities of the Central Power by tomorrow morning. New colonizing mission being made ready. Monsters will be humanely destroyed, with the possible exception of scientific capture of one or two types for the Zooeum.
Into the Circle come the spacemen themselves, in shiny titanium pressure suits, oversize helmets under their arms. These are men glamorous as comets, trailing fame in fire-tails.
There's a robot with them – well, a Robo sapiens, incredibly sexy, with that look of regret they all have before they are dismantled. It's policy; all information-sensitive robots are dismantled after mission, so that their data cannot be accessed by hostile forces. She's been across the universe, and now she's going to the recycling unit. The great thing about robots, even these Robo sapiens, is that nobody feels sorry for them. They are only machines.
She stands there, while the silver-suited saviours shake the President's hand. She's going to tell us all about the chemical and mineral composition of the new planet, its atmospheric readings, its possible history and potential evolution. Then, when the public part is done, she'll go backstage, transfer all her data, and open her power cells until her last robot flicker.
The End.
It's a kind of suicide, a kind of bleeding to death, but they show no emotion because emotions are not part of their programming.
Amazing to look so convincing and be nothing but silicon and a circuit-board.
She glances over to the Support Stand and catches my eye. I can't help blushing. I think she has read my mind. They can do that.
This is a great day for science. The last hundred years have been hell. The doomsters and the environmentalists kept telling us we were as good as dead and, hey presto, not only do we find a new planet, but it is perfect for new life. This time, we'll be more careful. This time we will learn from our mistakes. The new planet will be home to the universe's first advanced civilization. It will be a democracy – because whatever we say in public, the Eastern Caliphate isn't going to be allowed within a yatto-mile of the place. We'll shoot 'em down before they land. No, we won't shoot them down, because the President of the Central Power has just announced a new world programme of No War. We will not shoot down the Eastern Caliphate, we will robustly repel them.
The way the thinking is going in private, we'll leave this run-down rotting planet to the Caliphate and the SinoMosco Pact, and they can bomb each other to paste while the peace-loving folks of the Central Power ship civilization to the new world.
The new world – El Dorado, Atlantis, the Gold Coast, Newfoundland, Plymouth Rock, Rapanaui, Utopia, Planet Blue. Chanc'd upon, spied through a glass darkly, drunken stories strapped to a barrel of rum, shipwreck, a Bible Compass, a giant fish led us there, a storm whirled us to this isle. In the wilderness of space, we found...
My name is Billie Crusoe. Here comes my boss, Manfred. He's the kind of man who was born to rise and rise: a human elevator.
'Billie, have you voiced through the downloads?'
'Yes, everything is there – sketches, diagrams, and a step-by-step explanation of how Planet Blue will change all our lives.'
'We have to present this positively.'
'It is positive, isn't it? Are you saying there are presentation problems with the chance that everyone is dying for?'
'Don't use the word 'dying'.'
'But Orbus is dying.'
'Orbus is not dying. Orbus is evolving in a way that is hostile to human life.'
'OK, so it's the planet's fault. We didn't do anything, did we? Just fucked it to death and kicked it when it wouldn't get up.'
'I know how you feel. I don't say you're entirely wrong in your analysis, but that isn't the way we can present the situation. The President has sent a memo this morning to instruct Enhancement Services and Media Services to work together on this. We don't want any stupid questions – any difficulties. The last thing the Central Power needs now is any unrest of our own. There will be trouble enough with the Caliphate and the Pact.'
'Because you're not giving a ride to either the Believers or the Collective?'
'When did they ever do anything for us?'
The Central Power is trying to live responsibly on a crowded planet, and that bunch are still scanning the skies for God, and draining the last drops of oil out of the ground. They can go to Hell.'
Manfred looked down at my notebook. He frowned his older-man-thinker-type-sexy frown. 'Billie, if you weren't so eccentric, you'd fit in better here. Why are you writing in a notebook? Nobody reads and writes any more – there's no need. Why can't you use a SpeechPad like everybody else?'
'Notebook. Pencil. They have an old-fashioned charm that I like.'
'And I like the present just as it is. You still living in that bio-bubble thing?'
'You mean the farm? Of course I am. If I'd been able to make it pay I wouldn't be working for you. But a world that clones ...
“Everything she does suspends readers between the mind and the body, between ‘atom and dream.’ She is a kind of magician. She can do anything.” –Ali Smith
“Written in lilting, beautiful, crisply modulated prose. . .The Stone Gods is a playful but impassioned novel.” –The Times (UK)
“The Stone Gods is a vivid, cautionary tale – or, more precisely, a keen lament for our irremediably incautious species.” –Ursula K. Le Guin, The Guardian (UK)
“Scary, beautiful, witty and wistful by turns, dipping into the known past as it explores potential futures. . . . Winterson’s story transcends the established facts and common fantasies; it becomes art. . . . Winterson is an unquestionably virtuoso stylist. . . . Read The Stone Gods for new discoveries in language, love and what it means to be human.” –The New York Times Book Review
“This witty, challenging and thought-provoking novel should be essential reading for anyone concerned with how we live and how we might survive.” –Daily Mail
“Winterson’s most engrossing and adventurous novel in some years . . . If she keeps on like this, there may be a glimmer of hope for the future after all.” –The Daily Telegraph
“Prize-winning Brit Winterson applies her fantastical touch to a sci-fi, postapocalyptic setting. Heroine Billie Crusoe appears in three different end-of-the-world scenarios, allowing Winterson to explore the repetitive and destructive nature of human history and an inability (or unwillingness) of people to learn from previous mistakes. . . . [Winterson’s] prose – as stunning, lyrical and evocative as ever – and intelligence easily carry the book.” –Publishers Weekly
“The Stone Gods contains bold scientific hypotheses, enough anger to topple mountains and the imaginative assurance of a sleepwalker pirouetting on a tight wire. . . . while this emotionally charged dream is sustained over considerable time (about 65 million years), it feels heart-stoppingly immediate on nearly every page. . . . chilling and fulfilling.” –Los Angeles Times
“[A] stunning moral fable for our times. . . . In The Stone Gods, Winterson has written a beautifully modulated encomium to art and love, an epic elegy for our culture. . . . Sentence by sentence this novel simply sings. . . . [A] wondrously savage and gorgeous work of fiction.” –Ottawa Citizen
“Moral seriousness anchoring the playfulness. . . . The Stone Gods is entertaining, thought provoking and deftly paved. But the greatest pleasure of Winterson’s work is her language, which ranges from tartly aphoristic to rhapsodically lyrical.” –Toronto Star
“In this dense but also curiously spacious novel, Winterson dives deep into her well of crazy wisdom. . . . She compresses and blows the passage of history and literature past the reader at something like the speed of sound. Her established gift for manipulating time, character and language is nothing short of spectacular here.” –The Globe and Mail
“Winterson is such a masterful storyteller, her prose so perfectly cadenced, that readers are swept along through a structure that is complex and often puzzling. At times, reading The Stone Gods is like travelling through a lovely maze set with mirrors. You’re never sure whether you're going forward or back. In the end, you realize it doesn’t matter. . . . Whatever world Winterson takes us to, the scene is reassuringly, horrifyingly human.” –The Gazette
“[Winterson’s] novels tend to read like spells or incantations and her latest, The Stone Gods, runs true to type. . . . As always, her thoughts on these subjects are couched in language of thrilling richness and invention; we are reminded that Winterson is a pasticheuse of brilliance, a tender writer on animals and states of longing, an ingenious cartographer of imaginary worlds.” –National Post
“Written in lilting, beautiful, crisply modulated prose. . .The Stone Gods is a playful but impassioned novel.” –The Times (UK)
“The Stone Gods is a vivid, cautionary tale – or, more precisely, a keen lament for our irremediably incautious species.” –Ursula K. Le Guin, The Guardian (UK)
“Scary, beautiful, witty and wistful by turns, dipping into the known past as it explores potential futures. . . . Winterson’s story transcends the established facts and common fantasies; it becomes art. . . . Winterson is an unquestionably virtuoso stylist. . . . Read The Stone Gods for new discoveries in language, love and what it means to be human.” –The New York Times Book Review
“This witty, challenging and thought-provoking novel should be essential reading for anyone concerned with how we live and how we might survive.” –Daily Mail
“Winterson’s most engrossing and adventurous novel in some years . . . If she keeps on like this, there may be a glimmer of hope for the future after all.” –The Daily Telegraph
“Prize-winning Brit Winterson applies her fantastical touch to a sci-fi, postapocalyptic setting. Heroine Billie Crusoe appears in three different end-of-the-world scenarios, allowing Winterson to explore the repetitive and destructive nature of human history and an inability (or unwillingness) of people to learn from previous mistakes. . . . [Winterson’s] prose – as stunning, lyrical and evocative as ever – and intelligence easily carry the book.” –Publishers Weekly
“The Stone Gods contains bold scientific hypotheses, enough anger to topple mountains and the imaginative assurance of a sleepwalker pirouetting on a tight wire. . . . while this emotionally charged dream is sustained over considerable time (about 65 million years), it feels heart-stoppingly immediate on nearly every page. . . . chilling and fulfilling.” –Los Angeles Times
“[A] stunning moral fable for our times. . . . In The Stone Gods, Winterson has written a beautifully modulated encomium to art and love, an epic elegy for our culture. . . . Sentence by sentence this novel simply sings. . . . [A] wondrously savage and gorgeous work of fiction.” –Ottawa Citizen
“Moral seriousness anchoring the playfulness. . . . The Stone Gods is entertaining, thought provoking and deftly paved. But the greatest pleasure of Winterson’s work is her language, which ranges from tartly aphoristic to rhapsodically lyrical.” –Toronto Star
“In this dense but also curiously spacious novel, Winterson dives deep into her well of crazy wisdom. . . . She compresses and blows the passage of history and literature past the reader at something like the speed of sound. Her established gift for manipulating time, character and language is nothing short of spectacular here.” –The Globe and Mail
“Winterson is such a masterful storyteller, her prose so perfectly cadenced, that readers are swept along through a structure that is complex and often puzzling. At times, reading The Stone Gods is like travelling through a lovely maze set with mirrors. You’re never sure whether you're going forward or back. In the end, you realize it doesn’t matter. . . . Whatever world Winterson takes us to, the scene is reassuringly, horrifyingly human.” –The Gazette
“[Winterson’s] novels tend to read like spells or incantations and her latest, The Stone Gods, runs true to type. . . . As always, her thoughts on these subjects are couched in language of thrilling richness and invention; we are reminded that Winterson is a pasticheuse of brilliance, a tender writer on animals and states of longing, an ingenious cartographer of imaginary worlds.” –National Post
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
- ÉditeurKnopf Canada
- Date d'édition2008
- ISBN 10 030739722X
- ISBN 13 9780307397225
- ReliureRelié
- Nombre de pages224
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The Stone Gods Winterson, Jeanette
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The Stone Gods
Edité par
Knopf Canada
(2008)
ISBN 10 : 030739722X
ISBN 13 : 9780307397225
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Quantité disponible : 1
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