Corduroy Mansions - Couverture souple

Smith, Alexander Mccall; Illustrated By Mcintosh, Iain

Couverture souple

ISBN 10 : 030739834X ISBN 13 : 9780307398345

Editeur : Anchor / Random House, 2011

A propos du livre

Extrait

1. In the Bathroom

Passing off, thought William. Spanish sparkling wine-filthy stuff, he thought, filthy-passed itself off as champagne. Japanese whisky-Glen Yakomoto!-was served as Scotch. Inferior hard cheese-from Mafia-run factories in Catania-was sold to the unsuspecting as Parmesan.

Lots of things were passed off in one way or another, and now, as he stood before the bathroom mirror, he wondered if he could be passed off too. He looked at himself, or such part of himself as the small mirror encompassed-just his face, really, and a bit of neck. It was a fifty-one-year-old face chronologically, but would it pass, he wondered, for a forty-something-year-old face?

He looked more closely: there were lines around the eyes and at the edge of the mouth but the cheeks were smooth enough. He pulled at the skin around the eyes and the lines disappeared. There were doctors who could do that for you, of course: tighten things up; nip and tuck. But the results, he thought, were usually risible. He had a customer who had gone off to some clinic and come back with a face like a Noh-play mask-all smoothed out and flat. It was sad, really. And as for male wigs, with their stark, obvious hairlines, all one wanted to do was to reach forward and give them a tug. It was quite hard to resist, actually, and once, as a student-and when drunk-he had done just that. He had tugged at the wig of a man in a bar and . . . the man had cried. He still felt ashamed of himself for that. Best not to think about it.

No, he was weathering well enough and it was far more dignified to let nature take its course, to weather in a National Trust sort of way. He looked again at his face. Not bad. The sort of face, he thought, that would be hard to describe on the Wanted poster, if he were ever to do anything to merit the attention of the police-which he had not, of course. Apart from the usual sort of thing that made a criminal of everybody: "Wanted for illegal parking," he muttered. "William Edward French (51). Average height, very slightly overweight (if you don't mind our saying so), no distinguishing features. Not dangerous, but approach with caution."

He smiled. And if I were to describe myself in one of those lonely hearts ads? Wine dealer, widower, solvent, late forties-ish, GSOH, reasonable shape, interested in music, dining out etc., etc., WLTM presentable, lively woman with view to LTR.

That would be about it. Of course one had to be careful about the choice of words in these things; there were codes, and one might not be aware of them. "Solvent" was clear enough: it meant that one had sufficient money to be comfortable, and that was true enough. He would not describe himself as well off, but he was certainly solvent. "Well off," he had read somewhere, now meant disposable assets of over . . . how much? More than he had, he suspected.

And "reasonable shape"? Well, if that was not strictly speaking true at present, it would be shortly. William had joined a gym and been allocated a personal trainer. If his shape at present was not ideal, it soon would be, once the personal trainer had worked on him. It would take a month or two, he thought, not much more than that. So perhaps one might say, shortly to be in reasonable shape.

Now, what about: would like to meet presentable, lively woman. Well, presentable was a pretty low requirement. Virtually anybody could be presentable if they made at least some effort. Lively was another matter. One would have to be careful about lively because it could possibly be code for insatiable, and that would not do. Who would want to meet an insatiable woman? My son, thought William suddenly. That's exactly the sort of woman Eddie would want to meet. The thought depressed him.

William lived with his son. There had been several broad hints dropped that Eddie might care to move out and share with other twenty- somethings, and recently a friend of Eddie's had even asked him if he wanted to move into a shared flat, but these hints had apparently fallen on unreceptive ground. "It's quite an adventure, Eddie," William said. "Everybody at your stage of life shares a flat. Like those girls downstairs. Look at the fun they have. Most people do it."

"You didn't."

William sighed. "My circumstances, Eddie, were a bit different."

"You lived with Grandpa until he snuffed it."

"Precisely. But I had to, don't you see? I couldn't leave him to look after himself."

"But I could live with you until you snuff it."

"That's very kind of you. But I'm not planning to snuff it just yet."

Then there had been an offer to help with a mortgage-to pay the deposit on a flat in Kentish Town. William had even gone so far as to contact an agent and find a place that sounded suitable. He had looked at it without telling Eddie, meeting the agent one afternoon and being shown round while a litany of the flat's-and the area's-advantages was recited.

William had been puzzled. "But it doesn't appear to have a kitchen," he pointed out.

The agent was silent for a moment. "Not as such," he conceded. "No. That's correct. But there's a place for a sink and you can see where the cooker used to be. So that's the kitchen space. Nowadays people think in terms of a kitchen space. The old concept of a separate kitchen is not so important. People see past a kitchen."

In spite of the drawbacks, William had suggested that Eddie should look at the place and had then made his proposition. He would give him the deposit and guarantee the mortgage.

"Your own place," he said. "It's ideal."

Eddie looked doubtful. "But it hasn't got a kitchen, Dad. You said so. No kitchen."

William took this in his stride. "It has a kitchen space, Eddie. People see past an actual kitchen these days. Didn't you know that?"

But Eddie was not to be moved. "It's kind of you, Dad. I appreciate the offer, but I think it's premature. I'm actually quite comfortable living at home. And it's greener, isn't it? Sharing. It makes our carbon footprint much smaller."

And so William found himself living with his twenty-four-year-old son. Wine dealer, he thought, would like his son to meet a lively woman with view to his moving in with her. Permanently. Any area.

He turned away from the bathroom mirror and stooped down to run his morning bath. It was a Friday, which meant that he would open the business half an hour late, at ten-thirty rather than ten. This meant that he could have his bath and then his breakfast in a more leisurely way, lingering over his boiled egg and newspaper before setting off; a small treat, but a valued one.

There was a knocking on the door, soft at first and then more insistent.

"You're taking ages, Dad. What are you doing in there?"

He did not reply.

"Dad? Would you mind hurrying up? Or do you want me to be late?"

William turned and faced the door. He stuck out his tongue.

"Don't be so childish," came the voice from the other side of the door.

Childish? thought William. Well, you've got a little surprise coming your way, Eddie, my boy.

2. Corduroy Matters

The flat occupied by William and Eddie was on the top floor of the four-storey building in Pimlico known as Corduroy Mansions. It was not a typical London mansion block. The name had been coined-in jest, yet with a considerable measure of condescension-by a previous tenant, but Corduroy Mansions had stuck, and a disparaging nickname had become a fond one. There was something safe about corduroy, something reassuring, and while corduroy might be an ideological near neighbour of tweed, it was not quite as . . . well, tweedy. So while William would have been appalled to hear himself described as tweedy, he would not have resented being called corduroy. There was something slightly bohemian about corduroy; it was a sign, perhaps, of liberality of outlook, of openness to alternatives-of a slightly artistic temperament.

Corduroy Mansions had been built in the early twentieth century, in a fit of Arts and Crafts enthusiasm. It was an era when people still talked to one another, in sentences; that had since become unusual, but at least the occupants of all the Corduroy flats still conversed- at least sometimes-with their neighbours, and even appeared to enjoy doing so. "It's got a lived-in feel," one of the residents remarked, and that was certainly true. Whereas in more fashionable blocks down the road in Eaton Square, or the like, there would be flats that lay unoccupied for most of the year, or flats occupied by exotic, virtually invisible people, wealthy wraiths who slipped in and out of their front doors without a word to neighbours, everyone with a flat in Corduroy Mansions actually lived there. They had no other place. Corduroy Mansions was home.

The staircase was the setting for most of these personal encounters, although every so often there would be a meeting at which all the tenants got together to discuss matters of mutual interest. There were the meetings that took place in William's flat over the new carpet for the stairs-an issue that took six months of delicate negotiation to resolve-and there was also a meeting over what colour to paint the front door. On these occasions it was inevitably William who took the chair, being not only the oldest resident, but also the one most endowed with the gravitas necessary to deal with the landlord, a faceless company in Victoria that appeared to ignore any letters it received.

"They're in denial," said William. "We've got them for the next one hundred and twenty years and they're in denial."

But the landlord eventually did what was required, and although Corduroy Mansions could not be described as being in good order, at least it did not appear to be falling down.

"This old place suits me," remarked William to his friend Marcia. "It's like an old glove, familiar and comfortable."

"Or an old sock, even," said Marcia, sniffing the air. Marcia was always ready to detect a smell, and she had often remarked on a slight odour on the staircase.
<...

Revue de presse

“This cheerful novel is more about personalities than events. . . . Corduroy Mansions, like all McCall Smith’s books, is gentle and genteel . . . . Cosy and comfortable.”
— The Vancouver Sun
 
“Corduroy Mansions is like the cloth of its title — comfortable, easy, homey. . . .  McCall Smith, a master of weaving the many strands of his complex stories together, does so here with supreme virtuosity. He . . . remains deeply affectionate toward his flawed cast. And so, Dear Reader, will you.”
— The Washington Post
 
“The creator of the successful No. 1 Ladies’  Detective Agency series returns with a new cast of characters to love. . . . Alexander McCall Smith is a writer of such fond, heartfelt geniality that at the end of this cozy read, fans will be grateful that the series has just begun.”
— Entertainment Weekly

“Corduroy Mansions is the beginning of a new series for McCall Smith, and, once again, he doesn’t disappoint. . . . McCall Smith’s characters are, for the most part, the best of what you want people to be­­. . . . In general they have a warmth and depth to their character that is almost profound. . . . His books are beach books, they are airport books, they are summer and winter books, they are books that make you want to embrace life. Corduroy Mansions is another gem to add to the pile.”
— The Globe and Mail

Praise for the online serial:
"[Corduroy Mansions] has turned into a daily laugh-out-loud treat on my journey into work."
— Bookseller

"The end of [the first series of] Corduroy Mansions, with its beguiling characters, rambling narrative and celebration of life's small moments, has left readers utterly bereft."
— The Telegraph
From the Hardcover edition.

À propos de cette édition

• Éditeur: Anchor / Random House
• Date d'édition: 2011
• ISBN 10: 030739834X
• ISBN 13: 9780307398345
• Reliure: Broché
• Numéro d'édition: 1
• Nombre de pages: 352