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Rakoff, Joanna My Salinger Year: A Memoir ISBN 13 : 9780307947987

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9780307947987: My Salinger Year: A Memoir
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Revue de presse :

“A beautifully written tribute to the way things were at the edge of the digital revolution, and to the evergreen power of literature.” —Chicago Tribune

“An affecting coming-of-age memoir. . . . Rakoff wisely—and deftly—weaves her Salinger story into a broader, more universal tale about finding one’s bearings during a pivotal transitional year into real adulthood.” —The Washington Post

“Charming. . . . Glamorous. . . . Rakoff does a marvelous job of capturing a cultural moment. . . . What is most admirable is [her] critical intelligence and generosity of spirit.” —The Boston Globe

“The loneliness of life after college [is] perfectly explained . . . There’s something Salingeresque about her book: it’s a vivid story of innocence lost.” —Entertainment Weekly

My Salinger Year describes its author’s trip down a metaphorical rabbit hole back in 1996. She arrived not in Wonderland, but a place something like it, a New York City firm she calls only the Agency. . . . An outright tribute to the enduring power of J.D. Salinger’s work.” —Salon
 
“A breezy memoir of being a ‘bright young assistant’ in the mid-1990s . . . Salinger himself makes a cameo appearance. . . . The ‘archaic charms’ of the Agency are comically offset by its refusal to acknowledge the Internet age.” —The New York Times Book Review

“While it may be the Salinger cameo that initially draws readers in, it’s Rakoff’s effortlessly elegant, unhyperbolic prose and poignant coming-of-age story that will keep them engrossed through the very last word.” —BookPage
    
“Moving. . . . Heartfelt. . . . Rakoff uses Salinger—his fan mail and her favorite character, Franny—to help illuminate her inner life. . . . The memoir is touching, and it’s easy to empathize with how Rakoff, like Franny, is ‘trying to figure out how to live in this world.’”  —USA Today
 
“Gentle, funny, closely observed. . . . The special unworldliness of the young literary person, who has reached adulthood without ever knowing or caring much about how the world works, is the real subject of My Salinger Year.” —Tablet Magazine
 
“Gripping and funny. . . . An involving, evocative tale that will have bookish women everywhere shuddering in recognition. Like Rona Jaffe’s novel of the 50s, The Best of Everything, it is concerned with what it feels like to move to the big city, to take on your first job, and to struggle to survive on a tiny salary when all the while your dreams are seemingly being snuffed out at every turn, and your love life is spiraling into muddle and mayhem. . . . So raw and so true.” —The Guardian
 
“Hard to put down. . . . Demands sympathy, admiration, and attention. . . . Irresistible.” —The Sunday Times
 
“Intimate . . . elegant . . . graceful.” —The Sunday Telegraph
 
“As memoirs go, this is possibly one of the year’s funniest, enthralling and entertaining . . . For an insight into old-fashioned publishing this must be hard to beat. Everyone smokes, returns tiddly from boozy lunches, and authors are treated with respect. It knocks spots off The Devil Wears Prada.” —The Sydney Morning Herald
 
“Lures you in. . . . A story about growing up and getting better in a rapidly changing industry and world.” —Flavorwire, “June 2014 Books You Must Read”

Extrait :
How many times had I been told that Salinger would not call, would never call, that I would have no contact with him? More than I could count.
 
And yet one morning, a Friday, at the beginning of April, I picked up the phone and heard someone shouting at me. “HELLO? HELLO?” Then something incomprehensible. “HELLO? HELLO?” More gibberish. Slowly, as in a dream, the gibberish resolved into language. “It’s Jerry,” the caller was shouting. Oh my God, I thought. It’s him. I began, slightly, to quiver with fear, not because I was talking to—or being shouted at by—the actual J. D. Salinger, but because I so feared doing something wrong and incurring my boss’s wrath. My mind began to sift through all the Salinger-related instructions that had been imparted to me, but they had more to do with keeping others away from him, less to do with the man himself. There was no risk of my asking him to read my stories or gushing about The Catcher in the Rye. I still hadn’t read it. “WHO IS THIS?” he asked, though it took me a few tries to understand. “It’s Joanna,” I told him, nine or ten times, yelling at the top of my lungs by the final three. “I’m the new assistant.”
 
“Well, nice to meet you, Suzanne,” he said, finally, in something akin to a normal voice. “I’m calling to speak to your boss.” I had assumed as much. Why had Pam put him through to me, rather than taking a message? My boss was out for the day, it being Friday, her reading day.
 
I conveyed this to him, or hoped that I did. “I can call her at home and have her call you back today. Or she can give you a call when she gets in on Monday.”
 
“Monday is fine,” he said, his voice ratcheted down another notch. “Well, very nice to meet you, Suzanne. I hope we meet in person someday.”
 
“Me, too,” I said. “Have a great day.” This was not a phrase I ever used. Where had it come from?
 
“YOU, TOO!” Ah, the shouting.
 
I put the phone down and took a deep breath, as I’d learned to do in ballet. My entire body, I realized, was shaking. I stood up and stretched.
 
“Jerry?” asked Hugh, stepping out of his office with a mug of coffee.
 
“Yes!” I said. “Wow.”
 
“He’s deaf. His wife set up this special phone for him, with an amplified receiver, but he refuses to use it.” He sighed his trademark sigh. To be Hugh was to be let down by the world. “What did he want?”
 
“Just to talk to my boss.” I shrugged. “I offered to call her at home and have her call him back, but he said Monday was fine.”
 
Hugh wrinkled his face in thought. “Hmm, why don’t you call her anyway. I think she’d want to know.”
 
“Okay,” I said, thumbing through my Rolodex.
 
She wasn’t home and had no answering machine. She didn’t believe in them. Just as she didn’t believe in computers or voice mail, another newfangled invention not employed by the Agency. If you called during business hours, you reached Pam, the receptionist. If you called outside business hours, the phone just rang and rang, as it did at my boss’s apartment, twenty blocks north of the office. I tried again, every hour or so, until the end of the day, to no avail. It would have to be Monday.

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Description du livre Paperback. Etat : new. Paperback. A keenly observed and irresistibly funny memoir about literary New York in the late nineties, a pre-digital world on the cusp of vanishing. Now a major motion picture starring Sigourney Weaver and Margaret QualleyAfter leaving graduate school to pursue her dream of becoming a poet, Joanna Rakoff takes a job as assistant to the storied literary agent for J. D. Salinger. Precariously balanced between poverty and glamour, she spends her days in a plush, wood-paneled officewhere Dictaphones and typewriters still reign and agents doze after three-martini lunchesand then goes home to her threadbare Brooklyn apartment and her socialist boyfriend. Rakoff is tasked with processing Salingers voluminous fan mail, but as she reads the heart-wrenching letters from around the world, she becomes reluctant to send the agencys form response and impulsively begins writing back. The results are both humorous and moving, as Rakoff, while acting as the great writers voice, begins to discover her own. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780307947987

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