Book by Hustvedt Siri
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Siri Hustvedt is a novelist of great intelligence. She knows the ways of the world and of the heart . . . THE SUMMER WITHOUT MEN is a new departure. Despite its painful subject matter - marital rupture, encroaching death, the tormenting antics of malice-ridden girls - the novel is a mordant comedy. (Lisa Appignanesi, The Observer)
a rich and intelligent meditation on female identity, written in beguiling lyrical prose . . . heady and intoxicating (Lucy Scholes, Sunday Times)
Hustvedt is a writer of luminous perception (Jane Shilling, Telegraph)
It's a warm, affecting tale about love, loss and finding consolation in female friendship. Hustvedt captures both the absurdity and the tragedy of life (Sebastian Shakespeare, Tatler)
Hustvedt's intensely visual writing spans the generations. She can conjure up a child's realm of imaginary friends as evocatively as the brave face adopted by the elderly living in "a world of continual loss". The story of one woman regaining her own identity, it's by turns funny, moving and erudite, playfully reminding us of a contemporary Jane Austen. (Claire Colvin, Daily Mail)
[Mia] is alarmingly funny and her narrative toys with the immediacy of the epistolary novel . . . Events are coupled with commentary, commentary leads into event and temporal sequence is delightfully confused. Such digressive freedom is one of the pleasures of THE SUMMER WITHOUT MEN, in which fiction, fantasy, and historical fact are interweaved. (Stephanie Bishop, TLS)
THE SUMMER WITHOUT MEN shows a mind alive, at work and boundlessly curious about the way people live and love. It is the kind of book with which to grapple and argue, to challenge and fight, but also with which to engage and at which to marvel. (Jennifer Levasseuer, The Age)
Siri Hustvedt is an intelligent, intuitive, talented writer (Lionel Shriver, Financial Times)
Distinctive and enthralling...The Summer Without Men is satire, full of brilliant disquisitions on all manner of things - the nature of love, the difference between men and women, the question of madness. But it is satire with a heart, a great big glorious heart, and I loved every minute of it. (Sara Dowse, Canberra Times)
Spirited and intelligent. (Sydney Morning Herald)
Siri Hustvedt's first novel, The Blindfold, was published by Sceptre in 1993. Since then she has published The Enchantment of Lily Dahl, What I Loved, The Sorrows of an American, The Summer Without Men and The Blazing World, which was longlisted for the Man Booker Prize in 2014 and won the Los Angeles Times Book Prize for Fiction. She is also the author of the poetry collection Reading To You, and four collections of essays: Yonder, Mysteries of the Rectangle: Essays on Painting, A Plea for Eros and Living, Thinking, Looking, as well as the memoir The Shaking Woman: A History of My Nerves.
Born in Minnesota, Siri Hustvedt now lives in Brooklyn, New York. She has a PhD in English from Columbia University and in 2012 was awarded the International Gabarron Prize for Thought and Humanities.
She delivered the Schelling Lecture in Aesthetics in Munich in 2010, the Freud Lecture in Vienna in 2011 and the opening keynote at the conference to mark Kierkegaard's 200th anniversary in Copenhagen in 2013, while her latest honorary doctorate is from the University of Gutenburg in Germany. She is also Lecturer in Psychiatry at Weill Cornell Medical School and has written on art for the New York Times, the Daily Telegraph and several exhibition catalogues.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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