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Alameddine, Rabih The Hakawati ISBN 13 : 9780330469692

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9780330469692: The Hakawati
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Listen. Allow me to be your god. Let me take you on a journey beyond imagining. Let me tell you a story.

A long, long time ago, an emir lived in a distant land, in a beautiful city, a green city with many trees and exquisite gurgling fountains whose sound lulled the citizens to sleep at night. Now, the emir had everything, except for the one thing his heart desired, a son. He had wealth, earned and inherited. He had health and good teeth. He had status, charm, respect. His beautiful wife loved him. His clan looked up to him. He had a good pedicurist. Twenty years he had been married, twelve lovely girls, but no son. What to do?

He called his vizier. “Wise vizier,” he said. “I need your help. My lovely wife has been unable to deliver me a son, as you know. Each of my twelve girls is more beautiful than the other. They have milk-white skin as smooth as the finest silk from China. The glistening pearls from the Arabian Gulf pale next to their eyes. The luster of their hair outshines the black dyes from the land of Sind. The oldest has seventeen poets singing her praises. My daughters have given me much pleasure, much to be proud of. Yet I yearn to see an offspring with a little penis run around my courtyard, a boy to carry my name and my honor, a future leader of our clan. I am at a loss. My wife says we should try once more, but I cannot put her through all this again for another girl. Tell me, what can I do to ensure a boy?”

The vizier, for the thousandth upon thousandth time, suggested his master take a second wife. “Before it is too late, my lord. It is obvious that your wife will not produce a boy. We must find someone who will. My liege is the only man within these borders who has only one wife.”

The emir had rejected the suggestion countless times, and that day would be no different. He looked wistfully out onto his garden. “I cannot marry another, my dear vizier. I am terribly in love with my wife. She can be ornery now and then, vain for sure, petulant and impetuous, silly at times, ill-disposed toward the help, even malicious and malevolent when angry, but still, she has always been the one for me.”

“Then produce a son with one of your slaves. Fatima the Egyptian would be an excellent candidate. Her hips are more than adequate; her breasts have been measured. A tremendous nominee, if I may say so myself.”

“But I have no wish to be with another.”

“Sarah offered her Egyptian slave to her husband to produce a boy. If it was good enough for our prophet, it can be good enough for us.”

That night, in their bedroom, the emir and his wife discussed their problem. His wife agreed with the vizier. “I know you want a son,” she said, “but I believe it has gone beyond your desires. The situation is dire. Our people talk. All wonder what will happen when you ascend to heaven. Who will lead our tribes? I believe some may wish to ask the question sooner.”

“I will kill them,” the emir yelled. “I will destroy them. Who dares question how I choose to live my life?”

“Settle down and be reasonable. You can have intercourse with Fatima until she conceives. She is pretty, available, and amenable. We can have our boy through her.”

“But I do not think I can.”

His wife smiled as she stood. “Worry not, husband. I will attend and I will do that thing you enjoy. I will call Fatima and we can inform her of what we want. We will set an appointment for Wednesday night, a full moon.”

When Fatima was told of their intentions, she did not hesitate. “I am always at your service,” she said. “However, if the emir wishes to have a son with his own wife, there is another way. In my hometown of Alexandria, I know of a woman whose powers are unmatched. She is directly descended, female line, from Ankhara herself, Cleopatra’s healer and keeper of the asps. If she is given a lock of my mistress’s hair, she will be able to see why my mistress has not produced a boy and will give out the appropriate remedy. She never fails.”

“But that is astounding,” the emir exclaimed. “You are heaven sent, my dear Fatima. We must fetch this healer right away.”

Fatima shook her head. “Oh, no, my lord. A healer can never leave her home. It is where her magic comes from. She would be helpless and useless if she were uprooted. A healer might travel, begin quests, but in the end, to come into her full powers, she can never stray too far from home. I can travel with a lock of my mistress’s hair and return with the remedy.”

“Then go you must,” the emir’s wife said.

The emir added, “And may God guide you and light your way.”

*****

I felt foreign to myself. Doubt, that blind mole, burrowed down my spine. I leaned back on the car, surveyed the neighborhood, felt the blood throb in the veins of my arms. I could hear a soft gurgling, but was unsure whether it came from a fountain or broken water pipe. There was once, a long time ago, a filigreed, marble fountain in the building’s lobby, but it had ceased to exist. Poof.

I was a tourist in a bizarre land. I was home.

There were not many people around. An old man sat dejectedly on a stool with a seat of interlocking softened twine. His white hair was naturally spiked, almost as if he had rested his hands on a static ball. He fit the place, one of the few neighborhoods in Beirut still wartorn.

“This was our building,” I told him because I needed to say something. I nodded my head toward the lobby, cavernous, fountain-free, now perfectly open-air. I realized he wasn’t looking at me but at my car, my father’s black BMW sedan.

The street had turned into a muddy pathway. The neighborhood was off the main roads. Few cars drove this street then; fewer now, it seemed. A cement mixer hobbled by. There were two buildings going up. The old ones were falling apart, with little hope of resuscitation.

My building looked abandoned. I knew it wasn’t–squatters and refugees had made it their home since we left during the early stages of the civil war–but I didn’t see how anyone could live there now.

Listen. I lived here twenty-six years ago.

Across the street from our building, our old home, there used to be a large enclosed garden with a gate of intricate spears. It was no longer a garden, and it certainly wasn’t gated anymore. Shards of metal, twisted rubble, strips of tile, and broken glass were scattered across piles of dirt. A giant white rhododendron bloomed in the middle of the debris. Two begonias, one white and the other red, flourished in front of a recently erected three-story. That building looked odd: no crater, no bullet holes, no tree growing out of it. The begonias, glorious begonias, seemed to burst from every branch, no unopened buds. Burgeoning life, but subdued color. The red–the red was off. Paler than I would want. The reds of my Beirut, the home city I remember, were wilder, primary. The colors were better then, more vivid, more alive.

A Syrian laborer walked by, trying to steer clear of the puddles under his feet, and his eyes avoided mine. February 2003, more than twelve years since the civil war ended, yet construction still lagged in the neighborhood. Most of Beirut had been rebuilt, but this plot remained damaged and decrepit.

There was Mary in a lock box.

A windowed box stood at the front of our building, locked in its own separate altar of cement and brick, topped with A-shaped slabs of Italian marble, a Catholic Joseph Cornell. Inside stood a benevolent Mary, a questioning St. Anthony, a coral rosary, three finger candles, stray dahlia and rose petals, and a picture of Santa Claus push-pinned to a white foam backboard.

When did this peculiarity spring to life? Was the Virgin there when I was a boy?

I shouldn’t have come here. I was supposed to pick Fatima up before going to the hospital to see my father but found myself driving to the old neighborhood as if I were in a toy truck being pulled by a willful child. I had planned this trip to Beirut to spend Eid al-Adha with my family and was shocked to find out that my father was hospitalized. Yet, I wasn’t with family, but was standing distracted and bewildered before my old home, dwelling in the past.

A young woman in tight jeans and a skimpy white sweater walked out of our building. She carried notebooks and a textbook. I wanted to ask her which floor she and her family lived on. Obviously not the second; a fig tree had taken root on that one. That must have been Uncle Halim’s apartment.

The family, my father and his siblings, owned the building and lived in five of its eleven apartments. My aunt Samia and her family lived in the sixth-floor penthouse. My father had one of the fourth-floor flats, and Uncle Jihad had the other. An apartment on the fifth belonged to Uncle Wajih, and Uncle Halim had one on the second floor–fig tree, I presumed. The apartment on the ground floor belonged to the concierge, whose son Elie, became a militia leader as a teenager and killed quite a few people during the civil war.

Our car dealership, al-Kharrat Corporation, the family fountain of fortune, was walking distance from the building, on the main street. The Lebanese lacked a sense of irony. No one paid attention to the little things. No one thought it strange that a car dealership, and the family that ran it, had a name that meant exaggerator, teller of tall tales, liar.

The girl strolled past, indifferently, seductively, her eyes hidden by cheap sunglasses. The old man sat up when the girl passed him. “Don’t you think your pants are too tight?” he asked.

“Kiss my ass, Uncle,” she replied.

He leaned forward. She kept going. “No one listens anymore,”...
Revue de presse :
“An epic in the oldest and newest senses. Careening from the Koran to the Old Testament, Homer to Scheherazade, it’s hard to imagine the person who wouldn’t get carried away.”
— Jonathan Safran Foer, author of Extremely Loud and Incredibly Close

“Both genius and genie out of the ink bottle, a glorious, gorgeous masterpiece of pure storytelling and fable-making.”
— Amy Tan, author of The Joy Luck Club

“Wonderful. The Hakawati fed me, like a good nourishing soup spooned into a hungry mouth: I was hungry for all of its rich, delicious narratives. A terrific novel.”
— Dorothy Allison, author of Bastard Out of Carolina

The Hakawati is not only a dazzlingly funny book, not only a heart-breakingly beautiful book, it is a downright necessary book in this deeply troubled new century. . . . This is a great and enduring book.”
— Robert Olen Butler, author of the Pulitzer Prize–winning A Good Scent from a Strange Mountain

“A rollicking good read. Bawdy, allusive, sad, funny and universal in its themes, yet with a finely observed sense of place, The Hakawati is a splendid achievement.”
The Globe and Mail

“If any work of fiction might be powerful enough to transcend the mountain of polemic, historical inquiry, policy analysis and reportage that stands between the Western reader and the Arab soul, it’s this wonder of a book. Alameddine has a genius for the emotional hinges on which novels turn. . . . Stunning.”
The New York Times

“[A] tour de force . . . The Hakawati moves effortlessly between the classic narrative traditions of The Thousand and One Nights and the psychology of modern Western fiction.”
The Independent (UK)
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  • ÉditeurPicador
  • Date d'édition2009
  • ISBN 10 033046969X
  • ISBN 13 9780330469692
  • ReliureBroché
  • Nombre de pages528
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ISBN 10 : 033046969X ISBN 13 : 9780330469692
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Description du livre Paperback. Etat : Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. N° de réf. du vendeur 6545-9780330469692

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