Présentation de l'éditeur :
A new book of linked stories by the author of the National Book Award finalist The Lazarus Project.
Aleksandar Hemon earned his reputation- and his MacArthur "genius grant"-for his short stories, and he returns to the form with a powerful collection of linked stories that stands with The Lazarus Project as the best work of his celebrated career. A few of the stories have never been published before; the others have appeared in The New Yorker, and several of those have also been included in The Best American Short Stories. All are infused with the dazzling, astonishingly creative prose and the remarkable, haunting autobiographical elements that have distinguished Hemon as one of the most original and illustrious voices of our time.
What links the stories in Love and Obstacles is the narrator, a young man who-like Hemon himself-was raised in Yugoslavia and immigrated to the United States. The stories of Love and Obstacles are about that coming of age and the complications-the obstacles-of growing up in a Communist but cosmopolitan country, and the disintegration of that country and the consequent uprooting and move to America in young adulthood. But because it's Aleksandar Hemon, the stories extend far beyond the immigrant experience; each one is punctuated with unexpected humor and spins out in fabulist, exhilarating directions, ultimately building to an insightful, often heartbreaking conclusion. Woven together, these stories comprise a book that is, genuinely, as cohesive and powerful as any fiction- achingly human, charming, and inviting.
Revue de presse :
Praise for Love and Obstacles
A New York Times Notable Book
"You may feel nearly giddy with pleasure at how beautifully written, funny, and entertaining [these stories] are, and at the depths of tenderness and seriousness swirling beneath their wry, deceptively offhand surface." -- Francine Prose, O, the Oprah Magazine
"Marvelous and original... Hemon writes with a peculiar grace, somehow both reckless and unflinching, both troublingly absurd and absolutely precise." -- The Boston Globe
"The stories are scarred elegies, quickened with poetry, anger, violence, wistful love, and, throughout, Hemon's extraordinary lyric freedom." -- San Francisco Chronicle
"Reviewers find it difficult to resist comparing Aleksandar Hemon to Nabokov, since both men [have a] preternatural facility in their second, acquired language." -- The Washington Post
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