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A THIN BEAM OF RED LIGHT
Where the hell are the car keys?”
I’m now late. Ten minutes ago I was early. I was wandering about in a too-early limbo, in fact; scratching out a succession of ludicrously trivial and unsatisfying things to do, struggling against the finger-drumming effort of burning away sections of the too-earliness. The children, quick to sense I was briefly doomed to wander the earth without reason or rest, had attached themselves, one to each of my legs. I clumped around the house like a man in magnetic boots while they laughed themselves breathless and shot at each other with wagging fingers and spit-gargling mouth noises from the cover of opposite knees.
Now, however, I’m in a fury of lateness. The responsibility for this rests wholly with the car keys and thereby with their immediate superior—my girlfriend, Ursula.
“Where—where the hell—are the car keys?” I shout down the stairs. Again.
Reason has long since fled. I’ve looked in places where I know there is no possible chance of the car keys lurking. Then I’ve rechecked all those places again. Just in case, you know, I suffered transitory hysterical blindness the first time I looked. Then I’ve looked down, gasping with exhaustion, begged the children to please get off my legs now, and looked a third time. I’m a single degree of enraged frustration away from continuing the search along the only remaining path, which is slashing open the cushion covers, pulling up the floorboards and pickaxing through the plasterboard false wall in the attic.
I do a semi-controlled fall down the stairs to the kitchen, where Ursula is making herself a cup of coffee in a protective bubble of her own, non-late, serene indifference.
“Well?” I’m so clenched I have to shake the word from my head.
“Well what?”
“What do you mean ‘Well what’? I’ve just asked you twice.”
“I didn’t hear you, Pel. I had the radio on.” Ursula nods towards the pocket-sized transistor radio on the shelf. Which is off.
“On what? On stun? Where are the damn car keys?”
“Where they always are.”
“I will kill you.”
“Not, I imagine . . .” Ursula presents a small theater of stirring milk into her coffee. “. . . with exhaust fumes.”
“Arrrrgggh!” Then, again, to emphasize the point, “Arrrrgggh!” That out of my system, I return again to measured debate. “Well, obviously, I didn’t think to look where they always are. Good Lord—how banal would I have to be to go there? However, My Precious, just so we can share a smile at the laughable, prosaic obviousness of it all, WHERE ARE THE CAR KEYS? ALWAYS?”
“They are in the front room. On the shelf. Behind the Lava Lamp.”
“And that’s where they always are, is it? You don’t see any contradiction at all in their always-are place being somewhere they have never been before this morning?”
“It’s where I put them every day.”
I snatch up the keys and hurl myself towards the door, jerking on my jacket as I move; one arm thrust into the air, waggling itself urgently up the sleeve as if it’s attached to a primary school pupil who knows the answer. “That’s a foul and shameless lie.”
As my trailing arm hooks the front door shut behind me, Ursula shouts over the top of her coffee cup, “Bring back some bread—we’re out of bread.” It’s 9:17 a.m.
The story in whose misleadingly calm shallows you’re standing right now is not a tragedy. How do I know? Because a tragedy is the tale of a person who holds the seeds of his own destruction within him. This is entirely contrary to my situation—everyone else holds the seeds of my destruction within them; I just wanted to keep my head down and hope my lottery numbers came up, thanks very much. This story is therefore not a tragedy, for technical rea- sons.
But never mind that now, let’s not get ahead of ourselves. Let’s just stick a pin in the calendar, shrug “Why not?” and begin on a routine Sunday just after my triumphant car-key offensive. Nothing but the tiniest whiffs of what is to come are about my nostrils. My life is uncluttered with incident and all is tranquil.
Dad, can we go to Laser Wars?”
“It’s six-thirty a.m., Jonathan, Laser Wars isn’t open yet.”
“Dad will take you to Laser Wars after he’s mowed the lawn, Jonathan.”
It appears I’m mowing the lawn today, then.
“Mow the lawn! Mow the lawn!” Peter jumps up and down on the bed, each time landing ever closer to my groin.
“Dad—mow the lawn. Come on, quickly,” instructs Jonathan.
There’s very little chance of my mowing the lawn quickly as we have a sweat-powered mower, rather than an electric- or petrol-driven one. Ursula was insistent—not that she’s ever non-insistent—that we get an ancient, heavy iron affair (clearly built to instill Christian values into the inmates of a Dickensian debtors’ prison) because it is more friendly to the environment than a mower that uses fossil fuels to protect one’s rupturing stomach muscles. Almost without exception, things that are friendly to the environment are the sworn enemies of Pel.
Still, out there grunting my way up and down the grass, my children laughing at the threat of traumatic amputation as they circle around me, girlfriend calling out from the kitchen, “Cup of tea? Can you make me a cup of tea when you’re finished?”—it’s a little picture of domestic heaven, isn’t it? You never realize the value of wearying matter-of-factness until it’s gone.
· · ·
Have you finished?” Ursula has watched through the window as I’ve returned from the lawn heaving the mower behind me, placed it by the fence, made to come into the house, caught her eye, gone back to it and wearily removed all the matted grass from the blades and cogs, made to come into the house, caught her eye, returned to sweep all the removed matted grass from the yard and clear it away into the bin, and—staring resolutely ahead—come into the house.
“Yes, I’ve finished.”
“You’re not going to go round the edges with the clippers, then?”
“That’s right. Precisely that meaning of finished.”
“I really can’t understand you. You always do this kind of thing—why do a job badly?”
“Because it’s easier. Duh.”
Ursula is saved the embarrassment of not being able to dispute the solidity of this argument because the phone rings and she darts away to answer it. In a frankly shocking turn of events, the kind of thing that makes you call into question all you thought you knew, the phone call is actually for me. The phone has never rung in this house before and not been for Ursula. She must be gutted.
“It’s Terry,” says Ursula, handing me the receiver with the kind of poor attempt at nonchalance you might display when nodding a casual “hi” to the person who dumped you the previous night. Terry Steven Russell, by the way, is my boss.
“Hi, Terry—it’s Sunday.”
“A detail I didn’t need. Listen, have you got some time to talk today?”
“I suppose so. Apart from going to Laser Wars in an hour or so, I don’t think I’m doing anything all day.” (Across the kitchen I note Ursula raise her eyebrows in an “Oh, that’s what you think, is it?” kind of way.)
“Laser Wars? Great. That’s perfect, in fact. I’ll see you there. ’Bye.”
“Yeah, ’b . . .” But he’s already hung up.
What are you thinking?”
“Nothing.”
“Liar.”
Ursula appears to have an, in my opinion, unhealthy obsession with what I’m thinking. It can’t be normal to ask a person, as often as she asks me, “What are you thinking?” In fact, I know it’s not normal. Because I’m normal, and I virtually never ask her what she’s thinking.
I’m apparently not allowed, ever, to be thinking “nothing.” Odd, really, when you consider the number of times—during an argument over something or other I’ve done—I’ll have “I don’t believe it! What was going through your head? Nothing?” thrown over me. The fact is, I find thinking “nothing” enormously easy. It’s not something I’ve had to work at, either. For me, achieving a sort of Zen state is practically effortless. Perhaps “Zen” is even my natural state. Sit me in a chair and do nothing more than leave me alone and—dink!—there I am: Zenned.
However, this—I think you’ll agree—incandescently impressive reasoning would ching off Ursula into the sightless horizon like a bullet off a tank. “Nothing” is simply not a thing I can possibly be thinking. For a while I did try having something prepared. You know, a standby. A list of things I could fall back on when caught with my synapses down. Thus:
Revue de presse :
Where the hell are the car keys?”
I’m now late. Ten minutes ago I was early. I was wandering about in a too-early limbo, in fact; scratching out a succession of ludicrously trivial and unsatisfying things to do, struggling against the finger-drumming effort of burning away sections of the too-earliness. The children, quick to sense I was briefly doomed to wander the earth without reason or rest, had attached themselves, one to each of my legs. I clumped around the house like a man in magnetic boots while they laughed themselves breathless and shot at each other with wagging fingers and spit-gargling mouth noises from the cover of opposite knees.
Now, however, I’m in a fury of lateness. The responsibility for this rests wholly with the car keys and thereby with their immediate superior—my girlfriend, Ursula.
“Where—where the hell—are the car keys?” I shout down the stairs. Again.
Reason has long since fled. I’ve looked in places where I know there is no possible chance of the car keys lurking. Then I’ve rechecked all those places again. Just in case, you know, I suffered transitory hysterical blindness the first time I looked. Then I’ve looked down, gasping with exhaustion, begged the children to please get off my legs now, and looked a third time. I’m a single degree of enraged frustration away from continuing the search along the only remaining path, which is slashing open the cushion covers, pulling up the floorboards and pickaxing through the plasterboard false wall in the attic.
I do a semi-controlled fall down the stairs to the kitchen, where Ursula is making herself a cup of coffee in a protective bubble of her own, non-late, serene indifference.
“Well?” I’m so clenched I have to shake the word from my head.
“Well what?”
“What do you mean ‘Well what’? I’ve just asked you twice.”
“I didn’t hear you, Pel. I had the radio on.” Ursula nods towards the pocket-sized transistor radio on the shelf. Which is off.
“On what? On stun? Where are the damn car keys?”
“Where they always are.”
“I will kill you.”
“Not, I imagine . . .” Ursula presents a small theater of stirring milk into her coffee. “. . . with exhaust fumes.”
“Arrrrgggh!” Then, again, to emphasize the point, “Arrrrgggh!” That out of my system, I return again to measured debate. “Well, obviously, I didn’t think to look where they always are. Good Lord—how banal would I have to be to go there? However, My Precious, just so we can share a smile at the laughable, prosaic obviousness of it all, WHERE ARE THE CAR KEYS? ALWAYS?”
“They are in the front room. On the shelf. Behind the Lava Lamp.”
“And that’s where they always are, is it? You don’t see any contradiction at all in their always-are place being somewhere they have never been before this morning?”
“It’s where I put them every day.”
I snatch up the keys and hurl myself towards the door, jerking on my jacket as I move; one arm thrust into the air, waggling itself urgently up the sleeve as if it’s attached to a primary school pupil who knows the answer. “That’s a foul and shameless lie.”
As my trailing arm hooks the front door shut behind me, Ursula shouts over the top of her coffee cup, “Bring back some bread—we’re out of bread.” It’s 9:17 a.m.
The story in whose misleadingly calm shallows you’re standing right now is not a tragedy. How do I know? Because a tragedy is the tale of a person who holds the seeds of his own destruction within him. This is entirely contrary to my situation—everyone else holds the seeds of my destruction within them; I just wanted to keep my head down and hope my lottery numbers came up, thanks very much. This story is therefore not a tragedy, for technical rea- sons.
But never mind that now, let’s not get ahead of ourselves. Let’s just stick a pin in the calendar, shrug “Why not?” and begin on a routine Sunday just after my triumphant car-key offensive. Nothing but the tiniest whiffs of what is to come are about my nostrils. My life is uncluttered with incident and all is tranquil.
Dad, can we go to Laser Wars?”
“It’s six-thirty a.m., Jonathan, Laser Wars isn’t open yet.”
“Dad will take you to Laser Wars after he’s mowed the lawn, Jonathan.”
It appears I’m mowing the lawn today, then.
“Mow the lawn! Mow the lawn!” Peter jumps up and down on the bed, each time landing ever closer to my groin.
“Dad—mow the lawn. Come on, quickly,” instructs Jonathan.
There’s very little chance of my mowing the lawn quickly as we have a sweat-powered mower, rather than an electric- or petrol-driven one. Ursula was insistent—not that she’s ever non-insistent—that we get an ancient, heavy iron affair (clearly built to instill Christian values into the inmates of a Dickensian debtors’ prison) because it is more friendly to the environment than a mower that uses fossil fuels to protect one’s rupturing stomach muscles. Almost without exception, things that are friendly to the environment are the sworn enemies of Pel.
Still, out there grunting my way up and down the grass, my children laughing at the threat of traumatic amputation as they circle around me, girlfriend calling out from the kitchen, “Cup of tea? Can you make me a cup of tea when you’re finished?”—it’s a little picture of domestic heaven, isn’t it? You never realize the value of wearying matter-of-factness until it’s gone.
· · ·
Have you finished?” Ursula has watched through the window as I’ve returned from the lawn heaving the mower behind me, placed it by the fence, made to come into the house, caught her eye, gone back to it and wearily removed all the matted grass from the blades and cogs, made to come into the house, caught her eye, returned to sweep all the removed matted grass from the yard and clear it away into the bin, and—staring resolutely ahead—come into the house.
“Yes, I’ve finished.”
“You’re not going to go round the edges with the clippers, then?”
“That’s right. Precisely that meaning of finished.”
“I really can’t understand you. You always do this kind of thing—why do a job badly?”
“Because it’s easier. Duh.”
Ursula is saved the embarrassment of not being able to dispute the solidity of this argument because the phone rings and she darts away to answer it. In a frankly shocking turn of events, the kind of thing that makes you call into question all you thought you knew, the phone call is actually for me. The phone has never rung in this house before and not been for Ursula. She must be gutted.
“It’s Terry,” says Ursula, handing me the receiver with the kind of poor attempt at nonchalance you might display when nodding a casual “hi” to the person who dumped you the previous night. Terry Steven Russell, by the way, is my boss.
“Hi, Terry—it’s Sunday.”
“A detail I didn’t need. Listen, have you got some time to talk today?”
“I suppose so. Apart from going to Laser Wars in an hour or so, I don’t think I’m doing anything all day.” (Across the kitchen I note Ursula raise her eyebrows in an “Oh, that’s what you think, is it?” kind of way.)
“Laser Wars? Great. That’s perfect, in fact. I’ll see you there. ’Bye.”
“Yeah, ’b . . .” But he’s already hung up.
What are you thinking?”
“Nothing.”
“Liar.”
Ursula appears to have an, in my opinion, unhealthy obsession with what I’m thinking. It can’t be normal to ask a person, as often as she asks me, “What are you thinking?” In fact, I know it’s not normal. Because I’m normal, and I virtually never ask her what she’s thinking.
I’m apparently not allowed, ever, to be thinking “nothing.” Odd, really, when you consider the number of times—during an argument over something or other I’ve done—I’ll have “I don’t believe it! What was going through your head? Nothing?” thrown over me. The fact is, I find thinking “nothing” enormously easy. It’s not something I’ve had to work at, either. For me, achieving a sort of Zen state is practically effortless. Perhaps “Zen” is even my natural state. Sit me in a chair and do nothing more than leave me alone and—dink!—there I am: Zenned.
However, this—I think you’ll agree—incandescently impressive reasoning would ching off Ursula into the sightless horizon like a bullet off a tank. “Nothing” is simply not a thing I can possibly be thinking. For a while I did try having something prepared. You know, a standby. A list of things I could fall back on when caught with my synapses down. Thus:
A brilliantly written comedy. A novel that manages to be both funny and affectionate (Guardian)
With his tear-inducing humour, Millington has tapped into the zeitgeist, Helen Fielding-style. (Vogue)
While books that claim to be 'laugh-out-loud funny' are legion, ones such as this that actually are are rarer than molars on a Rhode Island Hen . . . There is little to say about coupledom that is not wittily and often movingly explored here. Sharply-written, brilliantly observed and absolutely hilarious. (Wendy Holden, Daily Mail)
A fantastic debut - a funny and heart-warming comedy about love, fatherhood and being in the wrong places at all the wrong times. (Essentials)
Insightful and wickedly funny. (Heat)
The plot escalates with all the shameless hyperbole needed to fuel a really good row . . . This is a very funny book. (Observer)
Compulsive reading . . . drenched in self-deprecating humour. (Metro)
Mil Millington's comic timing is spot-on in this laugh-out-loud warm-hearted and engaging novel. (Publishing News)
A very funny look at relationships. (Company)
It's impossible not to laugh out loud at the Anglo-German quips and world-weary observations that tumble off the page (Guardian)
With his tear-inducing humour, Millington has tapped into the zeitgeist, Helen Fielding-style. (Vogue)
While books that claim to be 'laugh-out-loud funny' are legion, ones such as this that actually are are rarer than molars on a Rhode Island Hen . . . There is little to say about coupledom that is not wittily and often movingly explored here. Sharply-written, brilliantly observed and absolutely hilarious. (Wendy Holden, Daily Mail)
A fantastic debut - a funny and heart-warming comedy about love, fatherhood and being in the wrong places at all the wrong times. (Essentials)
Insightful and wickedly funny. (Heat)
The plot escalates with all the shameless hyperbole needed to fuel a really good row . . . This is a very funny book. (Observer)
Compulsive reading . . . drenched in self-deprecating humour. (Metro)
Mil Millington's comic timing is spot-on in this laugh-out-loud warm-hearted and engaging novel. (Publishing News)
A very funny look at relationships. (Company)
It's impossible not to laugh out loud at the Anglo-German quips and world-weary observations that tumble off the page (Guardian)
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
- ÉditeurHodder Paperback
- Date d'édition2003
- ISBN 10 0340830549
- ISBN 13 9780340830543
- ReliureBroché
- Nombre de pages352
- Evaluation vendeur
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état : Assez bonPel Dalton's life is uneventful... En savoir plus sur cette édition
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Things my girlfriend and I have argued about
Edité par
Flame : Hodder & Stoughton, London
(2002)
ISBN 10 : 0340830549
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Description du livre Paperback. Etat : Very Good. Pel Dalton's life is uneventful. He spends his days bluffing through an IT job in the university library, pillow-fighting with his two sons and findin g new things to argue about with Ursula, his German girlfriend. But all thi s is about to change. When his boss suddenly disappears, and Pel steps relu ctantly into his shoes, his life begins to spiral out of control. Stolen mo ney, missing colleagues, ominous calls from Hong Kong, and something nasty beneath the university foundations are only the beginning of Pel's problems . Faced with embarrassing PTA meetings and a fridge that really needs defro sting, Pel is about to learn that sometimes the things that drive you crazy can be the only things that keep you sane. N° de réf. du vendeur RWARE0000060968
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Things My Grlfriend and I Have Argued About
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Description du livre Mass Market Paperback. Etat : Good. No Jacket. Reissue. good copy, a touch of shelwear. Good comic novel. N° de réf. du vendeur 009484
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Things my Girlfriend and I Have Argued About - "Flame"
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Description du livre Couverture souple. Etat : bon. R300319446: 2002. In-12. Broché. Bon état, Couv. légèrement pliée, Dos satisfaisant, Papier jauni. 338 pages. Livre en anglais. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon. N° de réf. du vendeur R300319446
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