Articles liés à I'm the One That I Want
L'édition de cet ISBN n'est malheureusement plus disponible.
Afficher les exemplaires de cette édition ISBN
I'm the One That I Want Now in paperback comes the triumphant national bestseller by Asian-American Margaret Cho, one of America's most popular and outspoken performers.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Extrait :
1
ALONE, STEALING AND WAVING
I was born on December 5, 1968, at Children’s Hospital in San Francisco.
My mother says, “You were so small. Just like this!” and she makes a fist and shakes it. “You grow so much! Can you imagine?! Just tiny baby!”
I can’ t imagine being that small. It must have been the one time I didn’t worry about my weight. At 5 pounds, 6 ounces, I was the Calista Flockhart of the newborn set.
My earliest memories are mostly unpleasant. The first thing I can truly remember is standing in front of a sink in my footie pajamas being berated by a bunch of old people. They must have been my grandparents. I couldn’t wash my face, and they were making fun of me.
“Dirty face! Dirty face!” They all laughed and then started coughing.
My mother was about to leave me with them and, presumably, was hiding her guilt behind my inability to wash my face. I was so small I had to stand on a stool to reach the sink. I had a tremendous fear that if I immersed my face in the water I would not return, I would drown, or water would go up my nose, or I would somehow be hijacked.
I also feared that if I took my eyes off my mother, she would leave. And she did. My parents had a talent for leaving me places when I was very young. This had to do with immigration difficulties, living in San Francisco in 1968 and not being hippies, LBJ, men on the moon, and having their first child while being totally unprepared for reality. My father didn’t know how to break it to my mother that he was to be deported three days after I was born, so he conveniently avoided the subject. He didn’t lie; he simply withheld the truth and at the last minute, he left her holding the bag. Or me, as it were.
In my parents’ colorfully woven mythology, that was the one corner of the tapestry they carefully concealed. Knowing I probably wouldn’t remember, they kept it to themselves. But I did remember, perhaps not actual events but colors and shapes and feelings. The insides of planes, the smell of fuel, unfamiliar arms, crying and crying. Wanting my mom but not having the words, not even knowing what I wanted.
When questioned about it now, my mother spills forth resentment and regret. “Can you imagine mommy?! Oh! It was so terrible. I have to take care of you by myself and Daddy go back to Korea and then I have to send you to Korea and all this you only three days! Can you imagine?! Oh! I hate Daddy!”
My father says cryptically that he was testing the waters, scoping out the situation, whatever that means.
It was all an unfortunate turn of events, but in the spirit of my birthplace, I learned that if I couldn’t be with the one I loved, I would love the one I was with. I was one, and already somewhat of a slut.
I loved lots of stewardesses, and lots of old people. When I was reunited with my parents, my mother showed me pictures of an ancient, bony woman in a white Korean ham-bok. “She was your auntie and she take care of you when you baby. She love you soooo much! She just die. She is in heaven. But she take so good care of you. She love you soo much!!!!!” I believed she was dead because in the picture she looked like a skeleton, even though her wide smile made her kind and human. Some infantile, suckling part of me remembered her face and I wanted to weep with baby grief.
My mother’s father also died around this time in 1970. For some reason, her family did not let her know of his passing until long after the funeral. She sat on her bed holding one of those blue air-mail letters that is also its own envelope. Par avion. She was crying, letting her tears fall on the blue paper and smear the ink, odd Korean letters looking like a bunch of sticks that had fallen on the page. I was alarmed by her sadness–I hadn’ t witnessed it before. I jumped on the bed and wrapped my small arms around her and said, “Don’t cry Mommy. I will be your mommy now.” I was fully aware of how cute I was being. I was destined for a career in show business.
Even then, I loved television, and my favorite thing to watch was the coverage of the Watergate scandal. I’d put my fist in my mouth and then smear my hand across the TV screen, watching the saliva make rainbow tracks all over Richard Nixon’s face.
We lived in a little apartment with my aunt and uncle on Washington Street. It was nice going from having no parents, to suddenly having four. My mother would make me special outfits–red wooly jackets with pillbox
hats, just like Jackie O–and we’d all go to the park, where I would cry whenever I saw a dog.
My aunt and uncle ran a convenience store on Nob Hill, and sometimes after nursery school, my mother would drop me there so she could run errands. I became enamored of a product they sold called Binaca Blast, which tasted like candy but also like medicine. Drop by drop, I wanted to consume the entire bottle of icy freshness, feeling it explode on my tongue. One time I had slugged down the contents of my aunt’s bottle laying next to the cash register, then I reached up to the display and pulled a new one right off the metal rod. I threw its cardboard package into the garbage can and indulged my minty jones until my mother came and picked me up.
The next day, when I was dropped off at the store, the tension was so thick you could cut it with a knife. My aunt called me up to the back room for a “talk.”
In the room there was a bare lightbulb swinging above my head. I was only three, but I knew an interrogation when I saw one.
“I know that you took that breath freshener. I want you to know that is ‘stealing.’ If you ask me, I will give you anything you want. But ask me first. Don’t steal. Stealing is bad. Okay?”
“But I wasn’t stealing.”
She looked at me hard.
“Oh really? Now, it’s okay. I’m not mad. But just don’t do it again.”
She gave me a hug and sent me back downstairs. I looked on the table, and there it was–the crumpled up cardboard packaging of Binaca Blast confirming my guilt.
The lesson I learned that day was to destroy all the evidence. As I lay in my crib, which was much too small for me,barely accommodating my head as I angled my feet up to the top of the bars, I played the incident over and over in my mind. I saw myself getting the Binaca Blast, tearing it out of the package, carefully gathering up the cardboard and the plastic, carrying it outside, looking around to make sure I had no witnesses, then dumping it in the trash can down the street, and running back into the store to enjoy the adrenaline of getting away with the goods. The spooky thing is I would always wake up in the morning with minty fresh breath.
I was enrolled in Notre Dame Nursery School, which was run by nuns. Being a known hustler did not win me much favor with the sisters. Most days, I found myself in Mother Superior’s office for my involvement in daycare crimes such as fingerpainting my neighbor and crawling around on the floor with an older man, a boy of five, during nap time.
Mother Superior’s chambers were dark and cool, and even though the nuns would threaten me all day long with being sent there, nothing ever happened when I arrived. Mother Superior would just nod her wimpled head and smile up at me through her glasses like Ben Franklin.
We had a Christmas pageant, and all the kids in the school were involved in a grand-finale number, singing a song for the Virgin Mary. The nuns kept saying during rehearsal, “When you see your parents out in the audience, don’t wave. Do you hear me? Don’t wave. If you wave, Jesus will be mad you messed up His song. Don’t wave. If you wave, you will go to Hell. Don’t wave. Don’t wave.”
When I went out on the stage, I saw my mom and my aunt in the crowd and they started to wave wildly! What could I do? I was having a moral dilemma. I kept seeing the nun’s face in my mind’s eye (“Don’t wave . . . don’t wave . . .”), but here was my mom and my aunt doing just that! I couldn’t leave them hanging! In slow motion, my hand went up. It was like it wasn’t even attached to me. I couldn’t control it. It just started to move back and forth, and before I knew it, I was waving. My partner-in-crime, the boy of five, saw what I was doing and was not about to let me lead the revolution all by myself. He started to wave at his parents in the front row, who of course waved back, setting off another little kid and his parents and another and another. Pretty soon, the entire audience and all the kids on stage were waving at each other like we were on a float! Unfortunately, this was no parade. It was total Christmas-pageant anarchy and no one was even sure what to sing anymore and the nuns rushed us off the stage.
I thought I would be in trouble, but then when the pageant was over, we were let off for winter break, and by the time we got back, nobody remembered what happened or who waved first or anything. I was a bit disappointed that it was forgotten so easily, but I learned something very important that day: When you are on a stage and you wave, people wave back. This information would become very important for me later on.
My father was not around for a lot of my early childhood. He was still in Korea trying to get a visa or something. When he’d come back into town, I would welcome him by taking him into my arms and throwing up all over his back.
We didn’t have a car back then, so my mom and I took the bus everywhere. She says I was very friendly to people, always saying “hi” first, smiling, making amicable conversation, all this glad-handing at only four years of age.
“The people in the bus, sometimes don’t say ‘hi,’ or anything back. Sometimes they just look down! How can be? That so mean, mean people. You always so nice, saying ‘Hello!’ and smile and smile and so charming! Bad, bad people.”
I don’t think I was put off by people not responding to my gregariousness, as my behavior was not entirely without self-interest. I’d learned early on that if you smiled at people, it increased your chances of candy, as these were the days when you could still accept it from strangers. If they did not smile back, they did not have candy, so I moved on.
When I was five, my brother was born, and everything changed. He was the cutest thing in the world, and we kissed him so much he was smelly. We moved to a house in the Sunset District and our grandparents came from Korea to take care of us. I started elementary school at Dudley Stone in the Haight, and would come home on the bus in the afternoon and help my grandmother take care of the baby.
My parents started running a snack bar in the Japantown Bowling Alley and my brother and I got big, eating hamburgers every day.
Présentation de l'éditeur :
ALONE, STEALING AND WAVING
I was born on December 5, 1968, at Children’s Hospital in San Francisco.
My mother says, “You were so small. Just like this!” and she makes a fist and shakes it. “You grow so much! Can you imagine?! Just tiny baby!”
I can’ t imagine being that small. It must have been the one time I didn’t worry about my weight. At 5 pounds, 6 ounces, I was the Calista Flockhart of the newborn set.
My earliest memories are mostly unpleasant. The first thing I can truly remember is standing in front of a sink in my footie pajamas being berated by a bunch of old people. They must have been my grandparents. I couldn’t wash my face, and they were making fun of me.
“Dirty face! Dirty face!” They all laughed and then started coughing.
My mother was about to leave me with them and, presumably, was hiding her guilt behind my inability to wash my face. I was so small I had to stand on a stool to reach the sink. I had a tremendous fear that if I immersed my face in the water I would not return, I would drown, or water would go up my nose, or I would somehow be hijacked.
I also feared that if I took my eyes off my mother, she would leave. And she did. My parents had a talent for leaving me places when I was very young. This had to do with immigration difficulties, living in San Francisco in 1968 and not being hippies, LBJ, men on the moon, and having their first child while being totally unprepared for reality. My father didn’t know how to break it to my mother that he was to be deported three days after I was born, so he conveniently avoided the subject. He didn’t lie; he simply withheld the truth and at the last minute, he left her holding the bag. Or me, as it were.
In my parents’ colorfully woven mythology, that was the one corner of the tapestry they carefully concealed. Knowing I probably wouldn’t remember, they kept it to themselves. But I did remember, perhaps not actual events but colors and shapes and feelings. The insides of planes, the smell of fuel, unfamiliar arms, crying and crying. Wanting my mom but not having the words, not even knowing what I wanted.
When questioned about it now, my mother spills forth resentment and regret. “Can you imagine mommy?! Oh! It was so terrible. I have to take care of you by myself and Daddy go back to Korea and then I have to send you to Korea and all this you only three days! Can you imagine?! Oh! I hate Daddy!”
My father says cryptically that he was testing the waters, scoping out the situation, whatever that means.
It was all an unfortunate turn of events, but in the spirit of my birthplace, I learned that if I couldn’t be with the one I loved, I would love the one I was with. I was one, and already somewhat of a slut.
I loved lots of stewardesses, and lots of old people. When I was reunited with my parents, my mother showed me pictures of an ancient, bony woman in a white Korean ham-bok. “She was your auntie and she take care of you when you baby. She love you soooo much! She just die. She is in heaven. But she take so good care of you. She love you soo much!!!!!” I believed she was dead because in the picture she looked like a skeleton, even though her wide smile made her kind and human. Some infantile, suckling part of me remembered her face and I wanted to weep with baby grief.
My mother’s father also died around this time in 1970. For some reason, her family did not let her know of his passing until long after the funeral. She sat on her bed holding one of those blue air-mail letters that is also its own envelope. Par avion. She was crying, letting her tears fall on the blue paper and smear the ink, odd Korean letters looking like a bunch of sticks that had fallen on the page. I was alarmed by her sadness–I hadn’ t witnessed it before. I jumped on the bed and wrapped my small arms around her and said, “Don’t cry Mommy. I will be your mommy now.” I was fully aware of how cute I was being. I was destined for a career in show business.
Even then, I loved television, and my favorite thing to watch was the coverage of the Watergate scandal. I’d put my fist in my mouth and then smear my hand across the TV screen, watching the saliva make rainbow tracks all over Richard Nixon’s face.
We lived in a little apartment with my aunt and uncle on Washington Street. It was nice going from having no parents, to suddenly having four. My mother would make me special outfits–red wooly jackets with pillbox
hats, just like Jackie O–and we’d all go to the park, where I would cry whenever I saw a dog.
My aunt and uncle ran a convenience store on Nob Hill, and sometimes after nursery school, my mother would drop me there so she could run errands. I became enamored of a product they sold called Binaca Blast, which tasted like candy but also like medicine. Drop by drop, I wanted to consume the entire bottle of icy freshness, feeling it explode on my tongue. One time I had slugged down the contents of my aunt’s bottle laying next to the cash register, then I reached up to the display and pulled a new one right off the metal rod. I threw its cardboard package into the garbage can and indulged my minty jones until my mother came and picked me up.
The next day, when I was dropped off at the store, the tension was so thick you could cut it with a knife. My aunt called me up to the back room for a “talk.”
In the room there was a bare lightbulb swinging above my head. I was only three, but I knew an interrogation when I saw one.
“I know that you took that breath freshener. I want you to know that is ‘stealing.’ If you ask me, I will give you anything you want. But ask me first. Don’t steal. Stealing is bad. Okay?”
“But I wasn’t stealing.”
She looked at me hard.
“Oh really? Now, it’s okay. I’m not mad. But just don’t do it again.”
She gave me a hug and sent me back downstairs. I looked on the table, and there it was–the crumpled up cardboard packaging of Binaca Blast confirming my guilt.
The lesson I learned that day was to destroy all the evidence. As I lay in my crib, which was much too small for me,barely accommodating my head as I angled my feet up to the top of the bars, I played the incident over and over in my mind. I saw myself getting the Binaca Blast, tearing it out of the package, carefully gathering up the cardboard and the plastic, carrying it outside, looking around to make sure I had no witnesses, then dumping it in the trash can down the street, and running back into the store to enjoy the adrenaline of getting away with the goods. The spooky thing is I would always wake up in the morning with minty fresh breath.
I was enrolled in Notre Dame Nursery School, which was run by nuns. Being a known hustler did not win me much favor with the sisters. Most days, I found myself in Mother Superior’s office for my involvement in daycare crimes such as fingerpainting my neighbor and crawling around on the floor with an older man, a boy of five, during nap time.
Mother Superior’s chambers were dark and cool, and even though the nuns would threaten me all day long with being sent there, nothing ever happened when I arrived. Mother Superior would just nod her wimpled head and smile up at me through her glasses like Ben Franklin.
We had a Christmas pageant, and all the kids in the school were involved in a grand-finale number, singing a song for the Virgin Mary. The nuns kept saying during rehearsal, “When you see your parents out in the audience, don’t wave. Do you hear me? Don’t wave. If you wave, Jesus will be mad you messed up His song. Don’t wave. If you wave, you will go to Hell. Don’t wave. Don’t wave.”
When I went out on the stage, I saw my mom and my aunt in the crowd and they started to wave wildly! What could I do? I was having a moral dilemma. I kept seeing the nun’s face in my mind’s eye (“Don’t wave . . . don’t wave . . .”), but here was my mom and my aunt doing just that! I couldn’t leave them hanging! In slow motion, my hand went up. It was like it wasn’t even attached to me. I couldn’t control it. It just started to move back and forth, and before I knew it, I was waving. My partner-in-crime, the boy of five, saw what I was doing and was not about to let me lead the revolution all by myself. He started to wave at his parents in the front row, who of course waved back, setting off another little kid and his parents and another and another. Pretty soon, the entire audience and all the kids on stage were waving at each other like we were on a float! Unfortunately, this was no parade. It was total Christmas-pageant anarchy and no one was even sure what to sing anymore and the nuns rushed us off the stage.
I thought I would be in trouble, but then when the pageant was over, we were let off for winter break, and by the time we got back, nobody remembered what happened or who waved first or anything. I was a bit disappointed that it was forgotten so easily, but I learned something very important that day: When you are on a stage and you wave, people wave back. This information would become very important for me later on.
My father was not around for a lot of my early childhood. He was still in Korea trying to get a visa or something. When he’d come back into town, I would welcome him by taking him into my arms and throwing up all over his back.
We didn’t have a car back then, so my mom and I took the bus everywhere. She says I was very friendly to people, always saying “hi” first, smiling, making amicable conversation, all this glad-handing at only four years of age.
“The people in the bus, sometimes don’t say ‘hi,’ or anything back. Sometimes they just look down! How can be? That so mean, mean people. You always so nice, saying ‘Hello!’ and smile and smile and so charming! Bad, bad people.”
I don’t think I was put off by people not responding to my gregariousness, as my behavior was not entirely without self-interest. I’d learned early on that if you smiled at people, it increased your chances of candy, as these were the days when you could still accept it from strangers. If they did not smile back, they did not have candy, so I moved on.
When I was five, my brother was born, and everything changed. He was the cutest thing in the world, and we kissed him so much he was smelly. We moved to a house in the Sunset District and our grandparents came from Korea to take care of us. I started elementary school at Dudley Stone in the Haight, and would come home on the bus in the afternoon and help my grandmother take care of the baby.
My parents started running a snack bar in the Japantown Bowling Alley and my brother and I got big, eating hamburgers every day.
Comedian. Icon. TV star. Role model. Trash talker. Fag hag. Gypsy. Tramp. Thief. Margaret Cho displays her numerous sides in this funny, fierce, and honest memoir. As one of the country’s most visible Asian Americans, she has a unique perspective on identity and acceptance. As one of the country’s funniest and most quoted personalities, she takes no prisoners. And as a warm and wise woman who has seen the highs and lows of life, she has words of encouragement for anyone who has ever felt like an outsider. With I’m the One That I Want, Margaret Cho has written a book every bit as hilarious, shocking, and insightful as she is.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
- ÉditeurBallantine Books
- Date d'édition2002
- ISBN 10 0345440145
- ISBN 13 9780345440143
- ReliureBroché
- Nombre de pages224
- Evaluation vendeur
Acheter neuf
En savoir plus sur cette édition
EUR 23,45
Frais de port :
Gratuit
Vers Etats-Unis
Meilleurs résultats de recherche sur AbeBooks
Image d'archives
I'm the One That I Want
Edité par
Ballantine Books
(2002)
ISBN 10 : 0345440145
ISBN 13 : 9780345440143
Neuf
Couverture souple
Quantité disponible : 1
Vendeur :
Evaluation vendeur
Description du livre Etat : New. Book is in NEW condition. N° de réf. du vendeur 0345440145-2-1
Acheter neuf
EUR 23,45
Autre devise
Image d'archives
I'm the One That I Want
Edité par
Ballantine Books
(2002)
ISBN 10 : 0345440145
ISBN 13 : 9780345440143
Neuf
Couverture souple
Quantité disponible : 1
Vendeur :
Evaluation vendeur
Description du livre Etat : New. New! This book is in the same immaculate condition as when it was published. N° de réf. du vendeur 353-0345440145-new
Acheter neuf
EUR 23,46
Autre devise
Image d'archives
I'm the One That I Want
Edité par
Ballantine Books
(2002)
ISBN 10 : 0345440145
ISBN 13 : 9780345440143
Neuf
paperback
Quantité disponible : 1
Vendeur :
Evaluation vendeur
Description du livre paperback. Etat : New. N° de réf. du vendeur 0345440145-11-31860259
Acheter neuf
EUR 23,49
Autre devise
Image d'archives
I'm the One That I Want
Edité par
Ballantine Books
(2002)
ISBN 10 : 0345440145
ISBN 13 : 9780345440143
Neuf
Paperback
Quantité disponible : 1
Vendeur :
Evaluation vendeur
Description du livre Paperback. Etat : new. New. Fast Shipping and good customer service. N° de réf. du vendeur Holz_New_0345440145
Acheter neuf
EUR 20,29
Autre devise
Image d'archives
I'm the One That I Want
Edité par
Ballantine Books
(2002)
ISBN 10 : 0345440145
ISBN 13 : 9780345440143
Neuf
Paperback
Quantité disponible : 1
Vendeur :
Evaluation vendeur
Description du livre Paperback. Etat : new. New Copy. Customer Service Guaranteed. N° de réf. du vendeur think0345440145
Acheter neuf
EUR 27,18
Autre devise
Image d'archives
I'm the One That I Want
Edité par
Ballantine Books
(2002)
ISBN 10 : 0345440145
ISBN 13 : 9780345440143
Neuf
Couverture souple
Quantité disponible : 1
Vendeur :
Evaluation vendeur
Description du livre Etat : new. N° de réf. du vendeur FrontCover0345440145
Acheter neuf
EUR 27,86
Autre devise
Image d'archives
I'm the One That I Want
Edité par
Ballantine Books
(2002)
ISBN 10 : 0345440145
ISBN 13 : 9780345440143
Neuf
Paperback
Quantité disponible : 1
Vendeur :
Evaluation vendeur
Description du livre Paperback. Etat : new. Buy for Great customer experience. N° de réf. du vendeur GoldenDragon0345440145
Acheter neuf
EUR 49,92
Autre devise
Image d'archives
I'm the One That I Want
Edité par
Ballantine Books
(2002)
ISBN 10 : 0345440145
ISBN 13 : 9780345440143
Neuf
Couverture souple
Quantité disponible : 1
Vendeur :
Evaluation vendeur
Description du livre Etat : new. Book is in NEW condition. Satisfaction Guaranteed! Fast Customer Service!!. N° de réf. du vendeur PSN0345440145
Acheter neuf
EUR 24,12
Autre devise
Image d'archives
I'm the One That I Want
Edité par
Ballantine Books
(2002)
ISBN 10 : 0345440145
ISBN 13 : 9780345440143
Neuf
Paperback
Quantité disponible : 1
Vendeur :
Evaluation vendeur
Description du livre Paperback. Etat : new. New. N° de réf. du vendeur Wizard0345440145
Acheter neuf
EUR 53,97
Autre devise
Image d'archives
I'M THE ONE THAT I WANT
Edité par
Ballantine Books
(2002)
ISBN 10 : 0345440145
ISBN 13 : 9780345440143
Neuf
Couverture souple
Quantité disponible : 1
Vendeur :
Evaluation vendeur
Description du livre Etat : New. New. In shrink wrap. Looks like an interesting title! 0.46. N° de réf. du vendeur Q-0345440145
Acheter neuf
EUR 55,43
Autre devise