A Dual Inheritance - Couverture rigide

Hershon, Joanna

Couverture rigide

ISBN 10 : 0345468473 ISBN 13 : 9780345468475

Editeur : Ballantine Books Inc., 2013

Synopsis

Book by Hershon Joanna

A propos du livre

Extrait :

Chapter One

Fall

Had he described Hugh Shipley at all over the past three years, approachable would not have been a word he’d ever have used. But one warm autumn night during his senior year, Ed Cantowitz found himself grabbing Hugh Shipley’s arm in front of Lamont Library the way he might otherwise grab a Budweiser at Cronin’s. They were not friends; they’d spoken only in passing this year, and mostly after the Shakespeare seminar in which they were both enrolled, but Ed Cantowitz was not thinking of how Hugh Shipley might find him ­off-­putting or offensive, because, as usual, Ed Cantowitz was thinking about himself.

“Keep walking,” muttered Ed, and ­that’s what Hugh Shipley did. He walked as if he ­hadn’t even noticed the interruption, ­didn’t so much as slow the trajectory of his cigarette from hand to mouth. Ed watched the cigarette and the dry fallen leaves on the ­ground—­anything not to turn around and stare at the girl. “Do me a favor and keep walking and don’t turn around. Do yourself a favor and just look straight ahead.”

Shipley nodded. “Might want to take your hand off my arm,” and Ed released his grip before offering a crazed smile as an afterthought, if not an apology. He knew he had a menacing voice, not to mention truly dark stubble (he’d forgone his ­much-­needed second shave of the day), and his husky voice and bulldog build lent him not only an unsavory but even vaguely criminal air. Ed usually alternated between being pleased by these qualities and ashamed, but at the moment he was so focused he ­didn’t care what Shipley thought. The two young men walked down steps and past a stand of pine trees, kicking crabapples out of their path, and Ed talked. “This girl,” he said, and Shipley nodded again. Ed ­didn’t sound embarrassed, because he ­wasn’t embarrassed. This, he believed, is what men did for one another, all kinds of men, he ­didn’t care who; in the face of beautiful women, men were allied soldiers, at least until proven otherwise. “I can’t stop staring at this girl, but I’m under no illusions that I don’t need strategy. You? You don’t know a thing about strategy, am I right? Because you don’t need it. I need ­strategy—­and make no mistake about it, strategy does ­work—­but when I held open the door for that girl just ­then, I knew if I let myself do something about her, it would have been the wrong thing. I needed to save myself from myself, as they say. Listen, can you tell me if she’s still there behind us? Petite girl, big ­eyes—­she’s actually kind of ­cross-­eyed—­really ­really ­really nice knockers?”

Hugh Shipley looked slyly right behind them. He reported that he no longer saw the girl. ­“Hadn’t noticed she was ­cross-­eyed.”

“Slightly,” said Ed, stopping suddenly, short of breath. “Only if you look closely.”

“Well,” said Hugh, “glad to help.” He sounded sincere, but Ed knew he might have missed the sarcastic edge. It ­wouldn’t have been the first time. Ed was not a ­nerd—­no, ­sir—­but at this point in his college career, he had to acknowledge that he ­was—­to put it ­kindly—­an outsider. Being at ease around groups of other ­people—­especially ­lighthearted other ­people—­was not his strong suit.

He’d barely spoken to Shipley in the three years they’d been classmates; they’d had no reason to speak. Ed was on scholarship and was a rigorous and nakedly ambitious student with a government concentration and a gift for statistics. He was preparing to write his senior thesis on how China would dominate the ­twenty-­first century. Hugh, on the other hand, skipped classes, often smelled like whiskey, and was rumored to be working with a lapsed graduate student on some kind of anthropology film project. He towered over Ed at roughly six foot four, and he was, of course, a Shipley, which lent everything he did a kind of simultaneous legitimacy and scandal. He’d grown up in the famous Brookline home of Clarissa Cadence ­Shipley—­a ubiquitous stop on any Historical Homes of Boston tour. Ed had no idea how he knew this; the family was exactly that ­famous—­one simply knew these things. One also often saw Hugh carrying a camera tripod and wearing dungarees as if he were headed off to the African savanna instead of crossing the street between classes, ­but—­and this was the salient ­point—­there was nothing comical about him. He looked as if he might, in fact, be more comfortable amidst a pride of lions.

“So it’s Friday,” Ed declared. “Friday night.” He ­tried—­unsuccessfully —­not to laugh, which he often did when he had excess energy, which he certainly did just then. Sometimes his laughter came from shortness of breath, sometimes it even came from anger, but Ed ­was—­as the expression ­went—­quick to laugh. He was quick, in fact, with everything except a joke. Jokes he hated; they were never funny.

“I’m sorry I’m laughing,” said Ed. He understood that he seemed strange, even vaguely crazy, and promised himself he would not be surprised if Hugh walked away right then.

But Hugh only nodded, as if he was waiting for Ed to stop. Then he stubbed out the cigarette on his shoe and began to strip it down. The wind carried the filter away and Ed stopped laughing.

Hugh grinned and shook his head. “Some strategy.”

“How do you mean?”

“Well, after all that bluster, you’re without a date on a Friday night.” Hugh opened and closed his hands as if they’d been aching. “Maybe you should have figured out a strategy while you actually had the chance.”

“Hey,” said Ed, nodding ­toward ­Hugh’s hands, “you got circulation problems or something?”

Hugh looked at his fingers as if he’d noticed them for the first time. “I guess.”

“It’s the smoking. Something about the tobacco. I read it somewhere.”

Hugh’s fingers were long and lean, aristocratic yet manly, and they impressed Ed more than the expensive clothes, carelessly worn, that signaled a ­prep-­school past or the athletic gait and suntanned face. It was ­Hugh’s hands that evoked in Ed Cantowitz a rare feeling of intimidation, but just as he was prepared to give over to the feeling, to acknowledge and make room for its uncomfortable presence, the intimidation was gone and what was left in its place surprised him: interest, plain and simple. He was rarely truly interested in other people, and, when he was, it was as if he had an intellectual obligation to follow through on it.

And something was nagging at him. He kept thinking of the Shakespeare seminar that Hugh and he were both taking, and ­how—­maybe because Ed was alternately too willing to acknowledge that he understood little of what Shakespeare was talking about more than half the time or was ­overexcited about how much he did understand, and maybe because, okay, he tended to speak up more than most of his fellow ­students—­Ed was laughed at, and often. He was used to being laughed at in class and ­didn’t act ­offended—­never looking away, preferring instead to look around at all the laughing ­faces—­but of course he was offended. And when he looked around the room, there was one face that was never laughing, and that was Hugh Shipley’s. Hugh always sat in the same aisle seat, his legs outstretched and inadvertently tripping the professor, who was fond of pacing as he taught. Hugh Shipley never laughed at Ed. And this fact was nagging at him and making it somehow essential that Hugh not walk away. He also wondered, as he always did when standing beside another man, ­whether—­though Shipley had a good eight inches on ­him—­he could take him in a fight.

“Ever boxed?” he asked.

Shipley shook his head. “I probably should,” he said, in a way that suggested to Ed that this answer was more of a personal aside, alluding to a different, more complicated question. He offered Ed a cigarette, which Ed declined. Hugh shrugged again and lit up, squinting as the lamplights came on. Young men were illuminated up close and in the distance; young men were in a rush ­toward rooms and drinks. In groups and alone, they were saddled with ­bags—­all canvas and army ­green—­full of books, and books and books weighing them down but not holding them back. The whole scene struck Ed Cantowitz, as it often did, as somewhere between ­funny—­a bunch of pack ­mules!—­and poignant, even heroic. Harvard. He’d gone to Harvard. All of these mules and Ed was one of them.

He wondered if being out on the streets on a Friday night would always bring on this unmistakable charge, as if he were about to get caught for every dishonorable act he’d ever committed, every lie he’d ever told. He also wondered if he’d ever stop picturing his home, with his mother still in it, with the Shabbos table set and the smell of burned chicken and the ironed white cloth with the ghost stains of Shabbos past, stains ­that—­ like the people who’d spilled the wine and gravy, the ­too-­salty chicken ­soup—­were never completely gone. All those people no longer crowded into his parents’ dining room, bearing poppy seed cakes and starting in with ritual complaints about their health and the changing neighborhood, the abandonment by their rabbi, the disintegration of their shul. They no longer clamored to compare statistics of how many Jews were left in their community or the steep increases in crime. There was no more lamenting how the schwartzes were moving in and taking over, dragging the neighborhood down. “It’s inevitable,” yelled Uncle Herb, though he tended ­toward yelling as a rule, making little distinction between his civic frustrations and “This chicken is very tender.”

They no longer sat around the table hollering and commiserating, drowning out his mother, who said little more than ­“Murray—­enough,” while busying herself with serving food, and Aunt Lillian with her watery eyes, who cried, “But what about the Jewish commitment to integration?” before blowing her nose and excusing herself. Those people no longer sat there at his father’s table, but only his mother was dead; the others had merely stopped coming. They’d moved out to Mattapan and Sharon and, in one case, Newton. But even if they ­hadn’t moved, or even if his father had moved along with them, Murray Cantowitz had stopped observing not only Shabbos but all of the holidays, even the High Holy Days, and there was no longer any ­God-­given reason to gather together.

Murray Cantowitz had adored his wife. Ed, even as a child, had known his father was the kind of man who had enough love for only one person in this lifetime, and his mother was that one person. When he lost his wife, Ed’s father had also lost whatever decency she had inspired. At first people said his incessant bitterness made sense; it was the grief, poor man. But after about six months they said nothing, because they stopped coming around, and Ed, age sixteen and then seventeen (what a birthday that was), was left alone with him. No Shabbos, no God, no mother. Only studying. Because he ­was—­thankfully, although he’d never thought to be thankful about ­it—­seriously smart and could leave this house and this town and never come back, propelled by the sheer force of his studying. He pictured his marks and his scores like the fiercest ­Kraut-­bombing ­warplane—­the North American ­P-­51 ­Mustang—­lifting him up to where he could see their building far below, until he was too far away to even tell the difference between the tenement where he had spent his youth and all the other tenements in Dorchester.

His mother had looked like an Italian film actress, with thick black hair shot through the front with a dramatic white streak. She moved slowly in the morning, regardless of how big a rush his father insisted he was in, no matter how early Ed needed to be at school. It was because of his mother that he’d attended Boston Latin, after one of his determined Irish teachers marched over to the Cantowitz home one spring afternoon and ­suggested—­after impatiently refusing a cup of ­tea—­that if Mr. and Mrs. Cantowitz did not pursue Boston Latin for their son, then Edward was sure to become bored and superior and make a mess of his life. His father had only scoffed, wondering aloud what Ed had done to both impress and annoy his teacher, but Mrs. Dora Cantowitz had taken Mrs. Patty Delany’s words to heart and made sure her son took the necessary steps to follow his teacher’s advice. No one would have mistaken his mother for an intellectual, but she had also been an elementary school teacher for a few years before marrying Ed’s father, and she had a fierce, if sentimental, regard for education. She had been a beloved teacher, one whose students, years later, wrote her ­appreciative—­nearly ­amorous— letters. After reading a letter aloud to Ed and his father, she would place it in a blue folder, kept on the top shelf of her modest but mysterious closet. Ed was jealous of these children; how could they have known her back then? Back when she was Dora Markov being courted by Murray “the Curl” Cantowitz, welterweight?

She’d seen him buying an orange at the fruit stand and said, “Good luck with your next fight!” the way kids did at the time. “It’s gonna be a tough one” is what he supposedly replied. “Sure would be nice to see you in the crowd.” “Oh,” Dora had demurred, “my mother would never allow it.” “I’ll tell you what,” said Murray. “See this orange? I bet you I can peel this orange in a perfect circle without even nicking the skin. If I can do that, you come to my fight. Leave your mother to me.” They leaned against a ­liquor-­store window as Murray unpeeled the orange and asked Dora for her arm. He squeezed a bit of the juice onto ­Dora’s outstretched wrist. “Better than any perfume,” he declared, ­and—­as his mother used to say, quite ­cryptically—­she was finished.

She was from truly poor Russian Jews; Cossacks had murdered her father while he was working in the fields outside Kiev, and her newly pregnant mother had somehow cobbled together enough money to get a passage to America with her sister’s family. They had all raised this ­American-­born daughter for something better than a welterweight, no matter how promising Murray Cantowitz’s career looked at the time, and Dora had retained that idea that she was meant for better things, even after she had made her choice. She was a snob about manners and grammar and was prone to expressions like I would never stoop so low and I never cared for her. And she was superstitious. With all of her manners, she was not above throwing salt over her shoulder even while eating in a restaurant (which she generally treated with great seriousness) or spitting three times in the middle of the street if she saw a black cat or stepping on the foot of a person who’d mistakenly stepped on hers, nor would she utter the word ­cancer—­even after it ravaged her body, even as she prayed for death ­itself—­for fear of taunting the disease.

Revue de presse :

“A Dual Inheritance is a big, captivating, multigenerational sweep of a romance, ranging from Africa to China to New England’s blue-blooded enclaves. With deftness and swagger, Joanna Hershon spins the intertwining of two Harvard men’s lives into a searching exploration of class and destiny in late-twentieth-century America.”—Jennifer Egan, Pulitzer Prize–winning author of A Visit from the Goon Squad

“The best book about male friendship written this young century.”—Details
 
“[A] warm, smart, enjoyably complex novel . . . Both Hugh and Ed are lonely searchers . . . and [Hershon’s] skill in rendering each of them as flawed individuals is what makes the novel so readable and so rich. . . . A Dual Inheritance is an old-fashioned social novel that feels fresh because of its deft, clear-eyed approach to still-unspoken rules about ethnicity, money and identity.”—San Francisco Chronicle
 
“An absorbing, fully-realized novel . . . [Hershon] renders the book’s many locales with a nuanced appreciation for the way environment emerges out of the confluence of physical detail and social experience. . . . A Dual Inheritance never lets its readers forget they are reading a well-crafted novel, and as a well-crafted novel, it fully satisfies.”—The Boston Globe

“Simultaneously a riveting story of two very different families and a portrait of the United States through the boom and bust decades . . . Think of Anne Tyler and Tom Wolfe, both. This marvelous novel is a mix of heartache and history. I just couldn’t stop reading, and when it was over I felt sad the experience had ended.”—Victor LaValle, author of The Devil in Silver

“[An] engrossing saga.”—Vogue
 
“Hershon artfully guides us through the lives of Ed and Hugh, college buddies who meet at Harvard in the ’60s, shifting between their perspectives through adulthood to detail their lingering impact on one another’s lives in such a way that it’ll make you take a second look at all of your relationships.”—GQ
 
“Let this story of two Harvard men’s unexpected friendship and its sudden end transport you through time (beginning on Harvard’s campus in 1962) and place.”—The Huffington Post
 
“A richly composed . . . portrait of familial gravity and the wobbly orbits that bring us together again and again.”—Kirkus Reviews
 
“This thought-provoking generational tale is a heartfelt and beautiful story of an unlikely friendship that fades at times, but never seems to go away.”—Long Island Press

“Sharply observed and masterfully constructed, Hershon’s fourth novel is her strongest yet, a deft and assured examination of ambition, envy, longing, and kinship.”—Booklist (starred review)
 
“Hershon deftly explores how individuals often sabotage their chances for happiness. . . . The characters in this novel are fully realized, the story moves along at a fast pace, and the author is well informed about her subject. Highly recommended.”—Library Journal (starred review)
 
“[A] searing novel about class, ethnicity, and love . . . The intensely detailed love triangle is reminiscent of an East Coast elite answer to the Midwestern trio of Freedom, but with mere keen observation in place of that other novel’s sweeping moral pronouncements. Hershon explores the ways we can, and can’t, escape our backgrounds.”—Publishers Weekly (starred review)

“Joanna Hershon has written a vivid, elegant novel that deftly roams the decades and the globe in telling a story about friendship, family, and the murky area in between. A Dual Inheritance is a rich and satisfying read.”—Maggie Shipstead, author of Seating Arrangements
 
“Joanna Hershon is further evidence of a pleasing trend set off by Jonathan Franzen’s Freedom and Jeffrey Eugenides’s The Marriage Plot: big books about American politics, social customs, and family dynamics that seek to update and relocate the brilliantly compelling English nineteenth-century novel. I envy and admire Hershon’s ability to so convincingly display the complex intimacies of multigenerational love and friendship. This is a book to lose yourself in.”—Antonya Nelson, author of Bound
 
“Wise, heartfelt, and beautifully written, A Dual Inheritance is about the big things:  love, work, family, money. It earns its ambitions and is astonishingly good. I just loved this novel.”—Joshua Henkin, author of The World Without You
 
“A Dual Inheritance is deep and beautiful and humane. It has a massive scope and a social conscience, and yet is also incredibly intimate. What an accomplished novel; it truly took my breath away.”—Jennifer Gilmore, author of The Mothers

“This brilliant family saga captured me from its opening lines and kept me pinned to the couch—by turns laughing and sobbing—until I’d reached its stunning, satisfying conclusion. It calls to mind The Corrections and The Emperor’s Children, as well as Cheever and Michener and Potok, but this is also a novel squarely in the tradition of Victorian social realism, of Eliot and Galsworthy and Dickens. And like those novels, A Dual Inheritance is a cracking story—populated with complicated, fascinating characters and fueled by surprising turns of plot—but it’s also a deft analysis of class and race in America. With it, Joanna Hershon establishes herself as one of the most important storytellers of the new millennium.”—Joanna Smith Rakoff, author of A Fortunate Age
 
“This insightful, worldly, and engaging novel, at once intimate and broad in scope, traverses continents and decades while hewing closely to the psychological shadings of its characters. A rueful comedy of entitlement and chagrin, it says volumes about the way we live now.”—Phillip Lopate, author of Getting Personal

À propos de cette édition

• Éditeur: Ballantine Books Inc.
• Date d'édition: 2013
• ISBN 10: 0345468473
• ISBN 13: 9780345468475
• Reliure: Relié
• Nombre de pages: 496